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X-Rated: The Weird World of Blowfly
11.03.2011
07:52 pm
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I went to see “dirty” rapper Blowfly play sometime in the 80s at an eco-friendly hippie nightclub in New York called the Wetlands Preserve with John Sex, who, no surprise, was a huge Blowfly fan. The Wetlands Preserve was then, and probably still is, the kind of joint where you would eat sea-weed salad and brown rice and watch a jam band play, like Blues Traveler or the Spin Doctors. I also saw Terence McKenna and Timothy Leary speak there. It’s that sort of place, so watching Blowfly, the world’s filthiest rapper, whip out his thang there was a tad incongruous with the tie-died Grateful Dead-inspired decor and surroundings.

Looking like a low-budget combination of a Mexican wrestler, Sun Ra and “Dumb Donald” (one of Fat Albert’s cartoon Cosby Kids cronies) Blowfly came onstage in a glittery cape and superhero outfit in a billow of dry ice smoke. I think his first song was called “Doin’ the Fuck and Suck,” a take-off of Rufus Thomas’s already fairly suggestive “Doin’ the Push and Pull.” His second number was the more moody, contemplative “Suck My Dick.” He did “Shittin’ On the Dock of the Bay” and “Soul Man” became… “Hole Man.” You get the idea. It was good dirty fun, but not necessarily the kind of act that I needed to see twice…

Apparently, Blowfly was an alter-ego developed to hide behind, so that successful R&B songwriter Clarence Reid (who wrote songs for Gwen McCrae and KC & the Sunshine Band) could continue his career while letting his freakier side out… Now there is a new documentary about Blowfly, featuring the participation of Jello Biafra, Ice-T and Chuck D. I haven’t seen it yet, but I want to after watching this trailer. The Weird World of Blowfly is released on DVD and Blu-ray on November 15th by Indie Blitz/E1 Entertainment.
 

 
Thank you Chris Campion of Berlin, Germany!

Posted by Richard Metzger
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11.03.2011
07:52 pm
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Pulling faces with R. D. Laing
10.28.2011
07:48 pm
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image
 
An incredible excerpt from an interview between psychiatrist, R. D. Laing and theater director, Joseph Chaikin, where the pair mimic each other by pulling faces. This reminds Laing of the only present his father gave his mother - a box filled with a complete set his father’s toe nail clippings.
 

 

 

Posted by Paul Gallagher
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10.28.2011
07:48 pm
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Everything You Know About Occupy Wall Street is Wrong


 
Well, perhaps not quite everything, but enough that were you to personally experience the demonstration and look around with your own eyes, you’d likely come to regard the mainstream media reports about Occupy Wall Street (especially the lamebrain stuff printed in The New York Post or heard on Fox News) more like loose gossip, bullshit or random fiction, than actual journalism or considered opinion.

I had the extreme privilege of visiting Zuccotti Park on three of the five days I recently spent in NYC and I’m here to tell you that I am much more excited about Occupy Wall Street—and prospects for real progressive change in this country—now than I ever could have been admiring it from afar. It was a life-affirming and quite moving thing to personally experience and hopefully I can get some of those good feelings across here.

On Wednesday, I was picked up at JFK by my old friend (and frequent Dangerous Minds Radio Hour DJ) Nate Cimmino. I checked into my hotel and since I hadn’t been to NYC for a few years, we decided to just walk from Houston Street to the OWS site. It was raining, not exactly a heavy downpour, but the rain had been steady for most of the day. When we arrived at Zuccotti Park around 4pm, it was starting to get dark and it was pretty much locked down with everyone trying to keep dry. Plastic covered everything and people huddled under makeshift tarps just trying to keep their shit together. It resembled a water-logged shanty town and hardly anything was going on. The lines for the brightly-lit food carts on the southern side of the park were the most noticeable thing at that time (these guys must be making bank, especially the falafel vendors). CNN had a mobile video van with a crane and a “crow’s nest” for getting aerial shots of the park. Dozens of NYPD officers in rain gear ringed the park, many of them female officers.
 

