Although the audio was prerecorded and Leadbelly is lip-synching,Three Songs By Leadbelly is the only performance footage of Leadbelly (aka Lead Belly) in existence. Hard to believe that someone of his stature was so under-represented in the world of film. He died in 1949, more than a half a century after Louis Lumiere’s creation of the first motion picture.
The three pieces of films strung together for this film originated as a folklore research film in 1945, shot by Blanding Sloan and Wah Ming Chang, then edited by Pete Seeger of The Weavers.
The one-reeler is a mite over ten minutes of which 8 minutes is the research footage. It opens with shots of the rural south & of the Shilo Baptist Church in Morningsport, Louisiana, with Leadbelly on the soundtrack humming & strumming the plaintive “Where Did You Sleep Last Night?” behind the opening credits.
Seeger recounts: “I think that [cameraman Blanding Stone] recorded Leadbelly in a studio the day before then he played the record back while Leadbelly moved his hands and lips in synch with the record. He’d taken a few seconds from one direction and a few seconds from another direction, which is the only reason I was able to edit it. I spent three weeks with a movieola, up in my barn snipping one frame off here and one frame off there and juggling things around. I was able to synch up three songs: ‘Grey Goose’, ‘Take This Hammer’ and ‘Pick a Bale of Cotton’”
Here’s “Three Songs By Leadbelly” in all of its faded glory.
I was in New Orleans for the past couple of weeks and while I was there I visited Cypress Grove and St. Louis Cemeteries and shot some video and film footage. I combined that footage with some clips from some older films, including Alucarda, Tilly Losch and The Dance Of Her Hands, Danse Serpentine and vintage burlesque to create a short film. It’s raw and spontaneous and owes a bit of a debt to film makers I admire like Kenneth Anger and Stan Brakhage. Of course, they are masters and I am not.
The soundtrack is composed of three songs from my album Tantric Machine (release date: May 2012). The album will be a two-disc affair containing 24 songs and some videos. The recording sessions were produced by Hugh Pool and involved the use of old microphones, synthesizers, rhythm machines and effects boxes. I wanted the project to sound like it was recorded with instruments that had turn to rust - something ancient and yet modern.
As I sang some of the tunes, I found my voice going into a place it hadn’t really gone before. My Texas roots emerged and a “country” feel entered the songs. I made no effort to sing like a hillbilly convict. It just happened. I also tapped into my French side. The result is some kind of weird hybrid that sounds like music for a Gallic spaghetti western with some LSD thrown in. None of this was planned. I was taken by surprise and that’s what I love about making things.
Tantric Machine has been a long time coming. Not because of the time spent recording it, but because of my reticence to get back into the music business. Now that the music business is barely a business anymore, I’ve returned to seeing music in the way that I saw it when I started my first punk band in 1976; something that I do out of love.
Songs:
“Already Dead”
“The Night Goes On”
“Strangled By Flowers”
Thanks for indulging a musician who still heeds the voice of the Muse when she comes calling. Or as Jack Spicer called it (and I’m paraphrasing), “the Martian that re-arranges the furniture in your head.”
Korean-born classical music enfant terribleHahn-Bin is equal parts Grace Jones, Klaus Nomi, Laurie Anderson, Michael Clark and Strawberry Shortcut. The gender-fucker violinist was profiled today on Nowness.com:
Filmmaker Alison Chernick ushers us into the colorful universe of 23-year-old violin virtuoso Hahn-Bin. The Korean prodigy has been resuscitating a dozing classic music scene and capturing the imagination of new generations of young people with his technical brilliance and provocative visual performances. Till Dawn Sunday is a “hybrid music theater work where a gender-defying storyline meets a genre-defying musical kaleidoscope,” explains the musician of his latest theatrical opus, a myth of resurrection from metaphorical death through the power of music, showing in New York and London. The youngest person to be accepted to Korea’s University of the Arts at age 9, Hahn-Bin brought the crowd to their feet with his US debut at The Grammy’s a mere three years later. Under the tutelage of the legendary Itzhak Perlman, the self-proclaimed “strange fruit” learned to channel the emotion of his personal experiences into the complex compositions, choreography and stage production of his recent multi-faceted works. Hahn-Bin’s magpie references have been plucked from fellow creative polymaths Laurie Anderson, Andy Warhol and David Bowie, and are nimbly interwoven with Bach, Saraste and Tchaikovsky to form his own brand of avant-pop classical. “It was the first time I interviewed someone dead—who was also neither male nor female,” remarked Chernick. “His music comes from a deep dark place inside himself and you can feel it.”
