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Anti-propaganda street posters tell the truth about the police

001totalpolicingstrike1.jpg
 
A series of posters questioning the London Metropolitan Police’s record on racism, violence and corruption have appeared on advertising hoardings across London. The billposters are the idea of STRIKE! Magazine, which produced them in response to the Metropolitan Police’s own promotional campaign—as the magazine explains:

The Metropolitan Police Force spend ridiculous sums of our money trying to convince us – and themselves – that they’re not violent, racist and corrupt. In 2012 it was £12.6m and in 2013 it was £9.3 – in two weeks alone last year they wasted nearly half a million pounds of public money on pointless poster campaigns. This is from the webpage promoting the local policing pilot scheme:

“Evidence tells us that giving people very local information about police action in their area may increase the confidence they have in police. These boroughs were chosen as places where confidence in policing is lower than average.”

It’s propaganda pure and simple: they want us to forget that they murdered Mark Duggan, an unarmed civilian, and caused the 2011 riots; they’d rather you didn’t talk about being 28 times more likely to be stopped and searched in London if you don’t have white skin; and if the heavily redacted Operation Tiberius report is anything to go by, they definitely don’t want you to know about the 42 corrupt senior Metropolitan Police officers caught literally letting criminals get away with murder. Their entire barrel is rotten, so they want to keep the lid tight shut.

STRIKE! Magazine is a bi-monthly anti-profit, advertisement free newspaper covering politics, philosophy, art, subversion and sedition. The magazine launched the campaign two months ago, but claim they do not know who is behind printing the posters and putting them in bus shelter advertising hoardings.

However, one designer from STRIKE! told Vice UK that he had seen about twenty posters since they first appeared on Saturday December 13th, and was “[e]normously pleased” with them. Photographs of the posters have been shared by many users on Twitter.
 

 
More after the jump…

Posted by Paul Gallagher | Discussion
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Ad of the day: Have a döner kebab with Hitler


 
I really love this commercial for a döner kebab joint somewhere in Germany—it would be nice if I knew which one! Perhaps the clientele they’re looking for knows where it is. Maybe it’s a chain?

The commercial follows the template of the recent Snickers campaign, which plays on the potentiality of low blood sugar to turn you into something like an cranky, ogre-ish version of your normal self—thus a nougat-and-nut candy bar between meals is the only thing that can restore you to your proper self. So a football coach needs a Snickers bar to stop being Robin Williams (RIP) and so forth.

Here some local purveyors of Turkish cuisine appropriate the ultimate symbol of evil, Adolf Hitler, to make the same point. You don’t need to know too much German to understand what’s happening, but I’ll supply some translations anyway—my German isn’t entirely up to the more slangy variants they use, but I’ll do my best. Adolf is riding behind the shotgun seat and being impatient, he says something about going to Stalingrad, in a possible reference to Bruno Ganz’s portrayal of Hitler from Oliver Hirschbiegel’s 2004 movie Downfall that has since become the well-known “Hitler Reacts” viral sensation for the meltdown scene in which Hitler finally realizes that the war is lost.

So anyway, Hitler barks something about Stalingrad, and his buddies have had enough. The guy in the shotgun seat says, “Digga,* we agreed to your request, don’t you notice that?” Hitler slaps him lightly on the cheek with his glove, saying “Don’t you notice that?” Then his buddy in the back seat says, “Olli, what’s with you? Dig in to this döner sandwich, digga.” Adolf says, skeptically, “Why?” Back seat buddy says, “Every time you get hungry, you turn into a real Führer.” Adolf says, “into a Führer?” and they all chime in, “Yeah, into a Führer,” with the driver adding, “It’s true.” Once the döner sandwich has been consumed, Adolf reverts back into his mustachioed self and (I think) lightly protests that it’s not better this way. The text on the bottom says simply, “You’re not you when you are hungry.”

One might be tempted to call this commercial offensive, and certainly it’s a little on the flippant side. But the Turks occupy a marginalized role in Germany, they’re the out-group. So it’s fun to see them (not that I know they’re Turkish, the food is certainly Turkish in origin) appropriating the ultimate symbol of German oppression for their own ends. Don’t be such a Hitler about it! Jeez.

 
via Schlecky Silberstein
 
* Note: Commenters have pointed out that my first rendering was not right. I had initially misheard this as the German word Neger (which is not the N-word, so don’t even, it means “Negro”), which I loosely translated as “nigga.” It’s actually the slang term digga, which loosely translates as “buddy.” My appreciation goes out to the commenters.