The medical area of Occupy Wall Street.

This wasn’t the right moment to get much of a feel for what’s been going on there, obviously, so I resolved to return on the weekend. Some initial observations though: Zuccotti Park isn’t much of a park at all. It’s more like a concrete plaza and it’s not very big. Keep in mind when you hear people scoffing at the size of the demonstration, that about a thousand people (give or take) is all this area would hold. If many more people tried to join in the demonstration, it would not be possible to move about. It’s already densely packed as it is.

It’s also right across the street from Ground Zero. In my mind, it was in a different (southeastern) part of lower Manhattan, so when we walked down Broadway, the sound of the drumming got louder and then all of a sudden there it was, that came as a surprise.
 

Greg Barris and me mugging for the camera on one of the OWS live video feeds.

On Saturday I returned to OWS with my friend Greg Barris, a stand-up comedian and restaurateur. Greg’s been taking pizza from his restaurant to Zuccotti Park since the demonstrations began. The festive carnival atmosphere that morning was a striking contrast to Wednesday’s wash-out. Colorful flags, costumed characters and people of all ages, races, creeds and personality types circulated around the square. You could see people who were arriving alone with a look of apprehension in their eyes, but soon afterward, that same person would be seen joining right in.

Several people distributed free copies of The Occupy Wall Street Journal and a lefty books lending library operated efficiently (there were even a few books that I had published). Everyone was smiling at one another and a feeling of fun and solidarity was palpable. I saw no overtly negative signs and I saw no placards whatsoever for either of the major political parties (I’d put the number of Republicans at Zuccotti Park at slightly north of “zero,” but still I saw not a single pro-Democrat or pro-Obama item anywhere, either). There’s a medical area where minor things can be tended to by volunteer nurses and medics and a food area manned by park residents. Greg pointed out one earnest-looking California blond skater-type and told me he’s seen that same guy dishing out plates of free food since the earliest days of the demonstration. The park was notably clean, not at all the unsanitary mess Fox News viewers have been repeatedly told about.
 

 
A woman who identified herself as “The Knitting Granny” sat knitting sweaters and scarfs to give to the occupiers. Children in face-paint or costumes carried signs marching with their parents. An elderly gentleman using a walker who must’ve been in his nineties told some of us that he’d been an engineer working with dams and waterways his entire career and what he knew about the “fracking” that’s planned for locations upstate less than ten miles away from New York’s main water supply scared him to death. He came to share his expertise, he told me, and to see OWS with his own eyes.

Several “super heroes” circulated around. A man in his early 30s, who came to OWS alone from Delaware, brought along a solar electrical generator and set it up so people could charge their cell phones. One fellow, who we later saw on the subway, was dressed in a barrel. He must’ve been cold. Another guy carried a “Ross Perot for President” sign and wore a Ross Perot t-shirt and badges.over his coat. He might’ve been the weirdest guy I saw there.
 

 
When you hear dismissive asses braying about how it’s “all white people”—that’s a bunch of utter nonsense. You’ll encounter as diversified a group at OWS as you would if you were in a New York City DMV office and that’s really saying something, so these sorts of haters and naysayers, can go jump in the lake. All white? Maybe in the first few days, but now, that’s simply not even in the slightest bit true.

There are TONS of attractive people at OWS and the mood is so festive and jovial that making conversation with members of the opposite sex is very easy to do. I may get shit for saying this, but it’s true: If more guys knew how many super hot women were milling around OWS, there’d immediately be a massive increase in attendance and foot traffic in the area around Zuccotti Park.

Gay? Fret not, there is a “Queer Camp,” too (look for the feather boas on the northeast side of the park). We even saw someone who identified herself as a “T-girl pornstar” make herself hoarse shouting anti-capitalism things and the very wonderful Reverend Billy is a frequent visitor. The age range is all over the place, as well. In fact, it’s hard to generalize anything at all about the people you meet there except to say that they’ve got their eyes wide open about the problems of advanced capitalism and American democracy. That’s the bottom line. THAT was the commonality amongst all of us.
 

