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Heavy Metal Parking Lot: Photos of AC/DC hanging with a bunch of teenage super-fans in 1979
04.03.2018
04:48 pm
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AC/DC rhythm guitarist Malcolm Young (RIP) taken outside the Bel-Air Motel in Springfield, Illinois in 1979. Though he kind of looks like a teenager, Young was 26 at the time.
 
Aussie rock leviathans AC/DC have been a band (in one form or another) since their formation in 1973 by the recently departed Malcolm Young and his younger brother Angus in Sydney. The band were pretty popular in Australia, even in their earliest days and would make their way to the U.S. for the first time in the summer of 1977 to play a series of gigs at the famous Armadillo World Headquarters in Austin, Texas at the behest of promoter Jack Orbin. Orbin was instrumental in bringing hard rock and metal acts like Judas Priest and the Scorpions to Texas early on and famously bailed Ozzy Osbourne out of jail after he was locked up for pissing on the Alamo Cenotaph—a gigantic statue which memorializes the Battle of the Alamo and the lives of the 189 Texans who died there. History lessons aside, their debut deep in the heart of Texas in 1977 would mark the beginning of AC/DC’s riffy rise to the top of rock ‘n’ roll mountain.

Just like other major rock acts, AC/DC has toured relentlessly for decades, continuing on after the death of vocalist Bon Scott in February of 1980 and the departure/dismissal of vocalist Brian Johnson in 2016. Perhaps you’ve even heard the rumor that the band might be mulling over the idea of bringing in Axl Rose of Guns N’ Roses to replace Johnson on an upcoming album and subsequent tour, something that Australian author and noted authority on AC/DC Murray Engleheart was very sure about after Rose stepped in for Johnson in 2016. I don’t know how all these shake-ups are going to shake out but I am sure of this—it’s never a bad idea to take a look back at the history of a band that quite literally changed rock and roll for the better with their enduring battle cries about sex, booze, the devil and spot-on reflections of the occupational hazards of the perpetually shirtless rock-god lifestyle.

Calling to mind Jeff Krulik‘s Heavy Metal Parking Lot, most of the images below are of the band intimately fraternizing with their fans in spring of 1979 in the parking lot of the Bel-Air Motel in Springfield, Illinois during the If You Want Blood tour. I also included a few staggering live shots of the band and their rabid fans which help to further perpetuate the notion that AC/DC has always had some of the most dedicated fans in the world—something that hasn’t changed to this day and probably never will. Lastly, many of the images of Bon Scott in this post were taken during the final year of his life making them a rather poignant glimpse into the end of an era of AC/DC which all legitimate fans of the band revere. Devil horns out!
 

A photo of Bon Scott flanked by Angus Young performing their first ever gig in the U.S. at the Armadillo World Headquarters in Austin, Texas on July 27, 1977.
 

Fans losing their minds at an AC/DC show in mid-to-late 1970s.
 

Scott and Malcolm Young signing records and other items for their fans in the parking lot of the Bel-Air Motel in Springfield, Illinois 1979.
 
More after the jump…

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Posted by Cherrybomb
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04.03.2018
04:48 pm
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The vampy and voluptuous vintage pinups of ‘good girl’ illustrator Bill Kresse
12.06.2017
11:36 am
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A cheeky illustration by New York native, Bill Kresse.
 

“Don’t ever be afraid to try something new. You will learn from it, use it, and, hopefully, profit from it.”

—Bill Kresse.

Bill Kresse is a hero in the world of illustration and comics with many accolades to his credit, including a gig he scored after graduating from high school for legendary New York studio Terrytoons as an inker in the animation department. Terrytoons produced a few cartoons you might have heard of like Mighty Mouse, a series of toons featuring the wisecracking magpies Heckle and Jeckle, and The Mighty Heroes (Diaper Man! Never forget!).

Following that dreamy-sounding job, Kresse joined the Associated Press as a member of their prestigious art department. If you were a reader of the New York Daily News in the late 60s and early 70s you probably looked forward to Kresse’s cheeky comic strip “Super” Duper which ran in the paper exclusively for several years every Sunday. Kresse and his layout artist friend Rolf Ahlsen collaborated on the storylines and comic panels for “Super” Duper which centered around the antics of tubby, girl-crazy apartment superintendent, Mr. Duper. Kresse and Ahlsen’s fictional Mr. Duper had the good fortune to work in a building inhabited by bodacious females dressed in hotpants and mini skirts. While I’m on the topic of scantily-clad, impossibly proportioned illustrated women, let’s dive into Kresse’s foray into what is commonly referred to as “vintage sleaze” in comics and his pin up art which was routinely showcased in various men’s interest digests put out by Humorama—a wickedly popular division of Martin Goodman’s massive pulp publishing firm.

In the 1950s Kresse earned the reputation of being a “good-girl” illustrator. His lighthearted pinup-style illustrations would appear in various Humorama digests for decades along with other well-known artists versed in sleaze funnies such as Bill Ward (not to be confused with Black Sabbath drummer, Bill Ward), and Superman creator Joe Shuster. So yeah, just like Clark Kent, Shuster had his own secret identity of sorts as an illustrator of fiery-hot, hardcore fetish. Go figure. Fans of Kresse and his contributions to vintage sleaze refer to him as “unappreciated” during his lifetime.

