As we await the election results, cool your heels watching this lovely, intimate discussion between Patti Smith and Neil Young filmed during BookExpo America earlier this year.
This is so smart and soulful.
Bowie’s Aladdin Sane cover artwork with X-Man Cyclops.
German artist Ewe de Witt re-imagines iconic albums with superheroes.
I think the Grace Jones cover with Luke Cage is my favorite.
Check out more of Ewe de Witt‘s superhero album covers at his Cover Parodies section on DeviantART.
Pink Floyd’s Dark Side of the Moon cover artwork with Dr. Strange.
Grace Jones’ Living My Life cover artwork with Luke Cage.
More photos after the jump…
A letter dated November 14, 1969 from record producer Teo Macero to Columbia/CBS Records executives regarding Miles Davis’ suggested title for Bitches Brew.
“Please advise.”
Click here to see larger image.
Via High Definite
Bloomberg doing his best approximation of a Christian rock album cover, and half as sincere
New Yorkers are pissed off with local response to Sandy. Trains in poorer neighborhoods have been lower priority for restoration. Bloomberg defended going through with the New York Marathon while they were still fishing bodies off of Staten Island. When public sentiment finally forced his hand, he was demonstrably begrudging, perceiving the cancellation as a huge concession on his part.
Afterwards, it took forever to bring the (highly portable) marathon resources from the race points to those in need. There’s a gas shortage further immobilizing the city. People are still waiting in long lines for shelter and food, and necessities, and many areas are still woefully under-serviced. And now there’s been a nasty cold snap.
It only makes sense that Bloomberg make an appearance for a photo-op. Fortunately, the awesomely bitter New York spirit takes no truck with his unctuous performance. Notice how he just walks away from his constituency and instead drops a sound bite on the cameras.
It occurs to me that I am America.
Uncle Allen was right. We are America and we are talking to ourselves again. So let’s be clear, let’s vote, let’s speak out, let’s be heard, if for no one else but ourselves.
The latest release from BMX Bandits reunites the talented, maverick frontman, Duglas T. Stewart with his former Bandits Jim McCulloch, Norman Blake and Sean Dickson, who together have produced BMX Bandits In Space, which is the most accomplished and best record of the Bandits’ long and influential career.
This the 16th BMX Bandits’ release and is the first time Stewart has written with Dickson and McCulloch in over 20-years. The rekindling of their talents has gilded the quality of the bandits’ songs - writing some of the finest they band has ever produced.
‘There isn’t really a pattern or formula for how BMX Bandits songs are written,’ Duglas T. Stewart explains, ‘And I like it that way.’
‘I think some writers get tied in by habits they have when writing, their hands tend to gravitate to certain shapes and chord progressions on instruments. Because I don’t write at an instrument, as I don’t really play any instruments and don’t understand the rules and mathematics of music, I avoid doing that naturally. When I write a melody it can pretty much go anywhere.
‘For this album the songs were written many different ways. A lot of the songs were written with Jim McCulloch. Jim was an original member of BMX Bandits in 1985 and 1986 but we didn’t really write together then. Sometimes Jim had a musical idea that I would contribute other musical ideas to and lyrics to and sometimes he had some words and a bit of a time and sometimes I had the original musical idea. I think of music in very visual ways, a bit like a soundtrack to little movies in my head or like what Shadow Morton, Ellie Greenwich and Jeff Barry did with The Shangri-Las. So within a song each musical section will often be a representation of a scene. Musical phrases and sound motifs may represent a character, an emotion, an action or even dialogue that the lyrics doesn’t include.’
Through a series of connected songs, BMX Bandits In Space tells the story of an Astronaut as he drifts in space and time, looking back on the loves of his life.
‘The space in BMX Bandits In Space isn’t the space of Star Wars or 2001: A Space Odyssey, it’s more like the space that’s portrayed in Douglas Trumbull’s Silent Running,which starred Bruce Dern, or a bit like a space version of 1964 TV version Robinson Crusoe, scored by Robert Mellin. Mellin’s Crusoe soundtrack for that series was something I kept returning to during the making of BMX Bandits In Space.’
The opening track is the beautiful “Still”, which sets the tone for the album and where Stewart, at times, sounds like a young Willie Nelson.
“Still” - BMX Bandits.