Posted by Martin Schneider | Discussion
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PETA inflicts ‘indecent’ billboard-sized facial on unprepared town
12.09.2014
10:37 am

Topics:
Activism
Advertising
Animals
Sex

Tags:
PETA


 
The cheeky introduction of sex into other subject matter has long been a staple of advertising that seeks to use word of mouth and/or media reverb to make its impact. Everyone enjoys a good chuckle at a banana positioned to resemble a willie, for instance, and why not? It’s all a lot of fun, the banana lobby is happy, and everybody wins. However, sex in advertising can also be a bit of a tightrope walk, as the People for the Ethical Treatment of Animals recently learned.

Only one day after it was put up, PETA was ordered to take down an “indecent” billboard poster in Nottingham after a request from the Notts County Football Club. The poster, which was appealing to consumers to stop using dairy products, had been placed just outside the club’s playing arena.
 

 
The billboard read, “Some bodily fluids are bad for you” and a photo of a woman having experienced the, ahem, “aftermath of a sex act,” as one report delicately phrased it.

PETA has defended the billboard by calling it “cheeky,” but some pedestrians disagreed. As a local resident named Richard Brown said, “It’s clear what they are doing but I think it’s a bit naughty. I’ve got a seven-year-old daughter and young people aren’t stupid, they can read and it’s not great that they can see things like this that are indecent.”

The billboard was the only one of its type in England;  PETA commented that it used the location because it was “suitable.” Damian Irvine, commercial director at Notts County, said: “Once the content of this advert was identified we informed advertising company Space Outdoors who agreed the content was not in keeping with our community and family-focused values.”

via Arbroath

Posted by Martin Schneider | Discussion
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Are Tim and Eric running the Totino’s pizza Tumblr?


 
Tim Heidecker and Eric Wareheim are the two geniuses behind Tim and Eric Awesome Show, Great Job! and their latest venture Tim & Eric’s Bedtime Stories, both of which have emerged from Adult Swim. It’s safe to say that Tim & Eric have developed one of the most distinctive voices in comedy today, rather as if the Wonder Showzen gang had gotten trapped inside a KMart clothing warehouse with full access to the best video effects the 1980s had to offer.

Their purposefully garish sense of awkwardness is so powerful that it’s spawned a delirious subreddit, r/NotTimAndEric, that’s dedicated to real-life examples of the actual world seeming to imitate Tim & Eric bits. That subreddit has 38,022 readers as of this writing, so it’s not like there is any shortage of that kind of thing. Point being: Tim & Eric are potent.

Tim & Eric made the news last week when their commercial for Totino’s Pizza Rolls (and assorted other Totino’s pizza products) hit the Internet, producing an expectedly awestruck reaction (that commercial is linked below). The clip, called “Pizza Freaks Unite,” is staggering enough, but what you might not know is that, in keeping with their new branding, Totino’s has a full-blown Tumblr in the Tim & Eric style. In the headline I asked if Tim & Eric are actually running the Tumblr, but there’s a journalistic truism that the answer to any question trumpeted by a media outlet is always “No,” because if the fact at issue could be proven, then that would be the headline—i.e. questions are for unproven speculation.

So I don’t necessarily think that Tim & Eric are running the Totino’s Tumblr. However, it is very enjoyable in a similar way to Tim & Eric’s TV work. Even if it’s not true, the Tumblr as well as the Totino’s PR strategy in general seem to indicate that this is a major mainstreaming moment for Tim & Eric’s aesthetic. Tim & Eric’s stuff may be brilliant, but it isn’t exactly The Big Bang Theory—indeed, it could fairly be said that their work might give some (older) portion of the audience a frontal-lobe headache. So it’s a pretty significant moment to see their worldview cross over. It isn’t every day that Andy Kaufman shows up for his first day of work at Taxi, after all. 
 

 

 

 
More Tim and Eric-flavored pizza stuff after the jump…

Posted by Martin Schneider | Discussion
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Leigh Bowery TV commercials
10.29.2014
01:51 pm

Topics:
Advertising
Fashion

Tags:
Leigh Bowery


 
Leigh Bowery, the Australian-born, London-based artist, club promoter, pop star, model, fashion designer and dancer in Michael Clark’s ballet company was one of the most influential figures in the fashion world of the 1980s and 90s. Before his death at the age of 33 from an AIDS-related illness, Bowery was famously a model/muse for painter Lucien Freud and after, he was a central character of Boy George’s ill-fated Broadway show Taboo (the one Rosie O’Donnell financed). The documentary about his life by Charles Atlas, The Legend of Leigh Bowery is a must-see.
 

