Apparently ESP is a teachable skill. Dangerous Minds pal Chris Holmes, of Ashtar Command, writes:
This is one of the most fascinating and amazing things that I have ever personally experienced. Neil and I spent a couple months learning remote viewing with ex-government remote viewers as research for an article/book. This is the real deal, not new age bullshit. Paul Smith is not a sensationalist or fringe crank. This is hard science, not flim flam. He will speak on remote viewing and give a training session to those in attendance. This is not to be missed!
Here’s the details. There are special $25 tickets for attendees who mention Dangerous Minds when they purchase at the door.
The Society, Neil Strauss and Chris Holmes present a lecture and seminar with top US Army Remote Viewer Paul Smith. The story of the army’s remote viewers, or psychic spies, is one of the most interesting chapter in US military history—a psychic arms race going on between the Russians and Americans. Paul Smith was one of the top US remote viewers in a program that shifted between the offices of US Army intelligence (D.I.A) and the C.I.A. It was finally declassified in 1995 at which time Paul Smith went out on to teach the techniques to the private sector.
At the Loews Hotel next door to the Hollywood Highland Complex. 1755 North Highland Avenue, Hollywood, CA. Friday Sept 14, 2pm-9:30 (with a dinner break in between)
Below, physicist and pioneering ESP researcher Russell Targ and remote viewer Hella Hammid conduct an experiment for BBC cameras in 1983.
My co-worker sent an email saying he would be late because he was trying to untie a squirrel tail knot. I asked for a picture, and he delivered.
Here’s the email that was sent:
I was pressed into squirrel rescue this morning on my way out. 5 young squirrels got tangled in Christmas lights in my neighbor’s yard. We got the lights off, but now their tails are one big knot, so I have to bring them into a rescue place to untie them, as I am unequipped to untie squirrel tail knots. I should be in this afternoon.
I’m totally going to steal this one. I’m going to keep this pic handy too.
A common refrain seen in comments across the blogosphere of late is that an Obama win in November would be the best thing that could possibly happen for “opposition” Fox News.
I’m not so sure about that.
Even as but a “casual consumer” of what Fox News has on offer—I’m someone who usually only sees the gnarliest Fox clips belched up by the Internet—I can’t help but notice just how fucking tired it all seems lately. The same people saying the same damned things over and over and over again. It goes without saying that Fox News viewers tend not to be the sharpest, or best informed, marbles in the bag, but I would imagine that even those low IQ Jim-Bobs and Billy-Joes are getting tired of hearing the same people saying the same damned things over and over and over again. The obvious repetition of Republican talking points and constant, never-wavering anti-Obama kvetching—can it really go on like this for another four years without a major reinvention and a totally clean slate of new faces?
Fox’s audience share, while still strong, has been falling for years. Even if its audience doesn’t exactly desert Fox News, it’s an unavoidable fact of the yawning grave awaiting us all that their audience is dying off in great number with every passing year. Cranky old white guys aren’t being generated by the gene pool fast enough anymore. Certainly not in number enough for the Republican Party to survive, that’s seems demographically assured, so why should Fox News be any different?
Not only is Fox News becoming mind-numbingly repetitive—or even MORE mind-numbingly repetitive than it’s been for years, I should clarify—which is quite difficult, if you think about it, being a business which should theoretically thrive on novelty, it’s increasingly feeling completely anachronistic, like seeing the Spice Girls turning up again at the Olympics. Moving forward who is going to advertise on the network save for Geritol, Depends adult diapers or those “Help, I’ve fallen and I can’t get up” informercials? Fox News has a demographic every bit as, um, finite, shall we say, as print newspaper subscribers.
Fox News saw an overall 17% decline in viewership in March 2012 and there was a 27% drop with younger viewers from the year before. In May, Fox News was down about 21% during prime time in the 25-to-54 group. The only demographic sticking with Fox seem to be Social Security beneficiaries. I’d love to see the numbers for the percentage of Fox News viewers puttering around with portable oxygen tanks or who drive one of those scooters you always see advertised on the network.
Sean Hannity? Sarah Palin? Laura Ingraham? Ann Coulter? Who the fuck cares anymore what these people think? We already know. They must be bored saying this shit. Are you in the least bit curious, or do you really wonder how much Sean Hannity will hate on anything and everything that Obama says or does? Do you expect any surprises from his show? EVER? I mean this is some of the worst, weakest shit on offer. No one watches CNN anymore (it’s good for the treadmill as far as I am concerned) but compared to Fox News, it’s like at least they try!
Doesn’t this clip from last night’s O’Reilly Factor feel like you’re watching some sort of “nostalgia” news channel for old people? How much longer will Fox News president Roger Ailes think Sarah Palin is doing his network more good than harm? AIles should try to renew his network’s mission and inject some fresh blood into the team before it’s too late. If he’s legacy-conscious, it’s imperative that he act now. Ailes needs to get rid of the deadwood and dead-brained Fox “talent” who still think it’s 2009. If he doesn’t reinvent Fox News soon, at 72, he runs the risk of seeing his brainchild croak before he does.
Spanish beat combo Los Bravos were the first (only?) group from Spain to have a top five hit in America. Their instantly recognizable classic, “Black is Black,” with its plaintive, Gene Pitney-esque vocal courtesy of German-born singer Mike Kogel reached #2 in the UK charts and #4 here in 1966.
Los Bravos weren’t technically “one-hit wonders” as they landed a second single in the British charts with “I Don’t Care.”
In the wonderful pop art-inspired clip below, Los Bravos lip-sync their hit in the 1967 film Los Chicos Con Las Chicas.
Harold PInter liked Samuel Beckett because he rubbed his nose in the shit. He wasn’t leading him up the garden path. He wasn’t giving him the wink. And he certainly wasn’t fucking him about. No.
Pinter knew Beckett wasn’t selling him anything. But if he was selling him anything, then he would have bought it hook, line and sinker.
Pinter first read Beckett in 1953, while working in Ireland. When he returned home to London, Pinter searched the libraries for any of Beckett’s books. He couldn’t find any, that is until he happened upon a copy of Beckett’s novel Murphy in the Bermondsley Reserve LIbrary. Pinter borrowed it, and as he noted that the book had not been taken out since 1939, he kept it.
This is Pinter’s astounding performance in Beckett’s Krapp’s Last Tape. Though Patrick Magee was Beckett’s original choice for the role, Pinter brings a dark, bitter irony to the character, as well as a heightened sense of personal mortality. Pinter described the play he sees as being about death, and about love - the impossibility of love and the necessity of love.
In the early-to-late 1980s, British record label 4AD’s visuals had a certain nocturnal, gothic and industrial look and feel that was simple, elegant and occasionally as fragile as moth wings . Most of the covers I recall, used photographs that were black and white or de-saturated color. The fonts were distinctive, the layouts uncluttered. The overall effect was timeless, nothing tied the work to fashion trends of the moment. Which has allowed the label to maintain their “look” throughout the years, even without the contribution of the two guys who were responsible for creating it.
In the 1985 documentary 23 Envelope we are introduced to graphic designer Vaughan Oliver and photographer/filmmaker Nigel Grierson who created the record sleeves for 4AD from 1983-1988. If you’ve seen record jackets for Dead Can Dance, This Mortal Coil, Pixies or Cocteau Twins, you’ve seen the work of Olivier and Grierson. The film contains music by 4AD bands of the era covered.