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DON’T YOU HATE IT WHEN THIS HAPPENS: Man claims evil demon blowjob terror
04.19.2017
12:26 pm

Topics:
Belief
Occult
Sex

Tags:
Die Antwoord
demons


“Rodrique says the tokoloshe comes to his bed in the middle of the night to torment him.”

This curious tale appeared on the February 4, 2015 cover of the Daily Sun, South Africa’s largest daily newspaper with a readership of 5.7 million, but it just made its way to me. You’d think a story like this would have been, well… bigger news. Get a load of this:

Sometimes it’s a lizard who scratches him, but mostly she’s a short, beautiful woman who sucks his 4-5 . . . but there is no happy ending.

Rodrique Classen (31) said the last two years have been hell. The tokoloshe leaves him so horny that he has to leave his bed in the middle of the night and go in search of magoshas [prostitutes].

“It is only after the third big magosha that I find enough peace to go home to rest,” he said.

That’s the worst! How many times has a short beautiful demon sucked YOUR 4-5 without the expected happy ending, sending you out into the night to have sex with as many as three streetwalkers before you can finally chill out and get some sleep? We’ve all been there, haven’t we?

Rodrique, who lives with his parents—no surprise there—has no money, no job and whattaya know no girlfriend, either!
 

 

“I really want a girlfriend but the tokoloshe won’t allow it. The tokoloshe does something that makes the women think I am evil and they leave me,” he said.

Gee-whiz, I wonder what that “something” might be, don’t you? I’m pretty sure his lack of success with the ladies would have nothing whatsoever to do with a cover story like this one about his demonic sex addiction appearing on the front page of the country’s largest daily. Seems just a wee bit self-inflicted to me, Rodrique… just sayin’.

A traditional Zulu sangoma healer by the name of Dumezweni Mahabuke told the paper that the tokoloshe problem originates with Rodrique’s parents’ house.

“The tokoloshe was created in the yard to destroy him and make sure he never gets into a stable relationship with a woman,” said Dumezweni. “He needs to be cleansed by being washed and the house must be cleansed through special ceremonies. That’s the only way the tokoloshe will leave him alone,” said the sangoma.

More after the jump…

Posted by Richard Metzger | Leave a comment
Rock music or Jesus? The choice is yours!


 
If you are relatively sane and not prone to low-watt brainwashing, you may be unaware of the vast library of Christian propaganda films out there. One of America’s most profitable and least-known cottage industries, these micro-budgeted religious epics had their heyday in the 70’s and 80’s when Midwest-based Mark IV Productions created their twelve-year Thief in the Night quadrilogy, a series of end times films featuring dead-eyed, polyester-clad actors moping their way through The Rapture. These films were shown to impressionable kids at Bible study classes and probably turned thousands of otherwise normal humans into conservative, sex-negative Jesus zombies. Made for pocket change, these films grossed millions. They are still be shown and sold today and paved the way for the even more profitable Left Behind series a couple decades later.
 

 
Christian propaganda films loved warning teenagers about the dangers of basically everything. Satan lurked on every corner, always looking for a way to break into the lucrative teen market. Sex, drugs, booze and the perils of disobeying your parents were popular subjects, but even listening to the radio was cause for concern. Which brings us to 1982’s awkwardly titled Rock: It’s Your Decision. Directed by John Taylor (not the Duran Duran guy, obviously, but how great would it be if it was?), Rock tells the story of Jeff, your average American teenager who goes to school and church and does whatever society tells him to. His only vice is the bullshit generic MOR rock he blasts on his stereo. But even that is too rebellious for his mom, who snitches on him to his church pastor, who challenges Jeff to give up rock n’ roll for a month. The pastor gives him a few choice tapes from his Christian pop collection to tide him over, though.
 

A glimpse into some of this film’s action-packed moments.
 
Once Jeff gives up rock music, he starts to realize just how fucked up and evil it was all along. How? By misinterpreting Santana lyrics (it goes “You’ve gotta change your evil ways,” dummy) and audience reactions (Jeff thinks swaying along to the music is some kind of thought control). He throws his best bud out of the house for digging Billy Joel and Lynyrd Skynyrd too much, and refuses to take his feather-haired blonde girlfriend to the unnamed “rock show”. He even heads down to the record store to bully people out of buying tasty rock n’ roll jams. What a jerk! In essence, Jeff becomes an insufferable asshole without rock music. He’s even worse to his mother now, accusing her of hypocrisy because of her soap opera addiction, and his climactic anti-rock rant at church even throws some homophobia (and Barry Manilow and fucking Captain and Tennille) into the mix.

