The New View You—a short film about Google Street View, made by Dave at Sheep Films, and filmed by Ant Carpendale.
Bonus short ‘iEye’, after the jump…
The New View You—a short film about Google Street View, made by Dave at Sheep Films, and filmed by Ant Carpendale.
Bonus short ‘iEye’, after the jump…
As a fan of Harmony Korine’s over-the-top, raunchy, apocalyptic fun fest Spring Breakers and Lena Dunham’s brilliant TV series Girls, I unreservedly dig this mash-up put together by The Hollywood Reporter. By bouncing the unselfconscious, anything goes, fuck you approach of Korine’s film off the the over-analytical, to the point of paralysis, psycho-babbling Girls we end up with a third entity: hipster gangsta angsta.
They’ll be plenty of people hatin’ on Spring Breakers. I say ignore them. The movie is pure trash of a very sublime sort (purity is in short supply these days). Imagine a Girls Gone Wild video directed by Gaspar Noe and Godard. Harmony Korine’s critique of reality TV, gangsta shit and pop culture’s commodification of tweenybopper celebs is as scattershot as the gunfire at the movie’s climax, but when it hits its target it draws blood. Beach Blanket Bingo for the comfortably numb.
Since when did THP get into the mash-up business? I had no idea they had this level of coolness in them.
In this French TV special from 1965, Francoise Hardy goes to London, sings songs and looks ravishing.
Narrated in French. But for our non-French speaking readers, with Francoise singing 11 songs, who cares about narration?
“Tous les garçons et les filles” (in English)
“Tout ce qu’on dit”
“Il se fait tard”
“Ce petit coeur”
“Le temps des souvenirs”
“Non ce n’est pas un rêve”
“All Over The World”
Film director, writer and actor, Peter Bogdanovich gave critic Michael Billington a brief introduction to his father, Borislav Bogdanovich’s art work in this short clip from 1979.
Born in 1899, Borislav Bogdanovitch was a Serbian Post Impressionist / Modernist artist, who was one of Belgrade’s leading artists, and exhibited alongside Jean Renoir and Marc Chagall. Prior to the outbreak of the Second World War, Borislav relocated with his family to New York, where he continued to work, though less successfully, until his death in 1970.
Before his death, Borislav saw Peter’s first major movie—the modern urban horror, Targets:
‘I don’t think he said more than 4 or 5 words about it, but he had obviously been very moved by the experience. It was a heavy movie, it was a tough movie, and it wasn’t very pretty about life in Los Angeles, or America, and he felt it was a tragic picture. I could see it on his his face what he thought about it—he didn’t have to say much.’
The film, which starred Boris Karloff, marked the arrival of Peter Bogdanovich as a highly original and talented film-maker, who was exceptional enough to direct, co-write and occasionally produce films as diverse as the superb The Last Picture Show; the wonderful screwball comedy What’s Up Doc? with Barbra Streisand and Ryan O’Neal; to the excellent Ryan and Tatum O’Neal comedy/drama Paper Moon; and the the greatly under-rated (and hardly seen on its release) Saint Jack with Ben Gazzara.
But Bogdanovich is magnanimous in his praise for others (see his books on Orson Welles and John Ford) and claims, at the start of this interview, that it was his father who was a considerable influence on developing his film-making skills:
‘I think it is unquestionably true that whatever I did learn, in terms of composition, or color, or the visual aspect of movies, I certainly learned from my father through osmosis—it wasn’t anything he sat down and taught me. The thing that my father was extraordinary, he had this way of influencing people—getting things across without saying, “This is what I am trying to teach you.” It wasn’t like that at all. My father wasn’t didactic in anyway, he was casual.’
From being one of the most interesting and original film-makers of his generation, Peter Bogdanovich has rarely had the opportunity to make the quality of films he is more than capable of producing. Last year, in response to the Aurora shootings, Bogdanovich wrote an article for the Hollywood Reporter in which he lamented the loss of humanity in films:
‘Today, there’s a general numbing of the audience. There’s too much murder and killing. You make people insensitive by showing it all the time. The body count in pictures is huge. It numbs the audience into thinking it’s not so terrible. Back in the ’70s, I asked Orson Welles what he thought was happening to pictures, and he said, “We’re brutalizing the audience. We’re going to end up like the Roman circus, live at the Coliseum.” The respect for human life seems to be eroding.’
With thanks to NellyM
Two out three gone. The needle and the damage done.
Richard Hell makes an appearance on Seattle morning talk show New Day Northwest. The host/interviewer is Margaret Larson and I think she’s quite charming.
