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Bootleg Led Zeppelin album covers from Soviet Russia
05.15.2015
08:50 am

Topics:
Art
Music
Politics

Tags:
Russia
Led Zeppelin


 
The Cold War seems an awful long time ago, long enough that it’s sometimes hard to remember that a huge percentage of our planet’s land mass was officially denied the right to listen to classic rock. You couldn’t just wander into the USSR with a bunch of Mott the Hoople albums under your arm and expect anyone not to mind, there were actual policies about this. Those people who had heard about and liked Led Zeppelin had to resort to illegal, grassroots ways of disseminating the music, and that process included pressing albums illegally and creating fake, yet plausible, album covers.

In the r/vinyl/ subreddit, reddit user “zingo-spleen” uploaded scans of several awesome album covers that were created for illegal Russian pressings of Led Zeppelin albums. Represented are the band’s second through fifth albums, being II, III, IV, and Houses of the Holy, which is hilariously called V in the Russian version.

Helpfully, “zingo-spleen” provided some background about the fantastic covers:
 

these are two double albums in gatefold sleeves, with a cover on each side. II and III are together as a set, while IV and V (Houses of the Holy) are together as a set. Not sure why the first one is not included - blame the Russians and their twisted logic. I found these in a thrift shop a long time ago and couldn’t bear to get rid of them, even though I’ve had offers.

 
The record label, AnTrop, was a major force in underground bootlegs, releasing illegal versions of all the most notable classic rock acts:
 

AnTrop was named after the legendary Russian underground producer and sound engineer, Andrey Tropillo, who in 1990, on the wave of “perestroika,” became the head of the St. Petersburg branch of Melodia. Since there was much turmoil in Russia at the time, he made the St. Petersburg branch independent of central headquarters and started releasing a series of classic Rock albums. These releases were not legitimate. They started with releases by The Beatles, Jesus Christ - Superstar, Rolling Stones, Led Zeppelin, and eventually Pink Floyd. All these records were released using Melodia facilities, but AnTrop was operating as an independent record label and was putting the Antrop logo and their own numbers and copyrights on the covers. However, since all the records were printed in Melodia owned and run facilities, AnTrop had to give its releases additional Melodia catalog numbers, which is why there are two catalog numbers on the releases. Antrop is the label that released most of the Pink Floyd albums in Russia. “P” in the AnTrop catalog numbers stands for Russian letter “P” (that looks like Greek “Pi”). AnTrop records were all pressed in Aprelevka.

 
According to “zingo-spleen,” the quality of the pressings is “really not bad at all ... certainly listenable.”

I think reddit user “arachnophilia” speaks for us all when he says, “oh man, i love aeg threenneauh.”

(Clicking on the images will spawn a larger version.)
 

 

 
More Soviet Zeppelin after the jump…

Posted by Martin Schneider | Leave a comment
Jimmy Page SINGS on his pre-Led Zeppelin solo single, 1965
04.08.2015
09:41 am

Topics:
Music

Tags:
Jimmy Page
Led Zeppelin
Jackie DeShannon


 
Encouraged by his then-girlfriend, American pop singer/songwriter Jackie DeShannon, Jimmy Page tried to move beyond his work as a session musician for a bit of the limelight himself. The result was the solo single “She Just Satisfies,” co-written with Barry Mason, which came out on Fontana Records in February of 1965. DeShannon co-wrote the instrumental B-side “Keep Moving” with Page and sang back-up vocals on the A-side.
 

 
Page later remarked to Nick Kent in the pages of CREEM:

“There’s nothing to be said for that record except it was very tongue-in-cheek at the time. I played all the instruments on it except for the drums and sang on it too, which is quite, uh … unique. “She Just Satisfies,” that’s what it was called. It’s better forgotten.”

 

 
Not sure if I agree, it’s a nice Kink-ish curio of Page’s long career. He’s no Robert Plant, but then again he’s no Jeff Beck either... [In actual fact, he sounds like Keith Relf!]
 

Posted by Richard Metzger | Leave a comment
Finally: The Peanuts gang takes on AC/DC, Led Zep, Journey, Floyd, and the Who


 
Everyone’s already seen YouTube videos in which Snoopy, Pigpen, and the rest bop and gyrate to the dulcet tones of Bad Brains’ “Pay to Cum.” In fact, lots of folks have repurposed that dancing footage from A Charlie Brown Christmas to make it seem like the Peanuts gang is into Pharrell or whatever.