Watch this shit, after the jump…

Posted by Ken McIntyre | Leave a comment
Monsters and monstrosities: The marvels and wonders of the ‘Physica Curiosa,’ 1662
04.04.2017
02:48 pm

Topics:
Art
Belief

Tags:
Gaspar Schott
1662
Physica Curiosa


“Monkfish” and “Bishopfish” as depicted in the 1662 publication ‘Physica Curiosa.’
 

“Demons are the cause of many of the world’s ‘monsters.’”

Gaspar Schott, the author of the ‘Physica Curiosa,’ 1662.

Published in 1662 during a time in Europe when the lines between science and the supernatural were still a bit blurred, the Physica Curiosa was intended to be used as a reference for professors, scholars, and members the aristocracy. Authored by a German-born mathematician, philosopher, and theologist Gaspar Schott, the entire run of Physica Curiosa was done by hand. Illustrations of strange animal/human hybrids and other mythical beings were copper engravings which allowed them to be viewed in great detail as they were intended to be. Historians estimate that only 500-1,000 copies of the Physica Curiosa were ever made, making it an incredibly rare document full of what are best described as “monsters”

Schott was a prolific publisher of information and between 1658–1666 he put out eleven different publications including the Physica Curiosa—which was a part of his most influential body of work the Magia Universalis. The book, which got Schott in a bit of trouble with the Church at the time, includes fictitious depictions of sea devils, centaurs, demons and even humans with various deformities who were considered to be “monstrous” thus they were included in the Physica Curiosa by Schott. There were even real animals such as mammals indigenous to South America in the volumes. Twelve books in all makeup Schott’s curious publication which has been digitized by the Smithsonian Libraries with the final six books providing data on real animals such as elephants and rhinoceroses. I’ve included a large selection of images from the Physica Curiosa for you to ponder below. Some are slighty NSFW.
 

 

 
More after the jump…

Posted by Cherrybomb | Leave a comment
Mad nuns, torture, witchcraft, & Satan: Silent film ‘Häxan’ narrated by William S. Burroughs


A movie poster for the 1922 silent film, ‘Häxan: Witchcraft Through the Ages.’
 
Like many of you, I share an affinity for topics of interest that involve the guy who should have built your hotrod, Satan. Given the choice between Heaven or Hell, I just want to be where my friends are. And my post today is about as satanic as they come as it involves possessed nuns; witchcraft; grave robbery; cannibalism as well as the occasional human sacrifice. If that’s not dangerous enough for your mind, then consider the fact that the unmistakeable voice of William S. Burroughs narrates the subject of this post—the mind-fucky 1922 silent film Häxan: Witchcraft Through the Ages, a flick full of all the sacrilegious subjects I mentioned above and much much more!

Initially, Häxan is presented as a kind of historical document providing legitimate information about the origins of witchcraft and paganism. It is also widely considered to be one of the very first films to do so in such vivid detail. Director Benjamin Christensen—a former medical student—even cast himself as the devil as well as making a brief appearance as Jesus in the film. However, before Häxan could be officially released in Sweden, Swedish censors requested that Christensen omit several scenes including a rather shocking one involving a newborn baby covered in goo being held over a boiling cauldron. Many of the depictions of witchcraft in Häxan were apparently loosely based on the results of research conducted by prominent British anthropologist, Egyptologist and folklore historian, Margaret Alice Murray in her controversial 1921 book by The Witch-Cult in Western Europe: A Study in Anthropology. Subsequently, after its censored release and being summarily banned in several countries, the film was heralded by members of the surrealist movement—as noted in the 2011 book 100 Cult Films—who called the film a “masterpiece of subversion.” 

Christensen’s care in making Häxan look and feel realistic truly knew no bounds. To reinforce its authentic darkness and to help convey the appropriate mood that is required for demonic possession he sent one of his cameramen to take photographs of the bleak, cloud-filled skies of Norway that he used throughout the film as a backdrop. His actors are genuinely terrifying looking and appear to be deeply tormented. In other words, Häxan looks like an actual snapshot taken in Hell.
 

