On 31st October 1992, the BBC aired a drama that terrorized the nation. Recorded two weeks before transmission, Stephen Volk’s GhostWatch was broadcast as a live on-air investigation into alleged poltergeist activity in a house in Northolt, London. Presented by journalist and chat-show host, Michael Parkinson, the program had live link-ups with reporters Sarah Greene and Mike Smith, on location at the haunted house. The documentary form of the show and its use of journalists, caused the majority of the British public to believe the televised events were in fact real.

Viewers watched as a series of cleverly constructed interviews, with the family who lived at the house and their neighbors, revealed details of the poltergeist, nicknamed Pipes, so-called from its habit of knocking on the house’s plumbing. The reporters discovered Pipes was the ghost of a psychologically damaged man called Raymond Tunstall, who was believed to have been troubled by the spirit of Mother Seddons – a baby farmer turned child killer from the 19th century. As the show developed, it was revealed (in Quatermass fashion) that the broadcast was acting as a “national seance,” giving Tuntsall’s ghost horrific powers. It ended with host Parkinson possessed by the evil spirit, and reporter Greene seemingly killed.

Like Orson Welles’ War of the Worlds radio broadcast, a mass panic ensued. Over 30,000 telephone calls were made to the BBC switchboard in 1 hour, with some people claiming poltergeist activity in their own homes. One man, 18-year-old Martin Denham, was so disturbed by the drama that he committed suicide 5 days after its broadcast. The central heating in his home had broken down and caused the pipes to knock, as in the show. Denham left a suicide note that said, “if there are ghosts I will be ... with you always as a ghost.”

In February 1994, a report in the British Medical Journal described cases of Post-Traumatic Stress Disorder in two 10-year-old boys. It was the first recorded occasion that a TV show had caused PTSD.

After its screening, GhostWatch was banned by the BBC for a decade. Since then it has only ever been shown once on Canada’s digital channel Scream and the Belgian channel Canvas

Stephen Volk, author of the screenplay, recalled in a BBC interview the effect GhostWatch had:

What surprised me was the avalanche of ‘IT SHOULDN’T BE ALLOWED’, ‘HEADS MUST ROLL’ and ‘HOW DARE THEY INSULT OUR INTELLIGENCE!’ The anger at being, as certain members of the viewing public saw it, duped and hoaxed by trusted Auntie Beeb.
I think the only [serious] review I read about it as a piece of drama was in Sight and Sound where Kim Newman, bless his cotton socks, referred to Quatermass and obviously got ‘it’.

We were doing a piece of drama with a theme and nobody discussed that. It was all ‘SHOCK, HORROR, SICK’ tabloid stuff.

I must say in all honesty that in all the meetings I had with the Drama Dept at the BBC, I never heard anyone at any time use the word ‘hoax’. We were just doing a drama in a particular style (as The Blair Witch Project has done more recently) to give a modicum of authenticity. The idea that we wanted to make fools of people is absurd and just wrong.

Subsequently Ghostwatch has become a staple subject for Media Studies projects: one University lecturer told me that somebody chooses it virtually every year!

In 2002 the British Film Institute released a DVD of GhostWatch.
 

 
Bonus clips of ‘GhostWatch’ including TV response after the jump…
 

 
The Los Angeles premiere of director Frank Henenlotter’s new documentary, Hershell Gordon Lewis: The Godfather of Gore takes place at Cinefamily in Hollywood, CA on October 12th on a double feature bill with the gore classic, Two Thousand Maniacs. Henenlotter and producer Mike Vraney will be here in person for a Q&A in-between the films.

Frank Henenlotter, one of our favorite HFS directors and the man behind classics like Basket Case and Brain Damage, is back with the definitive portrait of Herschell Gordon Lewis, one of the godfathers of exploitation movies! Featuring John Waters, drive-in movie critic Joe Bob Briggs, Lewis’s legendary early producer David F. Friedman, Herschell himself, and testimony from the people who were actually there! You’ll witness Lewis’s beginnings in the bare-naked innocent era of “nudie cuties,” just before he shocked the world with Blood Feast, the first ever gore film—and then you’ll be treated to a madcap whirl of his notorious, controversial career, featuring Two Thousand Maniacs!, She-Devils On Wheels, Blast-Off Girls, Just For The Hell Of It and the incredible The Wizard Of Gore! Experience a decade of motion picture madness, with tons of film clips, rare outtakes, and unintentional hilarity, as The Godfather of Gore leaves you laughing and screaming at some of the most amazing movies to ever play American theaters!

[True story: When I met future “Club Kid Murderer” Michael Alig (when both of us were still teenagers) he was the first person I knew who had a VCR, but he only had three videotapes: Hershell Gordon Lewis’s Blood Feast and 2000 Maniacs and Abel Ferrara’s Driller Killer. Coincidence? You decide!]
 

 
Below, the trailer for Lewis’s hicksploitation “masterpiece” Two Thousand Maniacs. I’ve only seen this film twice, and yet I can still remember most of the lyrics to the insanely catchy theme song.
 

