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Rare collectible figures based on the animated characters from Pink Floyd’s ‘The Wall’
07.25.2017
10:37 am
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“The Judge.” A figure based on a particularly terrifying character from the 1982 film, ‘The Wall.’
 
In 2003, Stevenson Entertainment Group put out the first of two collectible figure sets based on some of the more memorable animated characters from Alan Parker’s film adaptation of Pink Floyd’s 1979 double album, The Wall. If this is news to you, as it was to me, I’ll give you a minute to process this revelation before we get on to learning a little bit about the original concepts for the animations before you get to peep the rest of these incredible figures based on them.

Parker enlisted the formidable talents of English illustrator Gerald Scarfe to create the animated scenes in The Wall. The band had been working with Scarfe since the early 70s after the’d seen his film, Long Drawn-Out Trip on television. They reached out to Scarfe in the hope that he would create illustrations for the band, which he did. According to an article published on the Illustration Chronicles website last year, Scarfe admitted that when Floyd first came calling, he didn’t actually consider himself to be a fan of the band. Reluctantly, the artist would attend a performance by Pink Floyd at Finsbury Park while they were out supporting Dark Side of the Moon. Scarfe’s opinion of the band changed instantly, and it would be the beginning of a very successful working relationship for everyone involved. After creating images for various Floyd-related materials such as stage animations and tour books, Scarfe and Floyd would get to work designing the unique, unforgettable illustrated visuals for The Wall that would also be used during the band’s live performances.

When it came to the movie, Parker has admitted that despite its critical acclaim, it was one of the most “miserable” experiences of his professional career. The working relationship between Parker, Roger Waters and Scarfe was strained at best. To make matters worse, the members of Floyd were also on the outs with each other, quarreling about money and other contentious issues. Many great things are often born from the volatile combination of strife and passion, and The Wall is a good example of this age-old scenario.

When it comes to the figures themselves, they are somewhat difficult to obtain these days as you might imagine, though not impossible. Occasionally single packaged figures become available, as well as the six-figure box-sets that will run you anywhere from $100 for one figure to around 400 bucks for a complete Series One or Series Two box-set. I’ve posted images of each figure below as well as links to where you can hopefully still pick ‘em up.
 

“The Prosecutor.” Get him here.
 

“Mutant Human” figure.
 

“Mother cradling Pink.” Get her here.
 
More after the jump…

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Posted by Cherrybomb
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07.25.2017
10:37 am
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Paper Cuts: The astonishingly beautiful cut-out artwork of Ivonne Carley
07.25.2017
10:02 am
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I’m sure most of us recall at some point in our childhood folding paper into squares and delicately snipping patterns with scissors to create something that looked like a primitive doily. I recall it was the end of term, junior school, Miss Burton’s class, the smell of freshly cut grass and the first promise of summer, when I sat deliberately paring triangles and rhomboids in the hope of making something half presentable to take home. This formulaic but effective process made it almost impossible to imagine anyone could create something as spectacular as the designs cut by artist Ivonne Carley.

Ivonne Carley makes beautiful and intricate artworks from cut paper. Based in San Diego, Carley’s interest in creating such art stemmed from spending time with her parents in Mexico during her formative years. It was then that Carley discovered she had a great liking for the traditional high contrast imagery of lino block printing by artists like José Guadalupe Posada, but was especially enamored by the elaborate designs produced by paper cutting or papel picado. In particular, Carley liked the many ornamental designs Mexicans prepared for celebrating the Day of the Dead.

Spool forward a few years and filter this childhood interest through a liking for Salvador Dali, Frida Kahlo, Remedios Varo, MC Escher, Bosch, and a great love for Halloween, and you will find Carley has finessed her interest into a fabulous world of beautifully dark and delightfully original designs.

Ivonne Carley has exhibited her work in group and solo shows—most recently in the exhibtions Reliquary and Toil & Trouble—and has several shows coming up. Check Carley’s website, Instagram, and Facebook page for more of her exquisite work.
 