A disturbed nun surrounded by an equally disturbing array of torture devices from ‘Häxan: Witchcraft Through the Ages’

Adding another layer of satanic panic related to Häxan is a story attributed directly to Christensen himself regarding actress Maren Pedersen who played “Maria the weaver,” a witch in the film. According to Christensen, when he discovered Pedersen she purported to be a Red Cross nurse from Denmark—though when they met she was a street vendor selling flowers. While they were in the middle of filming Pederson allegedly confessed to Christensen that she believed that the devil was “real” and that she had “seen him sitting by her bedside.” So enthralled was he by Pederson’s diabolical revelation that the director decided to include it in the film’s storyline. Presumably, because the power of Satan compelled him to, of course.

More after the jump…

Posted by Cherrybomb | Leave a comment
The space burial of Dr. Timothy Leary and ‘Star Trek’ creator Gene Roddenberry


 
Twenty years ago, the perihelion of the Hale-Bopp comet coincided with the mass suicide of the Heaven’s Gate cult, whose members believed death was a sure way of hitching a ride on a spaceship. They put on new pairs of Nike Decades before eating phenobarbital and tying bags around their heads. Among the dead in Rancho Santa Fe was Thomas Nichols, whose sister Nichelle played Lt. Uhura on Star Trek. “He made his choices, and we respect those choices,” she told Larry King.
 

 
One month later, a Pegasus rocket carrying the remains of Dr. Timothy Leary, Star Trek creator Gene Roddenberry, physicist and space colonization advocate Gerard O’Neill, Operation Paperclip beneficiary Krafft Ehricke, and 20 other former space enthusiasts launched from the Canary Islands.

More after the jump…

Posted by Oliver Hall | Leave a comment
The amazing Dr. Hal, Subgenius ‘Master of Church Secrets,’ will answer any question!


Submit to the superior mind of Dr. Hal!
 
One name alone could never properly designate the spellbinding polymath who calls himself Dr. Howll and Dr. Howland Owll, though he is known to hundreds of listeners around the world as the host of the Ask Dr. Hal! show.

A clergyman and theologian of the highest attainment in the Church of the Subgenius (“Master of Church Secrets”), Dr. Hal is a man of great learning, the numerosity of whose specializations is exceeded only by the perspicuity of his understanding, which in turn is outstepped only by the very testicularity of his hauteur. Why, Dr. Hal’s conversation makes Dr. Johnson sound like an analphabetic dirt farmer doing whip-its in an Andy Gump at the Gathering of the Juggalos, if you’ll pardon my French!
 

Ask Dr. Hal! via Laughing Squid
 
When did Dr. Johnson, so comfortably provisioned with nitrous tanks up in his ivory tower, ever give the American working stiff a break like this? “I refute it thus”: for $5, Dr. Hal will answer any question you can fit into an HTML form. Alternatively, “if you’re going to San Francisco,” be sure to wear some dollars in your hair, because your trip to the ¢ity by the pa¥ just got even more expensive: there is a run of Ask Dr. Hal! shows coming up in April at Chez Poulet in the Mission. If Chicken John likes your question, he will even pour you a shot of Fernet.

That’s Dr. Hal’s partner in the live show, Chicken John Rinaldi, the author of The Book of the IS, Volume I: Fail… To WIN! Essays in engineered disperfection and The Book of the Un, Volume 2: Friends of Smiley! Dissertations of dystopia. The live Ask Dr. Hal! show works like this, according to Chicken John:

You fill out the slip, you write your name, you write your question—any question about any topic, left or right, up or down: science, entomology, etymology, Greek mythology, sex, religion, jewelry, what’s the plastic thing on the end of your shoelace called. Aglet, by the way, on the end of your shoe. Aglet.

Much more after the jump…

Posted by Oliver Hall | Leave a comment
African gods and goddesses drawn as ass-kicking Jack Kirby-style superheroes
02.08.2017
01:19 pm

Topics:
Art
Belief
Heroes

Tags:
Africa
Jack Kirby
Marvel Comics


Oxóssi, a spirit associated with the hunt, forests, animals, and wealth
 
You don’t have to be anthropologist Clifford Geertz to make the connection that the superheroes developed in comic books in the middle of the last century function something like a new American mythology. The Greeks had Zeus, Athena, Poseidon, and Aphrodite; the Romans had Mars, Minerva, Janus, and Juno; and the Norse had Thor, Odin, Loki, and Frigg. In America we have Iron Man, Spider-Man, Flash Gordon, and the Silver Surfer (oh, and Thor too, right). Unlike Zeus and Minerva, our mythological heroes are currently drawing millions of people to multiplexes the world over, for whatever that’s worth. Mythology is breaking box office records!

