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The U.S. Is a Kleptocracy
06.29.2011
01:04 pm
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A guest essay from Charles Hugh Smith, cross-posted from his Of Two Minds blog:

If we dare look at the plain facts of the matter, we have to conclude the U.S. is a kleptocracy not unlike Greece, only on a larger and slightly more sophisticated scale.

Yesterday, I noted that Greece Is a Kleptocracy; the U.S. is a kleptocracy, too. Before you object with a florid speech about the Bill of Rights and free enterprise, please consider the following evidence that the U.S. is now a kleptocracy worthy of comparison to Greece:

1. Neither party has any interest in limiting the banking/financial cartel. The original Glass-Steagal bill partitioning investment banking from commercial banking was a few pages long, and it was passed in a few days. Our present political oligrachy spends months passing thousands of pages of complex legislation that accomplishes essentially nothing.

As Federal Reserve Bank of Kansas City President Thomas Hoenig recently noted (in a rare admission by an insider—I wonder how long it will be before he “resigns to pursue other opportunities,” i.e. is muzzled):

The problem with SIFIs (“systemically important financial institutions,” a.k.a. too big to fail banks) is they are fundamentally inconsistent with capitalism. They are inherently destabilizing to global markets and detrimental to world growth. So long as the concept of a SIFI exists, and there are institutions so powerful and considered so important that they require special support and different rules, the future of capitalism is at risk and our market economy is in peril.

Do you really think Dodd-Frank and all the other “fooled by complexity” legislation has accomplished anything? Hoenig cuts that fantasy off at the knees:

As late as 1980, the U.S. banking industry was relatively unconcentrated, with 14,000 commercial banks and the assets of the five largest amounting to 29 percent of total banking organization assets and 14 percent of GDP.

Today, we have a far more concentrated and less competitive banking system. There are fewer banks operating across the country, and the five largest institutions control more than half of the industry’s assets, which is equal to almost 60 percent of GDP. The largest 20 institutions control 80 percent of the industry’s assets, which amounts to about 86 percent of GDP.

In other words, nothing has really changed from 2008 except the domination of the political process and economy by the financial cartel has been masked by a welter of purposefully obfuscating legislation. This is of course the exact same trick Wall Street used to cloak the risk of the mortgage-backed derivatives it sold as “low risk” AAA rated securities: by design, the instruments were so complex that only the originators understood how they worked.

That is the current legislative process in a nutshell. Much of the 60,000 pages of tax code are arcane because they describe loopholes and exclusions written specifically to exempt a single corporation or cartel from Federal taxes.

The U.S. is truly a kleptocracy because its political leadership actually has no interest in limiting the banking/financial cartel. When questioned why their “reforms” are so toothless, legislators wring their hands and bleat, “Honest, I wanted to limit the banks but they’re too powerful.” Spoken like a true kleptocrat.

2. Our stock markets are dominated by insiders. It is estimated that some 70% of all shares traded are exchanged in private “dark pools” operated by the TBTF banks and Wall Street, and the majority of the remaining 30% of publicly traded shares are traded by high-frequency trading machines that hold the shares for a few seconds, or however long is needed to skim the advantages offered by proximity to the exchange and speed.

If that’s your idea of an “open market,” then you’re the ideal citizen for a kleptocracy.

3. The rule of law in the U.S. has been divided into two branches: one in name only for the financial Elites and corporate cartels, and one for the rest of us mere citizens. Between corporate toadies on the Supreme Court who have granted corporations rights to spend unlimited money lobbying and buying legislators as a form of “free speech”—ahem, how can something that costs billions of dollars be “free”?—and vast regulatory brueacracies that saw nothing wrong with MERS and the complete corruption of land and mortgage transfer rules, the U.S. legal system is now a perfection of kleptocracy.

As economist Hernando de Soto observed in The Destruction of Economic Facts, the ForeclosureGate mortgage mess is not just a series of petty paperwork mistakes—it is the destruction of the entire system of trustworthy transfer of property rights for non-Elites:

Knowing who owned and owed, and fixing that information in public records, made it possible for investors to infer value, take risks, and track results. The final product was a revolutionary form of knowledge: “economic facts.”

Over the past 20 years, Americans and Europeans have quietly gone about destroying these facts. The very systems that could have provided markets and governments with the means to understand the global financial crisis—and to prevent another one—are being eroded. Governments have allowed shadow markets to develop and reach a size beyond comprehension. Mortgages have been granted and recorded with such inattention that homeowners and banks often don’t know and can’t prove who owns their homes. In a few short decades the West undercut 150 years of legal reforms that made the global economy possible.

The results are hardly surprising. In the U.S., trust has broken down between banks and subprime mortgage holders; between foreclosing agents and courts; between banks and their investors—even between banks and other banks.

