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Morningstar Commune and the roots of cybernetics
05.04.2011
04:06 am
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A photo of Morningstar Ranch featured in Time Magazine in 1967.
 
By the time I visited Morningstar Ranch (aka The Digger Farm) in 1968 it was becoming a suburb of the Haight Ashbury. Young hippies, like myself, were drifting through the Sebastopol commune not quite knowing why we there but feeling we needed to be there. It felt less like an actual community than a halfway house for people yearning for community. None of us were actually ready to settle down yet. We were too fucking young. The idea of going back to the land was nice in theory, but we were still digging what the cities had to offer: rock clubs, bookstores, Love Burger on Haight St., hot water and supermarkets.

Lou Gottlieb founded Morningstar Ranch in 1966. A former member of the folk group The Limelighters, Lou had a spiritual epiphany and felt compelled to explore alternatives to the status quo approach to living. Morningstar was Lou’s experiment in communal living, a work in progress that wasn’t really work but some kind of joyous attempt at re-defining how we lived as neighbors, lovers and caretakers of planet Earth.

Morningstar had an anarchic spirit. It was literally open to everyone. What you did when you got there was up to you. I don’t remember any rules. Most of us didn’t have the discipline or patience to become active members of Lou’s wild dream. We were either too lazy, too restless, or both. There was a core group that kept the place functioning as a community, but for the most part nomadic flower children passed through the place on their way to something called the future.

In nearby Palo Alto, the beginning of virtual realities were stirring in the shadows of mainframe computers.

Long before he co-founded The Hackers Conference, The WELL (considered by many to be the first online social network) and the Global Business Network, Stewart Brand was staging acid tests with Ken Kesey and his ragtag band of Merry Pranksters. Brand, who popularized the term personal computer in his book II Cybernetics Frontiers, took his first dose of acid at the International Foundation for Advanced Study in 1962.

The proto-cybergeeks conjuring electric magic in what would eventually be known as Silicon Valley were dropping Owsley and conceiving realities in which brain meat interfaced with machine and the mind could perceive itself in its true limitless state. Many of these bearded outlaws from computerland were Gottlieb’s close friends and early pilgrims to Morningstar.

We - the generation of the ‘60s - were inspired by the “bards and hot-gospellers of technology,” as business historian Peter Drucker described media maven Marshall McLuhan and technophile Buckminster Fuller. And we bought enthusiastically into the exotic technologies of the day, such as Fuller’s geodesic domes and psychoactive drugs like LSD. We learned from them, but ultimately they turned out to be blind alleys. Most of our generation scorned computers as the embodiment of centralized control. But a tiny contingent - later called “hackers” - embraced computers and set about transforming them into tools of liberation. That turned out to be the true royal road to the future.”  Stewart Brand (founder of The Whole Earth Catalog).

In this short clip from Canadian television, Lou envisions a cybernetic world where machines do the work while humans have all the fun.
 

Posted by Marc Campbell
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05.04.2011
04:06 am
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Mosfilm offering classic Russian cinema for free online
05.04.2011
01:35 am
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Russian film studio Mosfilm has started offering classic and contemporary Russian cinema with English subtitles on their Youtube channel. The site is in Cyrillic so if you can’t read Cyrillic it’s initially a bit of a challenge to select films. I was able to find movies I wanted to see by a process of hit or miss. Click on a film thumbnail and see what you come up with. As soon as the film starts the title will appear in English as a subtitle. Or copy and paste the Cyrillic title into Google search and you most likely will find an IMDB link. So far, everything I’ve viewed on the site seems to be sourced from high quality digital re-masters.

Here’s the scoop as reported by the St. Petersburg Times:

Russian film lovers can explore a treasure trove of Soviet films as legendary movie studio Mosfilm has posted dozens of its most famous films on YouTube for anyone to watch for free.

The films, legendary for many Russians but often little known in the West, include the comedies of Georgian-Russian director Georgi Daneliya, “Gentlemen of Fortune” and “Mimino”; “The White Sun Of The Desert,” a much-loved adventure story set in Central Asia that is always watched by cosmonauts before a space launch; and classic melodramas such as Eldar Ryazanov’s “A Cruel Romance” with Nikita Mikhalkov and “A Railway Station for Two” starring the late Lyudmila Gurchenko.

Every week, the studio will upload five new films onto the channel, the studio said in an official press release, and expects to have 200 by the end of the year.

Other films uploaded include “Andrei Rublev” and “The Mirror,” two works by one of Russia’s greatest art-house directors, Andrei Tarkovsky.

“For us, the YouTube project is very important and interesting,” Karen Shakhnazarov, director of Mosfilm, said in a statement on the studio’s web site.

“The aim is to give users the possibility to legally watch high-quality video material and prevent the illegal use of our films,” he said.

The studio has worked with YouTube to remove pirated versions of their films uploaded onto the site.

“Most of the films will be uploaded with subtitles in different languages so people from different countries can watch Mosfilm pictures,” Shakhnazarov said.

The 1970 film ‘The White Sun of the Desert’ is an adventure story that is always watched by cosmonauts before a launch.

At the moment, nearly all the films are up with subtitles in English, with only a couple found without any. The 1991 film “Tsareubiista,” or “Assassin of the Tsar,” starring English actor Malcolm McDowell as an insane asylum patient who claims to have killed the Tsar and Oleg Yankovsky as a doctor, is up in both English and Russian versions.

The channel has had more than 170,000 views since it started last week, and as of Monday, almost all of the films had more than 1,000 views. A few films see noticeable drops in viewing when the film is in two parts. Tarkovsky’s critically acclaimed 3-hour, 25-minute film about the great 15th-century icon painter Andrei Rublev saw 2,156 views of its first part and only 414 of the second part.

The most popular film so far is “Ivan Vasilievich Changes Profession,” a 1973 comedy starring acclaimed actor Yury Yakovlev that sold 60 million tickets when in Soviet cinemas and has had more than 15,000 views on YouTube already.

The channel is already in the top 50 of Russian channels on YouTube.

This is great news for film buffs. Visit Mosfilm’s Youtube channel and check out their cinematic treasures.

Here’s one of my favorites, Viy. Directed by Alexander Ptushko in 1967, Viy is based on a short story by Nikolai Gogol. A colorful tale of witches and demons that achieves an almost hallucinatory delirium, Viy has achieved cult status for good reason.

This re-master looks gorgeous.
 
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Posted by Marc Campbell
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05.04.2011
01:35 am
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Rapture less than three weeks away!
05.03.2011
09:18 pm
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A kooky believer that the Rapture will happen on May 21, 2011 is interviewed (where else?) on Hollywood Blvd. It’s fitting that this takes place with the Ripley’s Believe It or Not Museum in the background…

As per the “prophecy” (and creative mathematics!)  of 89-year-old religious radio magnate, Harold Camping Jr., there is no way—NONE—that this guy has any doubts that he and his mates will still be here on May 22. Dude is seriously pumped for the end of the world, yo, and yet he’s still not willing to hand over his credit cards and PIN numbers to the interviewer. What’s up with that?

I sure hope that there are several documentarians working on getting footage of these folks both before and after “the end of the world.” Fascinating stuff (even if that drumming is annoying. Eventually it stops).
 

 
Via Joe.My.God

Posted by Richard Metzger
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05.03.2011
09:18 pm
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Creative Writing 101 with Kurt Vonnegut
05.03.2011
08:31 pm
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Short, wry lecture by Kurt Vonnegut on the “simple shapes of stories.”
 

Posted by Richard Metzger
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05.03.2011
08:31 pm
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Upside Down: The Creation Records Story
05.03.2011
07:43 pm
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Upside Down: The Creation Records Story is a roller coaster of film, which tells the incredible tale of one of the most important independent record labels of the past fifty years - Creation Records

This excellent film reveals how the gallus Glaswegian Alan McGee started the label with a £1,000 bank loan in the 1980s, and went on shape music in the 1980s and 1990s, as he made Creation home to such talents as The Jesus and Mary Chain, Primal Scream, Medicine, The Pastels, Teenage Fanclub, BMX Bandits, Super Furry Animals, The Boo Radleys, Saint Etienne, Momus, My Bloody Valentine, 3 Colours Red and Oasis - who were signed for £40,000.

McGee originally thought Liam Gallagher was the band’s drug dealer, as he told the Sun:

“I was up in Glasgow seeing my dad and I wasn’t sure I’d even go to the gig. I got there early by mistake. Oasis were on first, before most people arrived. There was this amazing young version of Paul Weller sat there in a light blue Adidas tracksuit. I assumed he was the drug dealer and that Bonehead, the guitarist, was the singer.

“It was only when they went on stage I realised it was the lead singer Liam Gallagher. I knew I had to sign them.

“Noel and I talked after the show and just said ‘done’ and he turned out to be a man of his word.

“I was lucky to be there. We didn’t send out scouts. Most of my signings were because I happened to see new bands. That couldn’t happen any more. If a new band as much as farts it’s all over the internet.”

Upside Down: The Creation Records Story brilliantly captures the creativity that came out of the chaos of the legendary McGee’s drug-fueled reign as President of Pop.

“I was on one continuous bender from 1987 until 1994. Until Oasis came along the Creation staff were more rock and roll than the bands we signed. Then Oasis came along and things got even crazier.

“I was permanently off my head on cocaine, ecstasy, acid and speed. We’d be awake for three days.

“We went one further than having dealers hanging around. We just employed them instead.

“But they were different times. If you behaved now like we used to people would phone the police.”

Upside Down: The Creation Records Story is now available on DVD, with a short cinema release, details here.
 

 

Posted by Paul Gallagher
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05.03.2011
07:43 pm
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Morrissey Fans Are Lazy
05.03.2011
07:10 pm
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Posted by Tara McGinley
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05.03.2011
07:10 pm
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Atlas Shrugged Pt 2: ‘All That The Market Will Bear’
05.03.2011
05:47 pm
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I think this is a very objective viewpoint for them to take…
 

 
From Andy Cobb by way of Fishbowl LA

Posted by Richard Metzger
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05.03.2011
05:47 pm
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SLEDGEHAMMER: Brain-melting 80s shot-on-video slasher flick
05.03.2011
05:02 pm
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No indie DVD label is as dedicated to the preservation and promotion of “outsider cinema” quite like our friends at Severin Films. Nope, no one does “so bad that it’s good” titles like they do—witness their mind-numbing Birdemic:Shock and Terror release. Need I say more?

“Either by way of budget constraints or warped vision,” says Severin’s marketing director Evan Husney, their releases “represent a piece of a cinematic underbelly from a universe all its own.”

Now Severin, in association with The Intervision Pictures Corp. are going to be releasing some of the cultier cult films from the nearly 850 movie catalog owned by pioneering VHS distributor, Larry Gold, Sr., who died earlier this year of a heart attack. First in that slate is the DVD release of SLEDGEHAMMER, a shot-on-videotape, no-budget slasher flick from the 80s:

The plot is familiar: A group of friends comes to party at a backwoods house where a legacy of brutality awaits. But within this minimalist ’80s mélange of food fights, feathered hair and abusive slow-motion lurks a relentless synth score, bizarre sexual subtexts and a disturbing shape-shifting behemoth killer. The result is 85 minutes of fever-dream depravity.

The “fever dream depravity” that is SLEDGEHAMMER was directed by David A. Prior and starring Ted Prior (his brother) and Linda McGill

At some point I had a VHS copy of this that someone gave me, but it wasn’t something I paid much attention to. I probably never did more than scan through it on fast forward before passing it on to another otaku pal of mine. That was probably a mistake. One night at Cinefamily, here in Hollywood, I saw a scene from the film and I immediately thought “Oh, that was probably that SLEDGEHAMMER thing I used to have” and regretted that I never watched it.

Severin sent me the video clip last week, along with the DVD of SLEDGEHAMMER. My mistake for not paying closer attention to this absolutely BERSERK little number when I had the chance! Just look at that clip. How could you not want MORE?

Don’t answer that, but If you are interested to win a copy of the SLEDGEHAMMER DVD be the first one to answer this question in the comments (only the FIRST person with the correct answer wins):

What popular magazine featured “extensive” coverage of SLEDGEHAMMER star Ted Prior in 1984?

 

Posted by Richard Metzger
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05.03.2011
05:02 pm
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Donald ‘China is raping this country’ Trump has been gif’d
05.03.2011
03:34 pm
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It’s actually rather hypnotic.

(via Boing Boing and Xeni Jardin)

Posted by Tara McGinley
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05.03.2011
03:34 pm
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Rapper jumps on the bandwagon releases shitty Bin Laden is dead song
05.03.2011
03:05 pm
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Expect a deluge of really bad Osama bin Laden death songs. Here’s one by a rapper from Phoenix, Arizona calling himself Hot Rod. He was at one time a protege of 50 Cent.

“My musical ear has expanded. Now the music I make is fuckin’ incredible and I can’t wait to unleash it to the world.” Hot Rod.

Mr. Rod, put it back on the leash.
 

 
Via The Daily Swarm

Posted by Marc Campbell
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05.03.2011
03:05 pm
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