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‘As Above, So Below.’
 
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‘Deliciously.’
 
See more after the jump…

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Posted by Paul Gallagher
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07.25.2017
10:02 am
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‘Whatever Happened to PJ Proby?’: The hellraising madman of rock & roll is a god amongst men
07.25.2017
09:21 am
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“My idea of fun is what puts most people in jail.”
—PJ Proby

The entire point underlying this blog is to impart enthusiasm for the given subject matter. Sharing something extraordinary, remarkable or even just plain fun with the audience. Life’s too short to focus on lameass things. And to have to write about things you don’t even like? Nope, not how we really want to spend our days. Plus, why would you, the reader want to read about something mundane? Of course you don’t want that. You want awe-inspiring. Or at least things with cute cats and Twin Peaks-themed pot pipes. It’s our primary job here at Dangerous Minds to entertain you. Sometimes it’s simply to distract you from all of the bad shit going down…

You’ll get all of the above, in spades, I reckon, in the form of Texas-born rock and roller, PJ Proby, the entire package. He’s admittedly a pretty obscure figure. Frankly not even the most archly jaded rock snobs have probably ever heard of the guy. The subset of crate diggers who have actually heard the sound of the man’s truly phenomenal voice is smaller still. (His classic albums have hardly existed in the CD age.) I’ve been obsessed with him since the late 80s and have long wanted to make a documentary about him. Frankly I’m not really sure if I am acquainted with anyone who knows or cares about him like I do. (Maybe you do, but I don’t know you, do I?) Considering the intense megawatt talent the man possesses, all the lucky breaks that he’s had over his six decade-long career, and all of the immortals his orbit has collided with, PJ Proby should be, as he’s said himself—and I agree with this wholeheartedly—at least as famous as his one-time drinking buddy Tom Jones. That was not to be, although it coulda been and shoulda been.
 

 
When Tom Jones was just starting out, he was often accused—unfairly I think—of copying Proby’s act. In many ways PJ Proby and Jones are performers in that same general mold: powerful belters, macho, sexy, equally at home singing heart-breaking lonely boy ballads or bellowing balls-out rockers. When Proby’s infamous onstage trouser-splitting stunt occurred in Croydon (more on this below), it was in fact Jones who hastily replaced him on the package tour he was embarked upon after Proby was summarily banned from most of the live stages in Britain. If you like early Scott Walker, or the big ballady material Dusty Springfield excelled at, or even Nick Cave, then PJ Proby is probably in your wheelhouse. His records are easy to find—usually for really cheap—in used record bins. Every one of them is a mixture of filler and hits, but when he connects with the material, something sublime happens. I think he’s one of the all time greatest talents in rock and roll history, but few people would know that in 2017, or care.

PJ Proby was born James Marcus Smith on November 6, 1938, in Houston. His great-grandfather on his mother’s side was the outlaw gunfighter John Wesley Hardin and his father was a successful banker. He was educated at the strict San Marcos Military Academy, but even at school he was known as a bit of a hellraiser and was early on convinced that he was a genius and destined for greatness of some sort. His showbiz ambitions started early with local preteen appearances singing country music. He met Elvis Presley on that circuit when he was just 12 or 13 and Elvis at one point dated his step sister, Betty. But this was just the start of Proby’s improbable, Zelig or Forrest Gump-like ability to always be where the action was. Even at that age, he just was warming up, but already in the right places at the right time and always with the right crowd.
 

