Hip-hop star Nate Dogg, real name Nathaniel Hale, has died, aged 41. No details have as yet been released as to how the singer died, but it was reported that he has suffered strokes in 2007 and 2008.

The Long Beach Telegram was first to report Nate’s death, said:

Attorney Mark Geragos said Nate Dogg, whose real name was Nathaniel D. Hale, died Tuesday of complications from multiple strokes.

Nate Dogg wasn’t a rapper, but he was an integral figure in the genre: His deep voice wasn’t particularly melodic, but its tone - at times menacing, at times playful, yet always charming - provided just the just the right touch on hits including Warren G’s “Regulate,” 50 Cent’s “21 Questions,” Dr. Dre’s “The Next Episode” and countless others.

While Nate Dogg provided hooks for rappers from coast to coast, the Long Beach native is best known for his contributions to the West Coast soundtrack provided by the likes of Snoop Dogg, Dr. Dre, the Dogg Pound and more. Nate Dogg was even part of a supergroup” featuring Snoop Dogg and Warren G, called 213.

According to popeater:

Just last week, Warren G tweeted that Nate Dogg was receiving treatment. “For those that dont know awhile back nate had 2 strokes he is in therapy thanks again for your support,” he tweeted. Watch some of Nate Dogg’s videos after the jump.

Snoop Dogg seemed to confirm the sad news over Twitter, writing, “We lost a true legend n hip hop n rnb. One of my best friends n a brother to me since 1986 when I was a sophomore at poly high where we met.”

“RIP NATE DOGG,” he added.

While TMZ reports:

Nate’s death was unexpected ... since he was making significant progress in his recovery from the most recent stroke he suffered in 2008.

According to McGrew ... Nate was “95% recovered from the first stroke in 2007” ... when the second stroke occurred in 2008 ... leaving Nate partially paralyzed and causing partial memory loss.

But McGrew says Nate had “cognitively fully recovered”—meaning he got his memory back and was fully alert and aware all the way up to his final days.

McGrew just released a statement on behalf of himself and Nate’s family ... saying, “We appreciate the enormous outpouring of response from all over the world. We greatly appreciate that and thank everyone for their prayers and support.”

 
Ahh yes, the Kate Middleton memes have finally arrived courtesy of Kate Middleton For The Win.  This is why I love the Internets. 

 
See more after the jump…

 
What started out as a joke on Twitter amongst astronomers finally came to be: A Carl Sagan prototype cereal called Astronom O’s!

It’s “Fortified with star stuff.”

Astronom O’s: ‘The Breakfast of People Who Stay Up All Night’

(via TDW Geeks)

So tell me your name?

Ken Larson.

And where do you work?

I work for the University. I work for the elevator crew, and in the electric shop.

And this year, you’re retiring?

Yes, I’m retiring in June, prompted by all of the goings on. I had planned to retire in December, but I can’t take the chance.

And how many years do you have in?

I have, with the University, seventeen years.

And what does this mean to you?

Aw this, it started out, to me, as an issue between collective bargaining, and the fact that, uh…[breaks down]

I’m a Vietnam vet. That’s alright.

But when he talked about the National Guard, it became personal. He talked about bringing out the Guard, you know, hinting that the Guard would be called, it became personal. But I’m over all that now, that’s why what’s really personal to us all, is [pauses to collect himself]

...are my grandchildren. I don’t want them to be deprived, because this guy has to give it to millionaires. He doesn’t deserve that. My kids, my grandkids deserve everything. So this became personal to me, very personal now, because of all the families, the poor, and moderate-income families that he’s depriving of a better life.

That’s the best I can say.

Via Tina Dupuy/Crooks & Liars

 
Here’s a great collection of live performance clips, programmed by one of today’s foremost experts in the field of electronic music, Keith Fullerton Whitman via the appropriately named Network Awesome:
 
1. Laurie Spiegel “Improvisations on a Concerto Generator” live at Bell Labs, 1977. Here Laurie is manipulating the Bell Labs Digital Synthesizer, aka the “Alles Machine” (or just “Alice”) in real time. I love how baroque this is ; the pulverizing 16th-note motorik starts to blur together until all you hear are the lovely arpeggiated chord-shapes.
 
