I’m the guest on this week’s installment of the That Record Got me High podcast. I joined co-hosts Barry Stock and Rob Elba to discuss an album that I like to listen to a lot while I’m high, Jefferson Airplane’s lysergically-soaked 1967 longplayer After Bathing at Baxter’s. I think it’s one of the defining albums of the 1960s. I also think it’s an album that all too many people keep flipping past in the used record bins—dirt cheap Jefferson Airplane albums are ubiquitous in any American record store—and this is a shame. There’s quite a vast difference between the Jeffersons Airplane and Starship, but commercial dreck like “Play on Love” and the horrific ear-bleeder “We Built This City” has all but insured that the Jefferson Airplane albums are unfairly ignored. I wanted to try to rehabilitate their rock snob bona fides in my own small way.

One thing that I had intended to mention on the show but forgot about, is the album’s distinctive cover. It was drawn by underground cartoonist Ron Cobb who would go on to design the Mos Eisley cantina in Star Wars a decade later.
 

Front and back of a 1993 Topps ‘Star Wars’ trading card
 

Counter culture icon and Editor of Dangerous Minds (www.dangerousminds.net), Richard Metzger, dove into the psychedelic deep end of the pool to discuss a record that STILL gets him high: Jefferson Airplane’s darker, heavier follow-up to Surrealistic Pillow, “After Bathing at Baxter’s”. Coffee was consumed, minds were expanded, and by the end the Summer of Love felt more like a hazy hangover.