By 1937, surrealism was in its second decade as a movement. Its artists and filmmakers were making inroads into London and New York galleries, and becoming media stars. The surrealist bug also bit on the West Coast, and underground gatherings like the Hollywood Film and Foto League screened European avant-garde films regularly.
Such gatherings attracted politically minded actor Harry Hay and Works Progress Administration (WPA) photographers Roger Barlow and LeRoy Robbins. After seeing a magazine ad for a short film contest, these jokers sprung into action, making Even—As You and I, a short depicting themselves as broke filmmakers who cobble together clichés from their fave avant-garde films into a dorky film-within-a-film spoof called The Afternoon of a Rubber Band. In a “D’oh!”-style ending, the three realize they’ve missed the contest’s midnight deadline.
A damn clever little underground film moment. Hay—the curly-haired guy in the group—would go on to become the godfather of gay activism, founding the Mattachine Society in the early’50s and the Radical Faeries in the early ‘70s.
Marc’s post about Times Square yesterday reminded me about Los Angeles’ equivalent: The once thriving downtown suburb of Bunker Hill. In the very spot where now sits the Disney concert hall and the 1960’s music center complex was once a thriving neighborhood packed with turn-of-the-century Victorian houses, theaters, bars, restaurants and a large population of retired old folks. By the mid 1950’s when Kent Mackenzie, future director of the acclaimed film The Exiles (which also takes place in Bunker Hill), made this short documentary film the neighborhood was already doomed. By the end of the 60’s, save for a few buildings it was all gone. In a city such as ours which perpetually tears down the past and re-invents itself there was no way a few rickety old buildings and poor people would ever get in the way of progress. Fortunately we have the below film and countless other movies and books to remind us of what once was.
oops, the video was taken down. To view the short film, buy or rent The Exiles DVD. Sorry !
Documentary with performances by The Dead, Mothers Of Invention, Big Brother, The Airplane, Quicksilver Messenger Service and lots of hippies dancing and getting stoned. It was directed by Stefan Morawietz for German TV. It’s in German, but you’ll get the idea.
Who Killed Nancy opens today In New York City. The film makes a strong case that Sid Vicious did not kill Nancy Spungen. Read about it at the Daily Mail.
Melvin Bliss, singer of one the most sampled songs of all time, 1973’s “Synthetic Substitution,” has died. The list of artists who’ve borrowed from the track is long and overwhelming: Ultramagnetic MC’s, Public Enemy, De La Soul, Naughty By Nature, Gang Starr, Wu-Tang Clan; it goes on, pretty much forever.
Zach Baron of the Village Voice has put together a sweet video tribute to Melvin. Check it out at Village Voice
You read right. Jim Chuchu is one-third of the excellent Kenyan beat-pop group Just A Band, and this April he released what became Kenya’s first viral video, for their song “Ha-He.” It features the Shaft-esque character Makmende, named after playground slang for a tough guy, which itself is derived from Clint Eastwood’s “make my day” line as Dirty Harry from Sudden Impact.
But Chuchu is hardly a one-trick-pony. He’s brought his simple, wry, off-beat style to a bunch of ingenious videos by Just A Band (including the astonishing “Usinibore”) and loads of other Nairobi acts. Plus he’s built his own lighting components, which is DIY as hell.
Check out a few of the videos after the jump and you’ll understand why Chuchu has become the master visual chronicler of the sound of digital East Africa.