FOLLOW US ON: follow us in feedly
GET THE NEWSLETTER
CONTACT US
‘Indie, Punk, Motown, Brill Building and Velvets’: Meet the street karaoke maestro of Los Angeles
03.05.2013
02:26 pm
Topics:
Tags:

image
 
A guest post by Jeff Feuerzeig, director of the very marvelous documentary films The Devil and Daniel Johnston and Half Japanese: The Band That Would Be King, about Piano Van his new Super 8mm music video project with musician and author Chris Stroffolino.

FEBRUARY 2013, LOS ANGELES:  It’s 5pm on a lazy Sunday afternoon and I’m riding my bike home through Silver Lake Junction when I hear someone singing his heart out and playing piano. I think to myself, “This sounds eerily like Daniel Johnston from the early Stress cassettes.” The music fades as I pedal onward. “Hmm… is this as great as I think it is?” I spin my bike around and follow the music to see where it’s coming from. Lo and behold, I turn to my left and parked on the street in front of the 99¢ Only Store is a dilapidated 1980’s Ford Econoline van, the side door open revealing a very dapper, charismatic guy inside singing “49 Bye Byes” by Crosby, Stills, Nash & Young on a beaten-up upright piano. The piano fits so perfectly within the van, it’s as if it were an accessory purchased from the dealer, its side cleverly painted with school-green chalkboard paint bearing the words “Tips Appreciated” punctuated by the upturned mouth of a smiley-face.

I immediately start rolling Super 8mm on my iPhone 5. “Do you know any Daniel Johnston songs?” I ask. “No. I love the guy and I’ve actually been called ‘the Daniel Johnston of Piano’… in the van, but I do know a lot of indie rock. I played in a pretty famous indie rock band.  You ever hear of Silver Jews?” I reply, “Yes.  David Berman.” He then launches into an amazing heartfelt rendition of “We Are Real” from their landmark LP American Water and proudly tells me “I’m on this record.”

I quickly learn that his name is Chris Stroffolino and he is not only a Silver Jew, but also a Ph.D. holding Shakespearean scholar and published author of no less than eight books of poetry.  For reasons that are still fuzzy to me, he is disabled from a bicycle accident, walks with a cane, has recently fled San Francisco (and a relationship with a woman) and landed homeless on the streets of Los Angeles, living in this crazy van with a rescued piano that he’s ingeniously bolted to the chassis.  As I listen to his patter and the music pouring out of the van it becomes clear that he is blessed and cursed with the same affliction as the subject of my documentary The Devil and Daniel Johnston.

Flash forward to a week of spontaneous piano-driven street karaoke outside his van door:  “Mony Mony” by Tommy James, “Red Rubber Ball” by The Cyrcle, “Baby It’s You” by Burt Bacharach via The Shirelles, “Lisa Says” by The Velvet Underground - the Live 1969 long version with all the cool parts, Richard Hell’s “Time,” “Stand” and “Everybody’s A Star” by Sly and The Family Stone, The Animals, Metal Circus era Hüsker Dü, obscure Lou Reed-style David Bowie on “Queen Bitch,” and Roxy Music. And my beloved early Kinks — killer Kinks covers! – all performed in the Vons Supermarket parking lot on Sunset (a fave spot of his for tips it seems). The proto-punk gem “I’m Not Like Everybody Else,” “Everybody’s Gonna Be Happy” and “Dead End Street,” the lyrics all delivered with a poignancy that Ray Davies could never have imagined. Truly heart-breaking and optimistic at the same time. 

Another chilly night, Chris lights off an 80’s nostalgia bomb with a set of early Replacements tunes (he’s wearing a Let It Be T-shirt under his jacket and scarf) from their first Twin/Tone LP Sorry Ma, Forgot To Take Out The Trash.  “Hangin’ Downtown” is re-imagined as a rollicking honky-tonk ditty and the Paul Westerberg down-and-out classic “Here Comes a Regular” literally brings tears to my eyes. I had a friend with me and we agreed that singing along to these songs with Chris, while standing outside his magic van under the halogen lights, is about as much spontaneous fun as you can have in Los Angeles. I’ve always loved experiencing music outside of the traditional club venue and Chris’s street karaoke takes the performance intimacy quotient to a whole new level.

