Here’s a rare video of Little Richard performing “It Ain’t What You Do” on American Bandstand on March 6, 1965 with his back-up band The Crown Jewels. Jimi Hendrix was a member of The Crown Jewels in ‘65 and there’s some debate as to whether or not Hendrix appears in this American Bandstand performance.

Is that Hendrix in a Royal Guardsman uniform at the 1:29 point in this clip? No one seems to know. I think it is. You may not. But the one thing I think we can all agree upon is that Little Richard is wearin’ a bitchin’ wig in this video.

Sound is out of synch but this thing is still amazing.
 

 
Previously on DM

Students demonstrate outside Tory H.Q. London

 
Bonus clip of Chris Knight on ITV Daybreak explaining plans for Right Toyal Orgy, after the jump…
 

 
Almost 14 years after his death, William S Burroughs is on trial for corrupting Turkish morality. The Istanbul Prosecutor’s Office has opened an investigation into Burroughs’ novel The Soft Machine, which was recently translated and published by Sel Publishing House in January. Tukey’s English Hurriyet Daily News and Economic Review reports:

The court referred to a report written by the Prime Ministry’s Council for Protecting Minors from Explicit Publications that accused the novel, The Soft Machine, of “incompliance with moral norms” and “hurting people’s moral feelings.” Sel Publishing issued a press release that included parts of their testimony in the court.

“It is impossible to understand the insistence in sending books written and published for adults to councils that specialize in minors. If we consider things from this perspective, then dozens of such reports could be written about TV channels, newscasts and thousands of books,” read the testimony given by the publishing house.

The testimony also argued that the Prime Ministry’s council had no credentials in literature, aesthetics or translation, thus causing what the representatives of the publishing house called a “freakish” decision by the council.

The council also accused the novel of “lacking unity in its subject matter,” “incompliance with narrative unity,” for “using slang and colloquial terms” and “the application of a fragmented narrative style,” while claiming that Burroughs’s book contained unrealistic interpretations that were neither personal nor objective by giving examples from the lifestyles of historical and mythological figures. None of the above, argued the publishing house, constitutes a criminal act.

The council went further and said, “The book does not constitute a literary piece of work in its current condition,” adding it would add nothing new to the reader’s reservoir of knowledge, and argued the book developed “attitudes that were permissive to crime by concentrating on the banal, vulgar and weak attributes of humanity.”

The representatives of the publishing house responded to these charges. “Just as no writer is under any special obligation to highlight humanity’s fair attributes under every circumstance, the measure of whether a book has any literary value or not, and the judge of what the book may add to the reader’s reservoir of knowledge, is not an official state institution, but the reader himself,” they said.

“Once again, societies comprised of modern, creative and inquisitive individuals are formed by reading and being exposed to literary texts and works of art that can be considered as the most extreme examples of their kind,” further asserted the defendants’ statement.

The testimony also invited members of the council to conduct “a simple Internet research” about the writer, and learn about the fact that Burroughs was one of the pioneers the “Beat Generation” that rebelled against the stagnant morality of the middle class in post-World War II America. The testimony also drew attention to the fact that the “cut-up” technique used in the book was once heralded as a great novelty among literary circles.

“Through this technique, Burroughs runs counter, not just to entrenched attitudes in people’s lifestyles but also in contradiction to [older] literary techniques. That being the case and since the aim of the book itself is to push boundaries, it is clearly absurd to search for criminal elements in the book by suggesting that the book does not conform with social norms,” further stated the press release.

“Moreover, it is also meaningless to expect William S. Burroughs, who was not raised in accordance with the National Education Law, or as an individual who ‘identifies with the national, moral, humanitarian, material and spiritual cultural values of Turkish society, and who always tries to exalt his family, country and nation,’ to have produced a text within this framework,” read the testimony. “It is clear and obvious that this case carries no weight nor any respectability outside of the borders of our country.”

“We demand an end to investigations that constrain our activities and the prosecution of books for any reason whatsoever,” concluded the statement.

