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How to join the Sons of Lee Marvin in five easy steps
08.27.2013
09:24 am
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Lee Marvin
 
Back in the 1980s Tom Waits, Jim Jarmusch, John Lurie, and maybe one or two others started a facetious little organization called the Sons of Lee Marvin in honor of one of their favorite actors. As it is a secret society, details are scarce—Nick Cave is in the club, and the director John Boorman has been given an honorary membership. It is rumored that Thurston Moore, Iggy Pop, Josh Brolin, and Neil Young are also in the group.

If you would like to join the Sons of Lee Marvin, here’s all you have to do:

1. Be born with a penis.
2. Have “a facial structure such that you could be related to, or be a son of, Lee Marvin.”
3. Develop an intense fondness for Lee Marvin, especially how his characters are “outsiders and very violent” and “have a very strong code.”
4. Achieve significant notoriety as an adorable bohemian/downtown musician or filmmaker.
5. Become close buddies with Jim Jarmusch.
 
Sons of Lee Marvin
(T-shirt available at Threadless.)

The following anecdote appears in the May/June 1992 issue of Film Comment:
 

Just the idea of Marvin’s characters being outsiders and very violent appeals to me. Some seem to have a very strong code—even if it’s a psychotic one—that he follows rigidly.

A secret organization exists called The Sons of Lee Marvin—it includes myself, Tom Waits, John Lurie, and Richard Boes…. Six months ago, Tom Waits was in a bar somewhere like Sonoma County in Northern California, and the bartender said:

“You’re Tom Waits, right? A guy over there wants to talk to you.”

Tom went over to this dark corner booth and the guy sitting there said, “Sit down, I want to talk to you.”
“What do you want to talk to me about? I don’t know you.”
“What is this bullshit about the Sons of Lee Marvin?”
“Well, it’s a secret organization and I’m not supposed to talk about it.”
“I don’t like it.”
“What’s it to you?”
“I’m Lee Marvin’s son,” and he really was.

He thought it was insulting, but it’s not, it’s completely out of respect for Lee Marvin.

 
The fan page jim-jarmusch.net has a pretty good summary of the known information about the Sons of Lee Marvin.

If you haven’t seen it, Point Blank—directed by honorary SOLM John Boorman—is a great movie. Here’s a pretty spiffy clip:
 

Previously on Dangerous Minds:
Lee Marvin and Angela Dickinson perform ‘Clapping Music’
Jim Jarmusch, Neil Young, RZA: The music of Dead Man and Ghost Dog

Posted by Martin Schneider
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08.27.2013
09:24 am
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Timothy Leary was a Ron Paul supporter (was he high???)
08.26.2013
07:58 pm
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This made me groan, but it didn’t really surprise me all that much either…

In 1988, a floppy disk was sent out as an invitation to a Ron Paul fundraiser hosted by Timothy Leary at his home in Benedict Canyon. That year Paul made his first bid for the White House on the Libertarian party ticket and Leary—given Paul’s stance on drug legalization—was a big fan.

Via the New York Public Library’s blog:

A second disk, which may have been distributed to those attending the fundraiser, is signed by Leary with the following message:

“Thank you for joining me today in support of Ron Paul and the Libertarian Party. As we enter these closing years of the Roaring Twentieth Century, we’re going to see personal computers enhance our lives in ways we can scarcely imagine. Fellow Cyberpunk Chuck Hammill has helped me assemble a collection of bits and bytes you may enjoy.

“If you’re wise ... digitize!”

Tim Leary

 

 

In agreement with Leary’s interests at the time, the disk contains software credited by the Libertech Project for those who “like the idea of techno-thwarting government abuse” and was “distributed free to Libertarians, Objectivists, Discordians, Cyberpunks, Survivalists, Soldiers of Fortune, Hackers, Entropists, Deltaphiles and similar types…”

The disk contains DOS programs generating fractal graphics and a copy of the paper, “From Crossbows to Cryptography: Thwarting the State via Technology” by Chuck Hammill, given at the Future of Freedom Conference in November 1987.

It’s hard to imagine what ultra-square Ron Paul would have made of Leary’s “futant” pals. I sure hope a videotape of this fundraising event shows up one day on YouTube!