2. Speaking of motorik ; Can “Paperhouse” live in 1972, at the peak of their powers ... You often think of Can as this freak-out group, but here they sound as restrained & musical as ever ... of course Jaki is on fire throughout, but I’m more impressed by Holger’s    timekeeping in this clip !!! One of Damo’s best performances to boot, perfect Karoli guitar tone ; I could watch this on repeat, all day, every day ...
 
3. Seeselberg “Synthetik-1” , ca. 1975 c/o WDR. Seeselberg were two brothers (“Eckhardt” & “Wolf-J”) who issued a lone LP in 1973 of some of the most bewitching, non-denominational electronic music ever committed to tape. This feature-ette shows them jamming in front of a small gallery crowd, then at home in the studio ; cut with some rather Brakhage-esque direct-film experiments ... Sounds like a million bucks !!!
 
4. Bembeya Jazz National “Petit Sekou” live at the RTG studios in 1979. Slays me every time. Top-notch interplay, jagged but never showy guitar ... Love the VHS / helical scan wobble in the intro as well ...
 
5. Short film of Céleste Boursier-Mougenot’s commission for The Curve at the Barbican Center in London, 2010 ; Incredible idea, gorgeously executed ...
 
6. Great clip of Moroder actually performing “The Chase” from “Midnight Express” on a MiniMoog in 1979 ; proper synth freakout in there as well ...
 
7. Harry Bertoia Sound Sculptures, performed by his son, Val in 2001. About 5 years before this was filmed, I made the pilgrimage out to rural Bally, PA to witness these for myself ... since Harry’s passing in 1978, the sculptures have been standing in a barn, largely untouched, for the last 30 years; this is a rare document of their majestic forms / sounds ...
 
8. Pink Floyd “Echoes Part II” ; never was a big Gilmour fan, but I’ll rate this as the best bit from the later “Stadium” Floyd’s reign ...
 
9. Erkki Kurreniemi “Computer Music” ... mid-60’s film showing Erkki’s process for composing with computers. Typewriter? Check. Scads of jumbled up paper tape? Check. Composer falls asleep, dreams of psychedelic spinning landscape, rife with paranoid overtones? All there. As close as you’ll get to a valid “performance film” of early Computer Music ...
 
10. The Voice Crack trio of Norbert Möslang, Andy Guhl, and Knut Remond performing a set of their trademark “Cracked Everyday Electronics” in a gallery in their hometown of St. Gallen, Switzerland, 1989 ... I hear this not only as the blueprint for every “pedal noise”  performance of the 90s / 00s, but as the invention of a few different languages that make up a large part of our current experimental music vocabulary. These guys are VISIONARIES ...
 

 
Tomorrow a large rally to protest the policies of unpopular Michigan Governor Rick Synder will take place in Lansing. There was a protest held there earlier today attended by more than 1,000 pissed-off senior citizens whose pensions Gov. Snyder wants to tax. That was just the orchestra tuning up. Snyder’s outlandish budget proposal would give even a goon like Scott Walker pause. Synder’s plan would raise taxes on the working class by 31% while cutting taxes for corporations by 86%. WTF is right! Get on the bus!

Below, Michael Moore’s open letter to his fellow Michiganders:

Friends and neighbors,

The call has gone out and I’m asking everyone who can to take Wednesday off and head to the State Capitol in Lansing to protest the cruel and downright frightening legislation currently being jammed down our throats.

What is most shocking to many is that the new governor, who ran against the Tea Party and defeated the right wing of his party in the primaries—and then ran in the general election as “just a nerd from Ann Arbor” who was a moderate, not an ideologue—has pulled off one of the biggest Jekyll and Hyde ruses I’ve ever seen in electoral politics.

Governor Snyder, once elected, yanked off his nice-guy mask to reveal that he is in fact a multi-millionaire hell-bent on destroying our state and turning it over to his buddies from Wall Street.