Bonus: William Burroughs reads ‘Junky’ (abridged version)
 
With thanks to Steve Duffy
 

 
Wal-Mart, America’s largest retailer, where 140 million people shop each week, is not seeing much of a recovery for the U.S. economy. The low-price behemoth has now seen seven straight quarterly declines in sales figures. According to the company’s CEO, it’s because their customers—who let’s face it ARE America—are simply too damned broke to buy much anymore. From CNN/Money:

Wal-Mart’s core shoppers are running out of money much faster than a year ago due to rising gasoline prices, and the retail giant is worried, CEO Mike Duke said Wednesday.

“We’re seeing core consumers under a lot of pressure,” Duke said at an event in New York. “There’s no doubt that rising fuel prices are having an impact.”

Wal-Mart shoppers, many of whom live paycheck to paycheck, typically shop in bulk at the beginning of the month when their paychecks come in.

Lately, they’re “running out of money” at a faster clip, he said.

“Purchases are really dropping off by the end of the month even more than last year,” Duke said. “This end-of-month [purchases] cycle is growing to be a concern.

I must say that I’m far more inclined to trust Wal-Mart’s sales figures as a barometer of the economy’s health than the suspect reports put out by the government. They’re a public company, they can’t get away with lying with impunity the same way Uncle Sam can…

Doesn’t this make you wonder: How much more do the working class and the poor still have left to lose before things start to get really, really hot for Republican politicians? Even online loans have become a resort to many struggling to make ends meet. Imagine that you are the parent of a handicapped child, you can’t find work, you have no health insurance, first fuel and now FOOD is out of your reach? The people who are making decisions to reward billionaire racists like Donald Trump with tax cuts while your family suffers, well, they do have street addresses…

Normally, I am not one for violence, but this position is—how shall I put it—evolving. As the Republican pols around the country continue to cut the social safety nets that allow our society to rise above the barbaric, I sure hope to see the sight of hungry, angry mobs showing up with pitchforks and torches at their homes for a lil’ chat.

What do they expect them to do, just roll over and die?

Previously on Dangerous Minds
Mad Max in American: Our Republican Future?

 
Today is Kim Gordon’s birthday - founder member of Sonic Youth and Free Kitten, producer, actress, designer, director, all round one of the coolest people in rock’n'roll. Here’s a few clips in celebration -  any excuse to post about Kim or Sonic Youth on DM is worth it.

Kim Gordon reads the Riot Grrrl Manifesto
 

 
Kim Gordon talks to Style.com about her label X-Girl, shopping in New York and working with Chloe Sevigny.
 

 
More Kim Gordon after the jump…

Previously on DM:
Unedited interview with Kim Gordon from 1988
More late 80s Sonic youth interviews
‘1991: The Year Punk Broke” Classic alt-rock documentary

Photo by Justin Elliott
 
I think this speaks for itself.

(via The High Definite and The Daily Beast)

 
Y’know, sometimes he does speak the truth. From the NME:

In an interview broadcast on BBC 5live this morning (April 27), the singer said he won’t be watching the wedding, which is set to be seen by a global audience of two billion people.

“Why would I watch the wedding? Why would I watch it?” Morrissey said. “I couldn’t take any of that seriously. I don’t think the so-called royal family speak for England now and I don’t think England needs them. I do seriously believe that they are benefit scroungers and nothing else. I don’t believe they serve any purpose whatsoever.”

 
Will Schofield over at 50 Watts currently has an awesome collection of scanned images from the late-60s French magazine Plexus. These are bloody brilliant! From 50 Watts:

John Coulthart at feuilleton turned me on to the late 60s–early 70s French magazine Plexus, a sexy offshoot of Planète. (John found it through DRTENGE.) It’s an intriguing mix of surreal-fantastic-psychedelic art, interviews with writers (Jacques Sternberg was the literary editor), Playboy-style comics and the occasional Popeye comic, science fiction stories, Gilles de Rais profiles, philosophy, and—though there are few traditional photo spreads—lots and lots of boobs. Each early issue features a full-color “pin up”: an erotic work by an artist like Leonor Fini.

I strongly encourage you to visit 50 Watts. Wow!

 

 
More after the jump…

Via The Onion