Peers of Kresse I’ve already mentioned in this post who drew classic/sleazy pinup art have already been immortalized in beautifully curated gallery shows as well as hardcover retrospectives. When it comes to Kresse, anything tangible beyond his individual vintage illustrations or comics, is a book he authored in 1984 Introduction to Cartooning. After Kresse passed away in 2014, I was hopeful that someone might finally get around to publishing a collection of his exuberant adult-oriented comics, though sadly that hasn’t happened yet. As a huge fan of all things sleazy, I can say without hesitation that Kresse deserves such an homage and more. Kresse’s work might look rather tame when compared to his contemporary Eric Stanton and one of the genre’s most prolific stars, Gene Bilbrew, but it’s still NSFW. Just like hotpants.
 

 

 

 
More after the jump…

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Posted by Cherrybomb
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12.06.2017
11:36 am
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‘Twins of Evil’: Meet real-life sexy sisters the Collinson Twins


A shot of Mary (pictured on the left) and Madeleine Collinson on the set of Hammer’s 1971 film ‘Twins of Evil.’
 
Before twin sisters Madeleine and Mary Collinson appeared in Hammer’s 1971 film Twins of Evil, they would become the very first twins to pose for Playboy magazine as the “Misses October” for the October 1970 issue. According to Madeleine, the occurrence of twin births was incredibly common for their family noting that nearly every woman in the Collinson clan had given birth to twins “one time or another.” In fact, Madeleine and Mary’s mother, a former model, would later give birth to a second set of twins.

Madeleine Collinson was apparently a big fan of horror films which made her a natural fit to play Frieda Gellhorn, the “evil” twin in Hammer’s 1971 film Twins of Evil. Her sister Mary would play opposite her twin as the demure, virginal Mary Gellhorn. The sisters had just arrived in London two years earlier from Malta, where they did some modeling in their early teens as well as a few television commercials. Mary would be the first to leave Malta and head to London followed by Madeleine when they were just seventeen. They were instantly hounded by photographers and filmmakers hoping to capitalize on the twins’ unique good looks. Success came quickly to the twins and after being invited to attend a party in London to hang out with other European movers and shakers they met Victor Lownes—Hugh Hefner’s right-hand man and Playboy’s managing director. According to London high-society mythology, Lownes convinced the girls to move into his mansion in London and then sent them off to the original Playboy Mansion in Chicago to meet Hef and pose for the magazine. As I mentioned previously, the twins would earn the distinction of being the very first set of twins to ever appear in Playboy. Over 800 photos of the girls were taken for their Playboy spread, a new record when it came to photoshoots for the magazine.

Madeleine and Mary would appear in a handful of other films though it would be their joint appearance on The Tonight Show with Johnny Carson followed by their roles in Twins of Evil that would make them a hot commodity. Most if not all opportunities that were presented to the girls involved them appearing together, not as individuals. This scenario was less than appealing to the twins, and in 1972 both Madeleine and Mary moved to Milan and removed themselves from the limelight ending their brief but spectacular brush with fame. I’ve posted photos of the gorgeous twin sisters in character from Twins of Evil (though only Madeleine played a vampire chick in the flick), and a few shots from their appearance in Playboy, making it safe to assume much of what follows contains nudity and is NSFW.
 

 

 
More after the jump…

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Posted by Cherrybomb
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10.25.2017
12:48 pm
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Bunny Hop: Peep inside the Playboy Clubs of the 60s, 70s & 80s


A photo taken at the opening of the very first Playboy Club in Chicago in 1960.
 
The first Playboy magazine hit the shelves in 1953 and in 1960, the late Hugh Hefner opened what would be the very first Playboy Club in Chicago. Other clubs would quickly emerge in more than twenty locations including Boston, Wisconsin, and Los Angeles, as well as more elaborate Playboy Club Resorts which you could visit in Jamaica and Manila. Entrance into the various clubs would run a member $25 a year for which they would receive a special key that when presented to a designated “Door Bunny” would get them inside. The clubs were designed to emulate the “Playboy lifestyle” projected by Hefner, though that’s not what initially ignited the vast existence of Playboy Clubs. The actual inspiration for the clubs began with an article in Playboy published in 1959 that detailed the goings-on at the historic Gaslight Club in Chicago’s River North area. The club was the brainchild of Burton Browne who modeled the club around the “Gay 90s” (aka the “Naughty Nineties” or the decade beginning in 1890) a debaucherous period where creativity and libidos ran wild.

Like Hefner’s future Playboy Clubs, entrance to the Gaslight required a key. Naturally, Hef was already a member of the Gaslight Club as it featured his favorite thing—half-naked women with large breasts everywhere you looked. According to Victor Lownes III, the executive of HMH Publishing Company (which would later become Playboy Enterprises in 1955) he recalled that the article received over 3,000 letters from readers of Playboy inquiring as to how they too could join this exclusive club. This set the wheels in motion for Hefner who knew how to recognize an opportunity, though at the time his vision for his Playboy-themed clubs didn’t include expansion beyond Chicago. When the doors to the fledgling club opened, it employed approximately 30 girls between the ages of 18-23 who were said to be “single, beautiful, charming, and refined.” It also somehow qualifies the old saying that people really did read Playboy articles. At least they read one in 1957. And that’s a fact. 

As you may have already assumed, and much like Hefner’s storied, celebrity-studded events at the Playboy Mansion, Playboy Clubs were frequented by Hollywood’s elite, such as Frank Sinatra. The Playboy Resorts featured entertainment from acts like Sonny & Cher, Melba Moore, and Sinatra’s pal and Playboy Club regular, Sammy Davis Jr. The first Detroit club which was located right across from a church attracted prominent members of that city’s vibrant jazz scene. Even Detroit’s mayor at the time Coleman Young (who held the position for twenty years starting in 1974), was an honorary member of the Playboy Club.

