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‘In the Shadow of the Sun’: A film collaboration between Derek Jarman and Throbbing Gristle
02.25.2013
08:45 pm
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1987

‘Hello Derek.’
‘Hello. I’m writing in my diary about James Anderton. What a ghastly man.’
‘Yes.’
‘He’s saying we’re living in a cesspit of our making. I mean, how absurd. What a horrid little man. How the supposed Chief Constable of Manchester can say such vile things. It just makes me more determined, you know what I mean? I want to make a film about it.’

Film was personal and political for Jarman. While most most cinema during the 1980s was vacuous, empty, full of sound and fury, Jarman made films that were infused with his life, his thoughts, his passions, his politics—even the biopic Caravaggio mixed-in elements from his life to that of the Renaissance artist.

Jarman was a painter who made movies.

1980

In the Shadow of the Sun is an extraordinary collaboration between Derek Jarman and Throbbring Gristle. It is a more personal work for Jarman, which mixes elements from 3 of Jarman’s Super-8 movies: Journey to Avebury (1971), Tarot (aka The Magician) (1972) and Fire Island (1974), into a dream-like film, filled with magick and ritual, which Throbbing Gristle’s music matches perfectly.

In the Shadow of the Sun was premiered at the Berlin Film Festival in 1980. It contains many of Jarman’s favorite leitmotifs—mirrors, fires, dance—which he returned to again in the more political, The Last of England
 

 

Posted by Paul Gallagher
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02.25.2013
08:45 pm
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An incredible video of Throbbing Gristle: Recording their album ‘Heathen Earth’
10.04.2012
07:09 pm
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An incredible video of Throbbing Gristle recording their album Heathen Earth in one take, on a Saturday night between 20.10 and 21.00 hours, on February 16th 1980. The album was recorded in front of a small audience of friends and associates, at the Industrial Records studios, and was filmed by Monte Cazazza on a single camera, with “certain visual information” included by TG.

“The soundtrack of this tape was taken independant of the 8-track audio master recording and it remains ‘live’ and unremixed and consequently differs from the album in some places. Like the TG sound itself, the quality and content of this recording cannot and should not be compared with conventional commercial recordings…”

Tracklisting: as provided by Genesis P-Orridge:

01. “Cornets” (that’s all we ever called it on gig sheets etc, boring hey!)

02. “The Old Man Smiled” (this is a song I wrote. Originally I was messing about on my own in the Death Factory, at Martello St. I got a rhythm I liked on my COMPURYTHM drumachine. Then a fuzzed lead bass guitar sound. So I recorded it. Maybe 15 minutes or so. One section made it onto 20 Jazz Funk Greats as “Six Six Sixties” I believe. But I always wanted a longer version. So after I came up with a story telling lyric primarily about William S. Burroughs and Brion Gysin in Tangiers and their stories of Captain Clark, boys etc I decided to do the NEW song on Heathen Earth. We did it live a couple of times too. At Oundle School for eg.) For Heathen Earth we used my original cassette as the basic track.

03. “After Cease To Exist” (yes, a new version for Heathen Earth)

04. “The World Is A War Film”

05. “Dreamachine” (Brion Gysin LOVED this track. Said it was best music, equal with The Master Musicians Of Jajouka to use his dreamachine. The rhythm had already existed (one of Chris Carter’s gems). So I always think happy thoughts of Brion, Bachir Attar and others listening with eyes closed in Paris at his apartment opposite the Beaubourg Museum in Rue St Martin. Ah, happy daze.)

06. “Still Walking” (A permutation of ‘meaningless’ phrases cooked up by myself and Sleazy, that were repeated over and over as the musics rythm gave shape to the shapeless. Chris and Cosey were shy of vocals at that time. It was partly a formula to get them to begin using their voices that I suggested based on Gysin’s theories and my own experiences of gaining confidence with microphones simply by using them.)

07. “Don’t Do As You’re Told, Do As You Think” (To be honest I think this is the weakest vocal track and lyric. Someone, a journalist or Sleazy or both suggested we should have a “positive” message! Ugh! Certainly Sleazy persuaded me to try and this is the resultant track. I still find it embarassing and wish I’d never listened to him. It would have been better as an instrumental. Ah well…)

08. “Painless Childbirth” (Named after a 10 inch vinyl album I found in a junk shop from which the voice was stolen.)

A great video of a brilliant performance by an excellent band.
 

