Exene Cervenka, the director of photography and co-writer on Modi Frank’s 1986 silent western Bad Day, is making the film available on her website to help raise money for Gulf Coast residents.

Shot at a secret location near Chatsworth, California, the short film features an inspired cast of irregulars playing the residents of a small town on a bad day. Call it what you will: a cow-punk time capsule, a mock-Western, a guerrilla film forerunner – or just plain proof of a time when everyone didn’t take themselves so seriously.

“Bad Day” has a cool cast that includes, John Doe (X), Dave Alvin (Blasters), Kevin Costner, Michael Blake and Chris Desjardin (The Flesheaters).

A portion of the proceeds from “Bad Day” are going to the Gulf Coast aid organization the Committee for Plaquemines Recovery that helps the people affected in the Gulf region.

Now available for the first time as a digital download Viewers will be able to “pay” whatever they choose for the download.  Please view at www.baddaymovie.com
 

 
Just read about this on the Cinefamily site. There was a screening of this earlier in the month and I missed it. You snooze you lose and we live so close. I’m going to have to start pinning their programs up in my office so I don’t miss things like Do It Again. This looks great:

Small-town newspaper man Geoff Edgers, dreading the approach of his 40th birthday, is a man possessed with an improbable mission: find the still-surviving members of British legends The Kinks, and convince them to reunite. Never mind that he’s an American with just one tenuous connection to Kinks leader Ray Davies, and never mind the fact that Ray and his fellow Kink/younger brother Dave Davies don’t speak to each other; through sheer willpower, Edgers will find a way to make it all work—and when his initial mission fails, Edgers turns the film into a meditation on the power of music and his own chance to testify on his love for the band (which is sometimes worn so unabashedly on his sleeve, you almost feel like you shouldn’t be privy to it, yet you can’t stop watching it). Director Robert Patton-Spruill follows Edgers from Boston to California, from Las Vegas to New York City as Edgers meets with Kinks fans Sting, REM’s Peter Buck, a deliciously irate Paul Weller, Zooey Deschanel and Robyn Hitchcock—but the highs and lows of Edgers’ ravenous obsession is the real centerpiece, and ultimately is way more important, relevant and fascinating than any possible outcome.

 
By 1937, surrealism was in its second decade as a movement. Its artists and filmmakers were making inroads into London and New York galleries, and becoming media stars. The surrealist bug also bit on the West Coast, and underground gatherings like the Hollywood Film and Foto League screened European avant-garde films regularly.

Such gatherings attracted politically minded actor Harry Hay and Works Progress Administration (WPA) photographers Roger Barlow and LeRoy Robbins. After seeing a magazine ad for a short film contest, these jokers sprung into action, making Even—As You and I, a short depicting themselves as broke filmmakers who cobble together clichés from their fave avant-garde films into a dorky film-within-a-film spoof called The Afternoon of a Rubber Band. In a “D’oh!”-style ending, the three realize they’ve missed the contest’s midnight deadline.

A damn clever little underground film moment. Hay—the curly-haired guy in the group—would go on to become the godfather of gay activism, founding the Mattachine Society in the early’50s and the Radical Faeries in the early ‘70s.
 

 
Check out part 2 after the jump!

 

 
All You Need Is Love from zed1.
 
(via Wooster Collective)

 
Marc’s post about Times Square yesterday reminded me about Los Angeles’ equivalent: The once thriving downtown suburb of Bunker Hill. In the very spot where now sits the Disney concert hall and the 1960’s music center complex was once a thriving neighborhood packed with turn-of-the-century Victorian houses, theaters, bars, restaurants and a large population of retired old folks. By the mid 1950’s when Kent Mackenzie, future director of the acclaimed film The Exiles (which also takes place in Bunker Hill), made this short documentary film the neighborhood was already doomed. By the end of the 60’s, save for a few buildings it was all gone. In a city such as ours which perpetually tears down the past and re-invents itself there was no way a few rickety old buildings and poor people would ever get in the way of progress. Fortunately we have the below film and countless other movies and books to remind us of what once was.
 
oops, the video was taken down. To view the short film, buy or rent The Exiles DVD. Sorry !

 
On Bunker Hill (great resource for Bunker Hill in films and literature)

 
Documentary with performances by The Dead, Mothers Of Invention, Big Brother, The Airplane, Quicksilver Messenger Service and lots of hippies dancing and getting stoned. It was directed by Stefan Morawietz for German TV. It’s in German, but you’ll get the idea.

 
part two after the jump

 
Who Killed Nancy opens today In New York City. The film makes a strong case that Sid Vicious did not kill Nancy Spungen. Read about it at the Daily Mail.

 
Rather astonishing news from the fashion and film world. Dangerous Minds’ fave filmmaker Kenneth Anger has released a two-and-a-half-minute film dealing with the fall/winter collection of the Varese-based house of Missoni, produced by filmmaker/Anger manager/Dangerous Minds pal Brian Butler and scored by French composer Koudlam.

Vogue Italia‘s Mariuccia Casadio provides some details:

A man of few words, this fascinating former actor who still takes care of his appearance first filmed the settings for his film “Missoni”: mostly locations near bodies of water in the Sumirago countryside and part of Rosita and Ottavio’s garden. For the indoor sequences, he built a set in the Council Room of the Sumirago Town Hall, a basement room with a vaulted ceiling. The mood of the film and the poses and movements of Margherita, Jennifer, Angela, Rosita, Ottavio, Ottavio Jr. and all other [Missoni] family members are reminiscent of Sergei Parajanov’s “The Color of Pomegranates”, a 1968 film that inspired Anger to create his Chinese box-style storyboard.

Do yourself a favor and go full-screen with this one. And if you’re unfortunate enough to not be familiar with Anger, do yourself another favor and click one or both of the links below. You’ll be glad you did.
 

 
Get: The Films of Kenneth Anger Vol. 1 [DVD]
 
Get: The Films of Kenneth Anger Vol. 2 [DVD]
 
Thanks to Ian Raikow for the heads-up!

Jamdown, the holy grail of reggae films is finally coming to DVD.  Other than a screening this past July 17th in London, this French documentary, directed by Emmanuel Bonn, hasn’t been shown theatrically or made available in any form since it was briefly released in France in 1981. Jamdown is essential viewing for anyone who loves reggae

Reggae historian Roger Steffens has described Jamdown as:

[...] a melodic time machine that transports us magically to a time of massive creativity as reggae was emerging to the outside world. We see some of its most rootical exponents at the height of their powers. The film’s re-emergence after three decades is almost miraculous, and it should not be missed by anyone who cares about Jah Music.

The film features some thrilling footage of The Congos and Toots And The Maytals recording at Lee ‘The Upsetter’ Perry’s legendary Black Ark Studios.

The Jamdown DVD hits the streets this Tuesday, July 27.

 
Watch the trailer for Jamdown after the jump…

 
I have no idea what movie this is from. If anyone out there knows, please comment.