Other prominent supporters of Ron Paul’s candidacy in 1988 were Jesse Ventura, Barry Goldwater, Ralph Nadar and Cynthia McKinney.

Below, a sheet of Ron Paul blotter acid:
 

 
Thank you kindly Michael Segel!

Posted by Richard Metzger
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08.26.2013
07:58 pm
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Melting, melting: The Republican base continues to shrink, but no one wonders why except for them


 
Although they’re not quite yet on the endangered species list, the dwindling number of Americans who self-identify as “Republican” must have the GOP’s top political strategists laying awake at night. They’re the smart guys and gals who are really the ones in charge of “the stupid party.”

Talk about a fuckin’ thankless task! Can you imagine?

According to Think Progress, the rolling average of GOP party identification prepared by The Pollster.com shows Republicans at 22% of the American public, a percentage that has been declining steadily for several years as the party caters more and more to its fringiest members, who are increasingly looking like its only members! Their problem with broadening the party’s appeal goes far beyond a “Catch 22%” as an apparent civil war among the GOP’s constituent parts is coming to a nasty boil. Damned if they do, damned it they don’t, should the GOP decide to join this century, they’d lose the remainder of their old guard voters.

Pew Research Center has it looking even worse for the GOP, down to only 19% of Americans! If this is accurate, then what percentage of these folks would live north of the Mason-Dixon line? It can’t be that many anymore. And Republican voters aren’t merely primarily located in southern states, they’d also, in the main, be some pretty long in the tooth southerners.

Senior fellow at both the Century Foundation and the Center for American Progress, Think Progress blogger Ruy Teixeira writes that the Republicans’ lockstep intransigence to the Affordable Healthcare Act, while offering nothing better—nothing at all—to replace it, is being seen as just a big “fuck you” to the folks that will be covered now.

Maybe they’re placing their bets on the wrong horse, especially when it comes to Obamacare. Start with the fact that roughly a third of the opposition to Obamacare stems from the view that the program isn’t liberal enough rather than too liberal. That doesn’t fit with the GOP’s blow-it-up paradigm. Nor do recent polls that show an average of only 35 percent saying they want to repeal Obamacare as opposed to keeping it as is or with changes.

That’s not an insignificant point: I have had pollsters call me on three separate occasions over the past four years to ask about my attitude towards the healthcare law and I was not once given the option of saying “I’m not much of a supporter of the ACA because it’s not liberal enough” or to in any way indicate that I thought the expansion of Medicare for all would be a better way to go. I was only offered a “yay or nay,” vote it up or down choice. From the tone of the questioning, I’m pretty darned sure that each of these polls were paid for by conservative groups. It seemed odd that they were conducting polls, not to find out scientifically what the public really thinks, but to instead get them to confirm or imply agreement—even if nothing of the sort was intended—by deliberately proscribing the parameters of the debate to twist statistical arms.

The point being that MY opinion—I’m a staunch socialist—was being tallied as an “I’m agin’ it!” vote and used to confirm some delusional Republican bias. That’s simply ridiculous.

Apparently equating better access to healthcare with Hitler has been a bit of a bust for the GOP. A recent Hart Research/SEIU poll on voter attitudes toward Obamacare vis a vis the 2014 races found that:

Voters feel intensely negative toward Republican candidates who have worked to repeal or undermine the law, especially those who are unwilling to help their constituents take advantage of the benefits and protections available to them under the ACA….Seventy-one percent of voters express unfavorable feelings toward “a Republican who, as an elected official, refuses to help individuals and small businesses understand how best to deal with Obamacare and take advantage of its benefits.”….Two-thirds of all voters (including 60% of undecided voters) have an unfavorable impression of “a Republican who repeatedly voted to cut the funding needed to effectively implement the law, and refuses to provide information to employers and individuals about it.”

“Intensely negative” doesn’t really beat around the bush, but you know, they’re assholes, pure and simple! It’s always been a puzzle to me why it practically takes an electric cattle prod to get most Democrats and non-Republican leaning independents to actually vote, despite the clear-cut shit sandwich alternative if they fail to make that tiny, tiny civic effort. I’m looking at YOU lazy-ass North Carolinians who didn’t even bother to vote last year. Look what it got you, especially those of you who just got your jobless benefits cut.

