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Hate Machine: What does Sharron Angle’s candidacy say about the mental health of America?
10.14.2010
05:42 pm
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Republishing an entire article here from the Las Vegas Sun because it’s an eloquent discussion of how things got to where they are in Nevada, i.e. how a hateful harpie—a joke of a human being—like batshit Sharron Angle can be in a statistical dead heat with the Senate Majority Leader! Anyone who is reading this blog who lives in Nevada, PLEASE vote (and vote often!) to keep this woman from gumming up the work that needs to be done in Washington. She’s an unsophisticated, bigoted, MEAN AS HELL church lady who intends to inflict her twisted view of the world on the rest of us. That I’m not so worried about (I live in California, everyone would just laugh at her ideas, here) it’s the idea that someone like this, given a forum (such as the Senate, FOX News, et al) will probably be able to stir up enough shit to derail every progressive thing that would get proposed for the next six years. Sharron Angle is a moron, but she’s dumb enough to be dangerous. Her $14 million dollar campaign haul in the 3rd quarter proves it. Jon Ralston writes:

“Sharron Angle produced one of the most successful single quarters of fundraising in the nation’s history for a U.S. Senate campaign. This is a testament to the hatred of Harry Reid, the nation’s disapproval of President Obama, and the unprecedented grass-roots support for Sharron Angle. Harry Reid is losing this race, he knows it, and he is just going to get more desperate over the final three weeks.”

— Angle spokesman Jarrod Agen after reporting GOP Senate nominee had raised $14 million in the third quarter

•••

What’s hate got to do with it?

Everything. Or just enough.

Even though it has been the leitmotif of the Nevada Senate race, even though it is the undercurrent that has electrified the GOP, even though it is the reason Republicans still have hope here after nominating a verbally flawed candidate, it was still jarring to see the word used in a news release.

I’ve read plenty of such missives over the years that have vicious language and stinging adjectives. Indeed, the Reid campaign has called Angle “crazy” and said she has “lost her mind.” But “hatred” is such an awful word — a word I forbid my daughter to use — and yet it sums up exactly why the Senate majority leader may lose to a woman who just last week talked of Sharia law existing in cities in Michigan and Texas.

It’s hatred that has brought this Senate race, with three days until voting begins, to a place where Angle can win. It is hatred that brought her that $14 million haul. And it is hatred that courses through the American electorate, bringing venomous and vitriolic assaults upon anyone who dares to suggest Obama-Reid-Pelosi is not a three-headed monster.

Angle has all but done what she promised to do when she advertised her campaign on conservative talk shows and Fox — “Harry Reid has said he will raise $25 million in this race. I need 1 million people to send $25.”

And you know what: She did it. Or essentially she did.

An incredible 161,358 people sent her checks of $200 or less. Her average donation is $90, Agen says.

This is real, unparalleled (except, perhaps, for Barack Obama in 2008) grass roots. And there is a wildfire blazing through the grass roots, with burning hatred for Reid animating Angle’s chances.

Of those small contributors, my guess is only a handful of the 161,358 people know much about Angle. They have no idea about her religious fervor, fail to separate her church (which apparently doesn’t like Mormons) from our state, or her multifarious positions on Social Security and Medicare, her sympathy for “Second Amendment remedies” or her latest incendiary comments about Dearborn, Mich., and nonexistent Frankford, Texas, implying “the Muslims are coming, the Muslims are coming.”

But they don’t need to know much about Sharron Angle. They know enough about Harry Reid — Obamacare, bailouts, stimulus, good old boy (emphasis on “old”) and part of a corrupt Congress that has bankrupted this country and led it down the inevitable path to socialism.

I think I got most of the message points. Set the kindling, pour on some gasoline, light the fire and poof: You have $14 million, half of it last month.

Almost every national reporter, as I have said before, wants to know why people “hate” Harry Reid. I always say the same thing: 40 years in politics, familiarity breeds contempt, terrible retail pol, bizarre statements, face of unpopular Democratic agenda. But there’s more to it, as I realized after the $14 million revelation. As a headline on New York magazine’s blog said: “Sharron Angle’s Cash Haul Says Something About America’s State of Mind.”