Greg Barris and his sign.

Most people, it would seem, sleep at their homes but come downtown whenever they can. I got the feeling that there was a small percentage of the occupiers who were the ones who were sleeping there. When you walk around in the interior of the plaza, it becomes somewhat apparent that the folks who the media are derisively describing as “hippies,” “punks” and “homeless people” are in fact, quite often hippies, punks and homeless people. They form the more hardcore inner group that performs the very important task of holding down the park. Without their presence, Mayor Bloomberg would have put fences around Zuccotti Park in two seconds flat, so remember that when you’re there and drop a few bucks in their cans. They’re not merely scruffy panhandlers, they’re there in YOUR place if you support the aims of OWS. 

Aside from the resident demonstrators and the day-trippers getting their protest on, there are also thousands of tourists milling about taking pictures. The photos they take are then uploaded to Facebook, Flickr and their blogs. The stories they bring back home and to the water-cooler at work and to their online lives will continue to spread the word about what’s going on in Zuccotti Park.
 

 
Sunday afternoon at Occupy Wall Street, I met up with Em, the “undercover banker” who sometimes writes incendiary essays for DM, Nate Cimmino, his wife Nicole and my pal, noted photographer Glen E. Friedman. It was another gorgeous, glorious day like the one before it, with intelligent and engaged people joining together for a higher purpose. (I’ve already mentioned about all of the beautiful woman down there, but I’m going to mention it once more so it really sinks in, okay?).

My favorite moment—or moments, I should say—of my three visits to Occupy Wall Street was watching the open-air Big Apple double-decker tour buses drive past, full of tourists with their fists in the air! That was an amazing thing to see. Witnessing that sight, repeatedly, I might add, was as sure a confirmation as anyone should require that a little over a month after its improbably beginnings, OWS is becoming a mainstream phenomenon. When is the last time the mainstream media took up a progressive cause? The Civil Rights movement? The Vietnam War? This is a real thing, not a flash in the pan. The fist-pumping seniors on the tour buses are but one of the signposts of the shift that’s happening in this country. Is there anyone out there stupid enough to still ask “What is their endgame?” Even someone who only watches Fox News has probably figured THAT out by now!

The only disharmonious incident I witnessed in my three visits was when a dopey-looking born again Christian crew (I’m talking total Ned Flanders-types) started telling the people assembled there, but especially the ones sleeping in Zuccotti Park, that they were possessed by demons and bound for Hell. As you might imagine that message went over like a lead zeppelin. A late 40-something gutterpunk guy and a hilariously confrontational black kid got right up in their faces with such intensity (and volume) that they quickly left. When they fucked off, deflated, everyone cheered.
 

 
Having said that, the overall scene at Occupy Wall Street does feel, in some respects, almost biblical, with one thousand iPhone carrying Joshuas shouting down the walls of a very high tech Jericho. Let there be no doubts, dear reader, I, and everyone around me there knew that we were witnessing and participating in history. It’s not going to be an overnight change, but anyone who thinks that things can or will continue on indefinitely the way they have been are going to be in for a very rude awakening.

Obama and the Democrats are going to have to move quite far to the left to satisfy their base as we move into 2012 and from what I saw, I reckon that OWS is pretty much 100% bad news for the Republicans, who are going to get the free market and tax cuts for the 1% shoved right up their goddamned asses on election day (I’m looking at you, Eric Cantor and Paul Ryan). I mean, shit, once the election season kicks fully into high gear next year, I expect to see some completely hilarious stuff happen, don’t you? It’s going to be the best election ever! Or the funniest, at least.

As the drumbeat for change in the way we “do business” in America gets louder and louder and louder, the elites will have no choice but to respond. 99% vs. 1%? Who’d be dumb enough to bet against odds like that? The changes that are destined to take place in the next decade of American life are going to make people of a conservative political disposition very uncomfortable indeed. The rest of us are going to be thrilled, though, so fuck ‘em.
 