The St. Louis location regularly hosted comedy acts like George Carlin, Flip Wilson, Joan Rivers and Steve Martin. One of the more creative locations was opened on Lake Geneva in Wisconson that featured a ski slope, chairlift and according to former Bunny Pam Ellis, a DJ booth known as the “Bunny Hutch” where Bunnies would spin records while a bubble machine and disco ball set the mood. Most if not all of the girls at Lake Geneva lived in the “Bunny Dorm” which Ellis says was surrounded by a chain-link fence topped with barbed wire. If a girl didn’t live in the dorms, a car would be sent for them to their home to bring them to work where they could also eat for free. Ellis looks back on her time at Lake Geneva’s Playboy Club with fondness—especially the fact that she met her husband while she was DJ’ing in the Bunny Hutch.
 

Frank Sinatra hanging out at the Playboy Club in Las Vegas back in the day.
 
I had been working on this post for a while and had just started to get some words committed to “paper” when Hefner passed away on September 27th at the age of 91. Given that somewhat unexpected event, I held off on finishing it until today as I wasn’t crazy about having DM readers think that capitalizing on the death of someone as well-known and controversial as Hugh Hefner is something we aspire to. However, I do, like so many people, look back with fondness to a time where girls in bunny tails and ears were as glamorous as the movie stars that cavorted around the same clubs with them. Below I’ve posted a huge collection of photos taken inside and on the grounds of various Playboy Clubs including some rarely seen images from the Lake Geneva location that were kindly provided to me by Adam Levin with the help of Christina Ward of Feral House.
 

Bunnies on top of a locally made tractor at the Lake Geneva Playboy Club in Wisconsin. Photo courtesy of Adam Levin.
 

Bunnies having fun at Dunn River Falls in Ochos Rios, Jamaica in 1972.
 

New York 1960s.
 
Much more after the jump…

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Posted by Cherrybomb
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10.18.2017
09:37 am
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The electro-alien intergalactic disco of Rockets
09.29.2017
08:19 am
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Rockets.
 
Okay, all you adventurous Dangerous Minds readers—come take a ride with me to early 1970s Paris to witness the birth of “space rock” band Rockets. As this post does not include any herbal cerebral enhancement other than the words I’ve written about Rockets and the out-of-sight images of the band dressed up like disco versions of KISS’ Ace Frehley, you might want to take a moment to enhance your perception before continuing with a lil’ “entertainment insurance.” Of course, this is merely a recommendation and should not be taken seriously (yes it should) as I don’t advocate the use of drugs, alcohol or other party favors (yes I do) to help one fully appreciate a visual/auditory experience such as this. Half-assed disclaimers out of the way, let’s learn more about France’s electro-extraterrestrials, Rockets.

In the early 70s, the band was playing bars sans space gear and calling themselves “Crystal” until sometime later in the mid-70s when they decided to change it to “Rocket Men,” known also as “Rocketters” (and then Rockets). Not to be confused with long-time Detroit rock band the Rockets, Rockets went all in with their kooky outer-space look with all five members painting their skin silver and decked out in futuristic-looking spacesuits. Their live shows were as spectacular as you might imagine a gig by a bunch of French disco-loving aliens would be. And more. There were of course lasers, vocoders (a type of “talking synthesizer” that modulates speech) and Rockets vocalist Christian Le Bartz would often regale the audience by spraying them with sparks and smoke that spewed from a sort of cannon gun while he robotically marched around on stage.

So what about the music of Rockets? Well, it’s pretty groovy if you dig Krautrock, DEVO and disco (because, who doesn’t), and for a short time the band was very commercially successful. After releasing their first self-titled album in 1976, Rockets would start making a name for themselves thanks to their live shows and their notorious television appearances. Their second album, On the Road Again,  sent Rockets touring across the world including stops in the U.S. for the first time. In 1979 they released Plasteroid, which sold over 200,000 copies in Italy alone. The follow-up to Plasteriod, 1980’s Galaxy would eclipse this achievement by selling over a million copies worldwide. Despite this success, by 1983 the group began to dissolve starting with the departure of Le Bartz and drummer Alain Groetzinger. Bassist Gerard L’Her would say farewell a year later in 1984.

Far-out footage of Rockets performing numbers from Galaxy and On the Road Again is posted below as well as some surreal photos of the band in their intergalactic getups from back in the day.
 

 

 
More after the jump…

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Posted by Cherrybomb
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09.29.2017
08:19 am
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Of overalls and platform boots: Brian Johnson’s ass kicking pre-AC/DC band, Geordie
09.11.2017
11:21 am
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The perpetually jolly Brian Johnson during his days with the band Geordie.
 
A few weeks ago I wrote about former AC/DC vocalist Brian Johnson and his “acclaimed” jingle for the Hoover Vacuum company in 1980. Since that time, I’ve been digging around Johnnson’s pre-AC/DC rawk days—and I’ve loved every minute of it. If I were stranded on a desert island and had to live with the music of one band, it would be AC/DC. Give me Sabbath or give me death, I’d still be okay departing this world if Angus, Malcolm, Cliff, Bon, and later Brian Johnson, played me out. A girl can dream, can’t she? For now, let’s get back to the focus of this post—AC/DC vocalist Brian Johnson and his band, Geordie.