Frequent contributor Harun I. summarized the reality of this political and financial coup by kleptocrats:

As described by Georgetown University bankruptcy expert Adam Levitin, in testimony to subcommittee of the House Financial Services Committee, “If mortgages were not properly transferred in the securitization process, then mortgage-backed securities would in fact not be backed by any mortgages whatsoever, [and] could cloud title to nearly every property in the United States.” It would also raise the question of the legality of the resulting millions of foreclosures on American homeowners, since the banks cannot prove “ownership” of the foreclosed property.

The statement above gets to the elemental issue that apparently is lost on many otherwise intelligent people. This is not about frivolous claims based on technicalities. This is about securities fraud (theft) on a ludicrously massive scale. These so-called securities were sold to governments, pension funds and other financial institutions globally. Trillions were made by banks selling what is becoming clearly understood to be worthless pieces of paper and when the jig was up, which ultimately led to the destruction of economies globally, they made ordinary citizens the losers by sliding their worthless pieces of paper to the balance sheet of taxpayers worldwide.

And while some are quibbling over whether someone should get a free house, those who have perpetrated the greatest swindle in the history of mankind are about to get away with it, because they are “systemically important”, code for TBTF (too big to fail).

You think money laundering and tax evasion is a specialty only of Caribbean island “banking centers”? Think again; we have corporate oversight equivalent to that of Somalia. U.S.A. a haven for corporate money laundering: A little house of secrets on the Great Plains:

Among the firm’s offerings is a variety of shell known as a “shelf” company, which comes with years of regulatory filings behind it, lending a greater feeling of solidity. “A corporation is a legal person created by state statute that can be used as a fall guy, a servant, a good friend or a decoy,” the company’s website boasts. “A person you control… yet cannot be held accountable for its actions. Imagine the possibilities!”

“In the U.S., (business incorporation) is completely unregulated,” says Jason Sharman, a professor at Griffith University in Nathan, Australia, who is preparing a study for the World Bank on corporate formation worldwide. “Somalia has slightly higher standards than Wyoming and Nevada.”

The U.S. was declared “non-compliant” in four out of 40 categories monitored by the Financial Action Task Force, an international group fighting money laundering and terrorism finance, in a 2006 evaluation report, its most recent. Two of those ratings relate to scant information collected on the owners of corporations. The task force named Wyoming, Nevada and Delaware as secrecy havens. Only three states - Alaska, Arizona and Montana - require regular disclosure of corporate shareholders in some form.

4. Just as in Greece, taxes are optional for the nation’s financial Elites. In Greece, you don’t mention your swimming pool to avoid the “swimming pool tax.” Here in the U.S., that sort of tax avoidance is against the law (smirk). Here, you hire a Panzer division of sharp tax attorneys and escape taxation legally (well, mostly legally—whatever it takes to win).

If you are unfortunate enough to be a successful small entrepreneur who nets $100,000 a year, you pay 15.3% self-employment and 25% Federal tax on the bulk of your income, a combined rate of 40.3%, and a combined rate of 43.3% on all income above $82,400.

Those who net millions pay less than half that amount, somewhere between 17% for the top 1/10th of 1% and 21% for the top 1%: Citizens for Tax Justice, which looks at all taxes paid including federal, state and local taxes, said that in 2010 the top 1 percent of earners will pay 21.5 percent of taxes.

Note that the 21.5% paid by the top 1% includes all state and local taxes. Here in California, the small businessperson earning $100,000 pays between 5% and 9% state tax, so their combined state and Federal tax burden on their highest earnings is a whopping 50%. Then there are property taxes and the 9.5% sales tax, and endless junk fees skimmed from small business. Add all that together and the total taxes paid rises to the 60% level, or roughly triple what the top 1% pay.

(Bitter note from a tax donkey: To all those tax-and-spenders who whine that California has “low taxes,” please pay my “low” property tax bill, will you? It’s “only” $11,000 a year.)

Super Rich See Federal Taxes Drop Dramatically:

The Internal Revenue Service tracks the tax returns with the 400 highest adjusted gross incomes each year. The average income on those returns in 2007, the latest year for IRS data, was nearly $345 million. Their average federal income tax rate was 17 percent, down from 26 percent in 1992.

Eric Schoenberg says to sign him up for paying higher taxes. Schoenberg, who inherited money and has a healthy portfolio from his days as an investment banker, has joined a group of other wealthy Americans called United for a Fair Economy. Their goal: Raise taxes on rich people like themselves.

Schoenberg, who now teaches a business class at Columbia University, said his income is usually “north of half a million a year.” But 2009 was a bad year for investments, so his income dropped to a little over $200,000. His federal income tax bill was a little more than $2,000.

“I simply point out to people, ‘Do you think this is reasonable, that somebody in my circumstances should only be paying 1 percent of their income in tax?’” Schoenberg said.

Do you really think you don’t live in a kleptocracy? Why? Because the truth hurts?