A artist named Hugo Canuto has recently looked to his own African-influenced culture in Brazil to make a similar connection for figures from African mythology, depicting them as ass-kicking superheroes drawn in the style of the legendary Jack Kirby. Many deities of modern-day Afro-Brazilian religions find their roots in the mythologies of Nigeria and Benin, and these covers reflect that, using specifically local, that is to say Portuguese, spellings of the names.

For instance, the water deity Yemo̩ja is rendered here as Yemanjá, as she is known in Brazilian culture. Oshunmare, god of the rainbow, here pops up as Oxumaré. And Oya, a major Orisha governing death and rebirth, can be found here as Iansã, for that is what she is called on the western side of the Atlantic Ocean.
 

Avengers No. 4 (1963)
 
Last year Canuto reworked an iconic early cover of The Avengers to showcase the major Orishas, called Orixas in Portuguese, which are key elemental spirits of the Yoruba religion. So “The Orixas” is the umbrella category, like “The Avengers,” that houses all of the mythological figures that followed.

Interestingly, in the early 1990s, DC Comics had a line based on Yoruba mythology, called Orishas—it was also known as “Gods of Africa” and featured characters such as Eshu, Ogun, Erinle, and Oshunmare. Anybody out there a fan of that series? I don’t remember it.

You can purchase prints of Canuto’s covers on Facebook.
 

The Orixas
 

Yemanjá, major water deity, mother of all 14 Yoruba gods and goddesses
 
Much more after the jump…...

Posted by Martin Schneider | Leave a comment
Read Aleister Crowley’s dirty, dirty 666-word sex poem ‘Leah Sublime’


Leah Hirsig photographed in front of a portrait of her done by Aleister Crowley. The painting was done at Hirsig’s request for Crowley to paint her as a ‘dead soul.’
 
Aleister Crowley published his poem Leah Sublime in June of 1920. The poem has been called one of the most obscene pieces of literature ever written by Crowley—or anyone else for that matter—in which he describes his sexual exploits with one of his “Scarlet Women” Leah Hirsig.

Born in Switzerland in 1883, Hirsig was a high school teacher in the Bronx before she and her sister Alma worked up the courage to approach Crowley—who was living in New York at the time—in 1918. Crowley and Leah had an instant, combustible attraction to one another and spent most of their first visit together passionately kissing. During the sister’s second visit to Crowley, he requested to draw Leah in the nude—something he had never done. It would be one of many times Crowley would draw Leah’s portrait including one occasion where the aspiring occultist requested that he paint her as a “dead soul.” Here’s more from Crowley himself on his early meetings with Leah as told by author Lawrence Sutin in his 2002 book Do What Thou Wilt: A Life of Aleister Crowley:

The “little sister” (Leah) reminded me of Solomon’s friend, for she had no breasts… She radiated an indefinable sweetness. Without wasting time on words, I began to kiss her. It was sheer instinct. She shared it and equaled my ardor. We continued with occasional interruptions, such as politeness required, to answer her sister in the rare intervals when she got out of breath.

 

 
By the time 1920 rolled around Crowley and Leah—who was now going by the mystical name of “Alostrael,” were routinely participating in obscene ritualistic sex romps involving, among other things, a goat, which helped Leah earn her “Scarlet Woman” title. She also played an instrumental part in the formation of The Abbey of Thelema in Cefalù in Sicily—an occultist utopia of sorts where Crowley’s followers could attend “The Collegium of the Spiritum Sanctum” (or College of the Holy Spirit), participate in rituals and other cult-like activities. As a testament to how vilified Crowley was, he was thrown out of Italy by Hitler’s sidecar, fascist dictator Benito Mussolini.  Crowley would eventually end his relationship with Leah, her allegiance to the Great Beast remained intact. She would later move to France where she supported herself working as a prostitute before moving back to the U.S., and marrying William George Barron with whom she had a child in 1925. Shortly thereafter Leah went back to her old job teaching school.

More after the jump…

Posted by Cherrybomb | Leave a comment
Diabolical images of Hell and its demons from the 15th Century
12.29.2016
10:09 am

Topics:
Art
Belief
Books

Tags:
religion
demons
Devil
hell

002snomed.jpg
 
For such a beautiful book containing such rich and powerful religious iconography there is surprisingly little known about Livre de la Vigne Nostre Seigneur other than it is a French book written circa 1450-70 and is an illustrated treatise “on the Incarnation, Passion, and Resurrection of Christ” and “the Antichrist, Last Judgement, Hell, and Heaven.”

