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Blackout! The mysterious story behind Black Sabbath’s first US gig
10.30.2014
10:26 am
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Black Sabbath 1970
Black Sabbath, 1970
 
On this day 44 years ago, Black Sabbath played their first-ever show on U.S. soil. However, as the headline of this post insinuates, the actual location of the gig is some debate, depending on the sources you choose to believe.
 
Black Sabbath London 1970
Black Sabbath, London 1970
 
Riding high (quite literally) on the huge successes of their first two albums, Black Sabbath (released on February 18th, 1970) and Paranoid (released on September 18th, 1970), both Black Sabbath guitarist Tony Iommi and vocalist Ozzy Osbourne historically credit the location of their first U.S. show in their respective autobiographies as legendary Manhattan club, Ungano’s. In his 2012 autobiography, Iron Man: My Journey through Heaven and Hell with Black Sabbath, Iommi recalls showing up to Ungano’s and was horrified at what a “shithole” the club was. Their roadie plugged their Euro gear into Ungano’s U.S.-only sockets and subsequently blew the club’s fuses. After a short unplanned pre-show intermission, the power went back on and Black Sabbath’s first gig was history. Or was it?
 
Black Sabbath at Glassboro Esby Gymnasium, October 30, 1970
Black Sabbath jamming at Esby Gymnasium at Glassboro State College?
 
Other sources claim that the band’s first gig took place at Glassboro State College (now known as Rowan University) in New Jersey. And the story is quite similar to Iommi’s. Claims made by rock promoter Rick Green, the brother of Stu Green who with his brother ran Midnight Sun an influential music promotion company that started out in Pennsylvania in early 70’s, has been quoted as calling himself the “promoter” of Black Sabbath’s “first U.S. gig” at Glassboro. On the surface, it’s not hard to believe. The Greens booked everyone from Lou Reed and Alice Cooper to the Patti Smith Group at the historic Tower Theater in Upper Darby, Pennsylvania, not far from Glassboro State.

In aninterview that Rick did in 1992 with The Philadelphia Daily News, he spoke about the gig in strangely similar detail to Iommi’s recalling that Sabbath blew out the power after plugging in their amps into incompatible sockets. This caused the gig to be rescheduled until the end of Sabbath’s inaugural tour. Hmmm. So what about Glassboro? Was it real, or was it just a bad memory? Here’s another version of the Glassboro story, according to an article from The Seth Man, a journalist who writes over at Julian Cope Presents Head Heritage. The post also cites Rick Green’s Daily News interview as a source, but includes more detail:
 

The band’s (Black Sabbath’s) passage through customs at Kennedy Airport in New York proved to be “a day-long trauma that left the group tired and humiliated,” causing them to be three and a half hours late for the gig. Finally appearing onstage at 1:00 in the morning, the power to their sound system cut out during the first song. It was fixed within a few minutes, but once they recommenced they caused a second power outage that not only knocked out their sound system but the power to the gymnasium, the campus and “...most of the power in the neighborhood. The street lights were out and there was darkness.” Appropriately enough, the date was Mischief Night: exactly half a year away from Walpurgisnacht on October 30th.

 
Is this Black Sabbath? The SG Gibson may provide a clue
Black Sabbath, perhaps snapped during the Esby show
 
As I mentioned earlier, there are many resources, some trustworthy, that credit Glassboro as Sabbath’s first American gig, including British author Garry Sharpe-Young (specifically in the book, “Metal: The Definitive Guide”) and the Rock and Roll Hall of Fame’s timeline on Sabbath. I’ve even read accounts that seem legit that tell the tale of a young Ozzy Osbourne, allegedly so distraught during the Glassboro gig that he wandered off into a messy pile of tears in corner of Glassboro’s Esby Gymnasium (where the mythological gig was held), while shouting “I hate America and I want to go home!” Of course I’d be remiss if I didn’t mention that said article spelled Ozzy’s name “Ozzie” and also notes that Ozzy was 20 at the time, when he was actually 22. I’m probably nitpicking here, but for what it’s worth, I’d like to present another piece of this very weird puzzle.  Below is a strange show poster for the Glassboro show, supposedly created by promoter Rick Green’s little sister. The poster went to auction at Christie’s in 2007. The auction item’s bio states a bit of maybe-history noting that after the power went out during the first song, Sabbath wasn’t able to continue and the show was made up later at neighboring Montclair State University.
 