But it took YouTube user Garren Lazar/Super G to see the possibilities in the rest of the animated Peanuts oeuvre. He has made a whopping 34 videos (!) using Peanuts characters to animate videos for songs by a variety of classic hard rock acts, as seen below. These videos are remarkably good—I especially like the use of Schroeder’s impressionistic “Pathétique” sequence, which was just waiting to be used for something like this. The Peanuts version of Pink Floyd’s “Echoes”—24 minutes long, mind you—is especially mind-blowing.
 

 
I’ve embedded a few of my favorites here, but there’s plenty more on Garren Lazar’s YouTube page.
 
Led Zeppelin, “In the Light”:

 
More “classic rock” fun with the Peanuts gang after the jump…

Posted by Martin Schneider | Leave a comment
Kickass kids cover Led Zeppelin songs on xylophones!
02.21.2015
09:41 am

Topics:
Music

Tags:
Led Zeppelin


 
Here’s a delightful video of the Louisville Leopard Percussionists during rehearsal sessions for their cover versions of Led Zeppelin’s “Kashmir,” “The Ocean,” and “Immigrant Song.” 

Even though this video was posted to YouTube back in November 2014 (with hardly any views), it’s finally getting the attention it deserves now due to Jimmy Page posting it to his Facebook yesterday afternoon. “Too good not to share. Have a rocking weekend!” wrote Page.

It is too good not to share. The kids are going to be all right.

Posted by Tara McGinley | Leave a comment
This ASCII animation of Led Zeppelin playing ‘Whole Lotta Love’ is surprisingly fantastic
02.12.2015
12:36 pm

Topics:
Animation
Music

Tags:
Led Zeppelin
ASCII art
Yoshi Sodeoka


 
More than a decade ago, New York-based artist and musician Yoshi Sodeoka did these remarkable experiments where he would take videos of well-known hard rock videos and render each frame as ASCII art—then he’d create an 8-bit or midi version of the music and you’d have a whole new thing, the same video as seen by Neo in The Matrix or as seen by the Jeff Bridges character in the original Tron.

The series was called, appropriately enough, “ASCII ROCK.” The lineup of videos Sodeoka transformed is mouth-watering: Judas Priest’s “Breaking the Law,” Black Sabbath’s “Paranoid,” AC/DC’s “TNT,” and so on. I say “mouth-watering” because when I went to play them on his website, my browser was not up to the task, sadly. It was that much harder to find YouTube videos of them, files I could embed here, and I failed at that as well. Ten years is a long time in the land of the Internet, it seems.
 

Jimmy Page and ASCII Jimmy Page
 
However, I was able to find Sodeoka’s version of Led Zeppelin’s “Whole Lotta Love” online, and we’ve provided it for your pleasure below. Here’s the original video, for comparison.

If anyone finds any of Sodeoka’s other ASCII videos online, please let us know!
 

   

 
via Rummage Through the Crevices

Posted by Martin Schneider | Leave a comment
Fun facts about Led Zeppelin’s ‘Physical Graffiti’ album cover
02.04.2015
03:00 pm

Topics:
Art
Music

Tags:
Led Zeppelin


 
With just a few days to go before the release of the newly remastered and expanded “super-deluxe” version of Led Zeppelin’s Physical Graffiti album—my personal favorite, although I’m also partial to III—I thought it would be a good time to post about its iconic cover art. Physical Graffiti was originally released on February 25, 1975. I was nine then, and already a budding rock snob and Led Zeppelin fanatic after buying their first four albums at a neighbor’s garage sale for a quarter each (Score!). I can remember seeing Physical Graffiti when it first turned up in record stores—it was a very solid package, heavy in the hand and also mysterious looking, like some sort of mass-produced, cellophane-wrapped occult object d’art. I coveted that album but it was too expensive for me to buy at that age. I think I ended up getting it as like an Easter present or something. In any case, I recall it being a real event in my young life to get to finally own that epic thing and I listened to it so many times before I even reached my teens that it became a part of my DNA. It’s the ultimate Led Zeppelin tour de force.

The outer cover art is a heavily doctored photograph of two side-by-side five-story tenement buildings discovered by designer Peter Corriston located at #96 and #98 St. Mark’s Place in New York’s East Village, near Tompkins Square Park. The fourth floors were cropped out entirely to better form a square album cover, and the windows were cut out holes, something similar to what the group had already done with the spinning wheel cover of III.
 