 

Posted by Paul Gallagher
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10.04.2012
07:09 pm
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The fabulous BMX Bandits: Interview & performance of ‘(You Gotta) Fight For the Right (To Party!)’
08.13.2012
07:30 pm
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A handsome young Duglas T Stewart of BMX Bandits gave this brief tour of his favorite things for 1980s pop show FSd. Amongst the items on display in Duglas’ den were: a fan’s portrait made from sticky-back plastic, records by Village People, The Beach Boys and Throbbing Gristle (nuff said?), and his plastic fish tank. This will go in some way to explaining why BMX Bandits are one of the most beloved, beautiful and inspiring bands of all time. As has been said by others in the documentary film Serious Drugs, BMX Bandits’ music is like being hugged by all the people you love, all at the same time. Pretty heart-warming.

Duglas’s piece to camera segues into a quick clip of Wray Gunn and the Rockets, featuring a very young Keith Warwick, now with The New Piccadillys, before we return to Duglas and BMX Bandits performing a subversively delightful version of “(You Gotta) Fight For the Right (To Party!)”

Serious Drugs - The Film about BMX Bandits is to be shown at the Portobello Film Festival, in London on 7 September 2012, check here for details.
 

 
Previously on Dangerous Minds

The New Piccadillys: If The Beatles played Punk


 

Posted by Paul Gallagher
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08.13.2012
07:30 pm
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South Park Throbbing Gristle
06.27.2012
10:35 pm
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Posted by Richard Metzger
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06.27.2012
10:35 pm
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Chris & Cosey: seminal electronic albums re-issued
04.12.2011
01:50 pm
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It’s time to even out the love for Throbbing Gristle members Genesis P. Orridge and Peter Christopherson here on DM, with some overdue appreciation of the original “Other Two,” Chris Carter and Cosey Fanni Tutti. If you need an introduction, I will refer you back to yesterday’s post on the excellent interview with the pair at their home studio, courtesy of Electric Independence. 

Electronic music pioneers, and also of dance music strains that went on to be called “Italo” and “Industrial,” C&C have been re-issuing their back catalog over the past few months. The first two albums of four, Heartbeat and Trance came out in 2010 the duo’s own CTI label, and the final two in a series of four, Exotika and Songs Of Love And Lust were re-issued earlier this year. The releases have been remastered and repackaged for limited edition vinyl, and are also available to download digitally.

The closest comparison between the works of Throbbing Gristle and Chris & Cosey (now known as Carter Tutti) would probably be that of Joy Division and New Order. Without sounding particularly similar, both TG and Joy Division were dark, intense, noisy and at times morbid bands who gave birth to projects that took electronic music in a much more upbeat, danceable, poppy direction. It’s complete supposition on my part, but I can’t help but think that tracks like “October Love Song” had a big influence on Sumner & chums:

Chris & Cosey - “October Love Song”
 

 
Chris & Cosey - “Walking Through Heaven”
 

 
Chris & Cosey - “Exotika”
 

 
Chris & Cosey - “Re-Education Through Labour”
 

 
The albums I mentioned above are linked to their respective purchase/listen pages on Boomkat—however there is LOTS more C&C material that can be purchased on the site (two pages worth)—just type in “Chris & Cosey” and have a look.

Posted by Niall O'Conghaile
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04.12.2011
01:50 pm
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Norn Cutson’s Fabulous ‘Record Collection’
02.14.2011
07:50 pm
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Norn Cutson is an artist based in New York. His work is beautiful and joyous, and always makes me smile. And that’s probably his intention for he describes himself as “an illustrator in NYC bringin’ lots o’ warmth & humor to the world!”

Most likely, you’ll have seen his fabulous illustrations of singers, actresses and pop stars in magazines, on posters, or in his wonderful art book Record Collection, which tells the story of his life through the music he loves.

The novelist Lawrence Durrell once wrote “Music is only love looking for words.” In Norn’s case “Music is only love looking for pictures.”

In Record Collection Norn has re-interpreted the album covers of the music that has been central to his life - from Blondie and Throbbing Gristle to Yoko Ono and Dionne Warwick. Music has always been important to Norn, as he explained to Dangerous Minds.

‘Music was a huge thing for us growing up. My parents love music and they had big record collections; my Dad’s a lot of Martin Denny, Herb Apert, Jackie Gleason and some classical pretensions; Mom’s lots of musicals, soundtracks & pop. My sister & I quickly learned that you could control the mood of the house by choosing the right music.’

It is said, “Artists are born not made,” which is true of Norn, for as far back as he can remember he has been drawing.