If you could do it all over again, would you do anything differently?

More from the Hart survey summation:

Our generic congressional trial heat shows a relatively narrow, three-point advantage for Democratic candidates (44%) over Republicans (41%) nationwide. However, when the choice in the 2014 election is presented as “a Democrat who favors fixing and improving Obamacare rather than repealing it altogether” versus “a Republican who wants to totally repeal Obamacare,” voters favor the Democratic candidate (51%) over the Republican candidate (36%) by 15 percentage points.

The biggest problem the Republicans have is… themselves. Almost everyone hates ‘em, so why not double down on everything they hate the most?

And if you happened to catch any of the news coverage of this weekend’s anniversary of the March on Washington, exactly what sort of snake the GOP has stepped on by trying to curb voter rights for African-Americans is becoming pretty apparent, isn’t it?

Don’t ever change GOP!

Posted by Richard Metzger
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08.26.2013
07:44 pm
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This Japanese dinosaur prank would totally make me shit my pants
08.26.2013
06:44 pm
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Oh, this poor, poor bastard. Just look at his face after experiencing a terrifying dinosaur prank on a Japanese TV game show.

This particular prank is “up there” on the shit-your-pants-silly stress-o-meter.

 

 
Via reddit

Posted by Tara McGinley
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08.26.2013
06:44 pm
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Dangerous Finds: Yellow Submarine SUV; Stream new Chelsea Wolfe album; Bryan Cranston is Lex Luthor?
08.26.2013
06:26 pm
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23 signs you’re secretly a narcissist masquerading as a sensitive introvert - Scientific American

Let me explain why Miley Cyrus’ VMA performance was our top story this morning - The Onion

Women’s Equality Day: Historic moments in the fight for equal rights - SFGate

This 96-year-old man wrote the most heartbreaking song of the year - The Daily Dot

Hemiscyllium halmahera: New species of ‘walking’ shark from Indonesia - Sci-News

Bitches Got Booed: The One Direction Edition - Dlisted

The Simpsons / Basquiat t-shirt - The World’s Best Ever

India bans shark ‘finning’: Hunting solely for sharks fins grown due to demand from China for shark fin soup - CBC

Cocaine can speedily rewire high-level brain circuits that support learning, memory and decision-making, according to new research from the University of California, Berkeley, and UCSF - University Herald

Stream Chelsea Wolfe’s new album Pain Is Beauty - Pitchfork Advance

A Blow-By-Blow of last night’s secret Prince concert - The Vulture

Breaking Bad star Bryan Cranston will play Lex Luthor - io9

War on leaks is pitting journalist vs. journalist - New York Times

Yellow Submarine-themed Infiniti SUV - 9GAG

Designer’s ‘boxer shorts’ protest against Putin’s homophobia - Digital Journal

More dolphins found dead along Jersey Shore - NBC News

Texas megachurch changes vaccination stance after outbreak - HealthLine

Ohio couple married 65 years die 11 hours apart - AJC

Manning’s gender hell: Shades of gray in a black-and-white world - Boing Boing

Most published West Coast punk photographer (1976-1980) - Jenny Lens

50 things you didn’t know about The Wizard of Oz - FlavorWire

Babies learn to recognize words in the womb - ScienceMag


Below, I’d totally hire this mechanic in a heartbeat!

Posted by Tara McGinley
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08.26.2013
06:26 pm
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Quentin Crisp on being openly gay in the 1930’s: ‘In England, sex is not popular’
08.26.2013
05:24 pm
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Quentin Crisp
 
To say that Quentin Crisp was controversial is actually putting it mildly. While the English writer, actor and artistic polymath was initially known for being one of the first openly gay celebrities (in 1930’s London he was already out of the closet and sporting purple hair), but as his profile grew in the 70s and 80s and the gay liberation movement became more mainstream, his love of controversy often came across as callous. Aside from calling Princess Diana “trash” and accusing her of “swanning about Paris with Arabs,” he most famously angered queer communities when he jaw-droppingly described AIDS as a “fad,” and homosexuality a “disease.”