 
The front cover is a daytime shot, while the back cover was taken at night. Amongst the tenants who can be seen through the die-cut windows are JFK assassin Lee Harvey Oswald, astronaut Neil Armstrong, Elizabeth Taylor as Cleopatra, King Kong, the Virgin Mary, Judy Garland and the main cast of The Wizard of Oz, members of Led Zeppelin in drag, their infamous manager Peter Grant, body builder Charles Atlas, the Queen and Laurel & Hardy. The inner sleeve could be combined in a number of ways to make different covers, and there was an inner sleeve designed by Mike Doud with all the song titles that saw the title written out on closed window shades:
 

 
For several years in the 1980s, I lived on this very block, and then right around the corner. I’ve walked past this site a gazillion times. Even in a pre-Internet era, I’m pretty sure that most people who lived on that block knew that they lived near the Physical Graffiti cover. Or even lived in it. Eventually a second-hand clothing store called Physical Graffiti opened up in the basement making it glaringly obvious to any tourist with half a clue and willing to look up. It’s the faces (sconces) that are ultimately the dead giveaway. Now there’s probably an app for finding it. Next time you’re in NYC, you can take a selfie or something cute for your Instagram account in front of the Physical Graffitea shop (and then, as the tee-shirt says, you can “go the fuck home.”)

The Google Street View of St. Marks Place between First Avenue and Avenue A:
 

 
One of the buildings on the Physical Graffiti album cover are the same stoops where Mick is seen cooling his heels before Keef boogies along and collects him in the Rolling Stones’ “Waiting on a Friend” music video (also shot in the perennially divvy shithole, the St. Marks Bar and Grill on the corner.)

Simon Gardiner recreated the Physical Graffiti cover as the buildings look today. If you click through to his Flickr page, you can see a sharply detailed larger version.
 

 
Gardiner also dug up this choice morsel of Led Zeppelin-related arcana…

Unlikely as it may seem, the concept was itself heavily influenced by the design for Jose Feliciano’s album, Compartments (1973).

 

 
Entirely plausible. Led Zeppelin were apparently never shy about borrowing…

Below, one of the album’s highlights, “In My Time of Dying” performed live at Earl’s Court, London, 1975

Posted by Richard Metzger | Leave a comment
Kubrick didn’t fake the moon landing, but Led Zeppelin DID fake playing Madison Square Garden, 1973
11.21.2014
05:36 pm

Topics:
Movies
Music

Tags:
Led Zeppelin



Japanese poster for ‘The Song Remains the Same,’ 1976
 
True or false: The performances from The Song Remains the Same, the concert film that supposedly documents Led Zeppelin’s 1973 Madison Square Garden shows weren’t actually filmed at Madison Square Garden?

Mostly true!

It’s not exactly a secret but it’s neither something that seems to be widely known by the general public, or even most Led Zeppelin fans for that matter. Now I’m not trying to imply here that Led Zeppelin didn’t even play Madison Square Garden for three nights in late July of 1973, because of course they did and The Song Remains the Same‘s original director, Joe Massot (Wonderwall) was there with a camera crew trained on them when they did. This much is not being disputed.

The problem was, as the group and their manager Peter Grant found out only after they’d fired Massot from the project, is that he’d gotten inadequate—practically unusable—coverage that wouldn’t sync properly or cut. Some great shots but nothing that could be used to create an edited sequence.

Grant brought in Aussie director Peter Clifton, the guy they probably should have hired in the first place, to see what could made from this mess, but the initial prognosis looked pretty grim until Clifton suggested reshooting the entire running order of the Madison Square Garden show on Madison Square Garden’s stage… recreated at Shepperton Studios in England!

Everyone assumes they’re watching the group at MSG, but in reality what we are watching (for the most part) is Led Zeppelin rocking out on a soundstage in Surrey, southeast of London. Without an audience.
 

 
On a playback screen, the band could watch themselves in the earlier footage—keeping their movements and positions in roughly the same general areas—and play along to the MSG soundtrack. So what we mostly see in the finished film are Clifton’s close-ups and medium distance footage of the band members shot at Shepperton, but intercut with Massot’s footage of the trappings of MSG, wide shots, shots framed from behind the band towards the audience and so forth.