I soon discover that Chris’s talent goes beyond covers.  Over the course of five evenings, I take Chris and his Piano Van up to the parking lot behind the old carousel in Griffith Park. It’s there, under the stars, in the cold, among the trees and the occasional car of teenagers looking for privacy, that I record (in the spirit of Alan Lomax’s field recordings) thirteen of his original compositions of unrequited love - songs I’ve come to adore and sing along with as much as the covers that he and I grew up listening to. “Break Up Make Up,” “Make It Rain, and “I’m Not Going Astray” sound like they’ve always been a part of my life and I credit that to our shared love of what Chris has chalked upon his van door – “Indie, Punk, Motown, Brill Building, and Velvets.”

The album will be titled The Piano Van Sessions and a few tracks are currently available on Bandcamp as well as a selection of single-take Super 8mm videos I directed which are posted on YouTube.  I hope this will cause Chris’s @Piano_Van daily tweets (of his roving Pied Piper-like location) to ignite a street karaoke phenomenon.

In addition, my friend and former manager of Daniel Johnston, Jeff Tartakov, will manage Chris (the first artist he’s agreed to work with since Daniel Johnston) with the goal of getting him a proper publishing deal, a record label, and hopefully enough success so that he no longer has to live in his van. 

—Jeff Feuerzeig
Director, The Devil and Daniel Johnston

 
image
 

 
More videos after the jump…

READ ON
Posted by Richard Metzger
|
03.05.2013
02:26 pm
|
Lipstick Killers: The New York Dolls, live, Halloween 1973
03.05.2013
02:24 pm
Topics:
Tags:

image
 
The New York Dolls playing at the Waldorf-Astoria’s Grand Ballroom for Howard Stein’s Halloween bash on October 31, 1973.

Oh my God, the Waldorf-Astoria regret that gig! Hundreds of FREAKS strolling around the entire lobby area, blowing minds. The Dolls made us wait like an extra 90 minutes and then were hilariously drunk. They were totally awful, but, looked great. It made sense somehow.” Binky Philips.

Now this would have made for a memorable mid-70s Halloween! Crank it up!
 

Posted by Marc Campbell
|
03.05.2013
02:24 pm
|
Call Me A Hole: ‘Call Me Maybe’ meets ‘Head Like a Hole’
03.05.2013
01:42 pm
Topics:
Tags:

image
 
I’m a little late to the game with this one, but if you haven’t heard this “Call Me Maybe” meets “Head Like a Hole” yet… it sure is something else.

Mash-up by UK-based pomDeterrific.

 
Previously on Dangerous Minds:

‘Call Me Maybe’ layered 147 times exponentially

 

Posted by Tara McGinley
|
03.05.2013
01:42 pm
|
UK 9/11 Truthers get their day in court (well, kinda)
03.05.2013
11:53 am
Topics:
Tags:

image
 
A couple of Mondays ago, on a cold, colorless morning at 9am sharp, I found myself in the singular predicament of joining the back of a queue of around fifteen 9/11 “Truthers” in a dismal magistrates’ court in Horsham, a small English town about an hour from London. These Truthers were mostly male, middle aged, and—I’m sorry to say—a little stinky.

Their conversation sounded something like this:

“… you believe that you’ll believe anything…”

“…Building Seven…”

“… Osama Bin Laden, don’t make me laugh…”

And the delightful…

“… other than the lizard thing—which I personally don’t have any great problem with—everything else that man has said has been spot-on…”

What was I doing there, dog tired and trying not to breathe through my nose? I was a tourist, waiting to attend what promised to be the weirdest TV license prosecution in history.

Last year, documentary filmmaker Tony Rooke decided he’d had enough of the mainstream media’s repression of what he considered the irrefutable case for the existence of a 9/11 conspiracy, and in an ingenious illustration of the old adage about using an enemy’s own weight and strength against them, had refused to pay his TV license on the grandiose grounds of Article 3, Section 15 of the UK 2000 Terrorism Act, which states that it is an offence to provide funds if there is a reasonable cause to suspect that those funds may be used for the purposes of terrorism (the TV License is a compulsory fee for all UK TV owners and pays for the BBC).

“Mr Rooke’s claim is that the BBC has withheld scientific evidence that demonstrates that the official version of 9/11 is not possible,” explained a press release circulated by the AE911Truth UK Action Group, “and that the BBC has actively attempted to discredit those people attempting to bring this evidence to the public.” As part of his defense, it added, Rooke had secured three hours to present his case, and had assembled a “formidable team” of defense witnesses, including Professor Niels Harrit (Professor of Chemistry at the University of Copenhagen) and former intelligence analyst Tony Farrell. “Evidence such as this,” it concluded, “has rarely, if ever, been seen in any court of law…”

Yes, your correspondent was in Horsham not so much for a backdoor inquiry into the more controversial or contentious aspects of 9/11, as a cat-flap one. And he was very much looking forward to it!

