‘No Slam Dancing’: Black Flag, Dead Kennedys and… Jon Stewart?


Henry Rollins and Greg Ginn during a Black Flag show
 
I’ve read an absolutely embarrassing amount of books on pop music for someone who’s never read Dostoyevsky, and over the years I’ve learned to make my recommendations with care. I’ve found out the hard way that not everyone is as interested in Ronnie Spector’s autobiography as I am (ingrates), and that it’s difficult to convince someone that you don’t have to be a metal fan to enjoy a book on the history of heavy metal. However, I’m completely serious when I say everyone will enjoy No Slam Dancing, No Stage Diving, No Spikes: An Oral History of the Legendary City Gardens—it’s just that universal.

To give you some background, City Gardens was a music venue in the most unlikely of places, Trenton, New Jersey, a city that’s been on the rapid decline for decades. After the assassination of Martin Luther King, riots ravaged the downtown, and even the cops were looting (for welding masks and catcher’s helmets to protect their faces from flying debris). Insurance companies began to drop businesses’ claims, deindustrialization exacerbated unemployment, and suburban flight grew in droves—Trenton, NJ remains a pretty dismal place, economically.

However, where there is a void, there is also opportunity, and a giant warehouse in a rough part of town became the site of a musical oasis, all through the tireless efforts of a few committed fans and staff. The actual City Gardens building had been re-purposed many times before, from a grocery store to a car dealership, but when it was reopened as a disco in 1980, local DJ Randy Now approached the owner, hoping to find a venue receptive to his New Wave tastes. What began as a few weekly dance nights quickly paved the way to booking some of the best bands in underground music.
 

The Descendents in front of their perilous tour bus
 
Before you write off City Gardens as just another scummy punk venue, realize two things. First, the Trenton neighborhood it called home was volatile. While slam-dancing can certainly incur some injuries, to say City Gardens was merely “violent” is an understatement. It saw a lawsuit in 1981, not a year after it began booking bands, when a woman was brutally beaten with a pool cue in inside the venue. And this is to say nothing of the skinhead riot that occurred later. The late Dave Brockie, better knows as GWAR singer Oderus Orungus, said City Gardens was so bad, they’d never go there as fans. Second, when I say “some of the best bands in underground music,” I think City Gardens’ booking philosophy is best summed up in Mickey Ween’s forward when he said, “they did not cater to the audience.”

This was not just a punk or hard rock club. For every Black Flag and Danzig (who had their very first show there), there was a Bo Diddley, Sinead O’Connor, Lydia Lunch, Iggy Pop, DEVO, Bauhaus, The Ramones (who played numerous times), Ricky Nelson, The Violent Femmes, RIcky Nelson, or Toots and the Maytals! The Daily Show‘s Jon Stewart was bartending during a Butthole Surfers set with a topless dancer and some careless DIY pyrotechnics! The Beastie Boys almost didn’t play and got their tires slashed, presumably for being late! Someone threatened to break down the dressing room door to stab Jello Biafra! The chaos and sheer wildness of City Gardens is what truly made it unique, and it even hosted all ages shows!
 

Al Jourgensen of Ministry
 
Co-Author Amy Yates Wuelfing pinpoints the preposterous success of it all:

City Gardens was in the middle of nowhere. Not Philly, not New York, but it was still a big club.  That fact that it was so close, and in the middle this dead zone, made the community of people who went there stronger and tighter. It was almost like college, you saw the same people all the time so they became your friends. That was the main thing for me. And unlike the clubs in Philly and New York, the pretentious element wasn’t really there.

What’s truly captivating about No Slam Dancing is the story-telling—it’s a complete oral history, meticulously collected from the memories and reflections of bands, employees, regulars, and all manner of City Gardens alumni. Over a hundred interviews were conducted to create an amazing compendium of anecdotes, and they don’t pull punches. Not everyone comes off well, and sometimes everything goes wrong, but the spirit of the moment is exciting and ambitious, and it’s all the more inspiring when you realize the entire fourteen year musical renaissance of Trenton, New Jersey was built from the ground up by Randy Now, the hobbyist DJ with a day job as a mailman. It’s an insane story, and I highly suggest you pick it up.