My first encounter with Richard Hell was seeing his band the Voidoids at CBGB in 1977. The group was intense, complex and exhilarating. In the years following ‘77, I became aware of Hell’s decline into junkiedom. He seemed like a prime candidate for an early death. Had you told me he’d be appearing on a morning chat show in the year 2013 I would have called you “crazy.” Had you told me I’d be alive and reporting on it, well…
With I Dreamed I Was A Very Clean Tramp, Richard Hell now joins Patti Smith and John Lydon among a growing number of ageing punk musicians that have written memoirs of real merit.
Rock ‘n’ roll survival tip number one: Put down the needle and pick up the pen.
This was uploaded to YouTube backwards in order to get around whatever detects copyright infringement. Backwards, it becomes a whole other song - dark, ominous and downright spooky. In addition, it takes a rather straightforward black and white video and through colorization turns it into a Kenneth Anger-like mindfuck.
I was truly touched after watching this hand fart rendition of Simon & Garfunkel’s “The Sound of Silence” by YouTuber Hand Fart Master.
Shits and giggles aside: You have to admit though, that kid’s got some special talent!
There has got to be a fashionably creative way to celebrate Passover that doesn’t look so… infectious. Not every texture translates well to bodily adornment, folks! (Though one does have to admire the ingenuity of it.)
Via 10 Blank Canvases
My wife recently asked me: “So why aren’t you writing any more of your political screeds for the blog lately?”
Some readers have written in and asked the same thing: When did I stop hating on Republicans, anyways?
I promise you I haven’t, but generally speaking, I get pretty burnt out on politics after an election year. This time, though, I think it goes deeper than that. The main reason I think I care less about politics today than I did only five months ago is that for years I’ve long expected to see a steep decline in the size of the GOP’s voter base and the party’s influence and I think that’s now pretty much a fait accompli. We’ve seen it happen. 2012 was the very last year that the Republicans still had a decent shot at getting in on a national level and cementing the rules of, ahem, “democracy” to favor themselves—but as we all know, that didn’t happen.
I certainly think there were very valid reasons for fearing the rise of the far right—the brief Tea party moment was admittedly not something that I saw coming—but I’m not feeling that so much anymore.
The Tea party foolishness, Glenn Beck, the birthers and the rapid rise and fall of Sarah Palin can already be seen in the rear-view mirror as the frenzied flailing of a dying elephant. By 2016, a pretty good chunk of the Grand Old Party’s aging baby boomer base will have at least one foot in the grave and by 2020 and 2024, well, forget about it.
In the very near future, America will be truly unrecognizable to itself, and this will be especially hard on the folks who don’t even live in the present to begin with. Progress cannot be stopped. Entropy is simply not possible in a country this big and with such a radically changing demographic makeup, no matter how certain personality types—low IQ authoritarians, xenophobes, racists, religious busybodies, I’m talking about the GOP base, here, of course—try to force it on everyone else.
I’m just so over it. Aren’t you?
The dam has burst on a lot of issues: immigration reform, LGBT civil rights, cannabis laws, healthcare, and the water is rushing past the reichwingers and they just got drenched.
This is not to say that I’m not still amused by soaking wet Republicans, it’s just that the 2012 election showed, I think definitively, the hard and fast limits to their influence and that the national brand is truly a spent force, one perhaps best left behind as a relic of another era (like plaid golf pants, Brylcreem, Lawrence Welk… or Jim Crow laws).
To my mind, it all looks pretty downhill from here on out for the Republican Party. Any argument that posits a resurgent national GOP moving forward is an argument made by someone who apparently still thinks that the most recent US Census was just a big ole fat gubmint LIE and who probably voted for Michele Bachmann in the Iowa Caucus.
There simply aren’t enough of them anymore. That’s a demographic fact, Jack. Don’t believe me? Go argue with reality, I don’t care what you think. Get real: The so-called “two party system” is not some immutable law of American political physics that needs to carry on without end, especially not when one of the parties has opted to radically remake itself, taking on the classic features of an extremist fringe group.
Some Republicans kinda got the “voter revulsion” message, but not really. When Republican National Committee chairman Reince Priebus presented the 97-page report of the RNC’s “Growth and Opportunity Project,” a post-mortem on the GOP’s 2012 losses at the National Press Club on Monday, he said:
“When Republicans lost in November, it was a wake-up call. And in response I initiated the most public and most comprehensive post-election review in the history of any national party. As it makes clear, there’s no one reason we lost. Our message was weak; our ground game was insufficient; we weren’t inclusive; we were behind in both data and digital; our primary and debate process needed improvement.”
In short, a sizable majority of the American electorate thinks the Republicans suck eggs and their own internal polling backs that up to the extent that they don’t even try to spin it anymore! (Something remarkable in and of itself).