While not exactly the toughest crowd through which to cut a dash, I am pleased to report that man-of-the-hour Tony Rooke did all the same. He was stood outside chain-smoking, with slightly floppy dark hair and a fleshy, dignified face that looked calm, thoughtful and somewhat oversensitive. As befits a defendant, he was dressed smartly, but had pulled this off rather well, something I feared would have been well beyond the reach of the other attendant Truthers, who were pointing him out to one another, murmuring in near awe that he looked “like a barrister.”

Arguably he was inspiring too much confidence. While it seemed pretty clear you would have to riffle through a fair few parallel universes before coming across a judge brazen or bananas enough to pitch the UK into an epistemological crisis over a TV license, some of the more optimistic Truthers were daring to dream, and by the time they opened the doors to Court 1 there were over a hundred cramming the narrow corridor.

This proved far too many for the tiny courtroom, which didn’t even seat thirty. Fortunately, I quickly found myself a cushy spot in the front row of folding orange leatherette chairs, but the vast majority of that large crowd was refused entry by a wiry usher with an ex-cop vibe—it was to be one in, one out at Loose Change Live.
                      
The Truthers were in uproar: I was increasingly concerned about the possibility of the court being closed or cleared. Fortunately, the usher managed to eventually shut the door on them, and when Judge Stephen Nicholls entered those seated rose to their feet with something like reverence—due I supposed to the notion it was in this man’s power to turn the tide on their thus far rather one-sided battle with the Illuminati.

Nicholls was a man in his early-to-middle sixties, with glasses and bright white hair that had receded to a widow’s peak high on his brow. After scheduling later hearings for the day’s other defendants—a pair of understandably bewildered looking bruisers facing drink driving charges—Nicholls informed Rooke (who was representing himself), that although opening statements weren’t officially allowed, he would extend “a little leeway” in this instance

So, Rooke climbed into the witness box and launched into a decent speech. His tone was steady, reasonable, and wry as he addressed Nicholls. “I have incontrovertible—and I don’t use that word lightly—evidence against the BBC. The BBC had advance knowledge of twenty minutes of the events of 9/11 and did not do anything to clarify what the source of that information was. At the preliminary hearing I asked if you were aware of WTC7. You said you had ‘heard of it.’ Over ten years after 9/11 you should have more than heard of it. It’s the BBC’s job to inform the public—especially regarding miracles of science where the laws of physics become suspended. Instead, they have made documentaries making fools of and ridiculing those of us who believe in the laws of gravity.”

It crossed my mind that Judge Nicholls probably had since looked into WTC7 (a funny idea). Now, though, he interrupted (Rooke’s speech was getting increasingly polemical and wide-ranging). “This is not an inquiry into the events of 9/11,” Nicholls declared, collecting his No-Shit-Sherlock Award 2013 with the kind of silken irony you could only hope to spin from the soul of a judge. “This is an offence under Section 363 of the Communications Act.”

The prosecutor—a youngish guy called Garth Hanniford with a blandly handsome face and a horrible off-the-rack blue suit—was then invited to cross-examine the defendant. Good old Garth. He gave the impression of a man incapable of summoning much in the way of effort or enthusiasm for anything, and had been observing the extreme novelty of the day’s events—surely the most interesting afternoon of a working life spent prosecuting TV license avoidance?—with all the attentiveness of someone watching a friend play computer games.

He now stood up and launched into what one suspected was his habitual cross-examination.

“Do you possess a television Mr Rooke?”

“Yes I do.”

“And do you possess a television license?”

“No I do not.”

“And do you watch television?”

“Sometimes.”

So… you’re happy to make use of the service but not to pay for it?”

“Well, I’ll monitor it if I have to. Ignorance is no excuse in the eyes of the law. And it was only through watching the BBC that I could know that I would be committing a crime by paying for it.”

“No further questions,” mumbled Perry Mason, another day’s work already behind him.