First off, Geordie’s oddball name was taken from a word that is used to describe the citizens and unique dialect associated with residents of Johnson’s place of birth, Newcastle upon Tyne in England, a place where everyone speaks in Johnson’s nearly impossible-to-understand endearing verbal sway, and the origin site of black metal pioneers Venom. Before joining Geordie, Johnson had some minor success playing various working men’s clubs in the North East of Newcastle with the Jasper Hart Band. Johnson recorded a few singles in the early 1970s with the group before leaving to join forces with his first serious band, USA which would later become Geordie. At the time, glam rock was everything and Geordie was born right smack in the middle of the exploding glitter bomb and musical liberation that was led by the likes of T.Rex and the New York Dolls. Every great story about rock and roll ever written contains at least one piece of WTF mythology, and this one is no exception. The tale associated with Geordie is especially surreal as it concerns the first time that Johnson met Bon Scott while he was fronting one of his pre-AC/DC bands, Fraternity (later known as “Fang”).

According to Johnson, Fraternity/Fang opened a few shows for Geordie in the group’s early days. During one of Geordie’s performances, Johnson was gravely ill battling a dire case of appendicitis—which I can tell you from experience is horrible and will take you down quick and hard. Despite this, Johnson borrowed a tip from the “How to Rock and Roll and Not Be a Giant Pussy” handbook and played the fucking gig in what I can assure you was horrific pain. Johnson was suffering so badly that he laid down on his side on stage and was kicking and screaming in agony—but still, he persisted, and somehow finished the show. Bon bore witness to the spectacle, thinking it was part of the show just like pretty much everyone else at the gig. Later on, after joining AC/DC, he would tell his new bandmates about the gig noting how impressed he was by Johnson’s “performance” and admiring the fact that his future replacement was on the floor kicking and screaming on stage exclaiming “what an act” it was to behold. What an “act” indeed.
 

The awesome cover of Geordie’s 1974 album ‘Don’t Be Fooled by the Name.’
 
Geordie did pretty well for themselves until the later part of the 70s when the increasing popularity of new wave and punk bands like the Blondie and the Sex Pistols killed their appeal. Before their demise in 1976, Geordie would put out four respectable as well as mostly commercially successful records that produced a bunch of hits including “All Because Of You” from their 1973 debut album Hope You Like It that plowed its way into the UK top ten. Though they would technically call it quits in 1976, Johnson would revive Geordie as “Geordie II, ” and his Geordie bandmates would plod onward with a new vocalist Dave Ditchburn. That version of Geordie would produce an album that contained songs featuring Johnson’s vocals as well as Ditchburn’s called No Good Woman before disappearing for good sometime in the early 80s.

More Geordie, after the jump…

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Posted by Cherrybomb
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09.11.2017
11:21 am
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Mysterious photos of Ozzy Osbourne in the nude performing with a naked hippie band back in 1969
08.15.2017
10:17 am
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Ozzy reacting the same way I did to the news that photos from his brief stint in an all-nude hippie band have surfaced.
 
Okay, here’s the deal—I’m posting two images of what looks like a very young, and completely nude Ozzy Osbourne for a couple of reasons. Reason one is that I am a lifelong disciple of OZZ and look for any legitimate reason to write about Ozzy, Tony Iommi, and his bandmates in Black Sabbath and beyond. However, today, I’m hoping that one of our DM readers, or perhaps Ozzy himself might be able to shed some much-needed light on these mysterious images. Here’s what I know about them so far. Help us, Ozzy, you’re our only hope

According to a site once run by a Germany-based Black Sabbath fan, Black-Sabbath.de, someone sent them two photos of Ozzy from a source in Scandinavia. The first photo allegedly shows a very young Ozzy holding a what appears to be a Fender Precision bass on stage completely nude while sharing a microphone stand with a naked brunette. As much as I’d like to be, I’m no expert when it comes to band gear, and the grainy photos below make it nearly impossible—for me at least—to tell what Ozzy actually has slung over his shoulder. The rest of the all-nude-review includes a drummer—a guy with lambchop sideburns who looks a bit like Monkee Michael Nesmith hitting a bongo, and a beardie nude dude playing a stand-up bass.

The second photo features Ozzy hanging out backstage at the gig with the stand-up bass player and the buck-naked brunette. What makes this strange scenario plausible is the fact that Sabbath played a a TON of gigs in 1969 including multiple stops in Copenhagen. Since I had gone this far, I decided to research the bands Sabbath played gigs with in 1969 in the hope that one of them would reveal themselves to be the nude quartet jamming with Ozzy. Sadly, the closest I got was that perhaps Ozzy’s hippie band might have been comprised of members of English band Bakerloo who at one time were photographed as the “The Bakerloo Blues Line” along with a cute, unidentified brunette who was perhaps a member of the band. Bakerloo previously toured with Sabbath while they were still known as Earth in London and likely elsewhere. However, as there is a naked bongo player in this scenario, it’s possible that Ozzy is hanging out with members of local Birmingham band, Rare Breed.

Where are those goddamned meddling kids and their snack-happy dog when you need them?

Despite my heroic heavy metal efforts to resolve this mystery, this is where my investigation into Ozzy’s nude (maybe) Scandinavian escapade ends. You can see the intriguing NSFW black and white photos for yourself and draw your own conclusions, after the jump.

Wait are you waiting for?

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Posted by Cherrybomb
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08.15.2017
10:17 am
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Strangely amusing (& slightly confusing) Japanese subway signs
07.26.2017
09:41 am
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“Do not rush onto the train!” A PSA-style poster that appeared on Japanese subway cars in April of 1979.
 