As the world falls apart around us, there will always be “Crazy Horses” to provide a moments respite from the hellish visions that press their faces against the windowpanes of absolute reality.
Although by the conclusion of this noteworthy Newsweek article George Soros predicts that America “will pass a very severe test and actually strengthen the institution,” he sounds a tad less optimistic in the rest of the piece. Soros, who has a new book,Financial Turmoil in Europe and the United States coming out next month. seems quite worried about the world economy in the short term. As his career in finance has proven, the guy’s gut instinct is legendary, so maybe his warnings are worth taking seriously…
Sitting in his 33rd-floor corner office high above Seventh Avenue in New York, preparing for his trip to Davos, he is more concerned with surviving than staying rich. “At times like these, survival is the most important thing,” he says, peering through his owlish glasses and brushing wisps of gray hair off his forehead. He doesn’t just mean it’s time to protect your assets. He means it’s time to stave off disaster. As he sees it, the world faces one of the most dangerous periods of modern history—a period of “evil.” Europe is confronting a descent into chaos and conflict. In America he predicts riots on the streets that will lead to a brutal clampdown that will dramatically curtail civil liberties. The global economic system could even collapse altogether.
“I am not here to cheer you up. The situation is about as serious and difficult as I’ve experienced in my career,” Soros tells Newsweek. “We are facing an extremely difficult time, comparable in many ways to the 1930s, the Great Depression. We are facing now a general retrenchment in the developed world, which threatens to put us in a decade of more stagnation, or worse. The best-case scenario is a deflationary environment. The worst-case scenario is a collapse of the financial system.”
Soros’s warning is based as much on his own extraordinary personal history as on his gut instinct for market booms and busts. “I did survive a personally much more threatening situation, so it is emotional, as well as rational,” he acknowledges. Soros was just 13 when Nazi soldiers invaded and occupied his native Hungary in March 1944. In only eight weeks, almost half a million Hungarian Jews were deported, many to Auschwitz. He saw bodies of Jews, and the Christians who helped them, swinging from lampposts, their skulls crushed. He survived, thanks to his father, Tivadar, who managed to secure false identities for his family. Later, he watched as Russian forces ousted the Nazis and a new totalitarian ideology, communism, replaced fascism. As life got tougher during the postwar Soviet occupation, Soros managed to emigrate, first to London, then to New York.
Soros draws on his past to argue that the global economic crisis is as significant, and unpredictable, as the end of communism. “The collapse of the Soviet system was a pretty extraordinary event, and we are currently experiencing something similar in the developed world, without fully realizing what’s happening.” To Soros, the spectacular debunking of the credo of efficient markets—the notion that markets are rational and can regulate themselves to avert disaster—“is comparable to the collapse of Marxism as a political system. The prevailing interpretation has turned out to be very misleading. It assumes perfect knowledge, which is very far removed from reality. We need to move from the Age of Reason to the Age of Fallibility in order to have a proper understanding of the problems.”
Understanding, he says, is key. “Unrestrained competition can drive people into actions that they would otherwise regret. The tragedy of our current situation is the unintended consequence of imperfect understanding. A lot of the evil in the world is actually not intentional. A lot of people in the financial system did a lot of damage without intending to.” Still, Soros believes the West is struggling to cope with the consequences of evil in the financial world just as former Eastern bloc countries struggled with it politically. Is he really saying that the financial whizzes behind our economic meltdown were not just wrong, but evil? “That’s correct.” Take that, Lloyd Blankfein, the Goldman Sachs boss who told The Sunday Times of London at the height of the financial crisis that bankers “do God’s work.”