 
After moving to Hollywood in the mid-50s to become and actor and/or a singer, Smith took the name “Jett Powers” and recorded the single “Go, Girl Go!,” which is best known today as a song that the Cramps dug. (Jett’s backing band the Moondogs included Elliot Ingber/“Winged Eel Fingerling,” later of Frank Zappa’s Mothers of Invention and Captain Beefheart’s Magic Band, on lead guitar). Signed to a songwriting and performing contract with Liberty (along with the likes of Leon Russell and Glen Campbell), he recorded under the name Orville Woods so that the public would think he was black! Additionally Proby made a living working as a bodyguard for closeted gay entertainers like Rock Hudson, Liberace and Tab Hunter (by his own account, brutally dispensing anyone who dared hassle one of them in a “gay bashing” manner). Proby also recorded “vocal guides” for $10 a pop so that performers like Elvis could more efficiently make use of expensive recording studio time. (He did twenty such vocal guides for Presley, mimicking his singing style in a full-throated manner that was said to have amused the King.) In early 1964 Jackie DeShannon and songwriter Sharon Sheeley (who’d been his best friend, Eddie Cochran’s, fiancée) introduced Proby—then bearded and wearing his hair extremely long as he was hoping to play the part of Jesus in a musical—to Jack Good who was visiting from London. The meeting would change the course of his life.

Good, the prominent TV producer and manager who gave the world Shindig!, Cliff Richard, Tommy Steele, Billy Fury, Marty Wilde and others of Britain’s first wave of rock and roll stars (he’s also the guy who convinced Gene Vincent to don that Richard III garb) is alleged to have grabbed Proby’s ponytail to see if it was real. Soon afterward, Good’s secretary called from London and offered the complete unknown a spot on the Beatles’ upcoming television special “With the Beatles.”
 

Upon his arrival at Heathrow airport Proby told reporters of his intentions for Great Britain: “I’m going to fight all your men, fuck all your women and steal all your money. Then I’m going to buy myself a yacht and sail off into the wide blue yonder.”

When the show aired, Proby immediately became extremely famous, the very definition of the overnight sensation, even if his fame was to be short-lived. A single, “Hold Me” was recorded and rushed out so quickly that a stray vocal was inadvertently pressed into the record’s fadeout on the initial run. The song became a smash, reaching #3 in the UK charts. He racked up more hits with utterly histrionic (and almost insane-sounding, yet mesmerizing) cover versions of West Side Story‘s “Somewhere” and “Maria,” as well as with a song the Beatles had tried unsuccessfully to record for the Help! soundtrack, but that none of them could adequately sing. They opted to gift the song, “That Means a Lot,” to someone with the pipes who could, their American pal (well at least Lennon liked him) Proby. Incredibly, George Martin even arranged the song for him!
 

PJ Proby performs the castoff number from ‘Help!’ that Lennon and McCartney gave him, “That Means a Lot” on ‘Hollywood A Go-Go’ in 1965. If you are not mazed by this, I cannot possibly help you.

What insane luck, right? Soon Beatles manager Brian Epstein set up Proby with a UK package tour, co-headlining with Cilla Black. That’s when things got a bit out of the egotistical young rocker’s control: At a date in Croydon, Proby clad in his trademark tight velvet jumpsuit and looking like an 18th century dandy, was doing his James Brown-inspired stage act (the likes of which still staid post war Britain had not yet seen) and slid across the stage, tearing his pants around the knees and upwards from there. The crowd of teenaged girls went utterly mad, but the incident caused a stir in the media getting Proby on the radar of Britain’s self-appointed moral censor, Mary Whitehouse. When Proby did the same thing two nights later it was widely reported that he’d done something lewd in Luton. The Daily Mirror wrote that he was a “morally insane degenerate” and urged parents to keep their children from attending one of his shows. Whitehouse called his “thrusting” obscene but Proby claimed otherwise and available photos seem to corroborate his side of the story. He was kicked off the tour anyway and banned from the ABC theater chain and BBC radio and television. This was a good decade before the Sex Pistols, of course. Proby had a few more semi hits, but without radio play his star quickly faded. He later said of the incident:

“I was Britain’s Errol Flynn, the rough mother of pop. I was Jimmy Dean all busted up. I was Marlon Brando. They wanted rid of me.”