 
I knew Leigh Bowery casually dating back to 1984, when I’d see him and his friend Trojan (who was dressed by Leigh) when they’d be out and about at London clubs like White Trash or Phillip Salon’s Mud Club (where I spent most Friday nights of my 18th year). At the time I met them, they had a stall selling make-up in the Great Gear Market on King’s Road and they’d be dressed head-to-toe as you see them dressed above. After that, Bowery became well-known for his Taboo nightclub, the infamous “Where’s Pepe?” TV jeans ads (see below) and his association with Michael Clark. For someone who appeared so monstrous, Leigh was an extremely friendly and affable person who always remembered me when I’d see him in New York.

Little Britain’s Matt Lucas is currently developing a dramatic film about Bowery’s life. He’s the perfect actor for the role.

These Pepe Jeans ads from 1989 were directed by mega-genius Tony Kaye. There were actually five commercials in the series, but one’s not on YouTube and Leigh Bowery isn’t in one of them.
 

 
More after the jump…

Posted by Richard Metzger | Discussion
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The amazing old Paramount Records ads that inspired R. Crumb


 
The story of Paramount Records is a fascinating one—the beginning is set about 100 years ago, in a Wisconsin furniture company that began pressing records in hopes that’d help them sell record players, which in their early years were indeed whoppin’ big ol’ pieces of furniture. The middle sees that furniture company curating and releasing a jaw-dropping and still legendary catalogue of classic early jazz and Delta blues 78s by the likes of Charley Patton, Ma Rainey, and Blind Lemon Jefferson. The end of the story sees the closing of the company and disgruntled employees flinging those now priceless shellac records into the Milwaukee River and melting down the metal masters for scrap. The whole story can be found in greater detail online, or in the books Paramount’s Rise and Fall and Do Not Sell At Any Price.

What concerns us here are the label’s print ads, which ran in The Chicago Defender. I’ve tried mightily to find the names of the artists who drew these. People in a better position to know than I assure me their identities are lost to the years, though they may have been staff illustrators at a Madison ad agency. The loss of that knowledge is a damned shame, because without knowing it, those artists altered the history of underground comix, by serving as an acknowledged influence on that form’s grand pooh-bah, Robert Crumb. Even a superficial glance at some of these ads reveals a precursor to Crumb’s famous signature style (it’s strikingly evident in the slouching posture of some of these characters), and Crumb paid direct homage to these artists in a series of trading card sets that have been compiled into the book R. Crumb’s Heroes of Blues, Jazz & Country—the comix artist’s abiding passion for the music of the early recording era has never been a secret.

Here are a few of those ads. Where the ad copy is adequately readable, I encourage you to give it a look, because some of this stuff is priceless—I’m wondering how many old blues songs weren’t about wangs and adultery. Bear in mind, please, that the ads I chose to post here weren’t necessarily selected for resemblance to Crumb’s work. Some I simply felt like sharing because they were just too much!
 

 

 

 

 
More after the jump…

Posted by Ron Kretsch | Discussion
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‘Cock-a-doodle-dick-shit!’ The outtakes of Ernie Anderson, a.k.a. Ghoulardi
10.14.2014
11:47 am

Topics:
Advertising
Amusing
Television

Tags:
Ghoulardi
Ernie Anderson


 
Last year we related the saga of Cleveland’s favorite local TV host, Ernie Anderson, more commonly known as Ghoulardi. Anderson’s character Ghoulardi hosted a Friday late-night horror movie show from 1963 to 1966 on WJW-TV, Cleveland’s channel 8. His schtick was strongly Beatnik-derived, and he has remained a hero to the residents of Northeast Ohio ever since, a group that includes the Cramps, who spent time in Akron before breaking it wider in NYC and adopted Ghoulardi’s motto “Stay Sick!” as their very own. You can find out more about Ghoulardi in Tom Feran’s book Ghoulardi: Inside Cleveland TV’s Wildest Ride. (The greatest legacy of Anderson, who died in 1997, may well be his famous son, the director Paul Thomas Anderson.)

After Anderson fled Cleveland for Los Angeles, he became “the voice of prime time ABC” for much of the 1970s and 1980s. On this visit to the set of Late Night with David Letterman in 1983, Anderson demonstrated the artistry of the network promo voiceover. As such, anyone who was a kid during the late 1970s and after probably remembers Anderson’s voice urging you to tune in to The Love Boat, Hart to Hart, Happy Days, Eight Is Enough, and whatever else ABC wanted you to watch. When Anderson was doing the fake promos (requested by his fans—the man had a lot of fans) on Letterman, you could see a little bit of his method, holding his hand up slightly and barking “Ah-gee-wa-wa!” as vocal prep to get in the right frame of mind. After a flub, he admits that “I swear a lot.”
 

