Tim Minchin portrait by gtgauvin

Australian comedian, piano whizz and enthusiastic exponent of guyliner Tim Minchin has had a satirical song of his called “Woody Allen Jesus” cut from the broadcast of one of the UK biggest chat shows, The Jonathan Ross Show. Minchin had been asked specifically by Ross and his producers to write and perform a Christmas ditty for the show, but when an advanced tape was passed to the station’s director of television, Peter Fincham, it was decided that the song needed to be dropped.

Minchin is miffed, and rightly so. Are well living in the 21st century or not? Does freedom of speech and thought (and music) exist in this country or is the Christian religion in such a dire state that it needs to ban anything that questions its relevance? Actually, that might be the case. Despite David Cameron’s particularly idiotic and toadying claims that the UK is a “Christian country”, the figures simply do not back this up, as this report in the ultra-conservative Daily Mail shows: “Number of Christians is down 10% in just five years.”

Minchin writes on his blog:

Being Christmas, I thought it would be fun to do a song about Jesus, but being TV, I knew it would have to be gentle. The idea was to compare him to Woody Allen (short, Jewish, philosophical, a bit hesitant), and expand into redefining his other alleged attributes using modern, popular-culture terminology.

It’s not a particularly original idea, I admit, but it’s quite cute. It’s certainly not very contentious, but even so, compliance people and producers and lawyers all checked my lyrics long before the cameras rolled. As always with these bespoke writing jobs, I was really stressed for about 3 days, and almost chucked it in the bin 5 times, and freaked out that it wasn’t funny and all that boring shit that people like me go through when we’re lucky enough to have with a big audience with high expectations. And if I’m honest, it ain’t a world-changing bit of comedy. Regardless…

And then someone got nervous and sent the tape to ITV’s director of television, Peter Fincham.

And Peter Fincham demanded that I be cut from the show.

He did this because he’s scared of the ranty, shit-stirring, right-wing press, and of the small minority of Brits who believe they have a right to go through life protected from anything that challenges them in any way.

Yesterday I wrote a big rant about comedy and risk and conservatism; about the fact that my joke has no victim; about sacredness (oh God, not again!) and about the importance of laughing at dumb but pervasive ideas. But I trashed it because it’s boring and takes it all too seriously. It’s hardly the end of the world.

But I have to admit I’m really fucking disappointed.

It’s 2011. The appropriate reaction to people who think Jesus is a supernatural being is mild embarrassment, sighing tolerance and patient education.

And anger when they’re being bigots.

Oh, and satire. There’s always satire.

Jonathan Ross is no stranger to controversy within the British media - in 2008 he and Russell Brand found themselves in deep shit after a phone call to Andrew Sachs was deemed to have gone “too far” by the tabloid press. Those ever-original and forward thinking people at the tabloids christened the incident “Sachsgate” and the outrage that was drummed up was enough to have both comedians ousted by their employer at the time, the BBC (one was suspended and the other quit.) This background hum of potential “outrage” may have been enough for Fincham to pull Minchin’s segment on the Ross show, but now it looks like a whole new controversy based on freedom of speech and expression is blowing up in ITV’s face. Oh dear.

Here is Tim Minchin performing “Woody Allen Jesus” on The Jonathan Ross Show:
 

 
By god, it’s true. From Tom Jones’ TV variety show circa 1969. Tom seems to be inspiring a certain level of vocal enthusiasm from the other fellas here. Even the untouchably cool Neil Young seems inspired by the odd pairing. I never knew…
 

 
Thanks Danny Benair !

 
This compelling 1985 interview with Frank Zappa conducted by legendary Washington D.C. deejay Cerphe (Don Collwell) for Baltimore TV was never aired. Either it was too edgy for local TV or, as rumor has it, Zappa refused to sign the release required to broadcast the interview. Which begs the question: why would Zappa, who was always fearless in voicing his opinions, stand in the way of this particualr interview being shown?

Two weeks after the interview,  Zappa testified on Capitol Hill at the infamous Senate Porn Rock Hearings on record labeling. Cerphe joined Zappa at the hearing and strongly spoke against censorship.

In light of the controversy surrounding the hearings, the station scheduled to broadcast the interview may have felt Zappa was just too radical for their viewership. For whatever reason, it remained unseen until it was smuggled out of the studio by someone who realized its value as rock history.

As usual, Zappa takes no prisoners as he candidly critiques the state of modern rock and roll, censorship, conformity, sex, consumerism, MTV and more.

Raw and unedited.
 

 
Looks like TPM cribbed a title from the Firesign Theatre (not that I’ve ever done such a thing!) with this ridiculous clip from the mixed-up, muddled-up, zany Bizarro World of Fox and Friends, where up is down, black is white, the sky is whatever color Roger Ailes tells them it is and where Republicans want to help the little guys…

Watch in stunned bemusement as these three tax experts shockingly ignorant people (plus wicked radio witch Laura Ingraham) tie themselves into Klein bottles as they crawl up their own assholes trying to explain why it’s really the Democrats’ fault that the Republicans want to raise taxes on the middle class—but not on billionaires, no way—to an audience comprised of people even dumber than they are!

And they still can’t do it.

Gretchen Carlson really outdoes herself here. And Laura Ingraham falsely claims that we live “in a country where 50% of Americans pay no tax at all.” This is a bold-faced lie and she knows it. Ingraham is slimy and she’s mean, but she’s not dumb (Politifact, where are you???).