 

Canadian audiences were still able to thrill to Proby live in concert, while his work visa was yanked for a time in the UK
 
Back in Hollywood, Proby had his sole Billboard Hot 100 Top 30 hit with the infectious cajun-spiced rocker “Niki Hoeky.” He bought a mansion in Beverly Hills and married one of Dean Martin’s daughters. When he found out that she’d been having an affair with his car mechanic and saw them walking together hand in hand, he discharged his gun in the air several times to intimidate them. He soon found himself surrounded at gunpoint by much of the Los Angeles County Sheriff’s department and did a three month stint in a holding cell before moving back to the UK. He recorded his Three Week Hero album in 1968 with Jimmy Page, Robert Plant, John Bonham and John Paul Jones, then of the New Yardbirds, but soon to be rechristened Led Zeppelin. It was the very first time all four of them would be inside of a recording studio together.

In 1971 Proby played Cassio on the West End in Catch My Soul, Jack Good’s rock musical adaptation of Shakespeare’s Othello. He made the cabaret and nightclub circuit for money and even recorded an album with the Dutch prog rockers Focus (it’s amazing!). In 1977, again with Good producing, he co-starred in Elvis – The MusicalShakin’ Stevens played the young King of rock and roll while Proby played him in his later years—which won a Best Musical award the following year. Proby was fired when he began getting drunk before going onstage and started speaking directly to the audience.

There are all kinds of crazy PJ Proby stories involving Jack Daniels, bankruptcies, guns, underage girls, more guns and more Jack Daniels. Every once in while during the 80s he’d turn up again in some completely insane or scandalous situation. He went through six wives. He worked as a shepherd on a farm before running off with the farmer’s daughter. He recorded some totally off the wall covers of songs like “Love Will Tear Us Apart,” “Heroes” and “Tainted Love” for the Manchester-based Savoy label, there was at least one fairly lurid television news piece about him…

Much more PJ Proby after the jump…

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Posted by Richard Metzger
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07.25.2017
09:21 am
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Sex, Satan and surrealism: The unsettling erotica of Michael Hutter
07.24.2017
10:41 am
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“The Weight of the Head and Heart.” A painting by German artist Michael Hutter.
 
German artist Michael Hutter‘s fantasy-based paintings are distinctly reminiscent of Hieronymus Bosch. Filled with imagery associated with the occult or perhaps demons doing their time in purgatory, Hutter’s work is utterly mesmerizing.

Sex, death, erotica and science fiction scenarios run amock in Hutter’s work which the artist says is inspired by the “logic of dreams.” He has also been inspired by the fictional city of “Carcosa,” the mystical port dreamed up by Ambrose Bierce in his 1886 short story “An Inhabitant of Carcosa.” In 1895 author Robert W. Chambers published a book full of horror short stories called The King in Yellow which referenced Carcosa and other aspects of Bierce’s work. Later H.P. Lovecraft would incorporate Carcosa into his various Cthulhu mythos tales. Even George R. R. Martin got in on the supernatural fun when he named a city Carcosa (noted on an intricate map) in his book series A Song of Ice and Fire. Now that you have some perspective on all that, and how his art is part of this cool Carcosa continuum, here’s more from Hutter on the basis for his surreal, often sexually charged artwork: 

“I don’t care for reality or the probability that something is true, only for its potential to stimulate my thought. In my opinion, the truth is somehow an illusion anyway. I mix that with my obsession, passions, desires, and fears and choke what happens in the abyss of my personality back on the surface.”

Hutter has also applied his considerable artistic skills to photography using digital manipulation to bring some of his chilling witches and demon-like characters to life. The images that follow are NSFW.
 

“The Cuckold.”
 

“Alien Sex.”
 
More after the jump…

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Posted by Cherrybomb
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07.24.2017
10:41 am
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There are Donald Trump condoms… for when you’re getting screwed
07.24.2017
10:18 am
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Buy a pack of three for $13.75 here.
 
I don’t know why there are Donald Trump novelty condoms, but there are, and here I am blogging about them. They exist and that’s just #sad, in my opinion. I don’t know how trustworthy these condoms are. Trump condoms? Nacho’s face hardly inspires confidence in such a crucially important product. I’d use them with extreme caution. I certainly doubt that they’re made in the U.S.A. if they’ve got his ugly mug on the packaging.

