The other morning here at Dangerous Minds Towers (Scotland), while I sat sifting through the mailbag looking for presents and antique snuff boxes, m’colleague Tara McGinley popped a fascinating article in front of me about a wild “Tiger Woman.”
At first I thought this tabloid tale was perhaps about the woman who had inspired Roy Wood to write his rather wonderful and grimy little number “Wild Tiger Woman” for The Move. As I read on, I realized this story of a rebellious singer, dancer and artist’s model was unlikely to have been the woman Wood had in mind when he wrote his famous song.
No, this particular “Tiger Woman” was one Betty May Golding—a drug addict, a boozer, and a dabbler in the occult. She had a string of lovers, worked as a prostitute, had been a member of a notorious criminal gang, an alleged Satanist, and had once even tried to murder Aleister Crowley. This was the kind of impressive resumé one would expect from the original “wild child.” Not that Ms. Golding would have given two hoots for any of that:
I have not cared what the world thought of me and as a result what it thought has often not been very kind… I have often lived only for pleasure and excitement.
You go girl!
Betty May was born Elizabeth Marlow Golding into a world of poverty and deprivation in Canning Town, London in 1895. The neighborhood was situated at the heart of the city’s docks—an area described by Charles Dickens as:
...already debased below the point of enmity to filth; poorer labourers live there, because they cannot afford to go farther, and there become debased.
To get an idea how deprived and “debased” this district was—Canning Town even today “remains among the 5% [of the] most deprived areas in the UK.” Plus ca change…
A typical London slum 1909.
When Betty was just an infant, her father left the family home, leaving her mother to support four children on a pittance of 10/- a week—roughly the equivalent of $1.50. The family home was a hovel with no furniture and no beds. The family slept on bundles of rags, cuddling together to keep warm.
Her mother was half-French with beautiful olive complexion and almond eyes. The struggle proved too much for her and Betty was sent off to live with her father who was then residing in a brothel. Her father was an engineer by trade but he preferred to spend his time drinking, fighting and thieving. He was eventually arrested and sent to jail.
In her autobiography Tiger Woman, published in 1929, Betty described herself as a “little brown-faced marmoset ... and the only quick thing in this very slow world.” She earned pennies by dancing and singing on the street. After her father’s arrest, she was passed from relative to relative eventually staying with an aunt who described her as “a regular little savage.”
One of her earliest memories was finding the body of a pregnant neighbor hanging from a hook. The woman had caught her husband having sex with her sister.
Her face was purple and her eyes bulged like a fish’s. It was rather awful.
Eventually Betty was sent to another aunt who stayed out in the country in Somerset. Here she attended school but soon the teenager was in trouble after having an affair with one of her teachers.
I can hardly say, in the light of what I have learnt since, that we were in love. At least perhaps he was. Certainly I was fond of him.
When their illicit relationship was discovered, Betty was given an ultimatum.
There was a great deal of fuss and it was made clear to me that unless the friendship came to an end it would be the schoolmaster who would be made to suffer.
After a rather tearful scene with my aunt I was packed off with a few pounds.
Betty in her gypsy dress.
Arriving in London in 1910 Betty could only afford one outfit:
...but every item of it was a different colour. Neither red nor green nor blue nor yellow nor purple was forgotten, for I loved them all equally, and if I was not rich enough to wear them separately ... I would wear them, like Joseph in the Bible, all at once! Colours to me are like children to a loving mother.
With her exotic looks and green eyes, Betty looked every part the gypsy and was later known for her song “The Raggle Taggle Gypsy.” The novelist Anthony Powell described her as looking like a seaside fortune teller. Betty also delighted in her costermonger background:
I am a true coster in my flamboyance and my love of colour, in my violence of feeling and its immediate response in speech and action. Even now I am often caught with a sudden longing regret for the streets of Limehouse as I knew them, for the girls with their gaudy shawls and heads of ostrich feathers, like clouds in a wind, and the men in their caps, silk neckerchiefs and bright yellow pointed boots in which they took such pride. I adored the swagger and the showiness of it all.
The Café Royal in 1912 as painted by artist William Orpen.
At first, Betty worked as a prostitute before becoming a model, dancer and entertainer at the hip Café Royal.
The lights, the mirrors, the red plush seats, the eccentrically dressed people, the coffee served in glasses, the pale cloudy absinthe ... I felt as if I had strayed by accident into some miraculous Arabian palace… No duck ever took to water, no man to drink, as I to the Café Royal.
The venue was the haunt of Bohemians and artists—Augustus John, Jacob Epstein, the “Queen of Bohemia” Nina Hamnett, heiress Nancy Cunard, William Orpen, Anna Wickham, Iris Tree and Ezra Pound.
Betty’s flamboyance and gypsy attire attracted their interest and she had affairs with many of the regulars. She modelled for Augustus John and Jacob Epstein. Being an artist’s model was a grey area that often crossed into prostitution. Many of May’s contemporaries in “modelling” died in tragic circumstances—either by their own hand or at the hands of a jealous lover.
The artist Augustus John looking rather pleased with himself.
Betty’s life then took the first a many surprising turns when she became involved with a notorious criminal gang.
In 1914, she met a man she nicknamed “Cherub” at a bar who took her to France. Their relationship was platonic but after a night of drinking absinthe Cherub attacked her:
He clasped me round the waist, pinning my arms… I struggled with all the strength fear and hate could give me.
