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Let it snow: Shameless cocaine ads of the 1970s
04.27.2016
11:45 am

Topics:
Advertising
Drugs
History

Tags:
cocaine


 
Ah the 1970s, when disco dust was plentiful and there were cocaine paraphernalia ads galore in head magazines. Dig the Hoover-themed coke spoons! Or the “what the hell were they thinking” handmade ivory straws. And if your nose is a little clogged from too much coke, why not try “Noze: the nose wash”?

So as the majority of the taglines in these magazine clippings say, “Let it snow!”


 

 
More after the jump…
 

Posted by Tara McGinley | Leave a comment
Creature feature: See H.R. Giger’s wild Japanese ads for the Pioneer Corporation
03.24.2016
09:10 am

Topics:
Advertising
Art

Tags:
H.R. Giger
Pioneer


 
In 1985 the Japanese electronics company Pioneer hired visionary Swiss artist H.R. Giger for an advertising campaign to promote the company’s new Zone system. A television commercial was made featuring one of Giger’s unmistakable creatures, and Giger generated two print advertisements as well.

Aylmer at the Unflinching Eye blog points out that Giger was likely repurposing some of the labor that went into Jodorowsky’s never-to-be-completed adaptation of Frank Herbert’s Dune:
 

It would appear that in 1984/85 H.R. Giger quietly recycled some of his iconic production artwork for Alejandro Jodorowsky’s unrealised Dune adaptation. Not for use in another movie, but a Japanese ad campaign for Pioneer’s ZONE home entertainment system.

This brief glimpse of Giger’s dark vision for planet Arrakis makes me lament the death of this project more than ever. The combination of Giger’s nightmarish design and Jodorowsky’s unconventional and surreal approach would surely have resulted in a cult SF film quite unlike anything we’ve ever seen.

 
If you haven’t seen Frank Pavich’s 2014 documentary Jodorowsky’s Dune, it’s a must-see!

This is not the only instance of Japan expressing admiration for Giger’s work. In 2014 we noted that Shirokanedai, Tokyo, was one of the four locations to host one of the distinctive and immersive bars created in the Giger style, but Giger grew irritated by the limitations imposed by the Japanese building codes, and disowned the Tokyo Giger Bar.

Here are the two print advertisements Giger created for Pioneer (click on the images for a larger view):
 

 

 
After the jump, Giger’s TV commercial for Pioneer…...

Posted by Martin Schneider | Leave a comment
Nicolas Winding Refn’s trippy booze commercial contains more LSD than alcohol
03.16.2016
04:24 pm

Topics:
Advertising
Movies

Tags:
Nicolas Winding Refn


 
Nicolas Winding Refn directs films that really can be called visionary. From the Pusher Trilogy through Bronson to Valhalla and Drive, Refn’s trippy visuals blended with violence, sex, and mysticism recall outlaw filmmakers like Kubrick, Anger and Tarantino. His artful exploitation films are B-movies from another dimension. For instance, take this commercial that Refn directed for Hennessy. In a conversation I had with Refn he told me he’s never taken acid. I guess he doesn’t need to because there’s a point of view in his work that is already definitely psychedelic.

The product is Hennessy X.O - Odyssey. Refn took the word odyssey and ran with it.

The awesome music is by former Red Hot Chili Pepper Cliff Martinez.
 

Hennessy X.O - Odyssey (dir. Nicolas Winding Refn) from Stinkdigital on Vimeo.

 

Posted by Marc Campbell | Leave a comment
Old-school ads for albums from The Clash, Buzzcocks, Blondie, T.Rex, The Jam and more

Promo ad for Blondie's Plastic Records, 1978
Promo ad for Blondie’s ‘Plastic Letters,’ 1978. This might even be an in-store stand-up, hard to tell

If you are of a certain age, you will remember what it was like to get pretty much all your rock and roll knowledge from magazines. Wanted to become a part of the The Cramps Fan Club (and who didn’t), you filled out a request from a magazine or perhaps signed up for the band’s “mailing list” at a live show. If there was a new record on the way, you probably saw it on the pages of CREEM (my all-time favorite), Trouser Press or Billboard. If you were aspiring young punk in the UK, you learned likely learned about the latest record from The Jam by reading mags like Zig Zag, Sounds, and Smash Hits.
 
