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Sexy Beasts & Monster Cartoon Freaks: The weirdo art of ‘Heaven’s Favorite Man’ Matt Crabe
11.07.2017
08:55 am
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‘Bury Death on a Full Moon.’
 
Artist Matt Crabe is one helluva prolific guy. He makes paintings, prints, drawings, ‘zines, books, pins, death threats, t-shirts, and giant hanging paper demons which all feature his beautifully grotesque and NSFW creations.

Crabe draws intricate Day-Glo colored monsters, ravenous demons, and deformed super freaks that burst off the page like some weird unnameable creatures from the very worst kind of nightmare. As you can tell, I dig Crabe’s work a lot. He’s tapped into something that connects trippy childhood cartoon figures with a scatological glee for sex and bodily functions.

Based in Asbury Park, NJ, Crabe drops his work down from Heaven—or so he says, indeed he calls himself “Heaven’s favorite man”—and sells it via his online store, and shares through his Instagram and Tumblr. Check more of Matt Crabe’s work here.
 
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‘The End of the Drought.’
 
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‘When water isn’t enough for the flowers anymore.’
 
See more strange monstrosities, after the jump…
 

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Posted by Paul Gallagher
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11.07.2017
08:55 am
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‘Sicko-Delic’: Luminous rednecks, grotesque goons and Day-glo freaks
01.18.2017
01:15 pm
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‘No Fun for Hayley’ (2014).
 
The writer, artist and critic John Berger was right when he said a viewer has to be in front of a work of art before they can fully appreciated it. Alas, we’ll just have to make do with digital copies of Hayley Arjona’s giant canvases—some reaching up to fifty feet in length—but I’m sure we can still appreciate her incredible talent and originality in producing beautiful, complex, trippy, comic, psychedelic pictures.

Hayley Arjona is an Australian artist based in North Central, Victoria. She works out of a converted hay barn on a farm where she raises free range pigs and sheep. Hayley studied for a Masters of Fine Art at the Victorian College of Arts, Melbourne in 1999, before beginning her career as an artist.

Apart from painting and raising pigs, Hayley works as a set painter on films (Don’t Be Afraid of the Dark) and TV productions. She paints in her studio while while blasting out “progressive psy-trance or Doom/Sludge metal and Psychedelic rock.” It helps her get into the right mood to produce such brilliant luminous near Day-glo canvases. To get the colors just right she mixes fluorescent dry pigment into oils—“Once bitten by these hyper colours its hard to look back!”

I never know what to say about my work, there is just so much in there. Some stuff I meant, some stuff which just happens and some stuff which happens because I don’t know what I mean yet.

~snip~

The grotesque and exaggerated characters and abundant use of colour serve to make light of an undercurrent of darkness. The darkness I believe inherent in our collective Australian psyche. Things too unbearable to consider without humour and satire. The degradation of our existence, our society, of people and the environment from greed, apathy and ignorance. Perhaps it is ridiculous to see beauty in any of this, but I am compelled to appreciate my surroundings. With the drastic changes in the landscape from season to season, sky watching for rain, there is much here to inspire.

Bodies swell out of trees and landscapes while breasts suckle and faces turn into genitalia as skulls erupt out of mouths and litter the ground. Her paintings contrast the rich fecundity of life with the fatal stupidity of humans. In A-Bomb Stigmata (2016) a man is seemingly masturbated while atomic clouds mushroom overhead. Is this the last biological imperative for life even at the moment of death—in the way when men who were executed by hanging were said to ejaculate at their extinction? Or merely fiddling while the world burns? It’s apparent there is a tremendous amount of humor and warmth in these paintings which makes them doubly appealing.

Hayley has exhibited across Australia and Europe with her most recent exhibition Sicko-Delic held at the Caspa Gallery in Victoria last year. You can follow Hayley on Instagram and Facebook.
 
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‘A-Bomb Stigmata’ (2016).
 
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Whole Lotta Rose’ (2014).
 
More psick psychedelic beauty, after the jump…
 

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Posted by Paul Gallagher
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01.18.2017
01:15 pm
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