The report is actually pretty brutal, acknowledging that women, gays, Blacks, Hispanics, Asians, college-educated Caucasians and the mainstream media basically hate Republicans. These, er, “special interest groups” are, for all intents and purposes, immune to the GOP’s charms. They’re not going to just suddenly jump on the Republican train for any reason, this much seems assured.
Not to mention:
“Young voters are increasingly rolling their eyes at what the Party represents…”
Yeah, the young people. They simply aren’t that into inheriting a country with insane wealth inequality, the 1% elite owning half of everything and keeping the productive capital within their own families, tainted meat, bad air and undrinkable water. Try rounding up an electoral majority when women, gays, Blacks, Hispanics, Asians, college-educated Caucasians and young people of all races think you’re shit!.
‘Nuff said, eh GOP?
“We sound increasingly out of touch.”
That’s putting it mildly. The GOP talk about minority outreach, and then they introduce voter ID bills in their statehouses! It’s even a matter of Republicans appearing not to be able to differentiate fiction from reality anymore, let alone shit from shinola.
I mean, they’re exactly what Bobby Jindal said they—and by extension he, himself—are: “the stupid party.” Many Americans simply perceive the GOP as being closely synonymous with idiocy and they have no trouble articulating this to the GOP’s own pollsters. And like, this somehow appears to be NEWS to them! The stench of stupid is so thick on the modern Republican party brand that it’s going to be a really difficult odor to wash off.
Hands up, who wants to be a member of the stupid party? How about you?
“At our core, Republicans have comfortably remained the Party of Reagan without figuring out what comes next. Ronald Reagan is a Republican hero and role model who was first elected 33 years ago—meaning no one under the age of 51 today was old enough to vote for Reagan when he first ran for President.”
OUCH, OUCH AND DOUBLE OUCH! A knife thrust deep into the Republican heart! Why it’s conservative treason… even if it’s true!
They’ve had no new ideas since the Reagan era, either. Since before most people owned a personal computer. Since there were just three TV networks and PBS for most of America! Why would the smartest, most capable young conservatives of the up and coming generation want to make a career investment in the GOP instead of someplace… you know, not so dumb? How will the party attract talent?
And furthermore, how will the party raise money when they’ve proven to be such a shitty investment for their deep-pockets donors. Even the Koch brothers seem to be turning their back on the GOP. Who could blame them, they’re ruthless businessmen? They know the score. The ROI the GOP offer blows. Expect them to act accordingly. If Rand Paul would bolt the party for the Libertarians (as his father once did) the Kochs would be right there behind him.
“If Hispanics think we do not want them here, they will close their ears to our policies.”
Hahahaha. No shit. Well, then someone had better essplain that to the loudmouthed lamebrain from Texas, Rep. Louie “anchor babies” Gohmert, who insists that the GOP must never give into immigration reform because “they” will never vote for Republicans if offered a pathway to citizenship. It’s a “trap” Democrats have laid for the GOP, in Gohmert’s eyes.
Look, Louie Gohmert’s a fucking idiot, that’s glaringly obvious to everyone but him and his fellow idiots, but if you think about it, he’s actually quite right in this instance. It’s a real damned if they do, damned if they don’t sort of situation these Republicans have put themselves in regarding immigration reform, isn’t it? But they’ve insisted upon it, the Democrats didn’t trap them with anything. This is a giving them an awful lot of credit for what amounts to a Catch 22 that’s been hatching under their noses and in their own districts, literally for DECADES, don’tcha think?
As New York’s Jonathan Chait wrote about the RNC’s seemingly intractable woes:
The report determinedly avoids confronting the party’s most fundamental problem: Its attachment to an economic agenda that most voters correctly identify as serving the needs of a wealthy minority. Rather than confront the problem, the report is a detailed and generally shrewd plan for working around.
Yup. Tuesday on MSNBC, RNC chair Reince Priebus told Luke Russert that the party’s platform on gay marriage has not changed despite efforts to make the party appear more inclusive:
“I know our party believes marriage is between one man and one woman.”
That’s some “effort,” Reince (if that is, in fact, your real name).
Paul Ryan, the GOP’s pathetic idea of an intellectual…
Obviously there’s a gigantic problem with this entire RNC re-branding enterprise: It’s dead on arrival and anyone with a brain capable of critical thought on the level of, say, a peanut, can see the fatal flaw that’s got a flashing neon sign and a bunch of old coots in Revolutionary War uniforms pointing their replica muskets right at it. Republican voters, especially the ones who never went to college, the cranky old farts who are to varying degrees racist, close-minded Christianists, anti-immigrant homophobes and just angry, disapproving people, en générale, will have none of this shit!