 
From my point of view as an “old school” New Yorker parachuting into Manhattan after a few years away, Occupy Wall Street is functioning like a sun that is radiating its heat throughout all of New York City, and then via the media, to the rest of the planet. It’s extremely inspiring. As someone who lived in the city for the better part of three decades, NOW is the best I have seen NYC since the early 1980s. The energy in the streets is near an all-time high. New York is just killin’ it. Something is really happening at the moment and it’s an exciting time to be there. If you live in Philly, CT, New Jersey… go down there and check out Occupy Wall Street for yourself. If you live in the NY metro area and you haven’t been downtown, shame on you for watching it on tee-vee…

Trust me when I tell you that it pained me, absolutely pained me to be the old fart saying “New York used to be better back when I was young”... but I’ll never be tempted to say that again anyway, not after what I saw last week.

Believe.
 

 
Previously on Dangerous Minds:
The Original Occupy Wall Street: Stop the City, 1984

All photographs taken by Greg Barris from his Flickr page.

Posted by Richard Metzger
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10.26.2011
05:28 pm
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‘Wild Zero’ the ultimate Japanese zombie-comedy Rock’n'Roll Jet Movie!
10.05.2011
10:34 am
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Wild Zero is a cult/trash classic - a bizarre mixture of zombie-horror and rock’n'roll-comedy from Japan. It stars the excellent garage punk band Guitar Wolf
(comprising members Guitar Wolf, Bass Wolf and Drum Wolf) doing battle with a marauding horde of zombies from outer space, and a corrupt alien nightclub owner who steals their wages, armed only with fire-sptting motorbikes, cheap sunglasses and the power of rock’n'roll (oh, and some guns and a magical guitar pick!)

Imagine if the Ramones had wandered onto the set of Peter Jackson’s Brain Dead just as the crew held a mutiny being led by John Waters, and you’re kind of nearly there. The fact that this hails from Japan makes it all the more strange of course, and while you may snigger at the band’s mis-pronounced rallying cry of “Rock’n'Roll!” (repeated by the main protagonist, Ace, a Guitar Wolf super-fan who accidentally saves the band before getting himself into a whole heap of zombie trouble while trying to rescue a shy girl - or is she?), I guarantee you will be shouting it by the end of this movie too. As you’d imagine the soundtrack is awesome, and there’s even some unexpected innovation - like two zombies french-kissing, surely a first? If you’re looking for a feel good adventure ride just now, this is the film for you. Here’s the original Japanese trailer:
 

 

Thanks to Geoff Crowther for reminding me of this gem.

After the jump - it’s WILD ZERO!

READ ON
Posted by Niall O'Conghaile
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10.05.2011
10:34 am
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More excellent cassette tape art from Sami Havia
09.29.2011
09:54 am
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Alice Cooper
 
Here is some more of that excellent “cassette art” (as used on the Aphex Twin post just below) by the Finnish artist Sami Havia. Sami’s website is here, but these are the only other examples I could find of this style, and they’re taken from the Today And Tomorrow blog. Maybe if we ask nicely he will start making more?
 

DJ Shadow
 

2 Unlimited
 

Public Enemy
 

 

Posted by Niall O'Conghaile
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09.29.2011
09:54 am
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Cornish Acid: Aphex Twin MTV special from 1996
09.28.2011
06:10 pm
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“Come To Daddy” sleeve painted on “SAW2” cassettes by Sami Havia
 
This is a treat for fans of IDM and ambient music - a 70 minute, 1996 Aphex Twin special from MTV UK’s Party Zone dance program. There’s an interview with Richard James, numerous videos, some live footage from the Big Love festival, and an extended extract from the Warp Records’ film Westworld, a collaboration between Aphex Twin and visual artists Stakker.