Anderson on Letterman displaying his craft
 
Here’s the proof of that assertion. Dana Gould mentioned these outtakes on his podcast (episode “Son of Halloweenery”), and I found them so funny I just had to pass them on. Someone collected about ten minutes of a charismatic and professional TV announcer Ernie Anderson losing his shit over and over and over again, and it’s every bit as priceless as you might imagine….. Anderson has particular trouble with the word frighteningly, which is ironic considering his Ghoulardi alter ego. Among the things Anderson spits out in a fit of pique: “You’ll see an American gladiator’s son walk his AHHH SHIT!” “You’ll have to put some sound effects in there or some fucking pig whistles, I don’t know.” “Aaaaand you’ll meet our special guest fuckit balls tits!” and “It’s all a fuckin’ kiss my ass mish-mash….”

You’ll have to discover the rest on your own!
 

 

Posted by Martin Schneider | Discussion
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Paris museum promotes Marquis De Sade show with orgiastic trailer (NSFW)
10.10.2014
11:54 am

Topics:
Advertising
Art
Sex

Tags:
Marquis De Sade
Musée d'Orsay


 
The Musée d’Orsay, the legendary museum dedicated to impressionist and post-impressionist art housed in the former Gare d’Orsay, a Beaux-Arts railway station in the center of Paris, has a big show on the legacy of Donatien Alphonse François de Sade, better known as the Marquis de Sade, coming up in a few days (show starts October 14). The show, called “Sade: Attacking the Sun,” will focus on “the revolution of representation opened up by the author’s writings,” according to the museum. The exhibit will feature presumably challenging and sensuous works by artists such as Goya, Géricault, Ingres, Rops, Rodin, and Picasso. De Sade’s groundbreaking works include Justine, or the Misfortunes of Virtue and 120 Days of Sodom, which was later adapted by Pier Paolo Pasolini as Salò, or the 120 Days of Sodom.
 

 
On its website, the Musée d’Orsay warns (in bold text), “The violent nature of some of the works and documents may shock some visitors.” A similar disclaimer might apply to the show’s promotional video, directed by video artists David Freymond and Florent Michel. In keeping with the Marquis’ licentious philosophy and writings, the video consists entirely of quick cuts of dozens of (mostly white) people engaged in group sex in a huge darkened expanse. The camera eventually pulls out to reveal that the bodies are configured to spell the word “SADE.”

Funny—the only orgy I was ever at, we spelled out the word “EXCELSIOR.”

The video is NSFW but that should be pretty obvious, and to be honest it’s pretty low-stakes smut…..
 

 
via Artnet

Posted by Martin Schneider | Discussion
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Graffiti artists reclaim the commons and obscure subway ads
10.06.2014
05:58 am

Topics:
Activism
Advertising
Art

Tags:
graffiti
NYC
subways


 
For what New Yorkers pay to ride “public transportation,” you’d think the MTA wouldn’t feel compelled to sell every square inch of subway car to bloodsucking corporate pirates—much less that aesthetic villain, Dr. Jonathan Zizmor. M.D.. But where there is a square inch to monetize, “public” space will never really be public. Two anonymous artists, going by SKI and 2ESAE, have decided to take the commons with some slick guerrilla tactics.

Now defacing ads is nothing new, and their messaging might be a little platitudinous (“be who you are don’t be sheep”), but the project itself is a kind of a cool ad campaign against ads. While the duo’s traditional idiom is graffiti, the plastering of polished “ad copy” is a subtler, more formal approach to anti-advertising protest—you have to look twice, something straphangers almost never do for a scrawl of Sharpie or an artless tag in spray paint. While very few people probably saw the installation itself (I’ve been on the J train at 3AM—it’s pretty dead), the folks at ANIMAL videotaped it for posterity—YouTube is the last town square, I suppose.

I’d hope actions like this might take off, but the MTA has already announced plans to put cameras in cars... you know… for safety.
 

 
Via ANIMAL

Posted by Amber Frost | Discussion
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#RepublicansArePeopleToo campaign is a masterpiece of bad marketing, a rich tapestry of idiocy


 
Who the fuck didn’t see this one coming?

The general answer, of course seems pretty obvious—the perpetually clueless and tone deaf Republican Party—but the person in particular, apparently, to blame for this completely idiotic SCREAMING OUT FOR MERCILESS RIDICULE campaign is one of Mitt Romney’s former advertising guru “Mad Men” (and we all know how well that turned out), a Texan named Vinny Minchillo.