If you were about to fuck someone and he pulled out his Donald Trump novelty condoms, ask yourself seriously if you really want to go through with this? How important is your dignity to you, anyway?

Believe or not, there are several manufacturers of Trump jimmy hats. I’ve posted where to buy them underneath the images.


Get it here for $5.95.
 

Get it here for $5.95.
 
More after the jump…

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Posted by Tara McGinley
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07.24.2017
10:18 am
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Amusing vintage photos of people posing with their TV sets
07.24.2017
08:55 am
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Evolution: Fire, fireplace, radio, television, computer, smartphone.

Once upon a time, families gathered in front of the fireplace to have their photographs taken. The flickering flames, the giver of warmth, the focus of a family at rest was quickly and dramatically usurped by technology—first the wireless then television from the 1950s onward. Now kith and kin gathered together to pose in front of the flickering cathode ray. Next time some know-it-all from the last century tut-tuts your obsessive use of a smartphone or numerous hours spent clicking “like” on Facebook, just remind them that once upon a time they too did the very same when they sat and supped from the glass teat of television.

Though television has been around in one form or another since the 1920s, it wasn’t until the fifties that TV became the first choice for family entertainment. America pioneered the way, producing a golden age of dramas and serials and films. For most people, TV sets were expensive, very expensive. They were considered valuable assets, signifiers of a family’s wealth and status. To own a color TV in the 1950s was to be part of a much-hyped affluent jet set (and presumably a big Perry Como fan as his show was just about the one thing to watch in color during that decade). Up until the late 1960s color TV sets were still pretty much a rarity.

I was a wireless kid. My parents first rented a TV sometime in the late sixties-early seventies. Even then, a new TV was way too expensive for many British families to buy outright, so most people rented their TV sets from companies like Granada or Radio Rentals. “Great service you get/Renting your color set/From Granada” went one of the cheesy ads for TV rentals in 1977. TV sets came in ornate boxes sometimes with doors on the front to disguise the set as some kind of tasteful item of furniture—a drinks cabinet maybe or a redwood sideboard credenza. And don’t be fooled, most TV pictures were pitiful when compared to today’s 4K sets as TV signals were atrocious. The public spent most evenings fiddling about the TV aerial trying to find a better picture. Applying a ball of tinfoil was the sole option to improve the signal, decidedly low tech “hack” that was a common enough sight.

Yet, TV was everything. And that’s why people posed for photographs in front of their expensive, valuable, and trusted friend the electronic eye.

For the past decade or so, artist Oliver Wasow has been collecting found images on the Internet and organizing them into some kind of order. Pictures of families celebrating birthdays, or blurred images, or teen titans working out, or people holding cameras, or children holding guns, or just couples arm-in-arm or dressed for a night out. One set that particularly attracted my attention consisted of people standing beside TV sets looking proud and happy as if introducing a new family member to the camera: “Here’s our new grandchild,” or “Here’s my new husband.” These images brought back memories of how TV sets were once such very potent symbols of status. And how people once considered the TV set as being a part of the family—a companion—strange though that may seem today. Just look at the joy some of the following people show on their faces while in proximity to their little box of delights.
 
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More found photos of people posing with their TV sets, after the jump…

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Posted by Paul Gallagher
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07.24.2017
08:55 am
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Prince gets freaky in S&M-themed music video for ‘Automatic’
07.22.2017
02:56 pm
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1999 inner sleeve photo
 
“Automatic” is one of the eleven songs that appear on Prince’s fifth record—and first double album—1999 (1982). The track was released as a single in edited form, though only for the Australian market. The album version includes a steamy interlude that was acted out for the accompanying video, which hasn’t been easy to see—until now.