On the wall behind the witness box, two decent sized television screens were on standby. There was something delectably Dadaist about the prospect that, any minute now, in a British court, we would presumably be watching the famous clip of the BBC newscaster informing viewers that the third building in the World Trade Center complex, WTC7, had just collapsed, while, in the background of the shot, it was still stood there—a stubborn facet of that surreal riddle (9/11) that had driven tens of thousands into the cold arms of paranoid schizophrenia. Now, as the witnesses for the defense filed in – the as-advertised all-star cast of maverick academics and former spooks—it was as if the national unconscious really was going to momentarily overwhelm the national superego.

Judge Nicholls, however, had other ideas. With an air of mild mischief, he started to tip his hand. As I understood it, his argument was that, even were he to sit through the show and at the end exclaim, “Jumping Jesus—9/11 was an inside job and the BBC are a pack of scoundrels!”—it would be beyond his jurisdiction to consequently exempt Mr Rooke from paying his license fee (let alone brand the Beeb “an organisation that supports terrorism,” or whatever). The day’s witnesses and exhibits, therefore, were superfluous.

In short, Loose Change Live was facing a major existential threat!

Judge and defendant went round in circles for a while…

“…I don’t want to incriminate myself by paying fees to an organisation complicit in terrorism. I will pay once the police establish that the BBC has nothing to do with terrorism…”

“… I do not believe that I have the power to rule under the Terrorism Act…”

“… I just want to present the evidence, that I am not allowed to do so leaves me slightly baffled…”

“…even if I accept the evidence, this court has no power to create a defense in the manner which you put forward…”

And so on. Meanwhile, the atmosphere was growing flat; the day building to a brutal anti-climax. Then, sensing the jig was up, Rooke suddenly lashed out.

“There is such a thing as morality, you know,” he declared (hell of a thing to chuck in the face of a judge). “You had me swear on a Bible, and now you’re asking me to commit a crime. If the BBC covers up a pedophile ring—keep paying. If they cover up 9/11—keep paying. Keep paying keep paying keep paying keep paying. When on earth does it stop? I’m sick of it.”

Judge Nicholls’ features darkened: there had been insolence (unanswerable insolence) in Rooke’s outburst, and the weight of the audience seemed suddenly and for the first time to press against him. He muttered he would retire to consider the evidence, stood up, and exited the court stage right with as near to a flounce as he had surely come in his entire career. Rooke had drawn a drop of blood!

When Nicholls returned to sentence him, the mood in the court received a further lift—he handed the defendant a conditional discharge of six months, ordering him to pay £200 legal fees, but not a fine, or even the outstanding license fee—it was a so-called “zero sentence.”

Rooke was passed a form to fill in.

“Can I just clarify,” he said, pausing with his pen in hand, “you’re ordering me to commit a crime?”

“I’ve given the judgement,” Nicholls responded, “I won’t be adding anything further to it now.” He raised his eyebrows. “Now do you want to fill in that form for me?”

Hearty thanks to David Kerekes

Posted by Thomas McGrath
|
03.05.2013
11:53 am
|
‘The World According To Wonder’: Saluting the pioneers of alt and gay TV
03.05.2013
10:46 am
Topics:
Tags:

imageThe glorious RuPaul
 
imageChloe Sevigny
 
Los Angeles-based World Of Wonder productions are marking 21 years in the business of televisual entertainment, and to celebrate they have just brought out a new coffee table book, The World According to Wonder featuring exclusive portraits of practically every person they have ever worked with; from stars like Pamela Anderson, RuPaul, Dita Von Teese, Elvira and John Waters, to many of their behind-the-scenes crew, and even the staff at their popular The WOW Report blog.

The list of portrait sitters for The World According to Wonder‘s photographers Idris & Tony and Mathiu Andersen is huge, and the book (which has been a few years in the making) is very impressive indeed. When I say “coffee table book,” I mean if you stuck legs on this thing, it would be its own coffee table. (It weighs 8lbs!)
 
imageJames St James and companion “Harvey”
 
image
Chaz Bono and ex-partner Jennifer Elia
 
World Of Wonder have brought us some of the best television of the last 20 years, shows and documentaries like RuPaul’s Drag Race, Becoming Chaz, The Adam & Joe Show, The Divine David Presents, The Eyes of Tammy Faye, Inside Deep Throat, Pornography: The Secret History Of Civilisation, Jon Ronson’s Crazy Rulers Of The World, and Party Monster: The Shockumentary (not forgetting Party Monster the feature film, starring Macaulay Culkin as Michael Alig, the murderous king of the NY club kids, which has gone on to influence a new generation of club kids and become a cult classic in its own right). 

