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Behind the scenes with John Waters, Johnny Depp, Iggy Pop and Traci Lords on the set of ‘Cry-Baby’
01:20 pm


John Waters
Johnny Depp

The fulcrum of John Waters’ career is Hairspray, the PG-rated 1988 crossover hit that made it possible to discuss his movies in, erm, “polite society.” Before Hairspray he was a scourge, after it he became America’s favorite dirty uncle.

This news report of the filming of Cry-Baby, Waters’ 1990 follow-up to Hairspray, is unimaginable without the success of its predecessor. Shooting for Cry-Baby took place in the spring and summer of 1989 in and around (where else?) Baltimore. The photo above was likely taken during the shoot, as Johnny Depp turned 26 in June of 1989.

The voiceover blandly calls Waters “a poor man’s Barry Levinson gone berserk,” which seems highly questionable to me. Aside from their hometowns, Levinson and Waters have little in common.

The segment features a couple of great quotes from Waters:

“It’s the same kind of movie. It’s a John Waters film. There’s puke in it, you’ll be happy to know.”

“Some older woman came up to me in the supermarket and said, ‘I love all your films!’ I said, ‘You do not!’”

Priceless stuff.

According to Wikipedia Cry-Baby was the only movie of Waters’ career that went through a bidding war, based on the success of Hairspray. But then Cry-Baby didn’t make its $12 million budget back, and that was the end of the bidding wars for John Waters.

I’d bet anything that the Cry-Baby set was a fun place to hang around. You had Waters and Depp, of course, but also Ricki Lake, Iggy Pop, Traci Lords, Patricia Hearst, Susan Tyrrell, and Willem Dafoe, and that’s not even getting into Waters’ usual supporting players. After the video we’ve supplied some groovy pics taken while the shooting of the movie was in progress.



Much more after the jump….....

Posted by Martin Schneider | Leave a comment
Punk rock knitting: These cult figure sweaters are easily the most amazing sweaters money can buy

Kraftwerk sweater by by Amimono Horinouchi
I’m not the sort of person to really care all that much about, or even notice, expert knitting or “crafting” or embroidery or anything remotely like that. This very sentence will probably mark my first time using the word “felted” and it might very well be the last. I’ve got no business being in a Hobby Lobby. I’m not putting it down, but it’s not my area of interest.

That was until I saw the jaw-dropping sweaters made by Amimono Horinouchi, a 49-year-old knitwear artiste based in Tokyo. THIS is where my own esoteric interests hit the Venn diagram with wool sweaters hard. When I saw the Kraftwerk sweater, my eyes practically bugged out—they’re all so amazing: Debbie Harry, Ramones, Bowie, YMO—but what could possibly top that insane Kraftwerk sweater???

And then I saw the one on his website of Throbbing Gristle-era Genesis P-Orridge and was completely and utterly floored.

Amimono Horinouchi‘s knitwear might be “fashion,” but it is also art.

According to his Etsy page, which has prices in dollars, the bags sell for less than $200, and the sweaters go for about $600 which I think is a great bargain. He also takes commissions and will even do a sweater of your beloved dog or cat. I’d love to see him working in large tapestries. Incredible!

Follow Amimono Horinouchi on Twitter.

Genesis P-Orridge

Debbie Harry
More after the jump…

Posted by Richard Metzger | Leave a comment
Giant John Waters head bong
02:34 pm


John Waters

Image via NikkiSwarm on Instagram

I completely adore this huge ceramic John Waters head bong by artist John de Fazio. The piece is currently on exhibit in Los Angeles at Venus Over Manhattan. (Looks more like a “pipe” to me, but the Internet is calling it a “bong.”)

Fun fact: During his brief tenure at NYU in 1966, a young John Waters was involved in the first major pot bust on a college campus. University authorities asked the students involved to keep quiet about the incident, but Waters called the New York Daily News the next day giving the tabloid paper an interview about what had happened.

Photo by Nicole McClure AKA Nikki Swarm on Instagram and Twitter

Posted by Tara McGinley | Leave a comment
‘This Time’: John Cougar Mellencamp is really in love with John Waters actress Edith Massey
01:31 pm


John Waters
Edith Massey
John Mellencamp

Long before he gained fame, Indiana-born and raised roots rocker John Mellencamp was already married and a father, just two weeks after graduating from high school in 1970. After two-years in a community college—and a stint with a New York Dolls-influenced glam rock group called Trash—for a period of about 18 months he travelled back and forth several times between New York City and his small town home of Seymour trying to get his foot in the door of the music business. In 1976 Mellencamp was signed by none other than the infamous Tony Defries, the flamboyant and ruthless manager of David Bowie, Lou Reed, Iggy Pop and other outré performers (like electro chanteuse Annette Peacock). It was Defries who dubbed him “Johnny Cougar” thinking his German surname sounded too hillbilly.