With a supreme effort I succeeded in half-freeing my right arm so that I was enabled to dig my scissors into the fleshy part of his neck.
Betty escaped to Paris where she met up with a man known as the “White Panther” who introduced her into the one of the ciy’s L’Apache gangs. She later claimed it was this gang who nicknamed her “Tiger Woman” after she became involved in a fight with one of the gangster’s girlfriends. When separated by the gang leader she bit into his wrist like a wild animal.
Now part of gang, Betty became involved in various robberies and acts of violence—in one occasion branding a possible informer with a red hot knife. This experience led her to quit Paris.
Apache gang members or hooligans fighting the police in 1904.
To be honest, Betty’s autobiography reads at times like a thrilling pulp novel and without corroborative evidence seems more like fiction than fact.
Returning to London, Betty resumed work as a singer and dancer. She sought a husband and found two suitors: the first died after a mysterious boating accident; the second blew his brains out one fine summer’s day. Betty eventually married a trainee doctor Miles L. Atkinson, who introduced her to the joys of cocaine.
I learnt one thing on my honeymoon—to take drugs.
Atkinson had an unlimited supply of cocaine via his work with the hospital. The couple embarked on a mad drug frenzy. They fell in with a den of opium smokers. May’s drug intake escalated to 150 grains of cocaine a day plus several pipes of opium. She became paranoid—on one occasion believing the world was against her after ordering a coffee at a cafe and the waiter served it black. She decided to divorce Atkinson, but he was killed in action in 1917 while serving as a soldier in the First World War.
Betty then met and married an Australian called “Roy”—not believed to be his real name—who weaned her off drugs by threatening to beat her if ever he caught her taking any. However, she divorced Roy after catching him having an affair.
Continuing with her career as an artist’s model, Betty sat for Jacob Epstein and Jacob Kramer, who she claimed painted her as the Sphinx.
Jacob Kramer’s painting ‘The Sphinx’ (1918).
Her notoriety grew after the publication of a book Dope Darling by David “Bunny” Garnett, which was based on Betty’s life as a coke addict. The book told the story of a man called Roy who falls in love with a dancer Claire at a bohemian cafe. Claire is a drug addict and prostitute. Roy believes he can save Claire by marrying her. Once married, Roy gradually becomes a drug addict too.
In the book, Garnett described Claire as being :
...always asked to all the parties given in the flashy Bohemian world in which she moved. No dance, gambling party, or secret doping orgy was complete without her. Under the effect of cocaine which she took more and more recklessly, she became inspired by a wild frenzy, and danced like a Bacchante, drank off a bottle of champagne, and played a thousand wild antics
But all of this was by way of a warm-up to her meeting the Great Beast.
‘Dope Darling’ by David Garnett.
In 1922, Betty met and married the poet Frederick Charles Loveday (aka Raoul Loveday). This dear boy (aged about twenty or twenty-one) was an acolyte of Aleister Crowley. With a first class degree from Oxford University and a book of published poems to his name, Loveday was utterly dedicated to Crowley and to his study of the occult.
Crowley first met Loveday at a dive in London called the Harlequin. He liked Loveday—saw his potential and claimed he was his heir apparent—but he said this about many other young man that took his fancy. He was however reticent in his praise for May—describing her as a “charming child, tender and simple of soul” but impaired by an alleged childhood accident he believed had “damaged her brain permanently so that its functions were discontinuous.” This condition was exacerbated by her drug addiction—though he was complimentary in her strength of will in curing herself.
Crowley believed he could save Loveday from the “vagabonds, squalid and obscene, who constituted the court of Queen Betty.”
In his Confessions, Crowley recounted a typical scene of Betty “at work” in the Harlequin:
In a corner was his wife, three parts drunk, on the knees of a dirty-faced loafer, pawed by a swarm of lewd hogs, breathless with lust. She gave herself greedily to their gross and bestial fingerings and was singing in an exquisite voice ... an interminable smutty song, with a ribald chorus in which they all joined.
Aleister Crowley
Crowley moved to Sicily where he established his Abbey of Thelema at Cefalu. He wanted Loveday—and to a lesser extent May—to join him there. However, Loveday had been ill after an operation and several friends including Nina Hamnett warned him off going. But Loveday was determined and the couple traveled to the Abbey.
Arriving there in the fall of 1922, Betty and Loveday were soon party to various sex magic rituals under Crowley’s direction. On one occasion, Betty chanced upon a box filled with blood soaked neckties. When she asked Crowley what these were, he replied that they had belonged to Jack the Ripper and were stained with the blood of his victims.
Crowley may have tut-tutted about Betty’s sexual hi-jinks with other men in the club, but he didn’t seem to mind all the fucking and sucking that went on at the Abbey. Betty was unsure about Crowley. She was intrigued by the occult and her superstition kept her belief from wavering. But she never fully trusted him.
Everything came to a head after a black mass where Crowley commanded Loveday to kill a cat and drink its blood. Crowley claimed the cat was possessed by an evil spirit. Loveday beheaded the cat and greedily drank its blood. Within hours he fell ill and died, on February 16th, 1923.
Betty blamed Crowley for her husband’s death and swore revenge—deciding to kill him.
More on Betty May and her life of sex and drugs and the occult, after the jump…
, Burchette remains a mysterious figure. The little I know about him comes from Brad Steiger’s 1973 book 
, which devotes a few pages to the man and his musical theories. A taste:
