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New Yorkers & Angelenos absolutely losing their sh*t over a bicoastal video hook-up in 1980
11.20.2014
10:24 am
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It’s obscene how we take technology for granted. The Internet is the greatest communication tool since the written word, and what do I do with it? I (expertly) evaluate dick jokes for wage labor, and look at videos of cats soothing babies to alleviate my Seasonal Affective Disorder. We’ve not always been so cynical though.

Artists Kit Galloway and Sherrie Rabinowitz created an installation called “Hole in Space” in 1980. Utilizing cutting edge satellite technology, life-sized audio-visual transmissions were displayed in real-time between New York’s Lincoln Center and an open air shopping mall in Century City, Los Angeles. Not only was the installation setup utilizing technology few had ever seen (much less used), no explanation was given for what was transpiring and no sponsors or artists were credited—it was sort of a huge, impromptu guerrilla video-chat.

Unlike say, a Google Hangout or Skype chat, participants in the piece (who were completely random passers-by), had no “video reflection” of themselves—they couldn’t see their own transmission as the other line did, because there was no extra window mirroring them. This made for a completely organic, unselfconscious moment of communication. The piece ran in two hour increments, for three days (November 11, 13 and 14) and as news of the public-space, bicoastal party line spread, the crowds grew.
 

 
The video below is taken from those impromptu interactions between New York and LA, and it’s absolutely amazing. Viewers/communicators are so shocked and delighted by such a seamless connectivity across the country—it’s an incredibly moving thing to witness. I can’t actually think of a time in my entire adult life where I’ve been as surprised or affected by technology as these people were—much less in public.
 

Posted by Amber Frost
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11.20.2014
10:24 am
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Aliens, bleeding walls and too many cops: The amazing public light art of Madrid’s luzinterrup

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The global metropolis is seeing a golden age of street art nowadays, as seen in the evolution from spraycan through stencil/wheatpaste and on to other outdoor installations. The Luzinterruptus crew from Madrid has been doing some amazing light-work lately with some compelling underlying themes.
Their latest, Ejército de platillos volantes desechables (above), saw them land an army of disposable flying saucers in Parque del Oeste, the home of the rebuilt ancient Egyptian Temple of Debod.
 
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Before that, the Luz’ers’ Publicidad herida de muerte (Mortally Wounded Advertising) commented on the thick layer of posters that cover the city’s walls by making them bleed fire.
 

 
Some months ago, curator Sebastian Buck in Good Magazine surfaced Luz’s Tanta Policía, para tan Poca Gente… (Lots of Cops for So Few People), in which the crew protested the increased police presence in their East Villagesque Malasana neighborhood by decorating 50 random cars with homemade replicas of the city’s official blue siren.

 

Posted by Ron Nachmann
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06.25.2010
12:22 am
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