Black Sabbath Glassboro show poster Christies
Black Sabbath show poster for Glassboro State College. Christies auction 2007.
 
So what to believe? In my mind, it’s hard to conceive that Tony Iommi’s recollection of Sabbath’s first gig would be incorrect. I mean, he was there, man. And despite the fact that it’s nothing short of a miracle that Ozzy remembers anything from those early days (although in his book “I Am Ozzy,” which I’m currently reading, he remembers a lot), the fact that he corroborates Iommi’s heavy metal history lesson just adds credibility to the show taking place at Ungano’s. So let’s put an end to this folklore once and for all. In the pages of the the Fall 1998 issue of Rowan Magazine the University historians took a look back at the many famous visitors they have hosted through the years such as Blondie, Elton John and Jane Fonda. The publication, that the University publishes itself, makes no mention of Black Sabbath. So there you have it. Black Sabbath’s first live U.S. show PROBABLY took place in a small, skuzzy club in Manhattan on October 30th, 1970, not some upper-crust college in New Jersey that was more accustomed to the stylings of Arthur Fiedler and the Boston Pops Orchestra. The END (or is it?).

Posted by Cherrybomb
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10.30.2014
10:26 am
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Hear the new Boards Of Canada record - yours for just $4600
05.01.2013
07:35 am
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BOC fan art by Fel1x

Daft Punk aren’t the only stars of 90s electronica making a comeback this year. As you may have heard, Boards of Canada are set to return after an 8 year hiatus, with new album Tomorrow’s Harvest due to drop next month.

Billboard reports:

The influential electronic duo, comprising Scottish sibling producers Michael Sandison and Marcus Eoin, announced their Warp Records effort will land this June—their first full length album since 2005’s critically-acclaimed Campfire Headphase and their first set of new works since 2006’s Trans Canada Highway EP.

Tomorrow’s Harvest will arrive June 7 in Australia (through Inertia), June 10 in the U.K. and Europe, and June 11 in North America.

Boards of Canada are the most enigmatic of acts. They’ve never dominated any charts—of their three previous studio albums, their sophomore set Geogaddi has the highest U.K. chart peak at No. 21. And they’re not road-hogs. In fact, they’ve only played publicly on a handful of occasions, and never in the past 10 years.

But their recordings-to-date have set the tone for low-key electronic music. Their return to the music world will be rejoiced by a global cult of followers.

Anticipation is very high indeed.

So high, in fact, that some enterprising tyke is currently selling a BOC promotional 12” on Ebay for a staggering four and a half grand (down from five grand yesterday).

When I found this record I was anticipating some sort of unreleased track, which excited me in an almost frightening way (its just music.. right?). So when I first played the record, needless to say, I was mystified, and in some ways disappointed, but that disappointment would soon disappear. What I got instead, the experience of calling out to the web and watching the internet and its many niche-communities rally to pick apart this puzzle, was something I still haven’t fully wrapped my head around, but I am at any rate incredibly thankful to have been a part of this ...thing. Now, as much as this record means to me, I’m just a college kid getting ready to graduate and move abroad and am in serious need of money, thus, as hard as it is to let this record go nothing will erase the experience of pursuing the answer this record made me ask, and moreover the satisfaction of having that question answered by the hard work of my fellow nerds (new album, yay!). My thanks to the highest bidder for helping me start out on my own, and to the web community at large for making these last two weeks so incredibly memorable. new album June 10!!! hurray!

If you have the dosh, you can be the talk of all your EDM friends.

EDIT: As it turns out, this record isn’t even the new album, it contains less than a minute’s worth of music and a string of numbers. Even better! Apparently there have only been two copies of this record pressed up, hence the high price (though I am suspicious of that claim, unless the record is actually an acetate?)

Of course, this may all be part of the current viral “mystery” marketing campaign for Tomorrow’s Harvest‘s upcoming release (edit: looks like it is) which has seen cryptic clues being left all over the web for fans to decipher and follow. I prefer to think of it as more proof the the Illuminati run music, but if you’re in a Scooby Doo-mood for solving mysteries with a groovy soundtrack, then hop on over to the Cosecha Transmisiones website and get stuck in.

In the meantime, here’s a teaser video for the upcoming album, somewhat reminiscent of Prince Of Darkness on very heavy downers:
 

 

Posted by Niall O'Conghaile
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05.01.2013
07:35 am
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