Below, Jon Stewart, Ian Mackaye and others talk about City Gardens in a trailer for Riot on the Dance Floor: The story of Randy Now and City Gardens.
 

Written by Amber Frost | Discussion
GWAR fans petition to have interstellar war-gods perform at the 2015 Super Bowl Halftime Show
09.18.2013
10:54 am

Topics:
Amusing
Music
Pop Culture
Sports

Tags:
Gwar
Super Bowl halftime


 
Well this is something I can get behind. GWAR fans have started an online petition—it already has over 20,000 signatures, btw—to Greg Aiello, Senior Vice President of Communications for the NFL, to allow the band to perform at the 2015 Super Bowl Halftime Show.

It was started in retaliation against next year’s scheduled performer Bruno Mars because… “boring.”

NFL must listen to the people. GWAR is more American than apple pie.

You can sign it here.

Below, GWAR covers Kansas’ “Carry On Wayward Son”:

 
With thanks to Matty Granger!

Written by Tara McGinley | Discussion
Shock rock: El Duce of The Mentors and Gwar on The Jerry Springer Show


 
I love it when the audience feigns shock and disgust on The Jerry Springer Show, all the while poking their snouts in the dirt like pigs looking for truffles.

Gwar and El Duce of The Mentors gleefully push the crowds’ buttons as they discuss “shock rock,” which is the musical equivalent of taking a dump in the punch bowl of pop culture and political correctness.

Some might find El Duce’s “rape rock” crosses the lines of bad taste into something more vile, but I think it’s pretty obvious that Duce’s trangressions are a form of performance art in which he’s embodying the worst expectations of the Parents Music Resource Center (PMRC) and testing the boundaries of free speech. It may be crude but it’s effective.

Three months after this episode of Springer was filmed, El Duce (Eldon Hoke) died at the age of 39, which adds a bit of bittersweetness to the title of one of his classic love songs “My Erection Is Over,” the lyrics of which were quoted during the 1985 Senate hearings on offensive language in rock songs.

I want me a sleazy slut
Who can give a tongue bath to my butt
My erection is over…it’s over, it’s all over

It WAS all over when El Duce was crushed by a freight train one night in April of 1997. Some say it was suicide, some say it was payback for making claims he was hired by Courtney Love to murder Kurt Cobain. Maybe it was an accident. Whatever the case, it’s the kind of shit the denizens of Springerville love to their cluck their tongues over. 
 

Written by Marc Campbell | Discussion
Christmas with Gwar
12.16.2010
10:56 am

Topics:
Amusing
Music

Tags:
Christmas
Gwar

image
 
Yes, it’s that season again when thoughts turn to chestnuts roasting on an open fire, Rudolph the Red-Nosed Reindeer, Christmas elves and GWAR!

All together now:

Crush, kill, destroy, crush, kill, destroy, destroy!
I was first and shall be last, slaying all who cross my path
Toppling your gleaming towers, bathing you in golden showers
I crush you as I would a fly
I Kill you and I watch you die
Destroying all I find offending, devastation never ending

 
Via Mu

Written by Marc Campbell | Discussion
Fun Fun Fun Fest 2010: MGMT, The Hold Steady, Mastodon, Gwar, Nortec Collective, The Dwarves…

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Some of the highlights of this year’s Fun Fun Fun Fest in Austin. Performances by MGMT, Big Freedia, Mastodon, The Hold Steady, The Dwarves, Gwar, The Casualties, Nortec Collective, Suicidal Tendencies and The Gories.

I shot the video with a Sony HDR-XR500.

There’s some audio distortion in a few spots, but I don’t think it’s too distracting. Enjoy.
 

 
Previously on DM: the Descendents at Fun Fun Fun Fest.

 

Written by Marc Campbell | Discussion