And these troglodytes make up about half the party’s registration rolls and everyone knows it. Good luck with the fucking rebranding, boys.
Writing about the RNC autopsy at the NY Times, Thomas B. Edsall had this to say:
The highly visible presence of the candidates these voters prefer – recall the party’s Senate nominees in Missouri and Indiana, Todd Akin and Richard Mourdock, and their bizarre views on rape and abortion — suggests that the Republican Party has a severe, if not toxic, problem: a septic electorate that, in the words of the Mayo Clinic, “can trigger a cascade of changes that can damage multiple organ systems, causing them to fail.”
But let’s leave these trifling inconveniences aside for now, shall we? Suffice to say, there’s a major split occurring in the GOP that’s going to seriously impact their ability to ever get back to a place of national influence. This was already obvious at the start of the primary season. As a national party, they’re no-hopers within a decade, splintering into factions (Tea party and social conservatives, RNC establishment and the wealthy elites, “Ron/Rand Paul Libertarians,” etc) and facing an increasingly insurmountable demographic irrelevancy that will grow by leaps and bounds every four years.
I don’t think the Republicans can do that much—or at least as much—damage to the country moving forward. It’s clear that there are (at least) two factions of the party who are locked in a civil war. The endgame of everyone taking their toys and going home seems like a forgone conclusion. They’re just not going to be able to work together anymore. You’ve got the wealthy elites who would like the game to stay rigged vs. the Rick Santorum “stupid” folks. They desperately need one another to add up to a nationally viable party. Divided they don’t really amount to much anymore.
They’ve been humbled, their electoral impotency was on full display for the entire country to see on election night.
Furthermore. there are boundaries now that they know they can’t cross. Those boundaries weren’t there before, but they are now. Public opinion can be employed much easier as a prophylactic against the worst Republican power grabs (like this talk of changing Electoral College rules, something that everyone is already wise to). Of course, I’m not suggesting completely ignoring what the GOP gets up to—I’m not usually someone to underestimate the power of stupid people in a group—but their best days are behind them, and I think that’s a pretty uncontroversial thing to say at this point, without any caveats coming readily to mind.
I’m noticing that this attitude is increasingly, and I think correctly, becoming the default position of the mainstream media, that the uh… I guess threat of low IQ authoritarian Republicanism has diminished considerably. Bill Maher touched on this topic on his Real Time program on HBO last week when he mocked Christian bluenose group One Million Moms (the churchladies who protest the Skittles and Geico commercials for promoting bestiality) who have not one million Twitter followers, but fewer than 3000.
When Bill Maher is brushing off silly reichwingers as a source of comedy, like a canary flying out of a coalmine, hey, he’s probably onto something: They’re a joke.
It’s a pretty steep fall from Andrew Breitbart to Ben Shapiro to put it a different way.
The 2012 election was a real “man behind the curtain” moment for the Grand OLD Party and its increasingly tenuous relationship to modern America and the up and coming generation. The slow, agonizing death of the Republican Party seems all but certain, done in by hubris, idiocy, greed, hypocrisy, terrible ideas, loathsome shit-for-brains politicians, moronic uninformed voters, Fox News, Rush Limbaugh, the list can go on and on and on. They suck, but fuck ‘em, they’re not really worth nearly as much energy being expended in their direction.
Maybe it’s simply time to push past them and leave these nitwits behind to play in their sandbox of stupidity. The zeitgeist is not with the Republican Party and I think the big story of American politics in 2013 is that most people are starting to realize this.
Previously on Dangerous Minds:
The nightmare (free market) scenario the GOP faces: THEY’RE A VERY BAD INVESTMENT
Latrice Royale onstage at The Castro Theatre, photo by Robby Sweeny.
NOTES FROM THE NIALLIST
If you have not seen Paris Is Burning, you’re just not doing it right. I’m talking Life, honey.
I’ve written about Paris Is Burning before, and referenced it in my recent ballroom piece for Boing Boing, but the truth is that the impact of this film on gay culture, and by extension culture at large, cannot be overestimated. That a film about underground drag culture and voguing resonated so strongly amongst gays should not be a surprise, but what is surprising is how far its influence has spread in “straight” circles. Its language and imagery are now common parlance, and it won a recent PBS “best documentary” poll by an overwhelming landslide.