‘Before I could even sit up by myself, my Mom would guide my hand with a crayon, making shapes on paper. As I got older, we would play a game transforming the shapes into animals. So I’ve really been drawing all my life.’

From crayon animals, he started copying the Funnies.

‘I remember at 5 years old locking myself in my room and teaching myself to draw Charles Schulz’ Peanuts characters, because I wanted to tell my own stories with them. You can still totally see that influence in my art.

‘I’m always drawing. Even when I am not physically drawing, I am still working things out. I have more images in my mind than I will ever have time to bring into physical reality.

‘Art is Alchemy. It’s all about snatching the image out of the ether, solidifying it in your mind, forcing the image out of your shoulder, down your arm and out of the body onto paper, so the rest of the world can see.’

His book Record Collection is a wonderful treat, a brilliant collection of pop history that synthesizes Norn’s life thru music and art.

‘My Record Collection series came out of finding a new way to tell my story. I’ve drawn autobiographical comics for decades. I love it, but sometimes when you are using words, there’s too much room for misunderstanding. Plus, I have a tendency to get sappy in my writing.

‘With Record Collection, I can evoke a time & emotion just using imagery, and its better that it’s open for everyone to project their own experience on. Peggy Lee might mean one thing to me, and something totally different for you, but we’ll both have a valid response to her image.

‘One of the things (cartoonist and author) Lynda Barry teaches is to always work in a series; that way, you build momentum from one piece to the next, and before you know it, you’ve got a body of work.

Record Collection also came out of that idea. But what would it be a series about?

‘At first, I thought Hindu gods & goddesses, because they would be fun to research & draw; but then I realized, to be authentic, the series had to be something that was meaningful for me, not just something I’d read about. It had to be something that really happened to me.

‘I hadn’t grown up with any religion, so what could I use as symbols that other people could see their own stories in, that was coming from a spiritual place?

‘And then of course, I knew: MUSIC was the belief system we were raised with. And with that, I’ve tapped into a series that can last me the rest of my life.

‘I believe The Goddess sends messages through the shuffle feature of our ipods. She may not be playing what we want to hear, but she’s playing what we *need* to hear. What does this song mean to me now? What did it mean when I first heard it? How does this song apply to my life?

‘Sometimes, you can use music as a time machine to go back in time and fix things, or at least understand them better.’

Volume 2 of Record Collection will be published in March, and then Norn will be working on a book of autobiographical comics. He is also planning another exhibition.

‘I’d like to have another show of my work. Seeing people’s smiles when they look at my art is a wonderful feeling. Nothing makes me happier than knowing there’s a place in the word for my images, and that I have the ability to translate them into a form that other people can see and enjoy. I feel if we have that blessing, its our responsibility to serve it.’

Check out more of Norn’s work here and on his Pinterest page.
 
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More of Norn’s fabulous pics, plus bonus clip, after the jump…
 

READ ON
Posted by Paul Gallagher
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02.14.2011
07:50 pm
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Happy Birthday Chris Carter: ‘The Spaces Between’ LP re-issue
01.28.2011
08:31 am
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Founding member (along with his partner Cosey Fanni Tutti) of Throbbing Gristle and Chris & Cosey (now Carter Tutti), inventor of the Gristleizer and seminal influence on both the electronic and industrial scenes, today is Chris Carter’s birthday.

Which gives me the perfect excuse to mention his recent The Spaces Between album re-issue. His first ever solo album, it was originally released in 1980 on cassette only. In 2010 it was issued on vinyl for the first time ever by Optimo Music (the same Optimo who supplied the excellent ambient-not-ambient mix I posted at the start of the week). It has been trimmed down from 15 tracks to 6, and now includes the track “Climbing” which was not on the original album.

Here’s what Optimo Music have to say:

Originally recorded between 1974 and 1978 at Industrial Records studio in London ‘The Space Between’ album was first released as a 90 minute cassette in 1980 on Throbbing Gristle’s Industrial Records label. It wasn’t until 1991 that it was again released by Mute Records on CD. Although tracks from ‘The Space Between’ have appeared on numerous compilations since its release, the album has never been available on vinyl until now.

This new vinyl edition on Optimo Music, now retitled ‘The Spaces Between’, doesn’t include all the tracks of the original album but has been enhanced and remastered from the original two-track master tapes and has new cover artwork especially for this release. All tracks have been remastered by Chris Carter in 2009 for this release.