‘The first song that I wrote for this album was “Still”. The melody for the verses and the first line came to me the last time I visited Japan. I kept singing “There’s no need to worry, it’s going to be alright” over and over to myself, trying to reassure myself but somehow I didn’t believe myself.
‘I worked on my idea with the Japanese group Plectrum and when I returned home they sent me a rough version of what they had recorded. I was playing the game Wii music with my son and I loved it and the sounds on it. I could suddenly hear/see the complete story and heard the arrangement for the song with mellotron voices and sounds like the ones on the game. The song set the whole tone and mood and setting for the album. Although the song doesn’t mention space or space travel I felt like the character in this song was hopelessly drifting in space in a little pod like craft with instruments crackling and things shorting around me.’
“Still” sets up the concept of an astronaut or traveler in search of personal, emotional redemption, the tale told through the cycle of songs, incluidng “Beautiful Friend”, where we are told:
“I was alive again, I could smile again.”
Through to “Look At You, Look At Me” and “Listen To Some Music”, with its knowing reference of post pop glories, to “Like The Morning Sun” - with Rachel Allison’s delectable vocal, “Elegant Love”, “You Disappointed Me”, “Fucked Up This Time”, “It’s You”, through to the haunting final refrain of the brilliant “In Space”.
BMX Bandis “In Space”
Duglas explains there are a series of characters who run through the album, appearing and reappearing on different tracks, as he explains:
‘The Lonely Astronaut - dreaming, remembering and misremembering little scenes of love.
‘The Dream Lover - who first appears in the song “Beautiful Friend”, then reappears in “Look at You, Look at Me”, “Like The Morning Sun” and in other places.
‘The Angel - who can wash away my sins and guide me and other lost souls home, sometimes she blurs at the edges with the dream lover character.
‘The Soldier - sent off to the front the day after meeting his ideal girl at a dance. Again this character blurs with the lonely astronaut, with me and with an idealised version of my grandfather.’
The blurring of these characters and songs reveal how close their emotional odyssey in BMX Bandits In Space is to Stewart’s own biography, and the ending with the Astronaut / Soldier traveling across a landscape bathed in light, offers a hopeful redemption.
As Duglas sings on the album:
“It’s a complicated story, like the best ones can be…”
which
“...could change your life, so let our song begin.”
And I suggest you do just that. For Duglas T. Stewart and his fellow Bandits have brought together the best of their talents to make BMX Bandits In Space a stunning, beautiful and brilliant album, which is top of my list for Album of the Year.
5 stars *****.
BMX Bandits In Space is release on Elefant Records and is available here.
Previously on Dangerous Minds
Duglas T. Stewart: The Incredible Pop Life of a BMX Bandit
Tea Party freak Elmer Williams Jr. (The Angry Black Man) runs a blog called “Whatever Happen To Common Sense” (spelling is his, not mine). Williams is living proof that it doesn’t take a shitload of intelligence to operate the machinery of the Internet. He also seems to have gotten the hang of Youtube as well. In this particular rant he goes after Bruce Springsteen and predicts a future in which The Boss is under the thumb of Ayy-rabs in some sort of Ayy-rab concentration camp.
Riding around in his bigass pick-up truck and wearing a pair of mirror shades that would make Erik Estrada envious, Williams’ worldview is a pungent mix of stupidity and arrogance and would be funny if it weren’t so damned pathetic.
There is no doubt in my mind that the single best writer covering the 2012 election, numero uno, is Esquire’s Charles P. Pierce. I admire Pierce’s insight, his craft and the fact that he actually has a deep knowledge of 20th century history and politics.
He’s also hilarious. Real bust-a-gut, laugh out loud funny with tears running down your face stuff. There was really no competition this year, I don’t think, for the best writing on politics, although I rate The Daily Beast’s Michael Tomasky, Rolling Stone’s Matt Taibbi and Salon’s Alex Pareene very highly, also. But when it comes to the writing, Charles P. Pierce is, I think by far, the finest political prose stylist in American life, in a rarefied class with Mark Twain, H.L. Mencken, Ambrose Bierce, Gore Vidal before he became a crank and Hunter S. Thompson before his brain got soft.