Which is why I was so delighted to see Paris Is Burning get recent a Midnight Mass screening in San Francisco, hosted by the queens Peaches Christ and Latrice Royale. Barring stars of the film itself (most of whom have sadly passed) I could not think of a better pair to present it. Peaches Christ is a legendary San Francisco performer and the regular Midnight Mass movie hostess, and is so obsessed with films, ickiness and camp that her boy alter ego, Joshua Grannell, recently directed the future-cult-classic All About Evil, starring Natasha Lyonne, Mink Stole and Elvira. Latrice Royale, meanwhile, was a competitor on last year’s season of RuPaul’s Drag Race, and through a combination of straight-talking and motherly warmth, went on to win the show’s “Miss Congeniality” prize, and has become one of the most popular contestants that Drag Race has ever seen.
I couldn’t waste this opportunity to ask two legends of drag about this legendary drag film, so I sent them both a set of questions to answer.
Peaches Christ and Latrice Royale
THE NIALLIST: When did you first discover Paris Is Burning?
LATRICE ROYALE: I believe it was 1995.. I know a little late, but again I was very new to the lifestyle at this time in my life.
PEACHES CHRIST: I was a junior in high school and the movie was such a huge indie hit in the urban markets that Miramax did a wide release, which meant it played at the local Maryland mall where I grew up. I remember going to see it with my closeted lesbian friend and my hands were literally shaking when I went to purchase a ticket—I was a closeted queen and was terrified someone would see me buying a ticket to the movie—that my secret would be revealed. I watched it wide-eyed and in awe and while there is clearly a tragic element to the film, especially ending with Venus’ murder, I found it to be inspiring, creative, loving, and it really showed me that there was a way people like “us” could find a family, create a world for ourselves, and that the world could be imaginative, unique, and FABULOUS. I went to see it three more times in the theatre and each time I did, my hands shook a little less when I bought a ticket.
TN: What kind of an impact has it had on your career, and how has it influenced you personally?
LR: Well from my own personal experience in life, I totally could relate to these young kids. As I was one of them. I was too scared to come out after being outed by my brother. But I did learn that you could rebuild your family with people to your liking.
PC: I kind of feel like there are two drag worlds- the one pre-Paris Is Burning and the one post-Paris Is Burning, because after the movie came out and was widely distributed, queers sought it out, understood it, embraced and appropriated its culture on all levels of queer culture. It’s effect on our language, style, dance, etc. can not be underestimated. Whether people know it or not, it changed queer culture and then of course popular culture because it’s my belief that most of the best parts of popular culture start with the queers.
TN: How do you feel time has treated the film?
LR: Knowing what I know now, and seeing how bullying is such the trend.. We need to have a world wide revival of this movie. So many are unaware of a crucial part of our history.
PC: I watch it today and am again- blown away by how much of everything we do and saw comes from this seminal film. It’s timeless.
TN: What would you say to younger queens who haven’t seen the film?
LR: Well as I stated earlier we need a revival!! Our youth should be aware of just how far we’ve come, while realizing we still have so much further to go. But with knowledge comes power, and hopefully our youth will learn that they too, have a voice.
PC: It’s a must see of course. Completely required viewing. I’m actually teaching a class in 2014 at the SF Art Institute that’s essentially “Drag In Cinema” and I’m building the course around this film.
Peaches Christ as Dorian Corey, photo by Nicole Fraser-Herron
TN: Who is your favourite character in Paris Is Burning?
LR: Pepper LaBeija LEGENDARY MUTHA!!
PC: I can’t choose one- seriously. I’m obsessed with Dorian Corey, Willi Ninja, Pepper LaBeija, Venus Xtravaganza, and Octavia St. Laurent. I love them all.
TN: Peaches, could you tell us about the process of getting Paris Is Burning to the big screen again?
PC: I’ve wanted to do a Peaches show around Paris Is Burning for years and years but really needed to do it the right way and create a show that felt authentic- so it took some time but I was able to seek out members of the West Coast ball scene who came on board to create the show with us. I reached out to Latrice because I really feel like she embodies the true spirit of the film—inspiring a new generation of queens to perform with style and grace, understanding their history while also serving it to audiences—making them eat it. I have been in touch with Jennie Livingston, the film’s director, and she’s been so supportive and WONDERFUL and we’ve been talking about how this Paris Is Burning zeitgeist will hopefully lead to more projects, more longevity, more celebration, and that this community’s legacy will live on forever.
TN: And finally, Latrice, how was the Paris Is Burning Midnight Mass screening?
LR: I must say the whole experience working with Peaches Christ was one thatI will never forget!!! So brilliant, and such an honor to be apart of more history in the making.
TN: History indeed!
To end, here’s another bit of history, the original 1991 TV trailer for Paris Is Burning, complete with that guy doing the voice-over:
For more info, and to view the picture gallery of images form the screening, visit PeachesChrist.com.
Previously on Dangerous Minds: