On one level I feel a little bad about posting this, because obviously this is a sad, pathetic and deluded little man, but that’s not exactly going to stop me.
And trust me, I don’t feel that bad considering that this dipshit doodle-bug took it upon himself to stand there with that ridiculous sign and then posted a YouTube video of himself doing it.
He wants the attention, here it is.
Werner Herzog should make a film about this fucking guy. Grizzly Man meet White Man.
After the jump, King’s magmum opus, “White Genocide: Is It Real?”
“If you hunt or just like shooting guns, the 2nd Amendment will always be a good thing. History also tells us it’s our last line of defense in the face of an out-of-control government. And killing fruits and vegetables is… what? Better watch the video to see…”
If you look at the number of views this numskull is getting for his YouTube channel, obviously it’s not even worth the effort to continue making them. Clearly Wurzelbacher is a man who knows how to waste time and effort for no payoff. The only way he can get any attention anymore is when he’s being especially stupid. That’s fucking pathetic.
Given the current Neanderthal state of the Republican party, it’s no surprise that the best candidate they can find to run against veteran Congresswoman Marcy Kaptur is a befuddled moron who doesn’t seem to know his ass from his elbow, let alone anything about history.
But Joe loves America! What more does America need to know about Joe, anyway? Joe is one of us!
“One of us! One of us! One of us! One of us! One of us! One of us! One of us! One of us! One of us! One of us! One of us! One of us!”
A small group of protesters weirdos calling themselves the “Bible Believers” confronted Muslims at the Deerborn, Michigan’s annual Arab International Festival last Friday, with a pig’s head on a stick…
In addition to the pig’s head – presumably intended to offend observant Muslims, who do not eat pork – Bible Believers reportedly carried signs calling Islam “a religion of blood and murder” and describing the Islamic prophet Muhammad as a “liar,” “false prophet,” “murderer” and “child molesting pervert.”
Deerborn, which has the nation’s highest concentration of Arab-Americans and whose population is one-third Muslim, has in recent years become a favorite destination for anti-Muslim activists seeking the spotlight. Pamela Geller of Stop Islamization of American (SIOA) staged an ersatz “human rights conference” there in April, and Koran-burning pastor Terry Jones, who runs the anti-gay, anti-Muslim Dove World Outreach Center, visited last April to tell a few dozen supporters – and an estimated 600 counter-protestors – that Islam is “of the devil.”
But of course Pamela Geller would be there… And where there’s anti-Islamic bigotry—and TV cameras—there’s gotta be Yosemite Sam Pastor Terry Jones, the buffoonish Koran-burning jackass from Florida…
This year marked the Bible Believers’ second appearance at Dearborn’s Arab International Festival. In 2011, several counter-protesters were arrested for throwing water bottles, trash and shoes at the group while its members – bearing signs calling Islam a “religion of murder” and calling on Muslims to “repent” – stood in the festival’s free speech zone. No arrests were made this year, the Dearborn Patch reports, though two festival attendees were detained and cited for disorderly contact.
Bible Believers is headed by Ruben Israel Chavez, a self-described “street preacher” from Los Angeles who runs the website Official Street Preachers, on which he rails against “homo sex,” Mormons, “drunkards,” Mardi Gras, “Pot Smoking Devils,” Billy Graham, and Oprah Winfrey, among others.
Coming this summer to theaters in Japan and eventually to the rest of the planet, After School Midnighters looks like one of the freshest animated films to hit the screens in some time. I’m not a big fan of anime, but this I could get into.
The film’s producers describe After School Midnighters as…
[...] an original computer-generated animation film by a young and spirited director with a skillful VFX/CGI crew who has a lot of experience in movies and TV commercials. The main character ‘Kynst Lijk’ is a human body model that stands in a science room of an elementary school. Kynst Lijk also reigns over the school after midnight. One day, when a naughty kindergarden trio accidentally meets him, his ordinary life changes. The scariest and craziest after midnight adventure begins…
There are certain things about Japanese pop culture that are simply inexplicable to my western mind. This is one of them.
As children happily frolic in the grass, a balding man with a grimace for a smile sings and dances while dressed in a girl’s school uniform. It’s all sorts of creepy.
This informative and mouth-watering video is from the Italian mondo movie America Exposed (aka This Is America 3), which has never been released on video or DVD in the United States. Directed with rare insight and sensitivity by Romano Vanderbes, the movie takes an unvarnished look at the weird habits of Americans and our exotic culture.
Among the many strange rites that exist on our mysterious continent is the age-old tradition among our Black inhabitants of eating dirt. Along with more common place dishes like ham, chicken and potatoes, apparently Black people consider dirt a delicacy that rivals the highly sought after epicurean delight the truffle. But unlike the truffle, dirt is dirt cheap.
This particular clip is from a Japanese bootleg of America Exposed. Imagine the shock among our Asian friends when encountering American’s dirt eating proclivities. Is it no wonder they approach us with awe and suspicion? But are we really so different? After all, both dirt and sushi are eaten raw.
“As an obsessional artist I fear everything I see. At one time, I dreaded everything I was making.”—Kusama interviewed in BOMB magazine in 1999.
You may have seen some of the lovely, now-viral shots of renowned Japanese Pop/Minimalist/AbEx artist Yayoi Kusama’s Obliteration Room installation at the Brisbane Gallery of Modern Art, in which children are handed colored polka dots stickers at the museum’s entrance with which to deface a pure-white-painted living-room.
Whimsical as those images are, it’s important to remember that Kusama’s pattern-obsessed work reflects her career of art-as-therapy in response to a life marked by childhood abuse early on and mental illness throughout. As someone who’s both seen a measure of fame in New York City’s underground art scene in the ‘60s that rivaled Warhol’s, and lived in a mental institution in Japan for the past 34 years, Kusama strikes a remarkable figure. The raising of her profile in the US has been a long time coming for the 83-year-old.
Heather Lenz’s forthcoming documentary, Kusama: Princess of Polka Dots, promises to more fully flesh out the story of Japan’s most popular living artist. The film’s slated for a summer 2012 release to coincide with the arrival of a Kusama retrospective at the Whitney Museum of American Art.
After the jump: check out Kusama’s Self Obliteration, a portrait of the artist at one of her peak periods…