Though it’s widely believed he was joking, (especially since such inflammatory statements were not out of the ordinary for Crisp’s sardonic wit, and because he donated quite a bit of money to AIDS research), many people distanced themselves from him. In his later years, many in the mainstream gay community thought him a self-loathing gay, or at least a bitter old queen, perhaps desperate for attention.

Regardless, Crisp was absolutely a pioneer. Living out loud, without shame, in a virulently homophobic time and place, took an enormous amount of bravery. As you can hear in the interview below from Canadian televison, he eschewed moving to a more more gay-friendly city in his younger years, choosing instead to assert himself right where he stood, refusing to let homophobia shape where he lived or how he behaved. Moreover, some of his insights are dead-on. He talks about “boredom,” believing that liberation would be achieved for gays when homosexuality becomes positively mundane to the public.

One wonders if it was frustrating at times for Crisp, expected to be a “respectable” gay after being disrespected (to say the least) for so much of his life. Moreover, to be lauded for his open sexuality, but often not his enormous talents probably wore thin. Queerness may some day become old hat, but Quentin Crisp could never be anything less than electric.
 

Posted by Amber Frost
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08.26.2013
05:24 pm
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The Cramps’ Lux Interior posing with his John Wayne Gacy portrait
08.26.2013
03:14 pm
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While he was waiting on death row, John Wayne Gacy painted a number of portraits of cartoon characters, clowns and famous people, often at their request, including Lux Interior of The Cramps.

Apparently Gacy never actually listened to The Cramps but wrote (typos included) this on November, 15 1987:

I don’t look at people has hero’s nor do I write to lux interior as fan mail, we have just become friend via writing to each others, he expresses his view on things and I do the same. I don’t try to change people or get them on my side, I let them believe what they want and then if I get a new trial they will see where I am coming from. But I do answer some questions if I feel I can help them out by explaining it. By the way I have never heard Lux Interior music but I don’t pass judgement on it either as I believe his kind of musci make a statement too. I have hread he was dead too, but I think thats just bad rummor. I haven’t heard from him in a month or so but then thats not unusual for him. I just wrote to let him know that a painting he asked me to do is finished. He has been an admirer of my art work and owns four of them now, not including two I have just sent to him and the one I just finished.

Previously on Dangerous Minds:
Lux Interior and Ivy Rorschach’s McDonald’s job applications

Posted by Tara McGinley
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08.26.2013
03:14 pm
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Albert Brooks, the inventor of anti-comedy?
08.26.2013
03:12 pm
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It’s not really clear who can be definitively credited with inventing what is today known as “anti-comedy,” (obviously Andy Kaufman, but also Steve Martin would be in the running, not to mention Brother Theodore) but Albert Brooks’ delightful ventriloquism bit from The Flip Wilson Show in 1972 is surely a key text.
 

 
Bonus clip: The classic “East Coast vs. West Coast Ventriloquism” sketch from Mr. Show after the jump…

READ ON
Posted by Martin Schneider
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08.26.2013
03:12 pm
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Plentiful new Sonic Youth product despite total lack of extant Sonic Youth
08.26.2013
02:48 pm
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body/head
 
Despite the massively influential band’s breakup (or hiatus - it’s never been made clear) a year and a half ago, Sonic Youth fans have had no shortage of releases to keep us happy. This autumn in particular is rife with opportunity.

As reported in The Independent and elsewhere, Sonic Youth bassist/singer Kim Gordon and experimental guitarist Bill Nace will release their collaborative album Coming Apart under the band name Body/Head on Tuesday, September 10th. Dates for a short tour are listed on their web site, and “Actress,” a song from the album, has been released to YouTube.
 

 
Meanwhile, guitarist Lee Ranaldo has also been a very very busy SY, having released last summer’s lovely, droney album On Jones Beach with Glacial, and he’s now on the cusp of dropping Last Night On Earth, the second release from his band The Dust. (Their first, Between the Times and the Tides, was released in March of 2012.) There’s long been a dismissive “Oh, it’s a Lee song” attitude among a certain camp within SY’s fandom, but if you’re in that cohort, seriously, listen to “Lecce, Leaving” all the way through and tell me it’s not awesome: 
 

 
One of Thurston Moore’s multiple projects post-SY, Chelsea Light Moving, has announced a fall tour as well, though their album has been available since spring. Dates listed on Matador Records’ blog are different from those on the band’s home page, so probably best to confirm appearances with the venue nearest you. Along with Moore, the band features Hush Arbors’ main man Keith Wood and multi-instrumentalist Samara Lubelski.
 