Soros has publicly sided with the Occupy Wall Street movement, and has derided the bailouts and wealth disparity in this country:
Occupy Wall Street “is an inchoate, leaderless manifestation of protest,” but it will grow. It has “put on the agenda issues that the institutional left has failed to put on the agenda for a quarter of a century.” He reaches for analysis, produced by the political blog ThinkProgress.org, that shows how the Occupy movement has pushed issues of unemployment up the agenda of major news organizations, including MSNBC, CNN, and Fox News. It reveals that in one week in July of last year the word “debt” was mentioned more than 7,000 times on major U.S. TV news networks. By October, mentions of the word “debt” had dropped to 398 over the course of a week, while “occupy” was mentioned 1,278 times, “Wall Street” 2,378 times, and “jobs” 2,738 times. You can’t keep a financier away from his metrics.
As anger rises, riots on the streets of American cities are inevitable. “Yes, yes, yes,” he says, almost gleefully. The response to the unrest could be more damaging than the violence itself. “It will be an excuse for cracking down and using strong-arm tactics to maintain law and order, which, carried to an extreme, could bring about a repressive political system, a society where individual liberty is much more constrained, which would be a break with the tradition of the United States.”
Read the rest of: George Soros on the Coming U.S. Class War (Newsweek)
Redditor Heromedic18 snapped this touching photo of an elderly gentleman who has bought his wife flowers every Monday for 47 years.
Now, I’m going to get really sappy on you (which I rarely do, btw) and post an animated short titled Danny and Annie which tells the very real story of an older couples’ twenty-seven-year romance in their own voices. Tears will be shed.
These days we’re used to seeing public figures like Sarah Palin and Scott Walker punked, but in the early 1980s, the avenues for media hacking just did not exist the way they do now. The infamous “Thatchergate” tape—an audio collage constructed by Crass bassist Peter Wright (aka “Sybil Right” and “Pete Wrong”) of Margaret Thatcher and Ronald Reagan “talking” about nuclear weapons and the sinking of the HMS Sheffield as a deliberate attempt to escalate the conflict in the Falklands War was one of the first.
The “Thatchergate” tape was an event back then, especially in the squatter/anarcho-punk crowd that I was a part of in London at the time. To hear about Crass perpetrating the hoax of Ronald Reagan getting “caught on tape” threatening to nuke Europe (to show Russia who was boss!) was nothing short of a blow against Moloch!
Today, there are a little more than 2000 items that come up on Google for “Thatchergate” and most have nothing to do with Crass. This story should be a lot better known, it’s one of the greatest pranks in history:
From San Francisco Chronicle, January 30, 1983.
Washington. A fake tape of a purported conversation between President Reagan and British Prime Minister Margaret Thatcher was circulated in Europe this spring, possibly by the KGB, the State Department said yesterday.
“This type of activity fits the pattern of fabrications circulated by the Soviet KGB, although usually they involve fake documents rather than tapes,” the department said in a written response to reporter’s questions.
The department said that although the recording is of “poor quality,” a technical analysis revealed that the voices were those of Reagan and Thatcher.
But the department indicated the voices were spliced together and said they were not part of an actual conversation.
“We checked with the White House, which advised thay no such conversation took place,” the department said.
The President’s part in the recording apparently was lifted from his Nov. 22, 1982 speech on nuclear disarmament,” it said. “We are not sure where Mrs. Thatcher’s remarks came from.
The department said a copy of the tape was received by the U.S. embassy in the Netherlands a week before the British elections.
The tape dealt with the Falklands crisis and U.S. missiles in Britain, the department said.
It said, “From the drift of the tape, the evident purpose was to cause problems for Mrs. Thatcher by blaming her for the sinking of the British destroyer Sheffield and also for us by stirring trouble on the INF (Intermediate Range Nuclear Forces) issue.”
The Sheffield was sunk by Argentine forces last year during the war with Britain over the Falkland Islands.
Britain and the United Staes took part in a NATO decision to install intermediate-range nuclear missiles in Europe late this year as a counter to similar Soviet forces if an agreement on restriction such weapons is not reached.
The State Department said the tape-recording was sent with a covering letter from an anonymous person to Dutch journalists.
It is said an analysis by the language experts “suggests that the author was not a native speaker.”
The Reagan administration has contended for some time that the KGB has contended for some thime that the KGB has a forgery factory producing false documents to mislead target audiences.
It was also written up in The Sunday Times, on January 8, 1983
How the KGB fools the West’s press.
