Detroit’s College for Creative Studies has fun while trying to recruit new students with their “anti-drug PSA” ads.

I like it. Now I wanna go to art school, too!

 
More ads from CCS after the jump…
 

 
Some tellin’ it like it is, spotted in record store.

Previously on Dangerous Minds:

Lou Reed and Metallica mutilate ‘White Light/White Heat’ on British TV November 8
NONONONO Cat reviews Lou Reed and Metallica’s ‘Lulu’
Loutallica: Hot trash video mix - NSFW
30 second shards of Hell: Excerpts from the new Lou Reed/Metallica album

(via reddit)

 
So, dear readers, this is one of the things I do when I am not busy scribbling and posting here on DM - I am part of a Joy Division tribute act called Joyce D’Vision. As the name would suggest, it’s not just any run-of-the-mill tribute act - it’s a drag queen tribute, fusing those two quintessentially Northern English traits of woe-is-me miserableism and end-of-the-pier transvestitism.

Before you ask, no, I am not Joyce D’Vision herself, but rather Noel Order, keyboard whizz extraordinaire and Bontempi aficionado. Joyce is played by the very talented Joe Spencer, and we are often joined on stage by other queens such as Sheela Blige, Kurt Dirt and Sahara Dolce. Joyce has been lucky enough to share the stage with British queer performance legends like David Hoyle (The Divine David) and Scottee Scottee (Eat Your Heart Out), but those were just warm-ups for what happened last week…

A few months ago Joe took part in a reality competition show May The Best House Win, where Joyce and friends had a cameo near the end. The program was finally broadcast last Tuesday, and seen by the comedian Harry Hill, himself a fan of Joy Division. Harry hosts a show called TV Burp, which looks over the best bits of the last week’s telly, and he invited Joyce and her friends to London to sing live on the show. Joyce performed as the final segment on the final show of the series, which was broadcast right before X Factor. Meaning that this went out on a Saturday evening, just after dinner time when everyone’s getting ready to watch the biggest show of the week. Seriously - that’s prime fucking time.

The reaction since (mostly gauged through Twitter) has been interesting - some people really get it, while others have stated that Ian Curtis would be rolling in his grave. I like to think Curtis would have seen the funny side, as would Tony Wilson I’m sure, and we have heard through the grapevine that there are even Joyce fans in the New Order camp.

Joyce D’Vision is not done out of hatred of the band or the man, but rather from love - and a simple desire to deflate the pomposity that surrounds JD and their legend, as perpetuated by magazines like NME and high street stores like Primark (currently selling an Ian Curtis t-shirt). So while the idea (and sight) of a fat, bearded man in a wig singing a boss nova version of “Love Will Tear Us Apart” is definitely going to rub some people up the wrong way, I’m pretty sure our readers here at DM can handle it:
 

 
For more info on Joyce, visit her Facebook page.

 
One of the best bands of the whole “grunge” era, here’s L7 rocking the fuck out of Letterman (and his band) in 1992 with their stone cold classic “Pretend We’re Dead”. For no other reason than it’s very cool and they look like they’re having a blast:
 

It really just doesn’t seem that funny anymore, does it, Scott?

Things are not looking too good for the hapless prick running the state of Wisconsin into the ground. As yet another group of craven Republican shits supporting this son of a bitch have been outed, and as anti-Walker groups announce that they’ve already got more than half of the signatures necessary to trigger the recall election, now Scott Walker gets this news!

Via The Cap Times:

Under Walker, Wisconsin now leads the nation in job losses.

In fact, of the states that the U.S. Bureau of Labor Statistics described as experiencing “statistically significant unemployment changes” in October, only one actually lost jobs: Wisconsin.

Wisconsin lost 9,700 jobs in October, almost all of them in the private sector.

But that is not the worst news. The worst news is that the job losses are part of a pattern that began around the time that Walker’s “reforms” took hold.

Wisconsin did not just lose jobs in October.

Wisconsin lost jobs in September.

Wisconsin lost jobs in August.

Wisconsin lost jobs in July.

Back in May, when Walker was bragging about how he had “fixed” Wisconsin, the latest figures put the state’s unemployment rate at 7.3 percent.

Now, the latest figures put the rate at 7.7 percent.

How does that compare with the national average? During the same period when unemployment went down one-tenth of a percentage point nationally, it rose four-tenths of a percent under Scott Walker.

There are a lot of reasons why Wisconsinites are lining up to sign recall petitions. Citizens are concerned about the governor’s assaults on basic rights and his undermining of the authority of elected schools boards and town boards. They are angry that he said one thing on the campaign trail in 2010 and did something else altogether as governor.

But the damage the governor’s policies have done to Wisconsin’s economy is no small factor in the popularity of the recall movement. When Illinois is creating jobs while our state is losing them, it is clear that Walker isn’t working for Wisconsin.

So this is what REALLY happens to a state when those union-busting, tax-cutting Republicans control the statehouse? Numbers don’t lie, as the saying goes.

Scott Walker with his dumb, Charlie Brown face, and through his own idiotic efforts, has become one of the most notable human punchlines in the crowded field of today’s completely insane, increasingly divorced from reality, Republican Party. Because of fucking ridiculous people like Walker, Bachmann, Cain, Perry, Gingrich, and Florida’s Gollumesque governor Rick Scott, etc, it must be a humiliating time to be a GOP voter. I sometimes feel sorry for Jon Huntsman, but it’s his fault for being a Republican, isn’t it?