In just 8 short weeks he has:

* Gotten the House and Senate to pass bills giving him “Emergency Management” powers such as the ability to appoint a corporation or a CEO who could literally dissolve town governments or school boards, fire the elected officials, nullify any local law and run your local governmental entity. That company then would have the power to immediately declare all collective bargaining contracts null and void.

* Proposed giving business a whopping 86% tax cut while raising everyone’s personal taxes by 31%! And much of that tax hike he believes should be shouldered by—I kid you not—senior citizens and the poor! He says these two groups have not been “sharing the sacrifice” the rest of us have been burdened with. So his budget proposes a $1.8 billion tax CUT for business and a $1.75 billion tax INCREASE for the rest of us, much of it from the poor, seniors and working people—even though the top 1% in Michigan ALREADY pay a lower state tax rate than everyone else does!

* Together with the legislature, introduced over 40 anti-labor bills in just the first two months of this session! They have wasted no time and have caught most people off guard. Much of this is being rushed through right now before you have a chance to raise your voice in objection.

These actions are breathtaking when you realize they will drive our already battered state straight into the ground. What we needed right now was an inspiring leader to help us reinvent Michigan and to find creative ways to create new jobs and lift us out of our economic depression. The rest of the country may call what they’re experiencing the “Great Recession,” but few argue that Michigan is suffering a “one-state Depression.”

I know many of you are filled with a great sense of despair and a justifiable loss of hope these days in Michigan. But you must not let things get even worse. You must stand up against these Draconian measures and this outrageous attempt to rip our democratic rights from us by turning our state over to well-paid hacks from Wall Street and corporate America. They see our state as one big fire sale—and they are licking their chops to get their hands on what is still a state rich in natural resources and industrial infrastructure.

Please show up at noon on Wednesday for our first mega-rally against this insanity. Hundreds of groups are already organizing car pools and buses. You can right now just declare yourself an organizer and get your friends and neighbors committed to being in Lansing. If ever there were a day to call in sick, Wednesday is it (because this IS sick). Students, if ever there were a day to cut class and become a participant in your democracy, Wednesday is it. This event needs to be HUGE—and I believe it will be if you will simply be there and take a stand.

Much attention has been paid to Wisconsin in recent weeks. Well, they got nothing on what’s going on here in Michigan. Rick Snyder is Scott Walker on steroids. There’s never been what even the AARP calls “an all-out attack” like this on us. Trust me, you will rue the day you sat home and did nothing while thieves posing as politicians stole your Great Lakes State from you.

Don’t let it happen. Be at the capitol by noon on Wednesday for the largest demonstration the state has ever seen.

Go Spartans! Go Wolverines! Go Everyone Else In Between!

 
Increasingly hapless Wisconsin Governor Scott Walker, still trying to prove how utterly and spectacularly clueless he is, took his show on the road this weekend to the small town of Washburn in Bayfield County, WI. Walker spoke at an invitation-only event where he was met by a large, angry and very vocal group of people who hate his guts. The video below is what we can now safely refer to as “Classic Walker”—boy, this motherfucker is DENSE! He honestly seems to think this is going to blow over! He suffers from this weird, pathological delusion that he’s right! Reality is going to be smacking Scott Walker in the face—HARD—in the very near future. From the Duluth News Tribune:

Walker arrived in a convoy of six unmarked police cars that pulled up at 5:45 p.m. to the Steak Pit for a Republican Lincoln Day fundraiser. The large, boisterous crowd, which had been lining the streets leading to the restaurant since 4:30, quickly recognized him and erupted in boos and shouts of “Recall Walker.”

The convoy moved through quickly and without incident, and most of the protesters began to follow a circuitous route on public pathways to a spot behind the restaurant where they continued the protest within earshot of the Republican Party faithful inside.

Bayfield County Sheriff Paul Susienka said Saturday evening that he didn’t have a crowd estimate, but various people had estimated the size at between 2,000 and 5,000. So the protest

probably at least doubled the size of Washburn, which has a population of 2,271.