Interspersed among the pictures is the story of World Of Wonder itself, eloquently and entertainingly told by the company’s founders Fenton Bailey and Randy Barbato; from its beginnings in 80s New York, its early work with upcoming drag legend RuPaul and British TV station Channel 4, through expansion into full-length documentary features, all the way up to the present day, a slew of coveted awards and its position as brand leader for all things queer/drag/alt on television.

As an early 90s TV junkie, glued to late night BBC 2 and Channel 4—oh those really WERE the days!—this book brings back a lot of good memories (and reminders of forgotten but influential shows like Shock Video and Manhattan Cable) and it is inspiring and instructive to read how these shows came to be, directly form the people that made them. If there’s any message, here, I would say it is “believe in your vision and never take no for an answer” and The World According to Wonder is testament to how dreaming big, and thinking outside the box, can ultimately pay off.
 
imagePamela Anderson
 
imageSharon Needles
 
You can download the first chapter of The World According to Wonder as a pdf here.
 

Posted by Niall O'Conghaile
|
03.05.2013
10:46 am
|
They only had eight songs, but they had four neon lights: Wolfgang Flür on Kraftwerk’s first US tour
03.05.2013
09:50 am
Topics:
Tags:

image
Flür looking super-foxy in the early days.
 
In this brief, but telling, clip, Wolfgang Flür reveals Kraftwerk’s ingenious method for stalling for time onstage during their first American tour in 1975.

In January, Flür (bluntly) reviewed the “Kraftwerk Mark III” homecoming concert in a Dusseldorf power station:

It’s No More Fun To Compute! (The Quietus)
 

Posted by Amber Frost
|
03.05.2013
09:50 am
|
The Need to Feed: Lydia Lunch goes ‘Martha Stewart’ with a decadently delicious new cookbook
03.04.2013
07:07 pm
Topics:
Tags:

image
 
No Wave underground legend, feminist icon, artist, author, actress, musician and all-around troublemaker Lydia Lunch is now the author of a cookbook, The Need to Feed: Recipes for Developing a Healthy Obsession for Deeply Satisfying Foods, a “hedonist’s guide.”

Via email Lydia answered a few questions.

Dangerous Minds: Our mutual friend, author Chris Campion, told me that you were coming out with a cookbook, and via hoighty-toighty publisher Rizzoli, even, and that seemed somewhat out of character for you. Chris assured me that you were indeed a *most fantastic gourmet chef* and that your culinary skills were a not-so-very well-kept secret. The recipes in The Need to Feed—a Lydia Lunch-esque title if ever there was one—seem to bear that out, but still, how did a cookbook by Lydia Lunch end up being published by Rizzoli? It seems like there must be a story there…

Lydia Lunch: A few bizarre coincidences led up to me pitching the idea to Rizzoli. I had written the introduction to Cesar Padilla’s book Ripped: T-Shirts from the Underground, which they had published in 2010.

I kept seeing it everywhere. Artist Martynka Wawrzyniak, R.Kern’s partner, had originally pitched the book to Rizzoli and worked on it with Cesar. I was on a rare visit to New York shortly after its publication and met with Martynka. She suggested we pitch something to Rizzoli together and was instrumental in making The Need to Feed happen.

Around the same time someone had sent me an article from the TV Guide, in which Michelle Forbes claimed I was the inspiration for her character in True Blood. A witchy vixen who throws orgiastic bacchanals full of food laced with intoxicants in order to celebrate the resultant pandemonium. This inspired me to pen The Need to Feed.

Martynka is Vegan, loves food and to cook, shares my political disgust with the US Food industry and is a brilliant artist in her own right. Acting as editor and co-conspirator, she was able to push forward my politics, sass and vitriol, not the typical fare of a book that deals with food.

DM: And so now you are the proud author of a cookbook.

Lydia Lunch:I wrote the recipes with Marcy Blaustein, a friend of many years who left the thankless confines of the music industry to concentrate on catering in Hollywood, because as she once said “Everyone loves you when you feed them.” She’s just opened her first restaurant in Los Angeles called Eat This on Santa Monica and Hudson.

DM: Since I’ve never been invited to one, what are your dinner parties like? And what is the secret ingredient for a perfect Lydia Lunch dinner party?