I love writing about Japanese pop culture, everything from obscure garage rock to game shows to that weirdo Japanese erotica stuff. While I’m not claiming to be some Japanese culture/sub-culture idiot savant, I am rather dedicated to continuing my exploration of a place I’ve sadly never visited. Yet. Today I’ve got something I know our readers are going to dig via of my favorite Internet spots Pink Tentacle—a collection of perplexing PSA posters that were displayed on subway cars during the mid-70s and early 80s. The word puzzling and Japanese pop culture often walk hand in hand, and these public service announcements are quirky, to say the least, when it comes to reminding train patrons to behave appropriately. And yeah, “manspreading” on the train was apparently quite the problem back in the day. How rude! Even aliens did it. Who knew?

Getting back to the posters, as you look through the images you’ll see that many of them use stuff borrowed from American pop culture—you know, like Jesus and Superman—to help convey their messages. There are also a few that are preoccupied with reminding folks riding the train to not leave their umbrellas behind or the perils of leaving your chewing gum on the subway platform for someone, like Superman (don’t laugh, it could happen) to step in it. Oh, the HORROR.
 

“Space Invader” March 1979.
 

“Three Annoying Train Monsters” October 1982.
 

“Don’t Forget your Umbrella” October 1981. I guess we finally now know what Jesus would actually do.
 
More after the jump…

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Posted by Cherrybomb
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07.26.2017
09:41 am
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Big Balls: Rarely seen, intimate photos of AC/DC taken back in the 70s
07.10.2017
01:17 pm
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Angus Young (top left), Phil Rudd (top right), Bon Scott (bottom left), and Malcolm Young (bottom right).
 
Spoiler alert! This post does, in fact, contain an image of AC/DC guitar hero Angus Young’s balls, a sight you may have witnessed yourself if you’ve ever seen the band in concert. And that’s because Angus is known for flashing his ass and low-hanging fruit in the wild, much to the delight of AC/DC’s loyal fans during their live performances.

I got to thinking rather nostalgically about AC/DC on Sunday as it would have marked the 71st birthday of long departed vocalist Bon Scott, who passed away at the way too young age of 34 in February of 1980. Many of the images in this post were previously uploaded to various AC/DC fan forum sites, and others were published in rock magazines in the 1970s. I also came upon more that were taken backstage by fans of the band as well as some behind-the-scenes images that were captured of the boys while they were recording their face-smashing 1978 album Powerage in 1977. Some days, the Internet is very generous, and today was one of those days.

Of all the groups who reside at the top of the mountain that built rock and roll, AC/DC is probably the band with the most universal appeal. I mean, do you know anyone who doesn’t like AC/DC? I sure as fuck don’t.  And if I did, I’d get right to not knowing them as quickly as possible. Even after the death of Bon, which nearly caused the band to call it quits right then and there, they not only carried on but would put out one of the most influential albums of their career—1980’s critically acclaimed Back in Black with vocalist Brian Johnson. With Johnson at the helm, AC/DC would put out a slew of studio albums that collectively sold more than 93,000,000 copies worldwide as of 2014. While it’s possible you may have seen some of the images in this post before, I’m betting that you haven’t seen most of them. Either way, this stuff is a treat for the eyes that deserves two devil horns up! Some of the pictures are NSFW which should make sense since this is AC/DC we’re talking about. Also, balls.
 

In the studio during the recording of ‘Powerage’ in 1977.
 

An early shot of AC/DC and drummer Phil Rudd’s awesome sweater.
 
More mayhem with AC/DC after the jump…

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Posted by Cherrybomb
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07.10.2017
01:17 pm
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Girls just wanna be punk: Early recordings and demos by the Go-Go’s
04.19.2017
03:46 pm
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An early single by the Go-Go’s on Stiff Records.
 

AMERICA AND THE MUSIC INDUSTRY, meet the Go-Go’s: International, Filthy Rich, Jet-Setting Rock- and Screen-Star Bitch Goddesses

Rolling Stone journalist Steve Pond being very, very right about the Go-Go’s back in 1982.

 
Easily the most famous all-girl band in the world, the Go-Go’s played a hugely influential role in the emerging punk/new wave scene in Los Angeles. In the late 1970s before they became the Go-Go’s they called themselves the Misfits despite the fact that the name was already taken by a group of muscle-bound horror punks in New Jersey led by a certain Glenn Danzig. Belinda Carlisle was unsurprisingly a cheerleader in high school in her hometown of Conejo Valley, but that all allegedly changed after she saw the half-naked image of Iggy Pop on the cover of the Stooges’ 1973 album, Raw Power. At nineteen Carlisle left home with her pal Theresa (aka the future “Lorna Doom” of the Germs) bound for Hollywood. Once the Germs were born Carlisle did a brief stint with them playing the drums and calling herself “Dottie Danger.” She and Doom dropped acid, Carlisle did some modeling and in her autobiography Lips Unsealed: A Memoir she confesses to having had a make out session with Alice Bag.

Prior to getting with the Go-Go’s timekeeper Gina Schock was drumming for John Waters’ star Edith Massey and her punk band Edie and the Eggs. Before rhythm guitarist Jane Wiedlin joined the band, she was a seamstress in a sweatshop in downtown Los Angeles who preferred crystal meth to coffee so she wouldn’t fall asleep on the job. While at her day-job Wiedlin would use the paper that the sewing patterns were printed to write her punk poems, parts of which would make their way to the band’s albums. Wiedlin and Carlisle ended up living across the way from each other (Carlisle was rooming with Lorna at the time) and their friendship would eventually lead them both to the Go-Go’s.