Once you know all this, it’s screamingly obvious what was shot where.

Complicating matters for Clifton, John Paul Jones had recently cut his hair short (he’s wearing a wig in the Shepperton footage) and Robert Plant’s teeth had been fixed since the New York City shows the year before.

Jimmy Page spilled the beans in the May 2008 issue of Uncut Magazine,

“I’m sort of miming at Shepperton to what I’d played at Madison Square Garden, but of course, although I’ve got a rough approximation of what I was playing from night to night, it’s not exact. So the film that came out in the ‘70s is a bit warts-and-all.”

This little known behind-the-scenes story of the making of The Song Remains the Same is barely touched upon in some of the major books about Led Zeppelin—but in Chris Welch’s 2001 biography Peter Grant: The Man who Led Zeppelin, the story is told in greater detail, finishing thusly:

As far as Grant and Zeppelin were concerned, the movie song had ended. But they left behind smouldering resentments among the filmmakers and a few puzzles for movie buffs. Says Peter Clifton: “If you look at the credits they wrote something very interesting. ‘Musical performances were presented live at Madison Square Garden.’ It was somewhat ambiguous because the film was obviously done somewhere else!”

When he was asked about the provenance of the ‘live’ shots of Led Zeppelin at Madison Square Garden, Peter Grant did admit that they had indeed shot some material at Shepperton studios, recreating the same stage set while the band donned the same clothes they wore at the actual gig. “Yes, we did,” he said. “But we didn’t shout about the fact.”

See for yourself:
 

Posted by Richard Metzger | Leave a comment
In My Time of Buying: Pricey Led Zeppelin scarves designed by Paul Smith
10.23.2014
06:06 am

Topics:
Fashion
Music

Tags:
Led Zeppelin
Paul Smith

dddldzepsmith.jpg
 
In the 1970s nearly every glam rock band or teeny-bopper pop star had a tacky range of merchandise for sale that usually included a white silk scarf with the name of the band emblazoned on it, such as “Slade” or “David Cassidy” or “The Osmonds,” “Sweet” or the “Bay City Rollers” which fans would hold aloft with religious devotion during concerts. Now this idea of a fan scarf has been taken one step further in an unusual collaboration between Led Zeppelin and British fashion designer Paul Smith.

The talented Mr. Smith has produced a series of six “exceptional limited edition” scarves to coincide with the release of Led Zeppelin’s nine remastered albums. Six scarves are now available: five depicting the covers to the first five Led Zeppelin albums, and a sixth featuring the band.

The design of the artwork for the first three releases – “Led Zeppelin”, “Led Zeppelin II” and “Led Zeppelin III” – has been reinterpreted on three different scarves each measuring 1.5 metres by 1.5 metres. Translating the intricacy of the renowned imagery onto fabric proved a challenging task but, by taking a different approach to each scarf, Paul Smith has come up with three truly unique items.

A photographic weaving technique has been employed for the largely monochromatic “Led Zeppelin”, with the red detail being added using a fine fil coupe yarn. The eight colours of the “Led Zeppelin II” artwork demanded an alternative approach and four different quality yarns were combined to reflect the richness of the colourful design. The psychedelia of “Led Zeppelin III” is depicted with a combination of boucle and merino wool to exquisite effect.

(The spinning volvolle from inside the Led Zeppelin III album cover probably would have made for the best textile design, but what do I know?)
 
gggledzpsmithggg.jpg
 
bbb3lzpsmith.jpg
 
Further designs for Led Zeppelin IV and Houses of the Holy, which “have been jacquard woven onto two further scarves and a brand new spectacular design has been created for the sixth scarf,” are also available.

The scarves come in limited editions of 50, and cost $665 (£395) each, which is slightly over the current exchange rate of $632.

You’d have to be as rich as Jimmy Page is to afford these things! I suppose once these babies sell out the next stage may be a cheaper mass produced version for the less well heeled Zeppelin fan? No?

Who would have thunk that the lowly fan scarf would one day become an expensive high fashion statement?

More after the jump…

Posted by Paul Gallagher | Leave a comment
‘Man of 10,000 Sound Effects’ Michael Winslow sings Led Zeppelin’s ‘Whole Lotta Love’
09.18.2014
09:56 am

Topics:
Music
Television

Tags:
Led Zeppelin
Michael Winslow


 
I posted this video of Michael Winslow on Norway’s TV show Senkveld med Thomas og Harald (“Late Night with Thomas and Harold”) singing Led Zeppelin’s “Whole Lotta Love” back in 2011. For whatever reason the video is starting to make the rounds again on the Internet today and I thought it was time for a revisit here, too. It’s that good! 