THE TAPE is heavy with static and puntuated with strange noises, but through it all can be heard the authentic voices of Ronald Reagan on the telephone: “If there is a conflict we shall fire missiles at our allies to see to it that the Soviet Union stays within its borders.”
At the other end of the telephone is Mrs. Thatcher. “You mean Germany?” she asks increduously.
“Mrs. Thatcher, if any country endagers our position we can decide to bomb the problem area and so remove the instability.”
If this is not hair-raising enough, we hear Mrs. Thatcher virtually admitting that she had the Belgrano sunk to end any chance of an agreement with Argentina. “Oh God!” says Reagan.
The whole conversation is fake. Both voices are real but the words spoken have been doctored, cut, rearranged and then expanded on the transcript of the tape. Every word from Reagan is extracted from his lengthy presidential address on nuclear strategy. When, for instance, he seems to swear at Mrs. Thatcher, he is in fact coming to the end of his speech and quoting a hymn: “Oh God of love, O king of peace.”
The tape surfaced in Holland just before last year’s British general election, but it never quite overcame the suspicions of Dutch journalists. They declined to publish the juicy exclusive, sent to them anonymously. But other journalists across the world have fallen for an increasing flow of such stories based on “authoritative” cables, memo and tapes. The State Department in Washington says they are all products of an increasingly sophisicated Russian campaign.
“They have accelerated their efforts and they have fine-tuned them,” claims Larry Semakis, deputy director of a State Department team that monitors what the Russians call “active measures.” He admits that “no one can specifically prove in a court of law that Soviet hand was on this or that item.” But he says there is a pattern in the use of forgeries which points unmistakably to the Russians.
The State Department believes that “active measures” are the responsibility of the KGB’s first directorate; that some forgeries go as high as the ruling Politburo for approval…
“[W]hich points unmistakably to the Russians”? I don’t think so…
Then one year later in The Observer newspaper on, Sunday, January 22, 1984, it was revealed that…
‘Soviet’ faked tape is rock group hoax
A TAPE recording, purporting to carry details of a secret telephone conversation between Mrs Thatcher and President Reagan, has been revealed as a hoax manufactured deliberately by an anarchist rock group.
The recording was taken to newspapers throughout Europe—including The Observer—but, apart from one Italian newspaper, nobody had been taken in by the hoax tape until it appeared in the Sunday Times earlier this month.
That newspaper described it as part of a KGB propaganda war. Unfortunately the tape was recorded not in Moscow but in an Essex farmhouse.
The New York correspondent of the paper reported that the State Department believed the tape was evidence of ‘an increasingly sophisticated Russian disinformation cam- paign.’
The real authors of the hoax tape, the anarchist punk rock group Crass, said that they had been ‘amused and amazed’ that the tape had been attributed to the KGB.
The recording first appeared in the offices of a number of Continental newspapers shortly before the British general election last year.
A covering note said it was a recording of a crossed line on which was heard part of the two leaders’ telephone conversation, and that the person who sent it wished to remain anonymous for fear of retribution.
Key lines in the tape include Mr. Reagan apparently asking why the Belgrano was sunk during the Fallrlands war, when Secretary of State Haig was nearing a peace agreement. Mrs Thatcher appears to reply: ‘Argentina was the invader. Force had to be used now, punishing them as quickly as possible.’
Mr. Reagan then says: ‘Oh God, it is not right. You caused the Sheffield to have been hit. Those missiles we followed on the screen. You must have, too, and not let them know.’
Later, in a discussion on nuclear strategy, Mr. Reagan is made to say: ‘If there is a conflict we shall fire missiles at our allies to see to it that the Soviet Union stays within its borders.’
The tape was first brought to The Observer by a Belgian journalist last June. We concluded, like most of the other newspapers, that it was a fake.
The quest for the real hand behind the tape led to an isolated farmhouse in north Essex, where the eight members of the band live with their children.
Reluctantly the members of the band, who sport names like Joy Be Vivre, G Sus and Sybil Right, admitted faking the tape. They showed how they had put it together over two and a half months, using parts of TV and radio broadcasts made by the two leaders, then overdubbing with telephone noises.