The book’s title Livre de la Vigne Nostre Seigneur is an “allusion” to:

...a vineyard often evoked in the Old Testament, planted by Yahweh and symbolizing the people of Israel. The image is taken up in the New Testament [Matthew 20-21], Jesus comparing the Kingdom of God to a vine whose Christians are the winegrowers.

The manuscript is illustrated throughout with stunning miniatures produced by many different hands depicting a diverse range of demons carrying out their dastardly deeds in Hell.

These “medieval demons”:

...undertake a much broader variety of activities—none of them good—and as observable here and elsewhere in the Livre de la Vigne imagery, their physiognomies often incorporate a baroque set of negative pictorial signs, which may include dark skin; deformity; bestial features such as fangs or beaks, horns, hooves, and tails; ugly grimaces; and supernumerary bodily orifices.

Demonic attributes, such as military weapons, pitchforks, fleshhooks, and flails, are associated with warfare, agricultural labour, and torture; and the torments inflicted by demons upon the damned include some of those familiar to medieval viewers from earthly spectacle, including public punishment.

Writer and researcher Jenny Judova notes the “most interesting aspect of these demonic depictions is”:

...that according to F. Carey (The Apocalypse and the Shape of Things to Come, p.93) ‘many of the details of the pictorial depictions follow the account in the text, which incorporates the description (in Latin ) from the book of Job 41:5-12:

(41-5) Who can open the doors of his face? his teeth are terrible round about. (41-6) His body is like molten shields, shut close up with scales pressing upon one another. (41-7) One is joined to another, and not so much as any air can come between them: (41-8) They stick one to another and they hold one another fast, and shall not be separated. (41-9) His sneezing is like the shining of fire, and his eyes like the eyelids of the morning. (41-10) Out of his mouth go forth lamps, like torches of lighted fire. (41-11) Out of his nostrils goeth smoke, like that of a pot heated and boiling. (41-12) His breath kindleth coals, and a flame cometh forth out of his mouth’

Jenny also points out the manuscript’s depiction of the Devil is “to some extent based on scripture and not social expectations of what the devil should like and artistic imagination.”

The Bodleain Library has uploaded a large selection of images from Livre de la Vigne Nostre Seigneur which can be viewed here.
 
001snomed.jpg
 
004snomed.jpg
 
More images of Hell’s angels, after the jump…

Posted by Paul Gallagher | Leave a comment
Chaos, corruption & the demise of civilization
12.28.2016
08:45 am

Topics:
Art
Belief

Tags:
sculpture
Kris Kuksi


A sculpture by artist Kris Kuksi.
 

The function of my work has to do with relating to the darker side of human psychology

—Kris Kuksi

One of the notable fans of artist and sculptor Kris Kuksi is visionary film director Guillermo del Toro. And once you’ve seen Kuksi’s work it will not be hard to understand why it attracted the distinguished eye of del Toro and the late Robin Williams, among others.

Kuksi moved away from Springfield, Missouri and his alcoholic father while still a young child and was raised by his mother in a rural community just outside of Wichita, Kansas along with his two older brothers. The town offered a rather stagnant and unstimulating environment for the aspiring artist who spent a lot of time playing with his Star Wars action figures and LEGO bricks by himself. Kuksi’s grandmother would provide her grandson with her own stationary to draw on which allowed him to express himself despite the desolation he was surrounded by. His love of drawing was also encouraged by his high school art teacher who advised the teenager to continue his studies with higher education. Kuksi would go on to obtain both a bachelor’s and master’s degree in painting from Fort Hays State University.

By the time he was 22 Kuksi made his first attempt at sculpture using found objects such as castaway toys, leftover bits from modeling kits, wood, jewellery and other materials that helped him bring the images in his imagination to life. According to the artist it can take months to finish one of his densely detailed sculptures and it’s not unusual for him to work fourteen to sixteen hour jags in a single day on a complex piece in his studio—a former church by the Kansas River. Kuksi’s work is deeply influenced by Italian Renaissance masters and he refers to one of the greatest sculptors (and noted architect) of the 17th century and architect Gian Lorenzo Bernini as his “ultimate hero.”

I don’t like to use the phrase “mind-blowing” without good reason but Kuksi’s sculpture work is absolutely worthy of such praise. Kuksi’s artwork is featured in the 2010 book published by BeinART, Kris Kuksi: Divination and Delusion. Some images are delightfully NSFW.
 

‘Leda and the Swan.’ A sculpture by artist Kris Kuksi, 2014.
 

‘Churchtank.’
 
More after the jump…

Posted by Cherrybomb | Leave a comment
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