There’s always been something about James that has struck me as bratty - from the tales of driving tanks through central London to numerous reports from friends of spending relatively large sums on tickets only for James not to play, or not to play properly. This interview doesn’t really do much to dispel that, but it does give a bit of insight into his working methods at the time, and goddamit his tunes are good. So sit back, relax, and zone out:
 

Posted by Niall O'Conghaile
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09.28.2011
06:10 pm
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We Dance On Your Grave Every Night: Nation of Ulysses live in DC 1991
09.21.2011
11:35 am
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There was a time when Nation of Ulysses was the most influential underground rock band in the world. It may not have been for a very long time, and it may have been 20 years ago, before Nirvana took punk aesthetics into the heart of the mainstream, but for a while it seemed like everyone who heard or saw this band just couldn’t shut up about them. It’s not hard to see why Nation of Ulysses drew such cultish adulation - they were always about much more than being a simple band. They had a defined visual aesthetic that drew more from jazz and Soviet art than hardcore. They spoke politics. They worse suits. They described themselves in statements that by today’s standards would spell career suicide for a rock band:

We’re not only a political party, but also a terrorist group. The imperative started with the recognition of the colonialization of youth culture by youth imperialists and the establishment. It was initially formed as a response to that, but now we’ve broadened our breadth to encompass a complete destruction of the American legacy. We understand the workings of oppressions big and small.
...

At the time [they formed] was Ulysses Speaks your primary medium?

Yeah, we were mostly just proliferating literature and bombing buildings, and then we realized the medium of noise not only creates a perfect cover for our organization but it also creates a camouflage for maniacal riotous behavior and provides a context for acting like an idiot and going beyond the structures of everyday behavioral codes. When you see a show, everybody is jumping up and down screaming—if it’s good—and that’s because they’ve been allowed to step outside the boundaries of regular behavior. We want to go one step further. It’s absurd behavior—dancing is incredibly absurd—and we want to take that one step beyond, and that’s why we have so much violence on stage; we’re trying to bring it to the next level. We’re fighting a war there in the room…the room that we took over.

Since you began this mission, have you become more optimistic that you can effectively utilize the facade of populist entertainment to convey the party message?

Yeah…our message is visual, it’s aural, and it’s olfactory. Our message couldn’t be progenitated properly just with sound. We see the whole idea of music as a sound phenomena as really bogus and an idea which has only taken root since the proliferation version of recorded medium, like records. Before then, nobody would have ever thought, “this is only attacking my ears”, because there’s always a visual side to that whole phenomenon. We’re into the true experience, and that’s why the whole idea of music has really aligned us. What we’re wearing on stage and the way we move on stage has just as much to do with the idea that we’re getting across as the sound that we’re putting forth.
...

Have you been able to stir up as much antagonism as you might have hoped for?

Yeah, you know - the old order; people who sense the dissolution and the proliferatrion of new ideas. There’s a Kill Ulysses conspiracy - It’s called the Kill Ulysses National Workers Socialist Party; they’re just trying to destroy us. Rock and Roll is trying to destroy us.

From The New Puritan ReView, 1991 - read the whole interview here.

Still, for all the word-of-mouth hype that surrounded Nation of Ulysses in their brief but dazzling career, for kids like me who lived in the sticks their music was harder to come across than hen’s teeth - another situation that seems impossible by today’s standards. Back in the days when you had to travel to a big city and visit a specialist record shop in the hope of picking up an import 7”, it was easier to find releases by Ulysses’ UK adherents like Huggy Bear than it was the band’s own originals. Thankfully, the hardcore NoU fan base still exists and has been doing a pretty good job of disseminating footage and material on the internet, ensuring the band’s legacy will live on and attract more fans. Sure, Nation of Ulysses weren’t the first punk act to adhere to hardcore left-wing politics, or to have a well defined look and outlook, but no-one did it with this much goddam style

Nation of Ulysses “Introduction/Spectra Sonic Sound” live 1991
 

 
OK, so the audio quality in that clip was pretty poor, but it gives you an idea of what their shows were like. Plus, I do love that washed out, third-generation VHS-copy look. Here’s another clip of NoU live from 1991 (minus suits):

Nation of Ulysses “A Comment on Ritual” live 9:30 Club, 1991
 

 
You can now buy the Nation of Ulysses back catalog direct from Dischord.
 