Lydia Lunch: A great mix of people, enough time to enjoy the evening (long Sunday afternoons are actually best). Easy, spicy, tasty finger foods, great music, stimulating conversation…A relaxed atmosphere where people leave full of LIFE.

I asked Lydia if there was just one dish that was her favorite from The Need to Feed and she said it would be her jerk chicken marinade recipe:


I Said Jerk That Chicken!

If it’s hot…no doubt I’m going to want to stick it in my mouth. Just the way I am. I love any food that makes me break a sweat. Slowly savoring the healing heat as it penetrates every cell, kick starting the nerve endings and revitalizing the synapses as they gush with endorphins. Gooey good fun! Jamaican jerk marinades are magic to the mouth. The combination of heat, sweet and pungency create a powerful tangy rush of oral delight! Jerk is exotic, deeply penetrating, incredibly satisfying and yet highly addictive goodness. Gotta love it.

1-tablespoon ground allspice
1-teaspoon ground cinnamon

1/2-teaspoon ground nutmeg

1/4-teaspoon cayenne pepper

1 teaspoon ground black pepper

1 tablespoon fresh thyme leaves or 1 teaspoon dried thyme

6 scallions, green tops only, thinly sliced

2 small yellow onions diced
2 large cloves of garlic minced
1 inch of fresh ginger minced
2 - 3 Scotch Bonnet chili peppers deseeded and chopped
1 tablespoon dark-brown sugar

1/2 cup fresh squeezed orange juice

Juice of 1 lime
1/4 cup red-wine vinegar

1/4 cup low sodium soy sauce

1/4 cup olive oil


METHOD:

Toast the allspice, cinnamon and nutmeg in a dry pan on low heat for 1 minute. Transfer to a blender adding cayenne, black pepper, thyme, scallions, onions, garlic, ginger, chili peppers, brown sugar, orange juice and lime juice, vinegar, soy sauce and olive oil. STAND BACK! And blend. Refrigerate for a few hours.

Use as marinade for chicken, turkey, pork or vegetables. Lather both sides of meat in jerk sauce and marinate for at least 2 hours in the fridge. Reserve the rest of the marinade for dipping. Grill, broil or bake. Use to brush on vegetables before grilling. Serve with rice and Mango Salsa.
        

Mango Salsa:

2 tablespoons brown sugar
3 tablespoons freshly squeezed lime juice
1 tablespoon minced ginger
1 mango, diced
1 cucumber, diced
1 small red onion thinly sliced
1 tablespoon of fresh cilantro minced
Sprinkle of cayenne pepper

Combine all of the ingredients and allow to marinate and to chill for 1 hour.

*Word of warning: Wear plastic gloves when handling hot chili peppers. Especially Scotch Bonnet…you touch yourself and the neighbors will hear you scream. You touch someone else, they will be calling the police.

Posted by Richard Metzger
|
03.04.2013
07:07 pm
|
Amazing hand-carved phonebook portraits of Marty Feldman, George Carlin, James Brown and others
03.04.2013
06:22 pm
Topics:
Tags:

image
George Carlin

When I blogged about Alex Queral‘s hand-carved phonebook sculptures back in 2009, I only featured his ace George Carlin piece as a prime example of Queral’s work.

I still like George the best, but Alex has added a lot more work since then. Check these out:

image
Marty Feldman
 
image
Sammy Davis Jr.
 
More after the jump…
 

READ ON
Posted by Tara McGinley
|
03.04.2013
06:22 pm
|
Literal ‘Peter Pan’ costume (NSFW-ish)
03.04.2013
03:21 pm
Topics:
Tags:

image
 
What you’re looking at is a vintage photo of one man’s quest to become a literal “Peter Pan.”

I think he nailed it, don’t you?

Via Arbroath

Posted by Tara McGinley
|
03.04.2013
03:21 pm
|
‘Four little Indians on LSD’: Anti-drug PSA pulled for scaring the crap out of kids in 1972
03.04.2013
02:25 pm
Topics:
Tags:

image
 
I was lil’ too young—just an infant at the time—to remember this powerful anti-drug PSA which aired on American TV circa 1974, but according to what I’ve read online about this spot (with such a catchy tune!) is it pretty much had to be pulled immediately for scaring the shit out of children.

It’s still strong stuff.
 

 
Via Everlasting Blort

Posted by Tara McGinley
|
03.04.2013
02:25 pm
|
Page 983 of 2177 ‹ First  < 981 982 983 984 985 >  Last ›