When the band started playing gigs around town it didn’t go unnoticed. They partied as hard as their male counterparts, did tons of coke, popped pills and excelled at the rock ‘n’ roll 101 skill of destroying hotel rooms. Early on their gigs were kind of a hot mess. Their first set was opening for the Dickies at LA punk club, the Masque. For a short time, the band was just a trio comprised of Wiedlin (who was going by the gonzo name of “Jane Drano”), Margot Olavarria on bass and with Carlisle front and center on vocals. According to Olavarria even though they really didn’t have a clue as to what they were doing it really didn’t matter because at the time there was “no shame in being a horrible musician.” In another punk rock six-degrees of separation type moment worth noting, Olavarria found out she had been given the boot by Belinda and her bandmates from none other than Exene Cervenka of X. The reason for Olavarria’s dismissal was said to have stemmed from her getting pinched by the po-po trying to score some cocaine. Oh, the shifty-eyed, typewriter-jaw irony that is two coke-heads accusing another coke-head of doing something shady. Tisk tisk.
 

Jane Wiedlin.
 
The then very new Stiff Records had the girls make a bunch of great recordings including a single that you may have heard of before called “We Got the Beat.” Their early recordings and demos are not only really fucking good but are a real scream to listen to if you’ve never heard them for some of the in-studio banter between the band members. Later I.R.S. head-honcho Miles Copeland (the brother of Police drummer Stewart Copeland) came calling and signed the Go-Go’s and they embarked upon making their first record which they had always envisioned as a punk record. I.R.S. was already a home away from home for other punks like The Cramps, The Damned and The Fleshtones. But the production team behind Beauty and the Beat of Rob Freeman and Richard Gottehrer had other ideas. Beauty and the Beat was miraculously completed in three weeks while the party animal antics of the Go-Go’s terrorized New York City and Penny Lane Studios. When the girls first heard the record they were pissed off. Go-Go’s guitarist Charlotte Caffey said she and the rest of the band and even cried while listening to it the first time. It wasn’t a punk album, it was pure pop perfection (Which is a good enough reason to shed a few tears if you ask me). They went over Gottehrer’s head and appealed directly to Miles Copeland to have the record remixed. Copeland refused and the album, which was released in 1981, would go down in history as one of the most successful debut albums by a band in history.

I’ve included a few choice photos of the band from their early days as well as various songs, demos and recordings of the band rehearsing back before they became America’s sweethearts in the early 80s. If it’s been a while since you’ve thought about the Go-Go’s, I hope this shines a light on the fact that they were pretty much the best and deserve way more credit (as many female musical artists do) for the deeply impactful mark they made. And that my friends is a goddamned fact.
 

Belinda in a Germs t-shirt back in the day.
 

 
Much more after the jump…

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Posted by Cherrybomb
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04.19.2017
03:46 pm
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Bad girls behind bars: Vintage ‘women in prison’ exploitation movie posters


A movie poster for the 1986 film ‘Reform School Girls’ with Wendy O. Williams, Sybil Danning and Andy Warhol pal Pat Ast (pictured prominently above).
 
The “WIP” (“women in prison”) film genre has several sub-genres ranging from nuns in prison to an interpretation favored mostly by European filmmakers who loved to include Nazis in their chick-centric prison flicks. Italy, Germany, and France put out quite a few WIP films back in the 70s and 80s, as did the U.S. of A. and the Philippines. When the first women in prison films made their way to the big screen they were more dramatically inclined. One of the very first films to tell the tale of a girl behind bars is Hold Your Man starring the profitable on-screen power couple of Jean Harlow and Clark Gable. The film is full of some pretty salacious stuff. Thankfully, this was 1933 and Hollywood films were still getting away with more on screen prior to the enforcement of rules laid out in the Motion Picture Production Code of 1930 being widely adopted within the industry as it wasn’t really wasn’t policed until late in 1934. Which made a film like Hold Your Man—whose plotline involved a gorgeous blonde getting stuck behind bars while she’s knocked up with her lover’s baby—possible.

You can find WIP films in every decade but because both the 1970s and 1980s are so near and dear to my heart—and because I’d quite frankly love the opportunity to do another one of these posts—we’re going to stay put in those two consecutive decades. The genre can be pretty strange and runs anywhere from girl-heavy drama which would generally fall into the “redemption” film category to straight-up pornography. In the 1950s WIP films were heavily influenced by pulp fiction novels but it wouldn’t take long for the films to evolve (or devolve perhaps) into exploitation flicks with lots of nudity, sex, violence, rape, and notably deviant plotlines.

The popularity of the genre and its many sub-genres soared during the 70s and 80s which would bring us , Chained Heat starring teen queen Linda Blair and Wendy O. Williams’s prison warden in Reform School Girls. So now that I think I’ve given you more than a few compelling reasons to take a deep dive into this strangely complex film genre, I’ve posted a large selection of WIP movie posters that are mostly NSFW as you would expect them to be.
 

‘The Big Bird Cage’ with Pam Grier and Sid Haig
 

A German movie poster for ‘99 Women.’
 
More after the jump…

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Posted by Cherrybomb
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04.18.2017
01:45 pm
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‘Brown Acid: The Fourth Trip’: Stream some obscure vintage fuzz rock from the 60s & 70s
04.13.2017
06:43 am
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The cover of ‘Brown Acid: The Fourth Trip.’ 
 