I don’t hesitate to make that claim for Charles Pierce’s writing, read him for just a week and I’m sure you’ll agree. I find myself in awe of his talents on pretty much a daily basis. No one has him beat for creative ways of calling idiots idiots and I love him for it. I only wish I could write as well as he can. For his coverage of the 2012 election, the guy deserves not only a Pulitzer prize and a lucrative new book contract, but his own TV show. He’s my dream guest to see on Moyers & Company.
Reading Charles P. Pierce is a privilege. Pierce wrote the best piece, bar none, on the reason to vote for Barack Obama tomorrow. Reposting it here in its entirety, since it doesn’t lend itself to an easy exceprt. I hope he won’t mind.
To sum it up, the most compelling reason to vote for Obama has got less to do with Obama himself or his record and everything to do with making sure Mitt Romney and his fellow passengers in the Republican clown car don’t get the keys to the White House
Because I am going to be in Florida on Election Day, I am voting this morning here in the Commonwealth (God save it!). There is only one vote that I am casting with any measurable amount of enthusiasm. That is the vote I am casting for Elizabeth Warren to be my next United States senator. This enthusiasm is based not solely in my personal affection for her, nor solely in my admiration for the things she’s already accomplished, nor solely as a reaction against the unnecessarily crude and boorish campaign waged against her by incumbent Senator Scott Brown, nor solely even in the fact that I think this race is still agonizingly close and that I think Warren has it in her to be a great United States senator on behalf of many of the issues that I think are important to the country. The enthusiasm derives from the fact that, when she was asked in a debate what her policy would be toward our groaning (and increasingly futile) military adventure in Afghanistan, she answered quickly and simply. Out. Now.
I am also going to vote for Barack Obama. Without enthusiasm. And without a sliver of a doubt in my mind.
To be fair, this won’t be the most unenthusiastic presidential vote I ever have cast. The prize for that one remains Jimmy Carter in 1976. I spent a year chasing that grinning peanut-farmer around the country on behalf of Mo Udall’s campaign, organizing in the field in New Hampshire and Massachusetts and Wisconsin and Pennsylvania, until the money ran out. All we did was finish second, over and over again. Hell, we finished second to him by an eyelash in Michigan after Mo had dropped out. Voting for Carter that fall was like draining my own blood with a turkey baster. I wasn’t particularly ginned-up over Mondale in 1984, either. Neither did Bill Clinton make my lights shine either time he ran. And, to be perfectly honest, the only real enthusiasm I felt for this year’s incumbent in 2008 came largely from being around people who were so transported by the idea of him. That and the fact that George W. Bush no longer would have anything to screw up.
However, I am casting my vote for him (again) because of something that Dr. Jill Stein said the other night on TV, when she was being interviewed in the wake of that third-party candidates debate that Larry King hosted. I’ve known Jill socially for some time, and I admire her, and I agree with her on a marginally greater percentage of the issues than I do with the president. I think a lot of the snark aimed her way is unjustified. She’s not responsible for the wankerific fantasies of renegade “progressives.” I do not, however, think she is any more likely to become president — or any more qualified to be president — than I am. For example, I take a back seat to nobody in my scorn for the president’s apparent naïvete concerning the virulent nature of his political opposition. But, listening to Stein talk about the glories of the “Green New Deal” she’s going to pass through a Congress that is unlikely to differ much one way or the other from the one we have now, well, that makes Barack Obama sound like Huey Long. Still, I thought long and hard about tossing her my vote, because I live in the bluest of blue states, and I felt that, in casting my vote that way, I would absolve myself of complicity in the drone strikes, and in the inexcusable pass given to the Wall Street pirates, and in what I am sure is going to be an altogether dreadful Grand Bargain while not materially damaging the most important cause of all: making sure that Willard Romney is not president. And I might have done it, had Jill not gone on TV and talked about how those people who are voting for the incumbent president simply to make sure that Willard Romney is not president are doing so out of “fear.”
Horse hockey.
It is not fear. It is simple, compelling logic. We have two major political parties. Until that great gettin’-up morning, when purists on both sides of the ideological ditch manage to create workable third parties that look like something more substantial than organized unicorn hunts — which won’t happen until we have proportional voting, and I wish you as much luck with that as Lani Guinier had — we always will have two major political parties. One of them is inexcusably timid and tied in inexcusably tight with the big corporate money. The other one is demented.