—snip—

People were definitely saying their piece, greeting each vehicle that arrived for the dinner with shouts of “Shame!” while waving protest signs and shaking their fists. One person videotaped the license plates of at least some of the vehicles that entered.

Protesters banged pots, shook tambourines at car windows and sounded horns. Most of the drivers and their passengers stared straight ahead. They had to navigate through a narrow tunnel formed by protesters on both sides, held back by Bayfield County sheriff’s deputies and rally organizers.

Signs included “Gov. Walker, you probably can’t remember me, but ... I can recall you” and “At least my Grandma’s Walker helps her.”

—snip—

“The thing that really got me here is the disparity of wealth that has grown way too out of hand,” Griffiths said. “This is not a Wisconsin thing. This is a global pandemic of wealth buying power.”

Richard Bergsrud, 26, of Duluth agreed that it wasn’t just a Wisconsin thing. The way Walker’s proposal to strip public employee unions of most collective bargaining rights was passed into law was wrong, Bergsrud said.

“It should be a dialogue, not a monologue,” he said.

Bergsrud acknowledged he felt a little bit sorry for people arriving to the event. But he said they were wrong for supporting actions that deprived public employees of long-fought-for rights.

Not everyone who disagreed with the protesters was in the Steak Pit.

Mark Goodrich, a building contractor in Ashland, stood at the corner where protesters passed between Stage North and the entrance to the Steak Pit with a large sign bearing the words, “God Bless Gov. Walker.”

Goodrich said he had heard a few taunts from protesters.

“I know some of the people,” he said. “I have friends on both sides.”

But he added: “Collective bargaining is not a right. It’s never been a right.”

Not sure if I am reading this correctly, but was there just one idiot in the whole town who “stood up” for Dead Man Walker against all the other protesters who loathe him?

That’s a visual! One I don’t expect was very comforting for the embattled Republican governor, do you?

It would be amusing to know whether or not class traitor Mark Goodrich was invited in out of the cold by the Republicans for his misguided efforts on their behalf, wouldn’t it?
 

 
If I had to sit down and compile a list of my top favorite books—which would be difficult for me to do—there would most assuredly be a spot in the top fifty for Greil Marcus’s sprawling, idiosyncratic and essential, Lipstick Traces: A Secret History of the Twentieth Century.

This book is about a single serpentine fact: late in 1976 a record called Anarchy in the U.K. was issued in London, and this event launched a transformation of pop music all over the world. Made by a four-man rock ‘n’ roll band called the Sex Pistols, and written by singer Johnny Rotten, the song distilled, in crudely poetic form, a critique of modern society once set out by a small group of Paris-based intellectuals.

Lipstick Traces, well, traces the critique of capitalism from the Dada art movement through the Situationist International and the May 1968 uprisings in Paris, through to the Sex Pistols and the punk rock explosion. In other words, it is the hidden history of the artistic opposition to capitalist society. It was heavily influenced by the revolutionary avant-garde punk zine “Vague” (a parody of Vogue, if that’s not obvious). I was reading “Vague” from my late teens—I still have most issues—and it had a great deal to do with shaping how I see the world. Marcus cribbed a lot from Tom Vague for Lipstick Traces, which is not to take anything away from Greil Marcus at all, but to simply give credit where its due.

Although I can recall a lot of criticism that was leveled at Lipstick Traces by reviewers when it first came out, the book’s thesis was, in my opinion, on pretty firm ground. It has certainly stood the test of time and has remained in print to this day. I’m told that it’s often used in college courses, which is unsurprising. A twentieth anniversary edition of Lipstick Traces was published by Harvard Press in 2009

But what many ardent admirers of the book don’t know, it that Rough Trade released a companion “soundtrack” CD to Lipstick Traces that came out in 1993. Like the book, it’s always had pride of place in my vast collection of “stuff.” The CD was rarely encountered in a world prior to Amazon.com (there’s not even a listing for it on Amazon today, either) but now, thanks to the fine folks at Ubuweb, these rare audio documents, lovingly assembled by Marcus, can be heard again. The selection runs the gamut of weird old hillbilly folk, doo-wop, to punk rock from the Slits, Buzzcocks. Gang of Four, The Adverts, Kleenex/Liliput, The Raincoats, The Mekons, a recording of the audience at a Clash gig, and best of all, the blistering mutant be-bop of Essential Logic’s “Wake Up.” Interspersed between the music is spoken word material from French philosopher Guy Debord, Triatan Tzara, Richard Huelsenbeck and even Marie Osmond reciting a brain-damaged version of Hugo Ball’s nonsense poem “Karawane” that must be heard to be believed.