The “Automatic” music video was shot in Minneapolis during November 1982, as Prince and his band were rehearsing for the 1999 tour. You’ll probably notice it resembles other Prince clips from the era, due to the fact that videos for “1999” and “Let’s Pretend We’re Married” were also shot at this time, with the same director at the helm, Bruce Gowers (“Little Red Corvette” came later, and was directed by Bryan Greenberg). The album version of “Automatic” is nearly nine-and-a-half minutes long, and was chopped by a minute for the video. It’s a standard Prince performance clip from this period, until about halfway through, when a bed is rolled out onto the stage. From here, it starts to gets pretty damn kinky.
 
Automatic 45
 
The video was issued as a promo-only VHS to establishments that had video screens—like bars and dance clubs—as well as outlets willing to play more racy content, like the Playboy Channel. The unedited version of “Automatic” was certainly too risqué for MTV (an edited clip was also made available). 

Prince’s official YouTube channel was recently reactivated, delighting his fan base with uploads of his official music videos in pristine quality. “Automatic” is one of the latest to appear. Assuming many of you haven’t seen this rare clip, we won’t give much more away, other than that it includes a segment in which Prince is tied up and whipped—!
 
More after the jump…

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Posted by Bart Bealmear
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07.22.2017
02:56 pm
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In the flesh: The voluptuous models who brought the famous female vampire Vampirella to life


Model Barbara Leigh as Vampirella on the cover of issue #78 (May, 1979.)
 
Comic book vampire/alien and femme fatale superhero Vampirella first crashed to Earth in her spaceship after departing her home planet of “Drakulon” (where instead of water the rivers ran full of blood) in the first issue of Vampirella magazine in 1969. The character was primarily created by Famous Monsters of Filmland magazine’s Forrest J. Ackerman—inspired by the formidable beauty of Italian actress Marisa Mell—and her look was designed by artist Trina Robbins. Robbins, a self-professed “school nerd” is also known for being the first woman to draw Wonder Woman. Originally put out by Warren Publishing in simple black and white, Warren would publish 112 issues of Vampirella before going under in 1983. From that point forward two other publishing houses, specifically, Harris Publications and Dynamite Entertainment would modify the character’s storyline, but not her look which consisted of a racy, costume-malfunction-waiting-to-happen blood-red monokini. You may not even be reading this right now because you’re still busy gawking the image of model Barbara Leigh at the top of this post wearing what amounts to a few yards of strategically placed cloth over her impossible body.

On that note, let’s get on with the task of checking out a few of the women who became the real-life character over the last few decades.
 

The very first living and breathing “Vampirella,” Kathy Bushman. This photo of Bushman was taken in 1969 at the World Science Fiction Convention in St. Louis where she caught the eye of Vampirella creator Forrest J. Ackerman (pictured to the left).

Apparently, the very first “live model” to wear the dangerous Vampirella costume was Kathy Bushman at The World Science Fiction Convention (known as Worldcon) in St. Louis in 1969. According to a fansite for the convention, Bushman made the costume herself by hand (since she didn’t have a sewing machine) and paired it with a short black cape and pair of pale blue kitten-heeled pumps. The costume won her an “Honorable Mention,” at the convention and she would go on to become an influential costume designer contributing prolifically to Worldcon for decades.

Barbara Leigh—a woman who probably guided her fair share of boys through puberty—was the first “real” girl to appear on the cover of the magazine starting sometime in 1975. The lucky Leigh would also sign on with Hammer Films to play the vampire vixen for at least six movies. Initially, the part had been offered to two Hammer girls—Caroline Munro and Valerie Leon who both turned the role down due to the nudity it required. Sadly the project never really got off the ground, Leigh decided to get hitched and promptly left show business.

