According to the ad, this is what the apartment looks like after the repairs and renovations! There’s no security deposit either, folks!
More photos after the jump…
Yesterday’s storm in the New York City area was pretty intense and these two guys got caught up in Mama Nature’s frenzy.
One of the things that can certainly be said for Alan Moore’s various projects over the years, is that they tend to be beautifully packaged and published products. Although often pricey, his dedicated fan base clearly appreciate the effort, as these beautiful objects tend to sell out rather quickly.
Dig Unearthing, his latest, a collaboration with noted photographer, Mitch Jenkins: Lex Records produced the package, which includes two deluxe 180g vinyl records of Unearthing, a deluxe 180g white vinyl record Instrumental EP, three CDs, a poster, a portrait of Moore by Jenkins and a printed transcript.
Unearthing is an audio and visual project uniting legendary comic book writer Alan Moore award-winning photographer Mitch Jenkins and a cast of high- caliber musicians. A story written and narrated by Moore with a mesmerising score from Crook&Flail, Stuart Braithwaite, Zach Hill, Justin Broadrick, Mike Patton and more.
Bleep are proud to be the first retailer to present this deluxe, limited edition box set via Lex Records including the full 2-hour audio reading of Unearthing on CD and heavyweight vinyl, a separate EP of instrumental highlights from the score, a dot-matrix printed transcript, photo portrait of Alan by Mitch Jenkins.
Personally, I think he ought to throw in one of those huge “Camberwell Carrot” joints he’s so famous for, as seen in the photo below:
Via Planet Paul
This coming Monday in Los Angeles, The International Documentary Association is presenting a special evening with satirist Harry Shearer at Cinefamily, showing clips from his new documentary on Hurricane Katrina and the aftermath:
One of the nation’s sharpest voices, comic or otherwise, turns his gimlet eye and informed mind on exposing the true facts around the flooding of New Orleans, on the fifth anniversary of Hurricane Katrina. Employing an oft-ignored trope in conventional media—science!—Shearer and his impressive assemblage of engineers and whistle-blowers carefully and persuasively show audiences how this tragedy could have been avoided (disaster, yes—natural, no) while also warning of the rebuild, in which the very same mistakes are being made. In this special Doc U session, the multi-talented Shearer will screen extended clips from the film, and reveal the passion and persistence that went into making it, in conversation with Eddie Schmidt, IDA’s Board President and himself an Oscar-nominated documentary filmmaker. This will be an honest, irreverent, eye-opening Q&A with a man who believed in a cause so much he independently set forth to spread the word to the public—keeping the true spirit of investigative journalism alive. For Shearer, a longtime New Orleans resident, this time it’s personal.
IDA’S DOC U: Harry Shearer Takes It “Uneasy”: Conversation & Clips From The New Feature Doc The Big Uneasy.Monday, September 20th | 7:30pm at Cinefamily. Buy tickets here.
The 1930s Pathe newsreel offers Depression-era moviegoers a glimpse at what fashion would look like in the future. Most of the women’s fashions are pretty close to how styles did evolve, but with the men’s fashion predictions, they didn’t do so well.
“Oh swish!”
A lovely vintage psych-bossa dream-popper for the waning days of summer, this is evidently The Critters operating under a suitably groovy pseudonym. The layered harmonies are scientifically engineered to accompany the watching of girls as they walk by dressed in their summer clothes until your darkness goes.
Muchas Gracias, Jimi Hey !
While much of America has devoles to become, as William Gibson put it “Devo’s vision made flesh,” Devo’s own Jerry Casale, obviously a man of “wealth and taste” has revealed to Wine Spectator magazine that he’s taking a more sophisticated approach to life here in the Age of Ignorance, the Tea party and Fox News—the kinds of things he and his band mates were predicting back in the mid-70s.
I was at a dinner party that Jerry also attended a few years back, and I recall that the host was extremely impressed with the bottle o’ vino that Jerry brought.
Wine Spectator: How did you learn so much about wine?
Jerry Casale: When we signed with Warner Bros. Records and moved to California [in the late 1970s], a world opened up to me. We hit California not only when there was an explosion in the music scene, but there was a revolution in cuisine. All the restaurateurs were now famous and had cookbooks out and were new and young and were stretching food consciousness. It stretched from Alice Waters, in San Francisco to Bruce Marder, Sam Clark and Michael McCarty. I met them all, and they were Devo fans! I got to eat and drink in their restaurants and ask a lot of questions. I started from zero and learned and learned and learned. Touring completed the picture. In Europe, I was able to visit vineyards. It was a revelation. I was so into it that I taught wine [at the Wine House in Los Angeles].
Wine Spectator: How long did you teach wine classes?
Jerry Casale: It was in the years that Devo were in some kind of suspended animation, when there was no activity—sometime between 1992 and 1995. [The Wine House] was a serious operation: 1,000 feet of retail space, plus a restaurant and a classroom. I wanted people to strip away all the assumptions they’ve made and things they’ve learned that were wrong like sniffing corks [laughs]. Wine represented some kind of hoity-toity frightening thing to them.
Casale hopes to begin developing his own wine within the next couple of years. Below, “Mongoloid” performed in France, 1978.
Devo Frontman Is Whipped by Wine (Wine Spectator)