Team Reid has understood this mental state for a while, which is why it has adopted a scorched-earth policy of its own, determined that if their guy is all but in ashes they have to take the blowtorch to Angle. And have they ever, executing one of the most relentless, laserlike assaults in campaign history, turning Angle from the darling of the Tea Party on June 8 to the butt of national jokes as the election nears.

And so we go to the finish line, with the pair matching each other gaffe for gaffe — Reid answered a question recently about who he thought was the greatest living American by naming two dead senators, Robert Byrd and Ted Kennedy.

But Reid’s serpentine rhetorical peregrinations seem addled; Angle’s seem dangerous. So do we want the dotty guy or the crazy woman?

Or, to use that word I don’t let my daughter say: Who do you hate least?

Via Little Green Footballs

Posted by Richard Metzger
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10.14.2010
05:42 pm
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Los Angeles Free Music Society invades London next week
10.14.2010
03:33 pm
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Attention UK Dangerous Minds readers! A possibly once in a lifetime occurrence; a festival dedicated to and featuring nearly all original and main participants in the legendary LAFMS will happen the weekend after next in London. There’ll be tape loops and homemade instruments and creaky old synths by the barrel-full, even a couple of workshops ! So nice to see these DIY warriors get their due, international style.
 

 
More LAFMS after the jump…

READ ON
Posted by Brad Laner
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10.14.2010
03:33 pm
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Mrs. Mac’s crusty top meat pie: TV ad pisses off some viewers
10.14.2010
02:32 pm
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Politically incorrect? Yes. Funny? Yes.

Apparently some viewers find the ad offensive. Not me.

I love that twist ending.

The song is “If It Don’t fit (Don’t Force It)” by Barrel House Annie. The ad is from Australian agency Marketforce.
 

 
Via copyranter

Posted by Marc Campbell
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10.14.2010
02:32 pm
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Jackass 3-D is awesome, an early report
10.14.2010
12:46 pm
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Last night Tara and I attended the Hollywood premiere of Jackass 3-D at Graumann’s Chinese Theater, and, predictably, we laughed our fucking heads off.

With a four-year absence in cinemas since their last outing, the advent of widespread 3-D movie screens has provided some irresistibly low-hanging fruit for the Jackass gang, and unsurprisingly, they went all out with it (bodily fluids, bodily, uh, solids, and projectile dildoes make several star turns). The ante has been upped considerably in this installment. Think you felt the pain before? Trust me, it’s TEN TIMES more visceral when someone gets whacked in the nuts in 3-D. Ten times more painful, ten times grosser and tens times funnier.

Not that they’ve altered their classic crowd-pleasing formula all that much, it’s more that the 3-D technology takes their cartoony Buster Keaton meets Tom & Jerry antics to a different level, not to mention pain threshold. They’ve also grabbed the gross-out factor knob and cranked it (much) higher than ever before. Sure, I’ve felt queasy watching past Jackass shenanigans, but there was one point in Jackass 3-D where I (literally) found myself reaching for the popcorn bag to puke in (I didn’t but it was a very close call). Not that I minded, it’s what I came for, I’m just thankful they didn’t use John Water’s “Odorama” gimmick for this one.

Let there be no doubt, Jackass 3-D is a berserk and hog-wild nihilistic joyride, taking the audience places that they would NEVER, EVER want to visit in real life. The whole 3-D thing normally leaves me cold, but to truly appreciate the genius comedic craftsmanship behind the cheerful insanity of Jackass 3-D, you really do have to see this one in the cinema. I’m already a huge fan, but last night I was continuously wiping the tears of laughter from my 3-D glasses. This film is going to be a huge, huge hit.

Jackass 3-D opens this weekend. It’s already a part of the permanent collection of the Museum of Modern Art.

Below an interview I conducted with Johnny Knoxville in 2008.
 

Posted by Richard Metzger
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10.14.2010
12:46 pm
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My Old Baby: Rich Fulcher acts his age
10.14.2010
10:49 am
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In this latest brilliant comedy short from Jackal Films (director Jacqueline Wright and writer/performer Alice Lowe), Dangerous Minds pal, Rich Fulcher stars in the title role, of “My Old Baby” a “tragic true story of a baby afflicted with a rare degenerative condition, with horrific irreversible symptoms.” Clearly, this is a role Rich was born to play! (I just hope, you know, he doesn’t get typecast). Narrated by Sharon Horgan.
 