In fact, the young Mellencamp had little choice but to go along with the name change which he saw for the first time already plastered across his Chestnut Street Incident album cover without his consent:

“I was totally unaware of it until it showed up on the album jacket. When I objected to it, he said, ‘Well, either you’re going to go for it, or we’re not going to put the record out.’ So that was what I had to do… but I thought the name was pretty silly.”

That’s rough! Imagine how pissed off the guy was holding his debut album in his hands for the first time and finding out he’s got a brand new—stupid—name? Mellencamp’s career survived Defries, and the name went from Johnny Cougar to John Cougar then to John Cougar Mellencamp before he settled on the name he was born with. Mellencamp was no overnight sensation. His first album flopped—selling just 12,000 copies—and ultimately he found himself on a record label that wanted him to be a middle-of-the-road pop songsmith like Neil Diamond.

It was during this time, a couple of years before his commercial breakthrough with American Fool that Mellencamp released the Steve Cropper-produced album Nothin’ Matters and What If It Did in 1980. That album featured on its cover, the artist posing with none other than John Waters’ star Edith Massey, who was also in the video for one of the record’s Top 40 singles, the charmingly goofy love song “This Time.”

Mellencamp told Rolling Stone in late 1980:

“I was looking for a typical heavy woman to convey a lower-middle-class way of living.”

More like desperate living, right? It looks like Edie got over the Egg Man?

Posted by Richard Metzger | Leave a comment
Watch John Waters’ favorite ‘failed art film’: The INSANE drunken mess that is ‘Boom!’

As all true John Waters fanatics know, the Pope of Trash’s favorite film of all time is Boom! director Joseph Losey’s utterly preposterous adaptation of Tennessee Williams’ 1963 play The Milk Train Doesn’t Stop Here Anymore. Waters considers Boom! a bit of a litmus test: He’ll show it to friends and if someone doesn’t like it, he won’t talk to them anymore. Seems a bit much, but he’s John Waters and I respect that!  Waters described the film to Robert K. Elder in his book The Best Film You’ve Never Seen: 35 Directors Champion the Forgotten or Critically Savaged Movies They Love as “beyond bad. It’s the other side of camp. It’s beautiful, atrocious, and it’s perfect. It’s a perfect movie, really, and I never tire of it.” You’ll notice that he doesn’t say that it’s good. And he’s right, it is beyond bad. Wow. Boom! is in a category by itself, even among films starring Liz and Dick when they were shitfaced, okay?

Boom! reveals itself as a cinematic atrocity almost from the film’s very first frames—not that this is a bad thing, mind you.  A clearly drunk—and I do mean clearly drunk, okay?—Elizabeth Taylor and Richard Burton star, respectively, as Sissy Goforth, the richest woman in the world (“married to five industrial kings!”), and Chris Flanders, a penniless poet who has the uncanny knack for showing up just when some rich lady is about to kick the bucket, ready to relieve them of their personal possessions. We know this because Flanders’ nickname is “The Angel of Death.”

When we meet her, La Taylor is seen swanning about her private island wearing insanely elaborate Karl Lagerfeld clothes and literally hundreds of thousands of dollars worth of Bulgari jewels. She is attended to by fawning servants (including a surly dwarf!) as she dictates her memoirs and asks for constant “injections” for her pain (as if she could feel any due to all the booze).

Burton arrives on her island and is nearly ripped apart by a pack of guard dogs. She asks him to stay and offers him a change of clothes, which includes a Samurai sword which he sports—inexplicably—for much of the film! Why not? They spend much of their screen time engaged in (obviously) drunken screaming matches. It’s AWESOME!

At one point, Noel Coward (as “The Witch of Capri”) shows up for a dinner party of “boiled sea monster”—carried on the shoulders of one of her servants and shouting “HOO HOO SISSY!” as he arrives—and gives her all the hot gossip on Burton/Flanders, who he thinks is a gigolo and warns her of his “angel of death” reputation. (It’s worth noting that the role of the “the Witch of Capri” was originally offered to Katherine Hepburn who was insulted and turned it down.)