Some of the mind-melting jams on Brown Acid: The Fourth Trip are so rare that the die-hard fuzz junkies who compiled the Brown Acid series say that you’d have a better chance of hitting the lottery than finding a physical 45 single by the bands featured on their latest installment. If there’s one thing that vinyl nerds love it is unearthing something that nobody else they know has in their collection, and Brown Acid: The Fourth Trip brings more music from unsung bands like Australian heavy metal/psych band Ash; Kanaan out of Dangerfield, Texas; and the proggy sounds of nearly unknown Indiana band, AXAS and their four-minute tribute to “Lucifer.”

Since I enjoy a challenge I had a lot of fun digging up details on a few of the bands that are featured on the latest installment of Brown Acid. Though “Lucifer” is the only AXAS tune that the band has licensed in over 40 years, according to AXAS band member Bill Carbaugh it seems that the group put out more than 65 songs during their six-year run. So guarded are the band of their back catalog that Carbaugh keeps the copyrighted and notarized score for “Lucifer” locked away in his safe. In light of this information, there’s likely a good chance that we have yet to hear the last from AXAS. Then there is Aussie band Ash, whose sick stranglehold of a single “Midnight Witch” popped up on Brown Acid: The Second Trip which we premiered here on DM last year. This time their ripping track “Warrant” will kick your ass all the way from 1971 with its impossibly psychedelic riffs and vocals that make the band sound like a much heavier version of Jethro Tull.

Rounding out the nine singles on Brown Acid: The Fourth Trip is the pre-punk sound of Chicago band Bad Axe. Inspired by The Rolling Stones, Deep Purple and The Who, Bad Axe vocalist and guitarist John Turner recalls that the recording sessions for “Coachmen” were done while the band consumed Jack Daniels and a bunch of weed. However, due to various issues especially a lack of finances (and maybe being too stoned) Bad Axe was never able to actually able to get their recordings pressed until 2014 when Permanent Records uncovered the band’s recordings and put out both “Coachmen” and “Poor Man, Run” on 45 which promptly sold-out.

Listen after the jump…

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Posted by Cherrybomb
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04.13.2017
06:43 am
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Super rare David Bowie promotional items from the 70s and 80s
04.07.2017
07:34 am
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An image of David Bowie used for a poster put out by RCA Japan in 1980. Bowie was in Japan filming a television ad for Takara Shochu “Jun” Sake. The image was later recycled for the sleeve for the 1980 Japan exclusive instrumental single “Crystal Japan.”
 
I recently came across some pretty amazing images of David Bowie that were taken for various promotional endeavors in the 70s and 80s. Some were a part of press kits assembled for various films featuring The Thin White Duke, some from his record marketing collateral as well as some incredibly rare posters that were only released in Japan and the UK. Some of the scarce items showcased in this post include promotional “mobile displays.” Here’s the thing about mobile displays, since they were made in super small quantities and most ended up getting carried off or ruined by wear and tear, they are incredibly difficult to come by. Especially if it happens to involve David Bowie. They also tend to be expensive when you do find them/

A few of the photographs and other ephemera I’ve posted below are actually for sale at collectibles site Rock Explosion though some contain the requirement that you inquire as to their cost—and you know what that means. If you have to ask, you probably can’t afford it. So in light of that, I suggest that you kick back and enjoy looking at our dearly departed David below.
 

BBC publicity photo of Bowie from the production of Bertolt Brecht’s ‘Baal’ taken in 1981.

 

An almost unrecognizable Bowie in a promotional poster for the EP release of ‘Baal,’ his last with RCA, 1981.
 

A cardboard standup display of Bowie holding a glass of milk for ‘Young Americans’ 1975.
 
More after the jump…

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Posted by Cherrybomb
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04.07.2017
07:34 am
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Televangelism for the jet-set: The rise & fall of the ‘World Action Singers’ of the 1970s


 
“The World Action Singers, ORU students who love to sing as they prepare for their responsibilities in tomorrow’s world.” In the 1970s Richard Roberts greeted millions of Americans on his evangelist father’s prime-time television specials and syndicated weekly programs. His group the World Action Singers flew all over the globe in a private jet to exotic locations such as Hollywood, Alaska, Hawaii, London, and Japan, earning them the nickname “The Worldly Action Swingers.” Meanwhile, back home at Oral Roberts University in Tulsa, Oklahoma they were reportedly receiving 32,000 pieces of fan mail a day. By 1980, despite their near-perfect public image, The World Action Singers found themselves facing multiple scandals, serious financial crises, and a loss of approximately 40% of their audience.

Oral Roberts was a televangelist pioneer who trained a generation of jet-setting, superstar pastors. In the sixties, he hired Oklahoma architect Frank Wallace to sculpt a multimillion-dollar dream campus in one of Tulsa’s classiest suburbs. When it opened in 1967, ORU’s space-age academy resembled Disney’s Tomorrowland and instantly became the finest example of modern architecture at any university in the world. Located in a sunken garden in the heart of the campus, a 200-foot Googie-influenced building called The Prayer Tower was topped by a gas flame which lit up the evening sky. Pylon-like columns, gold-tinted windows, CityPlex Towers, a state-of-the-art Aerobics Center, and a geodesic dome gave ORU a Jetson’s city quality. It was a building named Baby Mabee which opened in 1971 that was used as a television studio for the production of Roberts’ specials. (FYI, Elvis Presley’s live album Elvis - Sold Out! was recorded at the adjacent Mabee Center in 1974).
 