Posted by Richard Metzger
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10.14.2010
10:49 am
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This will flip your lid: Jayne Mansfield’s wild exotic dance in ‘Primitive Love’
10.14.2010
04:34 am
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Jayne Mansfield’s exotic dance from the 1964 mondo documentary Primitive Love. The blissed-out dude playing the plastic bucket embodies everything I aspire to be: Buddha nature in overdrive.
 

Posted by Marc Campbell
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10.14.2010
04:34 am
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‘Microscopic Liquid Subway To Oblivion’ will melt your mind
10.14.2010
03:48 am
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Microscopic Liquid Subway to Oblivion  not only has a great title, it has one of the weirdest title sequences in the history of drugsploitation cinema. The psychedelic theme song by Ronnie Jones and The Man is faux hippie shit at it’s finest. This Italian rarity is from 1970. It stars Ewa Aulin who played the title role in the 1968 film version of Candy.
 

 

Posted by Marc Campbell
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10.14.2010
03:48 am
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Dead Or Alive: The transformation of Pete Burns
10.14.2010
02:14 am
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Dead Or Alive’s Pete Burns has gone through quite a transformation since his early days of pop stardom. This video is of a recent London performance by the plastic fantastic Burns.
 

 
Pete Burns, rock and roll Lion Lady…

READ ON
Posted by Marc Campbell
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10.14.2010
02:14 am
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Filipino Batman and Robin: The crappiest and funniest caped crusader film ever!
10.13.2010
10:01 pm
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Filipino campfest Alyas Batman En Robin was made in 1993 on a zero budget, though it was considered a major release in the Philippines and starred three of that countries most popular comedians. Goofy, cheesy and fun, this flick is filled with crappy costumes, bad action sequences, inept choreography and a soundtrack that is cringe-worthy. But, it’s epic crappiness is what makes it such a blast. Here’s the grand finale featuring a blatant ripoff of Danny and The Juniors’ ‘At The Hop’.

Directed by Tony Y. Reyes and starring Rene Resquiestas, Dawn Zulueta, Vina Morales, Kempee De Leon, Joey De Leon
 

 
Watch the jawdroppingly silly trailer for Alias Batman And Robin after the jump…
 

READ ON
Posted by Marc Campbell
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10.13.2010
10:01 pm
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From the world’s queerest record label: ‘Homer The Happy Little Homo’
10.13.2010
09:17 pm
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A strange little ditty from an even stranger record company. Homer The Happy Little Homo was released on Camp Records sometime in the early 1960’s. Here’s a brief history of this obscure novelty label:

Almost nothing is known about the mysterious 60’s record label Camp Records. They released an album and 10 45 rpm records of gay parody songs, most done with effeminate voices. I believe they were issued in the early 60’s, as they all appeared in an ad in the gay magazine Vagabond, dated 1965. The address on the album record jacket was PO Box 3213, Hollywood, California, and it credited all selections to Different Music Co, Hollywood.
   The artists singing most of the songs were uncredited, or with names obviously made up, like Byrd E. Bath and B. Bubba, but one name stands out, Rodney Dangerfield. That name credited on one of the songs, and possibly another. This would have been very early in Dangerfield’s career, as his website bio says he decided to devote his career to comedy at age 40, which would have been in 1961. But I don’t think it was the comedian we know; just a prop name used for the release. Dangerfield disclaims any knowledge of it.
   A second album released on the label was called “Mad About the Boy.” It was filled with mostly well-known Broadway and cabaret songs that were originally sung by women. This album kept the pronouns intact, making them very gay. They were done in lounge style, without a campy approach…in other words, done “straight.” The liner notes state: ‘The primary reason for doing this album was to prove that good songs could and should be sung by everyone. Gender should not be the determining factor as to who should sing what.’ The notes later say that the male soloist and other artists on the album are well-known ‘Hollywood, TV, and screen personalities’ but ‘we are not at liberty to reveal true names.’ I have no idea if all this is true, or simply hype. The album probably came out in 1964 or 1965, as it pictures on the back all the previous releases of the label. And it is also advertised in the 1965 issue of Vagabond (see more, below), so I believe it was the last record they released.
JD Doyle

The video features some record sleeves from Camp.
 

 
Thanks to Queer Music Heritage.

Posted by Marc Campbell
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10.13.2010
09:17 pm
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