Chris Carter - Interloop
 

 
Chris Carter - Solidit

 

 
The Spaces Between is available to buy on vinyl and download from Boomkat in the UK. Chris & Cosey are in the middle of re-issuing their back catalog too, but I will save that for another post.

Posted by Niall O'Conghaile
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01.28.2011
08:31 am
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Some of Sleazy’s Best: The ecstatic anthropology of Threshold HouseBoys Choir
11.26.2010
12:16 pm
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Peter “Sleazy” Christopherson’s passing yesterday evoked many tributes to the man as a member of influential electronic acts Throbbing Gristle, Psychic TV and Coil. But we haven’t heard quite enough about one of his best solo projects, Threshold HouseBoys Choir.

Both live and on the guise’s single proper release, Form Grows Rampant, THBC basically comprised Sleazy backing his own video of various rituals at the Vegetarian Festival in southern Thailand’s Krabi Town (12 hours from his adopted home of Bangkok) with an abstract soundtrack that drew on the many field recordings he made in the city. Christopherson’s infamous fascination with the young active male body is clear in this work. But many of the problematics surrounding the European gaze that typifies exotica seem mitigated somehow by the late composer’s intimate audio-visual treatment. 

Overall, Christopherson’s work helped create a literary, psychotropic aesthetic that synthesized aspects of outside sexuality, technology, and ritual magick, bound by a wry sense of humor. THBC brought that angle to a highly personal level, and will stand as an evocative late moment in the man’s prolific career.
 

 
More from Form Grows Rampant after the jump…

READ ON
Posted by Ron Nachmann
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11.26.2010
12:16 pm
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R.I.P. Peter “Sleazy” Christopherson 1955-2010
11.25.2010
09:08 am
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Peter “Sleazy” Christopherson, founding member of Throbbing Gristle, Psychic TV, and Coil, died in his sleep yesterday, 24 November, at his home in Thailand, he was 55.

The initial announcement was made by Throbbing Gristle members Cosey Fanni Tutti and Chris Carter who tweeted the same message:

Our dearest beautiful Sleazy left this mortal coil as he slept in peace last night.words cannot express our grief.

Throbbing Gristle’s official website has been updated with the message

We are saddened to announce the death of Peter Christopherson.

Sleazy passed away peacefully in his sleep on the

24th November 2010 at his home in Bankok.


Peter ‘Sleazy’ Christopherson

1955 - 2010


 

 

Posted by Paul Gallagher
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11.25.2010
09:08 am
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X-TG carry on
11.14.2010
07:49 pm
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The question of whether or not Genesis Breyer P-Orridge has quit Throbbing Gristle remains not fully answered. Despite Thee Deevelopment, TGers Peter “Sleazy” Christopherson, Chris Carter and Cosey Fanni Tutti have gone on to fulfill their early-November live TG obligations in Italy and Portugal as X-TG. The group has uploaded some media from those shows on their new site.

P-Orridge’s ambivalent statement on the matter was offset by “Unkle Sleazy’s” take, and there’s likely debate as to how much value a P-Orridge-less TG holds. I’d think the excerpts below from the two shows speak for themselves.
 

  X-TG ‘XPad’ Live at Porto Casa Musica by Industrial Records
 

 

Posted by Ron Nachmann
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11.14.2010
07:49 pm
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Genesis Breyer P-Orridge did not quit Throbbing Gristle(?)
11.05.2010
12:51 pm
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Breyer P-Orridge in 2006 by Laure Leber.
 
A further statement, rather ambiguous, from Genesis Breyer P-Orridge regarding the recent Throbbing Gristle rift. According to Gen, s/he didn’t quit the group:

Dear Friends,

We have seen and heard various inaccurate, erroneous, even sometimes libelous speculations about why we felt compelled to drop out of the current Throbbing Gristle tour. As a result we intend to address these matters in full as soon as possible. We hope that what we state now, and later, will be clear, will not fan the flames of destructive gossip, will not seem negative and will reduce an somewhat dramatic situation into a simpler story. We want to make it clear right now that we did not, and have no wish to quit TG. Obviously there is more involved than just that simple statement. Personally, at this point of my life, my position is that the inner workings and dynamics of any band, but especially of TG, are as intimate, unique and most of all complex as they are within any family. Unfortunately, even at the level TG occupy in popular culture, band business becomes potentially everyone’s business. We all know the internet has amplified the speed of distribution of “information” almost as fast as it has accelerated the decline of accuracy worldwide. We have no interest in pointing fingers (or is it claws?) at various people or sites and accusing them of letting the cat out of the bag. Bickering is never attractive, not one on one nor within the realms of an ever expanding media fueled by smart phone technologies and laptops. As soon as we have composed a written version of what series of events we believe led to my feeling unable to remain part of THIS short tour by the re-grouped TG that feels acceptable we will post it here.