 
1970 Pink Floyd performance for San Francisco public TV Station KQED.
 

 
Many actors are superstitious. Some like Peter Bull kept a collection of Teddy bears to bring him good luck; others like Jack Lemmon said the words, “It’s magic time,” before filming each scene. But few have ever been quite as obsessed with superstitions and the occult as comedy genius, Peter Sellers.

Sellers’ introduction to the Occult came via fellow Goon, Michael Bentine, the “Watford-born Peruvian,” who had grown-up in a household where seances and table-turning were regularly practiced. Not long after they first met, Bentine told Sellers of his psychic abilities - how during the Second World War, when Bentine served in the Royal Air Force, he had been able to tell which of his comrades would die before a bombing mission. Bentine claimed if he saw a skull instead of his colleague’s features, then he knew this person would be killed. How often Bentine was correct in these predictions is not known. No matter, Sellers was greatly impressed by the shock-haired comic and was soon obsessed with all things paranormal.

From then on, Sellers collected superstitions, as easily as others collect stamps. He refused to wear green or act with anyone dressed in the color. If anyone gave him something sharp, he gave them a penny. He read his horoscopes every day so he would always know what he should do.

Sellers often said he had no idea who he was: “If you ask me to play myself, I will not know what to do. I do not know who or what I am.”  This was his way of renouncing any responsibility for his actions.  He claimed he found comfort and stability in consulting clairvoyants and fortune tellers, which again only underlines the fact he did know who he was - a control freak, who wanted power over his future. It was inevitable, therefore, that once under the spell of sooth-sayers and psychics, Sellers was open to fraudsters, tricksters and con-men.

The clairvoyant who had most influence over his life was Maurice Woodruff, the famed TV and newspaper astrologer, whose syndicated column reached over fifty million people at the height of his career. Woodruff received over 5,000 letters a week, asking for advice and had a Who’s Who of of celebrity clients, including composer Lionel Bart and actor Diana Dors. Woodruff had famously predicted the death of President John F. Kennedy and the end of the Vietnam War. Sellers was devoted to Woodruff, consulting him before he accepted any film roles, and regularly had tarot readings performed over the telephone. But Woodruff was heavily in debt and open to the persuasion of earning a little cash when film studios asked him to suggest film scripts to Sellers.

One famous tale, recounts how Woodruff was asked to suggest the initials of director Blake Edwards as being very important to Sellers. Unfortunately, Sellers failed to connect ‘B.E.’ with the famous Hollywood director. On return to the Dorchetser Hotel, his usual residence when in London, Sellers was smitten by the sight of a beautiful, young blonde-haired woman at reception. When he enquired who was this vision of loveliness, he was told Britt Ekland. Sellers recalled Woodruff’s prediction and married Ekland within weeks.

 
More on the paranormal Peter Sellers plus bonus clip after the jump…
 

Above, Iott and pals indulging in some good clean Third Reich fun!
 
Rich Iott, the Tea party favored Republican candidate for Ohio’s 9th Congressional district, found himself in the unenvious position yesterday of having to defend himself against The Atlantic’s revelation that he—get this—donned a NAZI UNIFORM to play act in WWII recreations a few years back. Not to fear, Iott’s got a whole mess of rightwing blowhards blogging in his defense, because, as Charles Johnson writes at Little Green Footballs,  “this kind of thing really isn’t a problem for them.”

No, but it might be a problem for, I dunno, Jewish voters in his district and, let’s face it, anyone WITH HALF A BRAIN who MIGHT BE UNCOMFORTABLE voting for a politician whose judgement is so incredibly poor that he CHOSE to wear, and be photographed in, a Nazi uniform, for any reason whatsoever (professional actors aside).

It’s simply amazing to me how many skeletons (and now Nazi uniforms) are falling out of the Tea party candidate’s closets as we get closer to election day. To me, this idiot Iott and his NAZI UNIFORM are a STRIKING REMINDER OF WHAT WE ARE DEALING WITH IN THIS COUNTRY.

Tea baggers, I ask you: Do you see yourself in the below clip (taken from UK sketch comedy series That Mitchell and Webb Look)? And if so, which character do you most identify with?
 

 
From the heart.

 
Those of you who listened to the current episode of the Dangerous Minds Radio Hour will have already heard this stunning unreleased version of The Beatles’ Revolution, but for obvious reasons, here ‘tis again.
Take yer knickers off and let’s go !

 
From the creator of Airplane, A Melodrama!:

There is an apocryphal story of Groucho Marx meeting the Pope. On being introduced, the Pope said ‘Thank You Mr Marx for all the humour you have put into the world.’

Groucho replied ‘And thank you for all the humour you have taken out of the world’.

‘Airplane, A Melodrama!’ is a re-edit of one of the funniest films of all time with all the gags taken out.

(via BB Submitterator)

 
English occultist Aleister Crowley wasn’t merely a poet, painter and the Great Beast 666, he was also an aspiring chef! That’s right and if you’d like to make some magick in the kitchen tonight, The Master Therion’s recipe for his “famous” (or would that be “infamous”) curried rice dish, “Riz Aleister Crowley” has been posted on the Music is the Heart Tumblr blog, after being found among his papers at Syracuse University in New York.

Bon appetit! (Larger page 1 here, page 2 here)
 

 
Via Coilhouse