Louisiana swamp rocker Dale Hawkins proves in this video that punk rock was around waaaay before The Seeds, The Germs or The Ramones. With his sneering vocal style and Pork Pie hat, Hawkins looks like a low rent Frank Sinatra (or a member of The Specials) and sounds like a Bayou version of Johnny Rotten. Yeh-Yeh (Class Cutter) is a wiseass classic and juvenile delinquent’s dream. Sadly, Dale died of cancer in February of this year. But he never stopped rocking, performing until shortly before he died. He left behind several dozen recordings, most of which are still in print. His biggest hit was Suzie Q and that song alone places him among the immortals of rock and roll.
 

 
Detroit techno soldier Monty Luke hepped me to this rather remarkable clip from an unnamed American music show in 1969. It seems apropos since last week marked the 39th anniversary of Jim Morrison’s death, and his ghost still haunts what once was the Doors Workshop in Los Angeles. Below, the LizKing notes that music in the future “might rely heavily on electronics and tapes” and feature performers “using machines.”

You think he figured that electronic music geniuses like John Oswald a.k.a. Plunderphonics would have such a blast blowing out the Doors, as shown in the fan video after the jump?
 

 
Toshio Matsumoto’s early 1970’s feature length film Funeral Parade of Roses is widely cited as a big influence on Kubrick’s A Clockwork Orange but today we have a truly mad short subject by said director, a simple yet brain-frying (epileptics, beware !) infrared study of a lone, masked subject in a landscape, replete with a chaotic electronic score by Toshi Ichiyanagi. Dizzying and possibly bad for you !

 
The excellent composer/ journalist Dominique Leone points us in the direction of a massive and comprehensive project for the Barcelona Museum of Contemporary Art on the history of sampling in music by the also excellent composer Jon Leidecker a.k.a. Wobbly. Featuring tons of essential music and info on everyone from Charles Ives to Grandmaster Flash, this is a serious feast. Dive in with me, won’t you ?

 

 
Variations at Museu d’Art Contemporani de Barcelona

 
 
No one, I repeat no one, can amuse themselves quite like Sir Mick Jagger, seen here at the World Cup, enjoying himself as no one else can! With Bill Clinton and Katie Couric making cameo appearances. Some of these are laugh out loud funny, but not really at Mick’s expense, either. Strange that. He’s Jumpin’ Jack Flash and don’t you f’ing forget it!
 

 
The 10 Best Pictures Of Mick Jagger Watching The World Cup (Buzz Feed)

 
If you’re looking for something unusual to see in Los Angeles—and let’s face it: who isn’t?—you could do no better (in the unusual stakes, that is) than grabbing a front-row berth for Wednesday night’s set by the “King of Apartment Wrestling Rock ‘n’ Roll,” Reverend Beat-man.

Formerly known as Lightning Beat-man, the good Reverend found the Lord (or something) and he will bring his berserk gospel/rockabilly swamp juice stew—heavily influenced by Hasil Adkins, Jack Starr and Mexican wrestling—to the Redwood Bar and Grill, 316 W. 2nd St.
 

 
Thank you Julien Nitzberg!

 
Musician Roberto Carlos Lange of Helado Negro and Savath and Savalas and visual artist David Ellis have been collaborating on these ingenious pieces for the past couple of years. They explain what they’re up to in the clip below but in a nutshell, they embed midi-controlled solenoids within everyday objects, thus turning the detritus of the modern world into remotely controlled funky drum sets. Thought provoking and fun stuff !

 
A bunch more examples after the jump…

 
It’s always heartening to see electronic music veterans ably take on new genres and make them sing. One case in point is the UK duo Africa Hitech comprises producer Mark Pritchard and producer/vocalist Steve White (a.k.a. Steve Spacek). Pritchard helped shape the sound of British techno in the early ‘90s in his groups Global Communications and Jedi Knights, while White made waves in the early ‘00s with his avant-soulful warbling and knob-twiddling for the glitchy trio Spacek.

Both have been busy with lots of projects, but Africa Hitech bears special attention. The pair’s just-released debut EP Hitecherous weaves between lurching lovers dub, whomping dubstep, whizzing dancehall, and neurotic garage—all stripped down to their powerful rhythmic essences. Recommended new sounds.
 

 
Get: Africa Hitech - Hitecherous [CD-EP]

 
After a couple of drug-bust-heavy years off the road, the Rolling Stones were at a few turning points as of July 5, 1969. Their back-to-basics Beggars Banquet album signaled the end of the rainbow dream of Their Satanic Majesties Request, and a return to a therapeutic blues mode that would last them long into the ‘70s. Most importantly, guitarist Mick Taylor of John Mayall’s Blues Breakers had replaced a drug-soaked Brian Jones, and Jones had been found drowned in the pool of his Sussex home two days before their previously booked free performance in Hyde Park. The Stones decide to go on with the show. As shown below, Britain’s leading independent Granada Television was there.

Granada put the biggest rock concert in England’s history to that point (250,000 people, with Woodstock planned for a month later) into context by chatting with the band, the fans and members of the amazingly efficient Kent chapter of the Hells Angels. Unfortunately, the Stones’ next huge concert would demonstrate that the Kent Angels neglected to exchange notes with their West Coast brothers about how to best secure a large crowd…
 
Please note: Live Video seemed to be the only free video site that’s hosting the full documentary. Unfortunately, the user experience after the jump is less than optimal—the video just starts and buffers a lot. It seems best to just pause the screen and let it load before playing. Please remember that it’s free, and that for best results you can buy the DVD by clicking the link below.
 
Get: The Stones in the Park [DVD]

 
Media assassin Harry Allen has Twittered attention to the observations of Harlem-based Peruvian-American activist-rapper Immortal Technique upon his return from his recent visit to Haiti on the indomitable Davy D’s Hip Hop Corner.

I may not agree with all of Tech’s positions in general, but I do admire him as one of the few politically minded rappers who walks the walk. Dude built a damn orphanage in Afghanistan with no external or corporate funding, so he gets my salute.

Here are a few excerpts from his compelling Haiti look…