New York Dolls ad for Too Much Too Soon, 1974
New York Dolls ad for their 1974 album, ‘Too Much Too Soon’
 
Mick Ronson Slaughter on 10th Avenue ad, 1974
An ad for Mick Ronson’s first solo record, ‘Slaughter on 10th Avenue,’ 1974
 
Japanese ad for T-Rex records, 1974
Japanese ad for T.Rex records, 1974
 
Check them all out after the jump!

Posted by Cherrybomb | Leave a comment
Gary Numan is a fashionable android in this vintage Japanese TV commercial
02.17.2016
10:57 am

Topics:
Advertising
Music

Tags:
Gary Numan
Kazumi Kurigami


 
Kazumi Kurigami is one of Japan’s leading commercial photographers and TV commercial directors. He’s been working since the 1960s and in 2009 he made the feature film Gelatin Silver, Love. He’s worked with major clients like Nissan, Sony and Suntory. For the trendy Parco department store Kurigami-san shot slowly moving Warhol-esque portraits of glamorous western celebrities like Faye Dunaway, Margaux Hemingway, Dominique Sanda and… Gary Numan.

The New Wave superstar is seen peering into what we moderns might think is a super slim futuristic iPad, but that is revealed ultimately to simply be a mirror. That Gary!

The English translation of the voiceover is:

“I am an android. I look exactly like a human. PARCO.”

It’s 15 seconds long, I can’t think of anything else to write about it. It’s Numan bein’ Numan. That’s all I got for ya.
 

Posted by Richard Metzger | Leave a comment
Watch David Bowie’s Japanese TV commercial for sake from 1980
02.15.2016
08:56 am

Topics:
Advertising
Music

Tags:
David Bowie

David Bowie ad
 
For decades, American and British celebrities have appeared in television advertisements that air exclusively in foreign markets. Though popular opinion has swayed in recent years, there was a time when a star—especially from the film or music industry—was considered a has-been or a sell-out if seen in an ad. If nothing else, it was considered tacky behavior for an A-lister or a rock star. But there’s big money to be made in non-English speaking countries like Japan, and with contracts specifying the spot only air in that country, for many it’s too good of an offer to pass up—especially those fading from the spotlight or hard-up for cash. This type of arrangement was famously fictionalized by writer/director Sofia Coppola in her 2003 film, Lost in Translation, in which Bill Murray’s character—down on his luck American actor Bob Harris—goes to Japan to shoot a series of commercials for Suntory brand whiskey. Sofia Coppola’s father, director Francis Ford Coppola, partially inspired the premise, as he had shown up in Suntory ads with Akira Kurosawa in 1980. That same year, David Bowie—who, like Coppola, was far from washed up—was seen in his own Japanese television commercials promoting an alcoholic beverage.
 
Crystal Japan
 
Bowie’s 1980 sake ads for Crystal Jun Rock were the first TV commercials he ever appeared in (not counting this pre-fame clip or those touting whatever his latest album happened to be). The spots feature his eerie synthesizer instrumental, “Crystal Japan,” recorded during the sessions for Scary Monsters (and Super Creeps).

At the time, Bowie gave an interview explaining why he did the ads:

There are three reasons. The first one being that no one has ever asked me to do it before. And the money is a very useful thing. And the third, I think it’s very effective that my music is on television twenty times a day. I think my music isn’t for radio.

He also provided details regarding the music, noting that it differed from all his previous works:

I didn’t use bass or drums so it’s very different from anything I have done before. It will be included in my next album.

Ultimately, “Crystal Japan” was left off of Scary Monsters (and Super Creeps) (in the original running order it was meant to be the last track), though the song was released as the A-side of a 45 in Japan. A promotional version of the single included inserts related to the ad campaign.
 
inserts montage
 
In other countries, “Crystal Japan” was the B-side of “Up the Hill Backwards”, and was included on the Bowie Rare compilation in 1982, as well as Rykodisc’s reissue of Scary Monsters (and Super Creeps), though those releases are now out of print. The song is currently available on the Bowie collection of instrumentals, All Saints.
 
Crystal Japan 45
 
One of the commercials Bowie did for Crystal Jun Rock can be seen below. The ad is dramatic and mysterious—what else would you expect?
 