Director Losey admitted that all the principals on Boom!—including himself—were shitfaced drunk for the entire filming. Burton later fessed up that there were several films he made in the 60s that he literally had no memory whatsoever of making. Odds are strong that Boom! is one of them!

John Waters used to tour with Boom! screening the sole existing print of the film available during his lectures. He told Vice:

[Tennessee Williams] said it was the best film ever made. Which to this day only he and I can agree on. He’s right though. The play was called The Milk Train Doesn’t Stop Here Anymore, but that was too long to put on the marquee so they called the film Boom!, which is the sound of a bomb going off—ironic, considering how hard it bombed.

It’s so awful it’s perfect. My favorite bit is when Elizabeth Taylor pukes into a handkerchief, looks down and there’s blood, and she says, “Ah! A paper rose!” The script is ridiculous. Come on, it’s about the richest woman in the world, called “Sissy Goforth,” and the Angel of Death. Maybe everyone does need an angel of death who comes to them when they die and so what if your angel of death steals something from you.

The point is, it’s a staggering movie and it’s worth seeing it with a live audience because you just don’t know how to react at the beginning. You think, What is the tone of this? That’s the thing that is so bizarre. Apparently Richard Burton and Elizabeth Taylor were drunk for the whole time they were filming it. Elizabeth Taylor kept wanting to buy the set and it had a roof and they had to tell her it wasn’t real. She wanted to live there and they had to say, “We’re making a movie! This isn’t a real house!”

I remember I met Elizabeth Taylor and the first thing I said is, “I loved Boom!” and she got real mad and shouted, “That’s a terrible movie!” And I said “It isn’t! I love that movie! I tour with it at festivals!” Then she realized I was serious. Because it is a great movie. I feel like if you don’t agree with that I hate you. If you don’t like Boom! I could never be your friend. Right now I live by the water and every time I see a wave hit a rock I shout, “Boom!” like Richard Burton.

Watch ‘Boom!’ after the jump…

Posted by Richard Metzger | Leave a comment
Leigh Bowery’s shock therapy: ‘When I’m dressed up I reach more people than a painting in a gallery’

The dictionary defines the word “legend” as:

1. a traditional story sometimes popularly regarded as historical but not authenticated.

2. an extremely famous or notorious person, especially in a particular field.

It would be fair to say this word fits rather snugly with the performance artist, designer, would-be pop star, icon, artist’s model and “work of art” Leigh Bowery.

When asked recently, “Who was Leigh Bowery?” I was briefly flummoxed as where to begin in any attempt to describe this wonderfully extravagant yet self-indulgent character. There were so many facets to his life—so many fictions, so many facts—it seemed rather unsporting to choose only one.

Leigh Bowery was born on March 26th, 1961, in the small working class suburb of Sunshine in Melbourne, Australia. He was was the eldest of two children born to Tom and Evelyn Bowery. His mother had lived her entire life in Sunshine and raised Leigh and his younger sister Bronwyn in a house opposite her own childhood home. Sunshine was that kind of community. People lived and died there—they knew their place and rarely ventured beyond its boundaries.

Leigh was a large beefy child with a head of golden curls. Because of his build, his father hoped Leigh would become an Australian rules football player or at the very least something sporty. Yet Leigh showed no inclination for such physical activities. He preferred gardening and later needlework—something he first learnt while convalescing in hospital after an operation to help his testicles descend.

At school he was a very bright pupil. He had a keen and enquiring mind, was constantly reading books and showed great aptitude for classical music—in particular playing the piano. His life changed after he won a scholarship to Melbourne High School.

Leigh later claimed that he had known he was gay from the age of twelve. During his time at Melbourne High, he began his sexual adventures. On his way home from school, Leigh cruised the public toilets at the central railway station. He discovered wearing a school uniform made him highly attractive to the older men.  By his own estimate—which may or may not be true—he claimed he had sex with about one thousand men before he left school.
His parents had hoped Leigh would study music at university. Instead, he chose to study fashion design at the Melbourne Institute of Technology. Leigh was one of only two boys in his year. He quickly learnt how to machine sew and began making some of his early flamboyant designs. These were not exactly appreciated by his teachers who wanted him to design ladies’ underwear and children’s clothes.

But Leigh had moved ahead of such small ambitions and wanted to create his own designs. He was eighteen and had fallen under the influence of punk—as he later explained in an interview.

The thing which made everything click for me was the punk movement where people used themselves and their appearance to describe so much and I just loved Busby Berkeley movies—all those sequins and feathers—and I would always have my nose in a National Geographic, gazing at women with stretched necks and rings going in strange places.