Genesis Breyer P-Orridge

Below, a video demonstrating an amazing new multiple from Breyer P-Orridge, the “Pandrogyne Cube.” The limited edition shifting photo sculpture, 4 x 4 inches, edition of 300 costs $123 + shipping and handling. Purchase at Invisible Exports in NYC.
 

Posted by Richard Metzger
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11.05.2010
12:51 pm
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The Mission is Terminated (again): Throbbing Gristle break up
10.30.2010
08:27 pm
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This was posted at the Throbbing Gristle website. TG were always a volatile proposition, but this is still somewhat shocking, and terribly disappointing, news.

In the evening 27th October TG members and their associated managements
received two emails from Genesis P-Orridge stating he was no longer willing to perform in Throbbing Gristle and returned to his home in New York.

Cosey, Sleazy & Chris have concluded that once more, and for the time being, Throbbing Gristle has Ceased to Exist, at least as a live entity.

Therefore, and with deepest apologies, TG must cancel their scheduled performance at Archa Theatre, in Prague, Czech Republic on 30th October.
It being too short notice to offer an alternative set.

In order not to disappoint fans of the old quartet, Cosey, Peter & Chris have offered to perform live under the name X-TG at Arena Del Sole, Bologna, Italy
on 2nd November & at Casa Musica, Porto, Portugal on 5th November.

We hope fans will appreciate and enjoy this new project and the trio is looking forward to performing exciting new and radical electronic musics together.

Below, an interview conducted by Xeni Jardin and myself on Boing Boing Video, shot in April of 2009.
 

Posted by Richard Metzger
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10.30.2010
08:27 pm
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The Dirty Carter Experimental Sound Generating Instrument
10.08.2010
10:19 am
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Throbbing Gristle’s Chris Carter puts a new audio device in his high tech arsenal through the paces:

The Dirty-Carter Experimental Sound Generating Instrument uses a dual 4-stage shift register. Each register is controlled independently. Two oscillators are used per register: one as a clock, the other as input data that is cascaded through the four stages. The outputs from the stages are mixed together. A fast clock rate produces a crude form of wavetable synthesis, whilst a slow clock rate creates audible pulses and clicks. The clock speed and the data input’s frequency are controlled by touch electrodes/pads. By tilting the instrument, sound from both the 4-stage shift registers can be mixed together. Glitchy noise, deep drones and percussive peeps!

Posted by Richard Metzger
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10.08.2010
10:19 am
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Assume Power Focus: Throbbing Gristle European tour dates
10.03.2010
04:31 pm
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Throbbing Gristle’s European tour dates have been announced. Speaking as a LONGTIME TG fanboy—and one who got to actually stand on the stage with them in Los Angeles last year (I was behind the speakers just a few feet behind Cosey and Gen) feeling the insane sonic power of the legendary group—I say to our readers in London, Prague, Bologna and Portugal, do not miss these shows!

TG will also be headlining one night of the All Tomorrow’s Parties festival, this year curated by Godspeed You! Black Emperor.

23rd Oct - LONDON VILLAGE UNDERGROUND, UK
30th Oct - PRAGUE ARCHA THEATRE, Czech Republic
2nd Nov - BOLOGNA, ITALY
5th Nov - PORTO CASA MUSICA, Portugal
4th Dec - ATP, MINEHEAD, UK

For more information see www.throbbing-gristle.com
 

Posted by Richard Metzger
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10.03.2010
04:31 pm
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The Infinity Factory: Genesis P-Orridge Interview
12.02.2009
08:25 pm
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Another vintage Infinity Factory show for you fine people. This late ‘90s episode features an in-depth interview with my good friend and lifelong hero, Genesis P-Orridge on the topic of the then new book, Wreckers of Civilisation: The Story of Coum Transmissions and Throbbing Gristle.

THEE PSYCHICK BIBLE: A New Testameant is Gen’s latest work, published by Feral House (and edited by Dangerous Minds own Jason Louv). It’s been produced in a high-quality, strictly limited edition of 999, signed copies, each with a 2-hour DVD of GP-O related video rarities, some directed by Derek Jarman and Peter Christopherson. Order yours here.

Parts II, III, and IV

Posted by Richard Metzger
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12.02.2009
08:25 pm
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