There are classic Fox News moments and then there are classic Fox News moments... This pathetic example of amusingly amateur Orwellian doublespeak is a new low even for the three stooges on that couch. People who get their news from Fox fill their heads with shit and this is a good illustration of that in action, as plain as day.

For shits and giggles, share this one in advance with that Tea party-supporting uncle of yours who you’ll be seeing later this week. If the Democrats were smart—and they aren’t—they’d let this one play itself out over the holidays so Tea baggers can twist in the wind bragging about what the Republican congressmen and women they got into office in the last election cycle have achieved for the country. Nice fuckin’ work, gramps!
 

 
The longtime friendship between Woody Allen and Dick Cavett is well-known and Allen’s appearances on the various incarnations of Cavett’s talkshows in the 70s and early 80s have been highlights of both men’s small screen oeuvres. Woody Allen used to be on TV a LOT, but he was never better than when he had the always witty Cavett as his comic foil.

In the clip below, Cavett and Allen discuss women, not as the title would have you believe, particle physics, although I’m sure they could make that topic funny also…

There are 14 hours of Cavett interviewing comedic legends like Woody Allen, Groucho Marx and Bob Hope (especially interesting because he does the interview straight, not mugging for laughs) in the fascinating DVD box set The Dick Cavett Show - Comic Legends, which is where this clip comes from.
 

 
These clips are hard to find on the Internet and who knows how long they’ll last out there before the dark corporate forces wipe them from view. The teachings of the SubGenius are under relentless assault!

Devo’s appearance on Saturday Night Live on October 14, 1978 was a visitation from a rock and roll galaxy far far away and yet so near. It was as if aliens from another planet had created a concept of Earthlings based on old television transmissions they’d hijacked of industrial training films, Triumph Of The Will, episodes of Hullabaloo and Saturday morning cartoons and then spewed it all back at us in a digitized replication missing a few ones and zeros. It was an attempt at communication, not unlike Klaatu’s failed efforts in 1951.
 

Noel Fielding and Julian Barratt of The Mighty Boosh bookend some weirdo who wandered into a Boing Boing photo shoot.
 
As a hardcore Mighty Boosh fan, I am ashamed to say that I only just discovered this wonderful Pogo mashup of bits and pieces from the late great BBC comedy show, which may have been the funniest and most surreal thing to ever appear on the airwaves.

The title of the piece is “Zoo Zoo” and features Pogo’s trademark tight edits/cuts in which shards of dialog and soundtrack are transformed into seamless musical collages filled with quirky charm.

I am patiently awaiting a Mighty Boosh feature length film. Pleeeeeease.

Let the good vibes begin…
 

 
This Dutch TV documentary from 1977 captures some brilliant performances by The Stranglers, Blondie and The Sex Pistols. The bands are firing on all cylinders as they perform in Amsterdam.

In 1977, this is what was moving my world. I had just arrived in New York City and I felt like a sail in a hurricane. Slept all day and hit the clubs at night to see a rock revolution in the making.

The Stranglers at the Second Avenue Theater were particularly awe-inspiring. Unsung heroes of rock and roll, which is probably as it should be - no more heroes. Though, I have my share.

The Stranglers - No More Heroes, Something Better Change

Blondie - Detroit 442, Love at the Pier

Sex Pistols - E.M.I., Pretty Vacant, Anarchy in the UK

The video quality is pretty rough, which seems appropriate - like an underground transmission from the distant past. It’s also in Dutch without English substitles, but it hardly matters. The music speaks for itself.
 

 
Yes, ‘The Can” is the ‘Can’ we all know and love - Holger, Jaki, Michael, Irmin and, in this early 70s incarnation, the iconic Damo Suzuki. Here is a clip of the band performing the title track of the Roland Klick film ‘Deadlock’ in 1970 on Germany’s Westdeutscher Rundfunk television station.

When I first stumbled upon this clip, I assumed the TV producers had made an amusing mistake by adding an unwanted definitive article to the start of the band’s name. However, after checking the Can wiki page, it turns out that the additional “The” may not have been a mistake after all:

[By 1968] the band used the names “Inner Space” and “The Can” before finally settling on “CAN”. Liebezeit subsequently suggested the backronym “communism, anarchism, nihilism” for the band’s name. [Wow, what an amazing backronym!]

However, by the time this footage was recorded in 1970 the band had already released two records as ‘Can’ - Monster Movies and Soundtracks, which mostly featured Malcolm Mooney on vocals rather than Suzuki. So I think a little chortle can be had without feeling too foolish, but who knows, maybe it was a genuine mistake or maybe the bad flirted with a new name for a new singer? Either way, if it’s ‘The Can’ or just plain old ‘Can’ this is some great early footage of true musical pioneers: 

The Can “Deadlock” live 1970
 

 
After the jump, the awesome ‘Mother Sky’ from the same session…

 
Charley says… was a series of Public Information Films, shown in the UK during the 1970s and 1980s, in which a talkative cat, Charley, advised a young boy, Tony, about everyday safety issues. Along with my fellow generation of young things, I learnt not to go off with strangers, never play with matches, and beware the dangers of tables. Sadly, these days charlie usually advises me to do all of the above.

The voice of the incomprehensible ginger tomcat was supplied by Kenny Everett, while the boy was voiced by the child of one of producer Richard Taylor’s neighbors. The Charley says… animations were so popular that they were voted the UK’s favorite Public Information Film, and came in at number 95 in Channel 4’s 100 Greatest Cartoons in 2005.
 

 
More miaows of wisdom from Charley, after the jump…