A guest essay from Charles Hugh Smith, cross-posted from his Of Two Minds blog:

Posted by Richard Metzger
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06.29.2011
01:04 pm
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Biker Pipe: ‘Who Sez You Can’t Smoke at 60 m.p.h.?’
06.29.2011
12:36 pm
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“Whether you ride on the weekend or live in the saddle, you can ride high with these dudes…”


 
(via reddit and Nistagmus)

Posted by Tara McGinley
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06.29.2011
12:36 pm
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Lady of the Canyon: Joni Mitchell mega-post
06.29.2011
10:54 am
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As an avid and longtime collector of “bootlegs” (LPs, cassettes, CDs, VHS, DVD or now torrent files) I can tell you that the #1 major artist who it used to be difficult for me to find bootlegs of—especially video bootlegs, which is what I mainly look for—is Joni Mitchell. I used to religiously hit collectors fairs, record conventions, and the monthly “record collector” parking lot area at the Pasadena Flea Market (which used to be THE BEST) but I could never find any Joni Mitchell boots. As in nothing. Ever. I can’t help but to think that there was some level of sexism that saw the likes of Dylan, Zappa, Beatles, Dead, Stones, Zeppelin, Tull, etc, etc get bootlegged like crazy, when so little Joni Mitchell was making it into the video trading pipeline? Even on eBay there was next to nothing. What gives?

In any case, this imbalance naturally got redressed on YouTube and now there are many delightful examples of Mitchell singing live for her fans to enjoy. What I find especially noteworthy about clips of Joni Mitchell in her 60s/70s prime is how she could absolutely command an audience with just her voice and an acoustic guitar or piano. For such a seemingly frail young girl, she was an exceptionally powerful performer. Who of the current crop of female entertainers could do that? (Actually one does come to mind: Laura Marling, who killed it at Glastonbury this year, but she had a band, I suppose. Still, she deserves the comparison.).

One hallmark of any live Joni Mitchell live performance was the tuning up between songs. There was a reason for it. Again, I’m sorry to report that rock snobs and guitar aficionados of my gender—some not all—have never fully appreciated what a brilliant, world-beating guitarist Joni Mitchell really is. The reason she was always tuning up for so long between songs is that she was often completely re-tuning the guitar to an alternate tuning. She is known to have created at least 50 harmonically innovative open tuning patterns. Apparently, she required them to be able to physically play the music she heard in her head. Due to a bout of childhood polio, her hand became slightly palsied and she basically had to come up with her own way of playing guitar. Her style is completely original, keep all of this in mind as you watch some of these clips. (In 2003 Rolling Stone ranked Mitchell as the 72nd on their list “greatest guitarist of all time.” She was the was the highest-ranking female and she wuz robbed!). You can read more about her innovative tuning patterns here and here.

Below, a selection of some of the finest Joni Mitchell performances that YouTube has on offer…

A very young and VERY lovely Joni Mitchell sings “Urge for Going,” late 1966. The men seem absolutely stunned here. What man wouldn’t be?
 

 
“Big Yellow Taxi” at the Isle of Wight Festival, 1970
 

 
A heartbreaking “Little Green” (about the pain of giving her infant daughter up for adoption):
 

 
Much more Joni Mitchell live after the jump!

READ ON
Posted by Richard Metzger
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06.29.2011
10:54 am
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If you don’t like gay marriage…
06.28.2011
10:52 pm
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Via Joe.My.God

Posted by Richard Metzger
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06.28.2011
10:52 pm
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Gillian Hills: Keeping time with the Beat Girl
06.28.2011
07:20 pm
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image
 
You will have seen the beautiful Gillian Hills before - in A Clockwork Orange with Barbara Scott, sucking on an ice lolly, getting chatted-up by Malcom McDowall’s Alex in the Melodia Diskbootik; or perhaps in Blow-Up posing, wrestling and getting intimate with Jane Birkin and David Hemmings; or maybe looking like a teenage Brigitte Bardot doing the hippy-hippy-shake with Oliver Reed in Beat Girl.

Born in Egypt, raised in France, daughter of a writer and adventurer, grand-daughter of a poet, Gillian Hills was discovered by Roger Vadim, who thought he’d found his next Bardot, he gave her a small part in his film version of Les liaisons dangereuses, (1959) with Jeanne Moreau. It wa senough to attract interest and led to the teenage Hills starring, alongside Christopher Lee and Oliver Reed in Beat Girl (1960).

An auspicious start, which should have brought bigger and better, but Hills switched direction and signed a recording deal with Barclay Records, who released her first EP “Allo Brigitte..ne coupez pas!”. Over the next 5 years Hills concentrated on her singing career, which saw her headlining at the Olympia Theater with the legendary, Johnny Hallyday, and working with the brilliant Serge Gainsbourg.