Leigh was also very enamored with the club scene in London, which he read about in all the imported pop and fashion magazines he got his hands on.

I wanted to hang out with the art and fashion people. I wanted to go to nightclubs and look at the clothes in the shops. I loved the idea of punk and the New Romantics. England seemed the only place to go, I considered New York but that just seemed full of cheap copies of London. I don’t think I made a mistake.

He quit college and worked in a department store to raise the funds for the London move. When he arrived in the city of his dreams, Leigh lived with a friend. When this friend moved out, Leigh decided to change his life and become more involved with the city around him. According to his friend and biographer Sue Tilley, Leigh made a list of four resolutions on New Year’s Eve 1980:

1) Get his weight down to twelve stone.
2) Learn as much as possible.
3) Establish himself in either fashion, art or writing.
4) Wear make-up every day.

Leigh managed to meet three of these resolutions over the next decade.

Read more about Leigh Bowery, plus a documentary about him hosted by Hugh Laurie, after the jump…

Posted by Paul Gallagher | Leave a comment
Divine and friends action figures from John Waters’ ‘Female Trouble’

“Mr. Wineberger, Dawn Davenport is eating a meatball sandwich right out in CLAESS!”
Divine’s official social media guru directed my attention, yesterday, to the work of sculptor Tyson Tabbert, who recently created a batch of “action figures” for John Waters’ masterpiece Female Trouble.

In Female Trouble, perhaps Waters’ best film, Divine plays Dawn Davenport, career criminal and fame seeker. An addiction to injected liquid eyeliner sends her on a berserk crime spree, ending in art/murder. In one of its most famous scenes, Dawn destroys the family Christmas when she doesn’t receive the gift of “cha cha heels” she is expecting. “Nice girls,” it turns out, “don’t wear cha cha heels.”

Tabbert has created an entire playset devoted to this iconic cinematic scene.

Unfortunately, according to Tabbert’s Instagram, the figures are not for sale. But maybe if enough people beg him? I know I’d throw down for the “Female Trouble Christmas Morning Playset.” It would have a place of honor every year, right next to the Nativity and Christmas shit log.


More after the jump…

Posted by Christopher Bickel | Leave a comment
A sackful of holiday greetings from Divine, Edie the Egglady & Miss Jean Hill (NSFW)

Here are the grand goddesses of John Waters’ Dreamland repertory company, Divine, Edith Massey, and Jean Hill, making spirits bright for the holidays in this collection of pin-up photos.

Though all three performers have sadly left this planet (Divine in 1988, Edie in 1984, and Jean Hill in 2013), their beauty and glamour lives on.

The majority of these photos were taken for novelty Christmas cards in the ‘80s—the sort you would have found at a Spencer’s Gifts back in the day.



More after the jump…

Posted by Christopher Bickel | Leave a comment
Cool T-shirts featuring Ken Russell, Klaus Nomi, John Waters, Sylvia Plath & more

It’s getting near that time for buying presents and shit. The one present I’ll certainly be adding to my holiday wish list of hoped-for Christmas goodies is a Ken Russell T-shirt from Hirsute History.

The l’enfant terrible genius of British cinema, Unkle Ken—the man responsible for such classic movies as Women in Love, The Music Lovers, The Devils, Tommy and Altered States—is just one of the many hirsute heroes to be found on a range of colorful clothing available from Hirsute History at Amphorphia Apparel. Here he joins Sylvia Plath, John Waters, Susan Sontag, Jerry Garcia, Ada Lovelace and a whole bunch of other artists, scientists, ideas and stars that’ll look good on your body.

So, if you fancy wearing a Ken Russell or an Ada Lovelace, then hop over to the site or get a retina burn from the selection below.
Ken Russell.
Sylvia Plath.
Groucho Marx.
More fab T-shirts, after the jump….

Posted by Paul Gallagher | Leave a comment
American Gothic version of Divine and John Waters

There’s really not much to say about this fantastic painting of Divine and John Waters taking the place of the old prairie couple in Grant Wood’s iconic 1930 painting “American Gothic.” I simply dig it.

I had a hard time tracking down the artist as I misread the signature as GG Allin. To be honest for a few moments there I actually thought the late shit-hurling hate rocker painted this. The artisit’s name is spelled GIGI ALLIN and here are links to her Instagram and website.