Posted by Bart Bealmear | Leave a comment
‘I’ve got what you want!’: Vintage ads for mail order smut
02.12.2016
10:49 am

Topics:
Advertising
Amusing
Sex

Tags:
photography
porn books
porn ads

008mailordpor.jpg
 
This is how it was back in the sixties and seventies. No Pornhub. No XVideo. No HD stuff. No downloadable porn just a keystroke away. If you wanted to watch a porno flick in Moosefart, Montana, or keep a stash of uncensored 8x10s in your bedroom closet, well you had to check the small ad pages in adult magazines like Follies, Frolic, Nugget, Dude, Rogue, Gent, Knight, Bachelor and Adam. This is how horny young Americans—like your dear old dad and granddad—entertained themselves before the tsunami of free digital pornography starting getting piped into the home like a utility.

Being born, raised and still living in Scotland, my knowledge of yon Americana is informed by what I’ve read in books, histories and what have you. Of course, over here there is obviously a similarity of experience. One man who built his porn empire on mail order adult entertainment is David Sullivan.

Sullivan is an economics graduate who started his adult entertainment empire by selling glossy pix thru the mail. He then moved on to mail order home movies and “marital aids.” Sullivan was so successful that he ended up running 80% of the UK’s adult mail order market. He also owned several sex shops, a line of hardcore magazines (up to 50% of the UK market), successfully produced several pornos and soft core movies—the latter best known for starring the legendary Mary Millington and a host of British comedy talent.  He diversified into newspapers (Sunday Sport) before becoming the largest shareholder in two soccer clubs—first Birmingham, now West Ham.

When working in the adult entertainment business, Sullivan thought of himself as a “freedom fighter.” He was once tried and sentenced to 71 days imprisonment for living off immoral earnings—which is a kind of catchall charge to punish pornographers. He has no “embarrassment” over his time in jail telling the London Evening Standard in 2010:

“I’ve made a lot of people happy,” he says. “If I was an arms manufacturer or a cigarette manufacturer, and my products killed millions of my clients, I’d have a bit of doubt about the whole thing. I was a freedom fighter. I believe in the right of adults to make their own decisions.”

The 1970s were a boom time for adult mail order entertainment. When I was a student at the University of Glasgow back in the 1980s, the campus was split between the men’s union—the Glasgow University Union—and the women’s union—the Queen Margaret Union. While the QMU opened its doors to both male and female students, the men’s union remained until the early eighties, a bastion of male chauvinism. At the time, the “men’s union” was best known for its world champion debaters and for screening something called the “Freds.”

The “Freds” were the Tom and Jerry cartoons produced by Fred Quimby. A couple of these classic animations provided the intermission entertainment between two mail order blue movies screened for the edification and enjoyment of a select band of GUU students. The “Freds” supposedly stopped after the union opened its doors to women, but it was always rumored the “Freds” were still be screening by a group of recalcitrant students somewhere within the walls of this famous baronial building. Fans of the “Freds” went onto become politicians, lawyers, bankers, successful CEOs and apparently even a priest. But with the arrival of video home systems (VHS) the end was nigh for the boom in mail order adult entertainment. And today with the Internet, even magazines like Playboy have stopped bother to publish nude pictures in its pages. So for those too young to remember, and for those who do remember and perhaps did partake, is a small selection of classic adult entertainment ads from the sixties and seventies.
 
005mailordpor.jpg
 
“Privately” printed mags? Oh my, this is not the kinda smut grandpa wanted you to find in that locked box in his basement after he died.
 
007mailordpor.jpg
 
Bernard of Hollywood must have been the place to go for “Authentic, unretouched stags of well known gals before they reached the top. Rare thrillers all.” Sounds like something out of a James Ellroy novel…and the WTF ad with sweaty, wide-eyed hepped-up pervo freak? Looks kinda rapey.
 
More vintage adult ads, after the jump….

Posted by Paul Gallagher | Leave a comment
The controversial (and lampooned) bondage-themed billboard for The Rolling Stones’ ‘Black and Blue’

The bondage-themed print ad for The Rolling Stones record, Black and Blue, 1976
The magazine version of the controversial advertising campaign for Black and Blue from 1976

In 1976, the Rolling Stones released Black and Blue, their first record with new guitarist, Ronnie Wood. To help promote the record, a billboard was erected over the Sunset Strip in Los Angeles. The boundary pushing advertisement featured a racy image of model Anita Russell (who Mick Jagger originally considered “too pretty” for the part).
 