The GOP “philosophy,” such that it is, is but an an organized system of ignorance, an anti-science religion of flaming stupidity and rampant cupidity. Such a pleasure to see a cretinous jerk like this about to be tossed out on his ass by informed people making an INTELLIGENT decision about what type of place they want to live in. And the motherfucker knows it, too. Walker’s blood is in the water. The unions and the Democrats can taste it.

The Republican party, so obviously on the wrong side of history, seems so limp and silly and so impotent, that it’s hardly even worth becoming irate about them anymore. After next year’s election is over and done with, and the Reichwing has been beaten up good and put in its place, then it’s going to be high time to start getting irate with the fucking Democrats.

Read more of
Under Walker, Wisconsin is No. 1 job loser (The Cap Times)

Via Wonkette

The Lactation of St. Bernard. Mary seriously needs to work on her aim, though Shrunken Head Christ certainly isn’t helping.
 
Thank you to Dangerous Mind reader Annie for turning me on to Ugly Renaissance Babies where “The kids aren’t alright.”
 

Andrea d’Agnolo, 1515, Madonna of the Holy Fucking Bird-Faced Christ
 

Peter Paul Rubens. Long-Baby Jesus doesn’t give a shit.

 
In late 1973, the members of Pink Floyd, probably somewhat perplexed themselves at the massive, massive worldwide sales of Dark Side of the Moon, not to mention creatively intimidated to have to come up with a sequel, went back into the studio with the notion of recording something entirely avant garde for that album’s follow-up.

What the decided upon was to record an album of musique concrète using only sounds produced by common household items. The “Household Objects” sessions were known to yield just two, and perhaps three, recordings, before the band decided it would be easier to just use, say, a bass, instead of rubber bands attached to two tables, to get a bass guitar sound.

From “A Rambling Conversation with Roger Waters Concerning All This and That,” an Interview by Nick Sedgewick

Nick Sedgewick: I remember I went to E.M.I. studios in the winter of ‘74, and the band were recording stuff with bottles and rubber bands… the period I’m talking about is the before your French tour in June ‘74. [Not according to the Pink Floyd Encyclopedia, the recording dates were all between October and early December of 1973]

Roger Waters:  Ah! Right, yeah. Answer starts here… (great intake of breath)... Well, Nick… there was an abortive attempt to make an album not using any musical instruments. It seemed like a good idea at the time, but it didn’t come together. Probably because we needed to stop for a bit.

Nick Sedgewick: Why?

Roger Waters:  Oh, just tired and bored…

Nick Sedgewick: Go on… to get off the road? ... have some breathing space?

Roger Waters:  Yeah. But I don’t think it was as conscious as that really. I think it was that when Dark Side of the Moon was so successful, it was the end. It was the end of the road. We’d reached the point we’d all been aiming for ever since we were teenagers and there was really nothing more to do in terms of rock’n roll.

Nick Sedgewick: A matter of money?

Roger Waters:  Yes. Money and adulation… well, those kinds of sales are every rock’n roll band’s dream. Some bands pretend they’re not, of course. Recently I was reading an article, or an interview, by one of the guys who’s in Genesis, now that Peter Gabriel’s left, and he mentioned Pink Floyd. in it. There was a whole bunch of stuff about how if you’re listening to a Genesis album you really have to sit down and LISTEN, its not just wallpaper, not just high class Muzak like Pink Floyd or Tubular Bells, and I thought, yeah, I remember all that years ago when nobody was buying what we were doing. We were all heavily into the notion that it was good music, good with a capital G, and of course people weren’t buying it because people don’t buy good music. I may be quite wrong but my theory is that if Genesis ever start selling large quantities of albums now that Peter Gabriel their Syd Barrett, if you like, has left, the young man who gave this interview will realize he’s reached some kind of end in terms of whatever he was striving for and all that stuff about good music is a load of fucking bollocks. That’s my feeling anyway. And Wish You Were Here came about by us going on in spite of the fact we’d finished.

Oi, talk about brutally honest, there, Roger!

In his book, Inside Out: A Personal History of Pink Floyd, Nick Mason wrote:

“Almost everything we’ve ever recorded in a studio has been extracted by someone at some point and subsequently bootlegged. However, no such recordings exist of the ‘Household Objects’ tapes for the simple reason that we never managed to produce any actual music. All the time we devoted to the project was spent exploring the non-musical sounds, and the most we ever achieved was a small number of tentative rhythm tracks.”

These tapes, two of them, at least, have now been released for the very first time on the new Dark Side of the Moon and Wish You Were Here “Immersion” box sets. “The Hard Way” sounds more realized to me that just a mere rhythm track, whereas the “singing bowl” sound of “Wine Glasses” was used two years after it was recorded for the opening of “Shine On You Crazy Diamond.”

“The Hard Way”:
 

 
“Wine Glasses”:
 

 
Man I loathe Snuggies, but this Cheshire Cat from Tim Burton’s Alice in Wonderland I found on Amazon for $44.99 is rather… evil looking? Is an evil looking Snuggie even possible?

 
The God of Thunder won’t like it one bit!

Here’s the mighty Thor GIF in honor of Thorsday!
 
(via reddit)

 
Eternally calm Bob Ross demonstrates the delicate operation on how to feed a tiny squirrel. Aren’t they the most precious little characters you’ve ever seen?
 

 
(via Mister Honk)