The work in progress via Instagram
Via Divine on Facebook

Posted by Tara McGinley | Leave a comment
‘Go out in the world and fuck it up beautifully’: John Waters’ commencement speech at RISD
11:07 am

Current Events

John Waters


I should say right off that I am really qualified to be your commencement speaker. I was suspended from high school, then kicked out of college in the first marijuana scandal ever on a university campus. I’ve been arrested several times. I’ve been known to dress in ludicrous fashions. I’ve also built a career out of negative reviews, and have been called “the prince of puke” by the press. And most recently a title I’m really proud of: “the people’s pervert.” I am honoured to be here today with my people. ~ John Waters

Seriously, just stop what you’re doing and give your undivided attention to John Waters as he gives one of the best commencement speeches EVER to the Rhode Island School of Design’s graduating class of 2015. Waters nails it. Every damn bit of it.

You’re lucky. When I went to school, my teachers discouraged every dream I ever had. I wanted to be the filthiest person alive, but no school would let me. I bet RISD would’ve. You could possibly even make a snuff movie here and get an A+. Hopefully you have been taught never to fear rejection in the workplace. Remember, a no is free. Ask for the world and pay no mind if you are initially turned down. A career in the arts is like a hitchhiking trip: All you need is one person to say “Get in” and off you go. And then the confidence begins.


Never be like some of my generation who say “We had more fun in the ’60s.” No, we didn’t! The kids today who still live with their parents who haven’t seen them in months but leave food outside their bedroom doors are having just as much fun shutting down the government of foreign countries on their computer as we did banning the bomb.

If you’d like to read the entire transcript, you can find one here.

Posted by Tara McGinley | Leave a comment
Insanely adorable amigurumi of Divine and John Waters
02:43 pm

Pop Culture

John Waters

Pope of Trash John Waters and Divine (“the filthiest person alive”) couldn’t look anymore adorable as amigurumi by knitting maven Captain Howdee. I just want to squish the hell out of these dolls ‘cause they’re so damned cute.

These were posted on Captain Howdee’s Flicker page back in 2007. I not sure if they’re for sale, but oh my gawd do I wish they were! I’d like to see an Edith Massey amigurumi. Imagine what that would look like! Why not a David Lochary doll, too?

via Divine on Facebook

Previously on Dangerous Minds:
‘The Filthiest Person Alive’: Divine profiled on ‘Night Flight,’ 1986
The Divine (and very young) Miss M: Bette Midler performing at the Continental Baths, early 70s
Paintings of Divine, Apu, Amy Winehouse, Princess Leia and more, using old coins as a canvas

Posted by Tara McGinley | Leave a comment
John Waters eulogizes Dead Boy Stiv Bators in heartfelt video tribute
10:00 am


John Waters
Stiv Bators

The untimely passing of Stiv Bators is one of the most unexpected deaths in punk history. After years of onstage self-mutilation, brutal falls, and even an incident of theatrical hanging gone wrong that left him medically dead for several minutes, Stiv was hit by a car in Paris in 1990. He even walked away from the ER feeling fine, without seeing a doctor, only to die in his sleep later from a concussion. Bators, by all accounts a sweet guy, was mourned by many, including John Waters, who directed his brilliant performance as the dirtbag Bo-Bo in Polyester. The video eulogy you see below is a sincere moment of tenderness for the Pope of Trash, and a fitting tribute for such a lovely, disgusting punk legend.

In the director’s commentary on the Polyester DVD, Waters remarks that Bators’ girlfriend Caroline—who sprinkled his ashes across Jim Morrison’s gravesite in Paris—confessed to him that she snorted a bit of Stiv’s ashes to feel more connected to him

(Iggy Pop’s tearful videotaped condolences to Stiv’s parents are also quite moving, if you’re near a box of Kleenex.)

Posted by Amber Frost | Leave a comment
John Waters on ‘Lifestyles of the Rich and Famous’!

There’s no way that the director of Pink Flamingos, Polyester, Hairspray, and Female Trouble could live in a boring house; viewers across the country got a good glimpse of the home of John Waters when the intolerable Robin Leach and the crew of Lifestyles of the Rich and Famous paid a visit to his house in the suburbs of Baltimore.

Pretty much every moment of the episode is solid gold. Waters plays up the occasion for maximum humor, while also treating viewers to a glimpse of his favorite Baltimore watering hole, the Club Charles.