In the 1990s there were a few notable IRL Vampirella’s—Penthouse Pet Julie Strain and Cathy Christian. The most famous 90s version of Vampirella is Talisa Soto. Soto starred in the 1996 film adaptation Vampirella (along with Roger Daltrey by the way) directed by Roger Corman protege, Jim Wynorski. Christian would be the first “official” Vampirella model to represent the legacy in the convention circuit in the early 90s, though she never appeared on the cover of Vampirella. She did, however, score a role as the model used by Topps for their very first Vampirella trading cards from 1995. Strain’s image, as well as illustrated versions of the bombshell, appeared widely in the magazine. Her portrayal of Vampirella was also used to create a small series of Vampirella-themed action figures put out in 2000 by Moore Action Collectables. The Images below are NSFW.
 

Kathy Bushman, 1969.
 

Barbara Leigh.
 

An illustration of Barbara Leigh as Vampirella by American artist Bob Larkin on the cover of issue #78, October, 1978.
 
More Vampy action after the jump…

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Posted by Cherrybomb
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07.21.2017
12:25 pm
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Girl gangs: Portraits of Chicano girl culture from the 1990s

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Artist Guadalupe Rosales established and curates Veteranas and Rucas an Instagram account dedicated to documenting Chicano youth culture of Southern California in the 1990s. What started out in 2015 as a way to reconnect with lost friends and half-remembered acquaintances from her own teenage days soon developed into a richer, broader, far more important history of the lives of women (and men) raised in SoCal and beyond.

Veteranas and Rucas serves as a digital archive where strangers, close friends and family share a virtual space that speaks a language many of us can relate to….The attention that the Instagram has received has resurrected a part of history that hasn’t been talked about or well documented—yet so many people were excited to see it come back. Working on Veteranas and Rucas made me realize how important this subculture is.”

Rosales who grew up in LA asks people to submit their own photographs of life in SoCal during this period. Her site takes its name from the words “Veterana” which means “someone who has put in work or time in the gang culture,” and “‘ruca’ [which] is what you call your chick.” Anyone who knows these words, Rosales adds, will be able to connect with her and Chicano culture.

Photographs carry complex messages. They make solid a person, a moment, a feeling, or some shared event of deeply personal significance. They also capture the space within which these fleeting moments take place. Rosales documents many of these neighborhoods which have been lost with the rise of the behemoth urban gentrification devouring and repopulating these once mainly ethnic and working class areas.

In 2000, Rosales quit LA—just a few years after a cousin was killed in Boyle Heights. She moved to New York where she witnessed another kind of gentrification taking place in the city. This led Rosales to gradually reconnect with the friends and people with whom she had grown-up. The connections she renewed inspired Rosales to start her archive of ‘90s Chicano youth.

“What I’m interested in posting is women that look like strong women….They look tough, and I like showing photographs like that because I want to say that women can be attractive when they’re strong women.”

See more from Rosales Veterana and Rucas here.
 
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More Veteranas and Rucas, after the jump…

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Posted by Paul Gallagher
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07.21.2017
09:36 am
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Electric Mayhem: Muppet band retro concert posters
07.21.2017
09:13 am
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Dr. Teeth and the Electric Mayhem, the house band from The Muppet Show are arguably the coolest Muppets in existence. The band, comprised of Dr. Teeth, Floyd Pepper, Janice, Zoot, and Animal first appeared in 1975 on The Muppet Show pilot “Sex and Violence.”

Illustrator and designer Michael De Pippo created five retro concert posters for an imaginary one night only gig by Dr. Teeth and the Electric Mayhem.

De Pippo on his Muppet poster series:

My idea was simple; create a vintage concert poster for each band member (Dr. Teeth, Janice, Sgt. Floyd Pepper, Zoot, and Animal). Using clean, crisp vectors, negative space, and few colors, I wanted to keep them as simple and stylized as possible; reminiscent of retro posters from back in the day.

The Animal poster, pictured at the top of this article, is quite reminiscent of the movie poster art for the Japanese film Hausu.
 

 
I love this crisp style. De Pippo did an amazing job with these. His website seems to be currently down, so I’m not sure if these are available for sale.
 

 

 
More Muppet madness, after the jump…

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Posted by Christopher Bickel
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07.21.2017
09:13 am
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