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Bob Hope’s breathtaking midcentury modern estate—now half price!
06.14.2016
10:55 am

Topics:
Design
Movies

Tags:
Bob Hope
John Lautner


 
The legendary comedian Bob Hope probably did as much as anyone to define the image of the California community of Palm Springs. Among other things, the comedian founded the Palm Springs Bob Hope Golf Classic in 1964 and relentlessly promoted the desert hideaway in the Coachella Valley located a two-hour drive east of Los Angeles.
 

 
In The Frontier of Leisure: Southern California and the Shaping of Modern America, Lawrence Culver explains that Hope’s wife Dolores had become enamored of a house that the great midcentury modern architect John Lautner designed for a Palm Springs interior designer named Arthur Elrod in 1968—you can see it in the James Bond film Diamonds Are Forever:
 

If Elrod wanted a party house, Bob and Dolores Hope asked for an entertainment complex. Dolores Hope had been enchanted by the Elrod House, and the Hope House revisited the domed Elrod design, with a much larger dome intended to evoke the forms of the mountains nearby. Now, however, the dome was open to the sky and served to enclose a large courtyard. The space devoted to the couple’s personal residence was relatively small, as most of the behemoth structure was intended to be used to entertain, feed, and potentially house hundreds of guests. When Dolores Hope’s husband saw Lautner’s design, he reportedly quipped that “at least when they come down from Mars they’ll know where to go.” Though Bob Hope consented to the project, Lautner and Dolores Hope had a difficult relationship. She repeatedly asked for changes that required redesigns. A devastating fire during construction also slowed building and resulted in a less ambitious design than Lautner’s initial plan. He subsequently looked back on the project with regret, but the Hope residence nevertheless became a Palm Springs landmark.

 
The property is located at 2466 Southridge Drive. The house is 23,366 square feet and contains 10 bedrooms and 13 bathrooms. The lot is roughly six acres in size. As recently as a year ago was on the market for $50 million. Right now, however, the same property is available on Estately for approximately half of that—the current listing price is $24,999,000.

Here’s the description:
 

Mere words cannot describe this majestic and historical piece of architecture which was the largest private residence designed by John Lautner and commissioned by legendary Bob & Dolores Hope. The property has entertained dignitaries from all over the world and is viewed by many as one of the most iconic pieces of architecture in the world.

 
Some affluent DM reader should buy the thing and invite us all over for a party.
 

 
More after the jump…

Posted by Martin Schneider | Leave a comment
Bob Hope’s space-age home on the market for $50 million
02.25.2013
03:19 pm

Topics:
Current Events
Design

Tags:
Bob Hope
John Lautner

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Bob Hope’s Palm Springs home is for sale. It’s an architectural marvel designed by the visionary John Lautner in 1973. The futuristic dwelling is almost 24,000 square feet, costs $50 million and is conveniently located close to the Coachella Fest for you rock ‘n’ roll billionaires out there. Move quick because this won’t be on the market long. Contact Partners Trust.
 
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Posted by Marc Campbell | Leave a comment
Julius Shulman’s Visual Acoustics

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I’m very much looking forward to Visual Acoustics, the 7-years-in-the-making documentary on Julius Shulman.  As today’s NYT says:

Julius Shulman, the prolific architectural photographer who died in July at 98, benefited in equal measure from talent and timing.  He was, of course, a gifted, inventive photographer; his introduction of real people into architectural images is considered groundbreaking.  But he also lived and worked in midcentury Los Angeles, an epicenter of Modernism and a canvas for architects like Richard Neutra, Pierre Koenig and John Lautner, whose landmark houses Mr. Shulman captured.

Since he was based primarily in Los Angeles, expect to see glorious photographs of buildings that no longer remain.

 
In the NYT: The Lens That Loved Modernism

Posted by Bradley Novicoff | Leave a comment