John Waters is amazing as always, but some of the best lines here are intoned in Robin Leach’s patented plummy shriek: “It is the house of a man who wrote the book on schlock value and plays it for all it’s worth! ... The man who calls the shots swears he has three all-time idols: Anita Ekberg, Liberace, and Francis the Talking Mule!” (In between those two statements we see Waters’ receptionist inform him that Mother Theresa is on the line, to which Waters responds with an irritated, “Tell her I’ll call her back!”)

More Leach: “It’s a fine line between parody and the macabre: A jar of dirt from the lawn of mass murderer John Wayne Gacy sits next to polio vaccine!” I was trying to figure out the timing of this…. there is a reference to some more profitable movies Waters has made, so I suppose it has to be after Hairspray in 1987.

Also, check out Rookie Mag’s gallery of pics taken at Waters’ home.

(Poster by Sarah Hedlund)

Posted by Martin Schneider | Leave a comment
John Waters calls ‘Fuego’ ‘a hetero film for gay people to marvel at’
01:13 pm


John Waters

From the Dangerous Minds archives: For those of you snowed in today, here’s a sizzling hot cult film to keep you warm. Highly recommended!

I first heard about Armando Bo’s lusty 1969 Argentinian sexploitation film Fuego (“Fire”) due to John Waters championing of the film, but I didn’t actually get to see it until last night. I’m always interested in seeing something that John Waters is enthusiastic about and I reckon that quite a few of you feel the same way. If so, then you need to watch Fuego toot sweet.

It does not disappoint.

Fuego stars the outrageously hot, extremely well-endowed Isabel Sarli, who has the sort of “brick shithouse” build that Russ Meyer was so very fond of. Fuego and Meyer’s Vixen would make a great “ants in her pants” double bill, but a more appropriate match-up would be Female Trouble and Fuego, which now that I’ve seen it, was obviously a big influence not only on John Waters, but also on Divine. Much of Dawn Davenport—the character’s fashion sense, walk and bouffant hairdo—would appear to be closely modeled on Isabel Sarli. Sarli was also an outrageously hammy actress and Divine just took her already over-the-top “undulating” acting style and turned the volume up to 11.

Sarli plays the insatiable, irresistible Laura and in this role, lemme tell ya, she is perfectly cast. Laura is a complete uninhibited and naturally this gives Sarli plenty of excuses to doff her duds, which she does constantly and we see her engaged in trysts with both men (any man seems to do, her catchphrase—normally screamed—is “I need men!!!”) and with her older, lizard-like lesbian maid. A wealthy businessman named Carlos (director Armando Bo, who also wrote the script and the insanely incessant music) sees some girl-on-much-older-girl action on the beach and later attends a party at Laura’s boyfriend’s house. Soon Carlos is seeing Laura, but he has no idea what he’s gotten himself into. She roams the streets flashing her tits and he is constantly catching her in bed with other dudes. It happens a lot.

The first part of Fuego is where most of the skin is shown, whereas the later half is talkier, more melodramatic and way more nuts. Laura realizes that her uncontrollable urges are causing her husband grief when he nearly kills an electrician he catches her bonking. They go to a “sex expert” to discuss what can be done about her “condition” (a Pocket Rocket might help...) During a gynecological exam, Laura has a thundering orgasm. The pair travel all the way to New York where Carlos is told by a doctor there that the only thing that can save Laura is his unwavering love.

I won’t tell you how it ends, but when you know in advance that Armando Bo and Isabel Sarli made 27 films together—with her rolling around with little to nothing on in every single one of them—and that they were famously lovers for years (although he never left his wife for her), you can start to project all sorts of psychological things onto Fuego. First off, Bo wrote the script and so he therefore wrote the cuckold role for himself. There’s also the voyeuristic aspect of Bo arranging to see his woman getting her tits out for so many other guys.

There’s a certain “subtext” to Fuego, let’s just say.

Waters calls Fuego: “A hetero film for gay people to marvel at” and truly, it’s a movie that covers all the bases. I’d recommend watching it in a group, like Birdemic or something like that. It’s enjoyable no matter what, but like most “so bad that it’s good” movies, experiencing it for the first time with other people is the way to go.

Armando Bo died in 1981 and Sarli stopped making films. She is now a cult figure with a devoted following. Sarli was feted at Lincoln Center in 2010.


The NSFW trailer for Fuego:

In the clip below from his John Waters Presents Movies That Will Corrupt You show, the Fellini of Baltimore waxes poetic about one of his favorite films, admits that he “stole” a lot of stuff from Fuego and you can see some of the opening titles:

Posted by Richard Metzger | Leave a comment
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