After the jump, even better quality footage of NoU live in DC circa 1991, including a further 30 minutes of that 9:30 Club show above (in color)…

READ ON
Posted by Niall O'Conghaile
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09.21.2011
11:35 am
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Naomi Campbell’s new home shaped like Horus
09.20.2011
06:33 pm
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Via Inhabitat:

If the world comes to an end, model Naomi Campbell and her nearest and dearest will have no trouble surviving in this 25 roomed eco-home. Designed by and a birthday gift from one of our favorite new architects Luis de Garrido, the glass domed house is completely energy and water self-sufficient and features an amazing indoor landscaped terrace. Everything about this house is a dream: its comfortable microclimate, its constant flow of air, light and heat when necessary, its superior landscaping, and of course the fact that it was built on the Isla Playa de Cleopatra in Turkey (notice the Egyptian theme.)

So far people have been referring to this house as “Horus House” but surely “House of Horus” is more appropriate?
 

 

 

Posted by Niall O'Conghaile
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09.20.2011
06:33 pm
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Colorado couple build ‘Noah’s Ark’
09.15.2011
11:28 am
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Larry and Mary Grabills, a Christian couple living in Colorado, wanted to “prove” that Noah’s Ark was not a myth. They constructed a 50ft. boat from biblical information about the supposed vessel, weighing 11,000 lbs. They gave their home-made ark a trial run on the Pueblo Reservoir last week. From the KKTV website:

“Just something we felt like the Lord wanted us to do,” said Larry Grabill.

Larry and his wife Mary spent 15 months building the Biblical ark, taking basic dimensions directly from the Bible.

“Noah’s Ark was up to 500 feet long and 83 feet wide. Ours is a tenth scale of that, at 50 feet and 8.5 feet wide,” said Larry.

The couple says they want to call attention to the truth of the Bible and dispel the idea that Noah’s Ark was a myth.

Complete with two of each kind of animal, the couple hopes their ark will serve as a symbol of faith.

“We believe the Bible is true, every word of it, as was originally written, and we want to testify to that,” said Larry.

The couple spent $50,000 building the boat. Next, they want to actually build a full-size Noah’s Ark out of wood and sail it in the ocean; something that has never been done before. They believe by doing this they can vividly demonstrate that is was possible for Noah to build an Ark that size out of wood, and make it float.

Usually I like to poke fun at dumb people, but these folks seem too nice and um, innocent, to do that to, so all I’m going to say is “Nice boat!” which it is…

Still, I can’t help but repost this comment from the KKTV website:

“Proof” would be an “Ark” built as described in the book, a full sized version, floating in the ocean, with every creature mentioned. No communication from the outside world for the duration described in the book.”

Good point…
 

 
Via The J-Walk Blog

Posted by Richard Metzger
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09.15.2011
11:28 am
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The surreal, intricate collage of Lola Dupré
09.14.2011
09:44 pm
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Like many traditional collage artist, the Glasgow-based Lola Dupré makes all her work out of just paper, scissors and glue. But unlike most artists Lola goes further than relying on a simple juxtaposition of imagery to make a point. Instead she uses multiple copies of source material, employing thousands of cuts and manipulating tiny shards of paper to create a strange, amorphous, almost fractal vision. Her work is like looking at a dissolving reality reflected in a spoon.
 

 

 

 

 
In a recent interview on the Empty Kingdom blog, Lola says this of her modus operandi:

t came about through experiments with paper as a sculptural medium, through a chance arrangement in 3D forms I began to think about applying it in 2D.  I guess the work could say a few different things about me; I think I am meticulous and multi-dimensional as a person, perhaps that comes across in my work, I’m not sure.  In my opinion, I create, and it is up to the viewer to decipher things and find meaning.

You can read the rest of that interview here, and see all of Lola’s work at her website www.loladupre.com - in the meantime, click read on (below) to see more of her exceptional work. 

 

READ ON
Posted by Niall O'Conghaile
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09.14.2011
09:44 pm
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