‘We wanted to precipitate a debate on those subjects to damage Mrs. Thatcher’s position in the election. We also did it because of the appaling way Tam Dalyell was treated over the Belgrano debate,’ they said.
‘We believe that although the tape is a hoax, what is said in it is in effect true.’
And there was more: From The Associated Press, Sunday, January 25, 1984
And still more…
Crass ‘KGB tape’ hoax (Sounds, January 28, 1984)
CRASS have been uncovered as the perpetrators of a bogus tape of a telephone ‘conversation’ between Ronald Reagan and Margaret Thatcher.
The tape was originally circulated last sammer before the General Election and was claimed to be a recording of a crossed line between the two leaders. Needless to say it is not complimentary to either statesperson.
During the coarse of the ‘conversation’ Thatcher replies to Reagan’s question about the Belgrano by saying: “Argentina was the invader. Force had to be used now, punishing them as quickly as possible.”
And later in a discussion aboat nuclear strategy Reagan says: “If there is any conflict we a shall fire missiles at our allies to see to it that the Soviet Union stays with stays within its borders.”
Most newspapers recognised the tape as a fake but the Sunday Times attributed it to KGB propaganda a couple of weeks ago and last Sunday’s Observer took considerable delight in tracking the tape back to Crass’s HQ in Essex.
Invoking the spirit of one of Reagan’s predecessors, George Washington, they explained that the tape had been put together from TV and radio broadcasts overdubbed by telephone noises.
They justified their actions by saying: “We wanted to precipitate a debate on the Falklands and nuclear weapons to damage: Thatcher’s position in the election. We also did it because of the appalling way Tom Dalyell (almost the only MP to raise any awkward questions over the Falklands affair) was treated over the Belgrano debate in the House of Commons.
I recall hearing at the time that Jane Pauley did a story on this on The Today Show in the US, but can find no record of that online, sadly… To this day, the members of Crass have never been able to figure out how the tape was traced back to them.
Pretty much there are only two ways to hear the “Thatchergate” tape: In the Crass song, “Powerless with a Guitar” you can hear a bit of it. It was also included at the end of a “God Told Me to Do It” mix by David Tibet which you can download at the excellent Kill Your Pet Puppy blog (where I got most of this information from and has audio interviews about “Thatchergate”). Since it’s not ideal listening—the conceit was that it was recorded due to crossed wires, so there is a ringing phone noise throughout (a nice touch)—here’s a transcript of the “Thatchergate” tape in full:
Thatcher: Own business!
Reagan. I urge restraint. It’s absolutely essential or the area ‘be “through the roof”.
Thatcher: Look, our objectives are fundamentally different. Al Haig…
Reagan: Secretary Haig….
Thatcher:. Doesn’t seem to be able to find a solution.
Reagan: Why eliminate “Belgrano”? You directed this. The Argentinians were then going…. Secretary Haig reached an agreement.
Thatcher: Argentina was the invader! Force has been used. It’s been used now, punishing them as quickly as possible.
Reagan: Oh, God, it’s not right! You caused the “Sheffield” to have been hit. Those missiles we followed on screens. You must have too, and not let them know. What do you hope to gain?
Thatcher: What I said before -“Andrew”- ....As “cruise” go in, I want incentives at all levels….
Reagan: There’s a deal….a third more submarine ballistic missiles, and you will see that the United States forces remain deployed. The intermediate range missiles are U.S. defence. You proposed building them in Europe. Build up the economy. They don’t work, they’re social programmes…. The United Kingdom is a….er….little nation….
Thatcher: You still need those nations, and you’re given long term international markets.
Reagan: We are supported by our allies, whether they want, or not.
Thatcher: I, I don’t understand you….
Reagan: In conflict, we will launch missiles on allies for effective limitation of the Soviet Union.
Thatcher: ‘Mean over Germany?
Reagan: Mrs Thatcher, if any country of ours endangered the position, we might bomb the “problem area”, and correct the imbalance.
Thatcher: See, my….
Reagan: It will convince the Soviets to listen. We demonstrate our strength….The Soviets have little incentive to launch an attack.
coming out next month. seems quite worried about the world economy in the short term. As his career in finance has proven, the guy’s gut instinct is legendary, so maybe his warnings are worth taking seriously…