The billboard hanging above Sunset Strip, 1976
The billboard on the Sunset Strip, 1976

Jagger took one for the team and tied Russell up himself for the bondage-themed photo shoot. In the 14 x 48 foot billboard that hung above one of the busiest thoroughfares in Hollywood, Russell is tightly bound, her clothing ripped and the inside of her legs are bruised, as she sits spread eagled on top of the gatefold cover of Black and Blue with the caption:

I’m “Black and Blue” from The Rolling Stones—and I love it!

For some weird reason nobody in the Stones PR camp thought that the billboard would bother anyone, much less send the message that female fans of the Rolling Stones like to be physically abused. Of course the outcry to remove the billboard, especially from feminists who defaced the billboard with red paint, was immediate and it quickly disappeared.

But the news about the controversial photo and message had already garnered the band worldwide press coverage, and Black and Blue (a record infamous rock journalist Lester Bangs called “the first meaningless Rolling Stones album”—he was right) eventually went platinum in the U.S.
 
Mick Jagger and Anita Russell in a promo for Black and Blue from National Lampoon, 1976
The tables turn on Mick in this spoof that ran in National Lampoon’s “Compulsory Summer Sex Issue” in August of 1976

And because now I’ve got Black and Blue on the brain, here’s the band (with Billy Preston) looking like absolute plonkers in the “Hey Negrita” video.
 

Posted by Cherrybomb | Leave a comment
‘WELL I AM NOW!’: The mystery of this 28-year-old AT&T commercial is finally solved


 
If you are of “a certain age” you’re going to remember this AT&T commercial which played incessantly on television in the late ‘80s.

It featured a stock broker or some other sort of entitled business-class asshole who was trying to call Phoenix, but mistakenly dialed Fiji instead.
 

 
A native answers his call:

“NockaMockaBeeSai”

or was it “Wanna-mocka-pee-si?”

or was it “Bolenockapeaceye?”

Anyway, the businessman ends up getting infuriated when he has to hold for a minute to get credited. He says “AT&T operators gave me instant credit.” The operator informs the man that he is “not dealing with AT&T,” to which he snaps back “WELL I AM NOW!”
 

“WELL I AM NOW!”
 
When we were kids we used to make fun of this dork incessantly, always imitating “WELL I AM NOW!” in the whiniest, most privileged voice imaginable at any opportune moment.

We’d also imitate the native Fijian’s phone greeting, sometimes answering our own phones in his voice, but no one could ever really agree on what he was saying…

“Bolamakapeesai?”

“OckaNockaBeeSai?”

“Onga laka pisai?”

This was one of the great unsolved mysteries of the Twentieth Century. Of course back then we didn’t have the Internet and Google—but as we now live in the magical futureworld where all questions are easily and instantly answered, we now know exactly what was being said. Here it is:

“Bula Vinaka, Beachside”

“Bula Vinaka,” is a Fijian expression for “hello, thanks.”

You should always go straight to the Internet with any lingering questions from your pre-Internet childhood.
 

 
“WELL I AM NOW!”

The only mystery that yet remains is how this doof managed to mistakenly dial Fiji instead of Phoenix without dialing the country code.
 

Posted by Christopher Bickel | Leave a comment
Coldwave: The Nestle ‘Alpine White’ song is the official non-denominational holiday anthem


 
Who else fucks with this jam?
 

 
The most beautiful song to ever hawk white chocolate, “Sweet Dreams,” with its coldwave synths and unforgettably emotive vocals takes a supernatural hold of the listener and doesn’t let go—transporting him or her on a flight of fancy to a magical creamy, dreamy wonderland. The jingle is the epitome of a crisp winter’s day.

The infectious mid-80s earworm, written by award-winning commercial composer Lloyd Landesman, has a frosty, ethereal majesty, making it a perfect choice as a non-denominational Capitalist holiday-season anthem. Here it is, troops! More ammunition for the (absolutely totally real) war on Christmas! Like an Alpine White bar kept in your pocket, may your season be white, sticky, and gooey.
 

 
After the jump “New Romantic Guy” dancing to our new favorite carol, plus the Faith No More cover!

Posted by Christopher Bickel | Leave a comment
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