Even with such A-list names, Hills jolly toe-tapping tunes had mixed success and she was eventually dropped by Barclay in 1965. Hills then signed for AZ Records and released a cover of The Zombies hit “Leave Me Be”, she also returned to films with appearances in Antonioni’s Blow-Up, the film of John Osborne’s Inadmissible Evidence, Three and the Kubrick classic A Clockwork Orange. Her acting career never took off, and after a final leading role in the Hammer horror Demons of the Mind, Hill retired and moved to New York, where she started her career as an artist and illustrator.

Now Gillian Hills lives in England (with apparently the manager of AC/DC), but thanks to the wonders of YouTube, we do have some of her hit Euro-songs and career highlights to look back on. Bliss.
 

 

Gillian Hills - “Zou Bisou bisou”
 

Gillian Hills - “Les jolis coeur”
 

Gillian Hills - “Mon coeur est prêt”
 
Bonus clips of Gillian Hills with Oliver Reed and Serge Gainsbourg, after the jump…
 

READ ON
Posted by Paul Gallagher
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06.28.2011
07:20 pm
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Village Voice set to strike? Looming walkout at America’s oldest alt weekly
06.28.2011
05:12 pm
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This cover seemed the most appropriate, under the circumstances…
 
Anticipating a near certain strike, Village Voice journos have set-up an online alt-weekly to their alt-weekly at The Real Voice:

The current three-year contract between Village Voice Media and UAW Local 2110, representing the workers of The Village Voice, expires midnight June 30. The membership has unanimously passed a strike authorization vote.

Over the past three years, the Voice staff has been cut by an estimated 60%, and average annual salaries have markedly diminished. Management has so far played hardball with the union, refusing to make an offer, while demanding extensive concessions from the newspaper’s staff, including a substantial, ever-increasing contribution to an inferior health plan, as well as the elimination of management’s own contribution to employees’ retirement accounts. The union membership sees the quality of their medical coverage as the critical issue. “That’s why I came to work here,” said one staff writer. “The health insurance is the one thing that made low wages bearable.”

In the event of a work stoppage, writers, bloggers, photographers, editors, designers, and sales staff—as well as former Voice staff members and other supporters—will be publishing an alternate website, TheRealVoice.org, where readers will find the same high-quality writing there that they currently enjoy in the paper and on Voice blogs.

A strike benefit will be held on Wednesday, June 29, beginning at 8 p.m. at Public Assembly (70 North 6th Street, Williamsburg, Brooklyn, 718-384-4586), featuring the bands Fort Lean, K-Holes, and Alan Watts. The suggested $10 donation will go to the Village Voice Strike Fund. Voice alumni, including many distinguished writers and editors, are expected to attend.

The Village Voice is the nation’s oldest and largest alternative newsweekly and the recipient of numerous journalism awards, including three Pulitzers. It was founded in 1955 by Ed Fancher, Dan Wolf, and Norman Mailer. The Voice, along with the rest of its six-newspaper chain, was acquired in 2006 by Phoenix-based New Times Media, since renamed Village Voice Media. The Village Voice is the only unionized newspaper in the now 13-weekly VVM chain. The shop includes workers from all parts of the paper, including Production, Editorial, and Sales.

More information at The Real Voice

This clip seemed the most appropriate, under the circumstances…
 

Posted by Richard Metzger
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06.28.2011
05:12 pm
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Interactive Scale of the Universe
06.28.2011
05:05 pm
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image
 
Size does matter, as this rather lovely Interactive Scale of the Universe shows.

See it here.
 

 
With thanks to Steve Duffy
 
Bonus Big Stuff animation of planetary scale, after the jump…
 

READ ON
Posted by Paul Gallagher
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06.28.2011
05:05 pm
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Dial-up sound 700% slower
06.28.2011
04:46 pm
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A once ubiquitous noise that you just don’t hear much anymore slowed down by 700%. Now the normally abrasive-sounding dial-up tones sound like a soothing Sigur Ros number.

 

 
Below, the original harsh dial-up sound to refresh your memory.

 
(via reddit )

Posted by Tara McGinley
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06.28.2011
04:46 pm
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When Jean-Luc Godard met Woody Allen
06.28.2011
04:09 pm
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If you are a fan of either Woody Allen or Jean-Luc Godard, then Godard’s 1986 short Meeting WA should tickle your fancy. Featuring Allen’s trademarked neuroses and some standard Godardian cinematic tropes, it’s a 26-minute gem. Filmed when Allen was participating in Godard’s nearly universally-panned King Lear adaptation.
 

Posted by Richard Metzger
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06.28.2011
04:09 pm
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‘If record execs got their hands on the Beatles today’
06.28.2011
03:26 pm
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“All you need is…Urban Outfitters.”

(via reddit )

 

Posted by Tara McGinley
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06.28.2011
03:26 pm
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