This is not “fear” talking. I watched the Republican primaries. I went to the debates. I saw long-settled assumptions about the nature of representative democracy thrown down and danced upon. I heard long-established axioms of the nature of a political commonwealth torn to shreds and thrown into the perfumed air. I saw people seriously arguing for an end to the social safety net, to any and all federal environmental regulations, to the concept of the progressive income tax, and to American participation in the United Nations, the latter on the grounds that a one-world government threatens our “liberty” with its insurance-friendly national health-care reform bill. I saw Rick Santorum base his entire foreign policy on the legend of the 12th Imam, and I saw Herman Cain and Michele Bachmann actually be front-runners for a while. I saw all of this and I knew that each one of them had a substantial constituency behind them within the party for everything they said, no matter how loopy. When you see a lunatic wandering down the sidewalk, howling at the moon and waving a machete, it is not fear that makes you step inside your house and lock the door. It is the simple logic of survival. Fear is what keeps you from trying to tackle the guy and wrestle the machete away from him. And, as much as it may pain some people to admit it, the president is the only one stepping up to do that at the moment.
It is vitally important that the Republican party be kept away from as much power as possible until the party regains its senses again. It is not just important to the advance of progressive goals, thought it is. It is not just important to maintain the modicum of social justice that it has taken eighty years to build into the institutions of our government, though it is. It is important, too, that that you vote for one of these men based on whom else, exactly, he owes. Who is it that’s going to come with the fiddler to collect when you get what you’ve bargained for?
Barack Obama owes more than I’d like him to owe to the Wall Street crowd. He probably at this point owes a little more than I’d like him to owe to the military. The rest he owes to the millions of people who elected him in 2008 — especially to those people whose enthusiasm I neither shared nor really understood — and he will owe them even more if they come out and pull his chestnuts out of the fire for him this time around. He may sell them out — and, yes, I understand if you wanted to add “again” to that statement — but they are not likely to revenge themselves against the country if he does and, even if they decided to, they don’t have the power to do much but yell at the right buildings.
On the other hand, Willard Romney owes even more to the Wall Street crowd, and he owes even more to the military, but he also owes everything he is politically to the snake-handlers and the Bible-bangers, to the Creationist morons and to the people who stalk doctors and glue their heads to the clinic doors, to the reckless plutocrats and to the vote-suppressors, to the Randian fantasts and libertarian fakers, to the closeted and not-so-closeted racists who have been so empowered by the party that has given them a home, to the enemies of science and to the enemies of reason, to the devil’s bargain of obvious tactical deceit and to the devil’s honoraria of dark, anonymous money, and, ultimately, to those shadowy places in himself wherein Romney sold out who he might actually be to his overweening ambition. It is a fearsome bill to come due for any man, let alone one as mendaciously malleable as the Republican nominee. Obama owes the disgruntled. Romney owes the crazy. And that makes all the difference.
In his time in office, Barack Obama has done some undeniable good for people. There are auto workers in Ohio with jobs, and women making equal pay, and young people freed from the burdens of health care because of some of the president’s policies. And he is running on that record, making the case for his second term based on the good he has done for people in his first. In his only time in elective office, Romney also did some good for people. He reformed the health-care system in Massachusetts in a way that made him far more popular up here than he ever will be again. And he has spent seven years now running against the good he did for people. What kind of a politician does that? What kind of a man does that? A politician who has counted the debts he owes to the people to whom he owes them, and a man who is willing to hock everything about himself just to get even.
This is not “fear” talking. This is simply the way things are. It is important to stand against the people and the forces to which Willard Romney owes his political career. It is more important to do that than it is to do anything else. It is more important to do that than to salve my conscience, or make a statement, or dream my wistful dreams of a better and more noble politics. And that is why, today, I will vote for Barack Obama, not because of the man he is not, but because of the man his opponent clearly has become. I will do so without enthusiasm, and without a sliver of doubt in my mind.
Plus one, brother!
Read Charles P. Pierce daily at the Esquire Politics blog. Bookmark it!
You can follow Charles P. Pierce on Twitter. He is the author of Idiot America: How Stupidity Became a Virtue in the Land of the Free.
We know you registered. So, as James Barleycorn McDope says, “Don’t cop out” and vote.