Minchillo hopes that his new “grassroots” campaign, on Facebook and on Twitter with the hashtag #imarepublican, will make it harder for people to demonize Republicans, as he told The New Republic:

“On social media, I’ve been called every name in the book,” Minchillo said. “It’s become socially acceptable to talk about Republicans in the most evil terms possible and that doesn’t seem right. We wanted to do this to really remind people that Republicans are friends, neighbors and do things that maybe you wouldn’t expect them to do.

“People, I’m afraid, think that Republicans spend their days huddling over a boiling cauldron throwing in locks of Ronald Reagan’s hair. … We thought let’s get out there and show who Republicans really are: regular folks interested in making the world a better place.”

Minchillo is clearly operating under the delusion that there’s something sly, clever or tongue-in-cheek about what he’s doing. I wonder how he’s going to feel when he watches Jon Stewart, Stephen Colbert, Bill Maher, John Oliver, every pundit, Twitter, Facebook AND THE ENTIRE INTERNET trash this nonsense like it’s the stupidest thing anyone has ever thought up?

#SoylentGreenIsPeopleToo!

See how that works, Vinny?
 

 
MEMO TO THE GOP: If you need an advertising and social media campaign to convince a HUGE swath of people who already think you’re a bunch of fuckin’ assholes that you’re really not fuckin’ assholes, perhaps you’ve got a larger problem on your hands? If you have to TELL other people that you’re just like them, perhaps their perception that you’re not just like them is justified because you wouldn’t really need to point that out in the first place, now, would you?

It isn’t easy being a Republican these days.

There are people who will stick up for Genghis Khan before they’ll defend a Republican. (“Genghis was just misunderstood.”)

We love political discourse. We encourage political discourse. But when did “Republican” become a dirty word?

Here’s the deal: before you post another bullying comment, think about this:

Republicans are people, too.

And you know what? Some of them don’t even have tiny shriveled penises or require motorized scooters to haul their asses around. Many Republicans aren’t racists! Some of them are under the age of 65 and are not angry white males who watch Fox News all day long and shit in Depends diapers. WHICH IS EXACTLY THE PERCEPTION THAT THIS RISIBLE CAMPAIGN IS REINFORCING! All anyone is talking about is “the problem” that this is supposed to be combating!

If this isn’t the equivalent of a gigantic Las Vegas marquee-sized “KICK ME” sign on the back of the GOP, I don’t know what would be.
 

 
It’s the most ridiculous thing in… days to come out of the fetid swamp of what passes for ideas in the Republican Party. If hapless Vinny saw this goofy campaign as a way for him to jockey for position for the 2016 Presidential race, Vinny, I hate to tell ya, brah, you done goofed. This is the worst!

Here are a few choice comments taken from what are probably the most consistently intelligent forums on any political or news blog, Talking Points Memo. Just some random recent comments, I’m not digging deep for any of this:

I believe all Muslims are suspicious and should be rounded up into internment camps. #ImARepublican

Why, yes, my tattoos include swastikas #ImARepublican

“Redskin” is a term of respect, honor, tradition. #ImARepublican

My father punched me when I was a kid, and I TURNED OUT FINE! Right? RIGHT?! #ImARepublican

I am stupid, evil, and utterly devoid of humanity! #IamARepublican

I prattle on endlessly about the necessity for common citizens like me to own guns in case the government infringes upon the people’s rights, and then I vote for referenda that infringe upon people’s rights. #ImARepublican

Of course I’m a hypocrite. #ImARepublican

Disenfranchising minority voters is OK by me! After all, they’re not white like I am. #ImARepublican

I don’t think everyone deserves health care. #ImARepublican

My party will soon be demographically insignificant. #ImARepublican

I pledge allegiance to the Kochs… #ImARepublican

You get the idea. Here’s my favorite because it communicates SO MUCH:

I think this guy should be making decisions that affect millions. #IAmARepublican

 

 
It’s a mite (Mitt?) early for the memes to be showing up in any real number yet, give it a few hours (or even a few more minutes), but the ridicule on Twitter for the #ImARepublican hashtag is pretty good already.

And here’s the motherload of LOL, the video. You’ll note that it’s important for them to have you know that Republicans shop at Trader Joe’s(?), use Macs(?) and “have feelings, too”(?)—and yet there are apparently no members of the LGBT or Muslim communities in the GOP whatsoever. What. there were NO pics of fabulous drag queens, buffed WeHo boys or anyone with a beard and turban in the stock photo database?
 

 
For some reason that video reminded me of this classic Tom Tomorrow cartoon:
 

 

Posted by Richard Metzger | Discussion
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