Below, Benny Spellman: “Lipstick Traces (On A Cigarette)”
 

 
(via KFMW)

 
In the late 1980s, Wendy James was the goddess of choice for many a teenager’s bedroom. She was sexy, beautiful and her band Transvision Vamp dominated the UK charts with their post-punk pop. Wendy was everywhere, a teenage wet dream, which kinda overlooked the singer’s real talent and incredible energy.  

It was her unacknowledged talent (and a fan letter from Wendy) that led Elvis Costello to write the pop princess her first solo album, Now Ain’t the Time for Your Tears in 1993. It was a bloody impressive recording, which kicked even her harshest critics into touch. But let’s not forget, the pop world is fickle, and riddled with jealousies, which means, sadly, there are always those who will not think about Wendy beyond the pull-out posters that once decorated their bedroom walls.

Now, this should be about to change, as Wendy James has released the best album of her career so far, I Came Here To Blow Minds, which she has written and produced herself. I spoke to Wendy over the ‘phone last week and asked her about the process of writing the album. 

Wendy James: ‘I wrote it in summertime in New York. I went up onto the roof of my apartment, with my guitar and worked on my songs up there. I write all the time, and have notebooks full of writing and songs all around. Then one day it just starts, and I have an outpouring of these songs and ideas, for about two months. And when I write I have to lock myself away. I just can’t enjoy other things. It’s kind of like a pressure cooker, and you put a lid on to stop it boiling over, but then you can’t stop it boiling over.

‘For me, it’s a very solo outpouring. It takes everything you’ve got for that moment in time. But it’s the ultimate thing for being an artist.’

It’s a cathartic process, and writing the last song, is like ‘waiting to exhale.’ On I Came Here To Blow Minds, Wendy’s songs range form the punky “New Wave Flowered Up Main Street Acid Baby”, through “Municipal Blues” and the jangly indie pop of “One Evening in a Small Cafe” and “You Tell Me” to the sixties’ Marianne Faithfull-like “Where Have You Been, So Long?”. The musical references are all there, and have developed over Wendy’s twenty-plus year career, from teenage pop star to older, wiser solo artist.

It started in her teens, when Wendy saw Joe Strummer of The Clash in concert and thought “I want his job.” Her wish soon came true, when she formed Transvision Vamp with Nick Christian Sayer in 1986. Sayer wrote the songs and James supplied the image. Three albums and a slew of hit singles were released, including “I Want Your Love” and “Baby, I Don’t Care”.

Wendy James: ‘Without really knowing, I was in Transvision Vamp. I didn’t really know what I was doing. But you learn really quickly, it was a fast track, you learn how to rehearse, how to deliver. It all came together so quickly. On the first album, I was just singing. By the second I wanted more.’

Their second album, Velveteen was a massive hit, but Wendy was growing up.

Wendy James: ‘Something in my soul was telling me I had to live in my own world. I had to do my own thing. Something was going on inside, and by the third album, it wasn’t enough.’

Then Elvis Costello wrote an album for her. 

Wendy James: ‘But still there was this inner voice, you know, these were Elvis Costello’s songs, and not mine.’

It took time. In 2004, James returned as Racine - ‘...the name I called myself for two albums…’ - and then began writing the songs for I Came Here To Blow Minds, which she recorded in Paris. Now, Wendy has plans to tour the UK, Europe and the US later this year. She is also working on songs for her next album.

An initial pink vinyl pressing of ‘I Came Here To Blow Minds’ is now available
 

Wendy James: “New Wave Flowered Up Main Street Acid Baby”