Previously on Dangerous Minds:
‘People Who Do Noise’: a noise music documentary
German music fans heatedly debate musical and cultural merits of The Fall
‘Tropicália’: Terrific documentary on the Brazilian music revolution of the 1960s
Jim Jarmusch, Neil Young, RZA: The music of Dead Man and Ghost Dog
What the Future Sounded Like:  the story of Electronic Music Studios
The Forgotten Musical Career of Milla Jovovich

Posted by Ron Kretsch
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08.26.2013
02:48 pm
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Your favorite punk band is as ‘underground’ as oatmeal: Soviet rock’s Perestroika-era emergence
08.26.2013
02:08 pm
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The term “underground” as regards fringe rock music in the West has always been somewhat problematic. I recall older relatives, who’d endured the Nazis’ concentration camps—one of whom had even been an actual member of the Czech Underground in that war—being baffled and a little annoyed when I referred to punk and college rock bands in the ‘80s as “underground music.” Why, I bought their records fearlessly and openly, without risk of arrest, in a store that was open to the public! Even bands that come closest to “illegal” like Black Flag, who were repeatedly harassed in concert and even in person by the LAPD, were not likely in real danger of long-term confinement simply for existing. In countries where official government censorship of music is not the norm, we use “underground” when we mean “cult” or “emerging” (I do it all the time too, I’m not judging), and I wonder if that trivializes the struggles of bands whose very existence must actually be kept hidden.

This is why I’ve always found tales of Soviet Bloc rock bands so compelling. Beyond the irresistible romanticism of imagining Vaclav Havel and the Plastic People Of The Universe plotting to change the course of history while huddled around portable stereos playing smuggled Velvet Underground records, and through the recent and ongoing furor over the current Russian government’s utterly despicable abuse of Pussy Riot, there’s something gripping and inspiring about the willingness of courageous and defiant Soviet artists to continue making art even in the face of punishment, loss of property, and loss of freedom. While the examples I cited above are well known, few stories of the impact of music during the Gorbachev era restructurings that led to the USSR’s end have made their way to me, until I ran across musician Vasily Shumov’s article in Russia Beyond the Headlines:

It was typical for the Soviet system in the 1970s and 1980s to link jail sentences not with ideology, but with illegal business practices or passport violations.

All of a sudden, though, everything changed from black to white for Soviet rock music. Soon after Gorbachev’s appointment, rock music was legalized in the Soviet Union, while previously underground bands were allowed to be played on the radio and appear in TV shows.

A flood of favorable articles about underground rock filled Soviet newspapers and magazines. Rock fans got a chance to purchase official tickets for concerts featuring their favorite bands for the first time in their lives.

The piece is deeply illuminating, chronicling not just the era’s bands impact on emerging social freedoms, but also the extreme difficulty of their transitions to public legitimacy:

Going from underground to mainstream was not an easy process for rock bands during perestroika. Musicians who had become accustomed to outsiders and the bohemian lifestyles suddenly received an opportunity that they could not have even dreamt of a few years earlier.

The majority of rock musicians were poor, even by Soviet standards of living. In addition, according to Soviet laws, all citizens had to have an official job; underground rock musicians were working as security guards, janitors and concierges.

It was not easy for underground musicians to adjust themselves to a mainstream lifestyle of radio stations, TV and movie studios. Regular touring was also something that they did not get used to.

Many musicians had no discipline or desire to deal with mainstream Soviet social circles that they did not like. Alcoholism was also an issue for some musicians, preventing them from becoming members of Soviet society.

The article is a treasure trove of performance videos, and a fine starting point for further exploration. Almost none of this music is in a style Westerners would consider remotely “underground,” it’s all pretty tame stuff. To underscore my original point, merely forming a band was a dangerous act; in a “classless” society, épater le bourgeois would just be redundant piling on, after all. Check out the laconic country rock of the pioneering and only recently disbanded Aquarium:
 

 
More Soviet rock after the jump…

READ ON
Posted by Ron Kretsch
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08.26.2013
02:08 pm
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