 
Oral’s third son, Richard Roberts was working as a singer at parties and pizza parlors in the Tulsa area. When it came time for college he rebelled against his father by attending the University of Kansas instead of ORU and married his girlfriend Patti against the wishes of his family and friends. Soon after, Oral called Richard and Patti into his study, sat them down by the fireplace and began to weep. Oral explained that he had a terrible dream where God told him that if they should continue living an “unchristian life” outside of ORU then they would be killed in a plane crash. Richard and Patti immediately returned to Tulsa and formed the wholesome, singing and dancing sensations the World Action Singers made up of a dozen elite ORU students including Kathie Epstein who would later become known as Kathie Lee Gifford. With flashy sets, costumes, well-choreographed dance sequences, the World Action Singers were an overnight success and reached millions of viewers every week.

But while Richard and Patti maintained a Ken & Barbie facade on television, behind the scenes their behavior was far from perfect. Richard had a reputation for off-campus smoking, drinking, and womanizing. He even maintained a difficult reputation on-set, and one day snapped at producer Jerry Sholes by exclaiming, “Is he a director or a pussy?” without any regard to the Christian students within earshot. As the 1970s went on it became increasingly difficult for Richard to put in a full work day, he was often MIA or leaving set early to go golfing. Meanwhile, ORU was knee-deep in cash: the Roberts enjoying vacations, expensive cars, shopping trips, and flying around the world in luxury, all at the expense of the school. Frank Schaeffer (son of the famous Christian theologian Francis Schaeffer) was the first to call Richard and Patti out on their behavior, describing their lifestyle as “poisonous.” According to Frank, his confrontation with the Roberts was successful, with Richard finally admitting “You’re right, you’re right, this is terrible. We need to get out.”
 

 
In 1977, Oral Robert’s prophecy came true in a shocking roundabout turn of events when Rebecca Roberts (Oral’s oldest child) and her husband were killed in a plane crash. Soon after, Richard and Patti’s marriage fell apart. Oral previously had a strict policy against divorce, however, he bent the rules and gave Patti permission to end the marriage. She later described it as “a corporate marriage designed not to upset the flow of dollars into the prized ministry.” Controversy quickly arose when the divorce went public, and combined with serious financial crises regarding construction on the campus, the Roberts began facing opposition from even their most devoted followers in the early ‘80s. Despite Richard’s fast efforts to re-marry (he wed a 23-year-old named Lindsay Salem within a year of the divorce), ORU would never fully recover. Over the next several decades the university would rake up about $52.5 million in debt which left its once beautiful campus in shambles. The Prayer Tower considered the symbol of the university, became rusty, and the tiled steps to the library ended up in complete disarray, missing almost all of its tiles.

More after the jump…

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Posted by Doug Jones
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04.04.2017
09:37 am
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Fierce and provocative vintage artwork & images from New York’s infamous Fiorucci store
03.30.2017
10:18 am
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A vintage 80s ad for Italian fashion brand, Fiorucci featuring Divine. Art by Richard Bernstein

“Went to Fiorucci and it’s so much fun there. It’s everything I’ve always wanted, all plastic.”

—Andy Warhol diary entry for December 21, 1983

Although Fiorucci was a global brand, it was the NYC store where Elio Fiorucci’s visionary day-glo retailing vision was best realized. Everyone from Jackie O to Andy Warhol spent time hanging out and shopping at Fiorucci—a glammy New York store that was fondly referred to as the “daytime Studio 54.” From the late 70s and most of the 80s the clothing brand founded by Elio Fiorucci in Milan was a fashion trendsetter and can be credited with many looks that defined the era. Like primary colors and “neon” fabrics, form-fitting “stretch” denim jeans and the accessories that were worn by a young Madonna, thanks to Fiorucci’s art director, jewelry designer Maripol who styled her iconic look. (Ms. Ciccone even performed at the store’s 1983 anniversary party). Maripol also dressed the likes of Grace Jones and another New York fashion icon, Debbie Harry. Keith Haring would draw on the walls. Kenny Scharf did his first art show there. Andy Warhol’s Interview magazine had office space in the store for a while, too, and it was pretty difficult to turn up at the store—across from Bloomingdale’s flagship on 59th and Lexington Ave—and not see someone incredibly famous.
 

Madonna and her dancers
 
And since this is New York we’re talking about, one of the store’s most popular employees (he was the manager) flamboyant performance artist Joey Arias appeared with David Bowie and Klaus Nomi on what would become one of the most infamous episodes of Saturday Night Live on December 15th, 1979. Because everybody was somebody in New York back then. Fashion designer Betsey Johnson

I was recently made aware of the fact that earlier this month high-end UK retailer Selfridges debuted a pop-up shop where you could actually purchase items from Fiorucci’s classic clothing catalog. Everything from the brand’s famous denimwear to an accessory I have been obsessed with since I was skating around the roller rink to Sister Sledge (who sang about the store), Fiorucci patches. Selfridges even provided a service where you could have a vintage patch, which were created in 1984, affixed to the item of your choosing. If you missed that, like I sadly did, the store is now carrying a number of new Fiorucci items including some cool, vibrantly colored t-shirts with the brand’s neon, zig-zagging logo on the front. Below I’ve posted an array of images from Fiorucci ad campaigns, marketing posters as well as a few of the vintage patches sold at the Selfridges’ pop-up store.

Sunglasses are encouraged to protect your eyes. Some are NSFW.
 

The famous Fiorucci logo
 

 
More after the jump…

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Posted by Cherrybomb
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03.30.2017
10:18 am
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