If you’ve never seen this one before, it’s pretty incredible to watch what Winslow can do with his voice. Known as the “Man of 10,000 Sound Effects,” I’d say he pretty much nails it.

 
via Open Culture

Posted by Tara McGinley | Leave a comment
The director of ‘Heavy Metal Parking Lot’ returns with ‘Led Zeppelin Played Here’
08.14.2014
08:45 am

Topics:
Movies
Music

Tags:
Led Zeppelin
Jeff Krulik


 
I’m sure that many—if not most—of our good-looking, high IQ readers have seen quirky documentarian Jeff Krulik’s underground classic “Heavy Metal Parking Lot,” a short movie shot outside a Judas Priest concert in Landover, Maryland that exchanged hands on VHS tapes in the 80s and 90s. Krulik made a sequel with some Neil Diamond fans in that very same parking lot in 1996 and went on the road with McHale’s Navy actor Ernest Borgnine in his customized RV in 1997’s Ernest Borgnine On the Bus. His Heavy Metal Picnic came out in 2010 and now Jeff Krulik returns with a fun new film about a Maryland youth center where Led Zeppelin maybe… might have…. supposedly… (definitely!) performed on their first US tour.

From the director’s statement:

I recently finished a feature documentary called Led Zeppelin Played Here, which is my effort to prove that Led Zeppelin’s first DC area concert was in a youth center gymnasium in front of 50 confused teenagers on a snowy Monday night in January 1969. This whole project came about as I was set to do a film called “Maryland’s Woodstock,” about the Laurel Pop Festival which took place in July 1969, one month before the Woodstock. I wanted to highlight that there was this forgotten pop festival in our area, and basically tell the story of that two day concert, featuring Led Zeppelin headlining one night.

But I soon found a story arc as I connected the dots of Led Zeppelin’s performances: in May, they shared a bill as opening band for The Who at Merriweather Post. And in February they were on an opening slot with Vanilla Fudge at the Baltimore Civic Center. But the real curiosity was their first local concert which was said to have taken place on January 20, 1969 at the Wheaton Youth Center, a non-descript multi-purpose room and gymnasium in a Maryland suburb. And it happened to be the night of Richard Nixon’s Inauguration. And the weather was terrible. And 50 people were there, tops.

But surely this must be an urban legend. Or is it?

What I loved about Krulik’s charming, low key film is that the whole mystery of this did-it-or-did-it-not occur spur of the moment Led Zeppelin show is something that he uncovered while making a film about something else entirely. The Rashomon-like onscreen narrative becomes quite intriguing as the viewer goes along with the filmmaker on his fact finding mission, Krulik serving as a dogged rock snob gumshoe on the trail of this elusive and either legendary—or apocryphal—Led Zeppelin show. In the end, we’re left to decide for ourselves if this concert actually took place or not, his Columbo with a MOJO subscription sleuthing having provided no definitive answers.

I think it did happen, but… but then again I wasn’t there. Like an a riddle, wrapped in a mystery, inside an enigma that had no surviving posters, handbills or even a single photograph (let along a bootleg tape) ultimately we will probably never know if Led Zeppelin played at the Wheaton Youth Center on January 20th, 1969. They only people who know the truth were there, and even some of them aren’t sure.

Led Zeppelin Played Here screens tonight at Cinefamily in Los Angeles as part of the annual Don’t Knock the Rock film festival. Jeff Krulik will be there in person — plus there will be a Q&A moderated by Michael Des Barres of Little Steven’s Underground Garage on SiriusXM. Get tickets here.

Posted by Richard Metzger | Leave a comment
Christian televangelists listen to ‘Stairway to Heaven’ *forwards* hilarity ensues!
07.30.2014
10:14 am

Topics:
Amusing
Belief
Hysteria
Kooks
Music

Tags:
Led Zeppelin
SATAN


 
Oh, this is too funny. Evil genius YouTuber Clemtinite took old footage from the Trinity Broadcasting Network with televangelists Paul and Jan Crouch—the Christian duo are trying to find satanic messages by playing the Led Zeppelin classic “Stairway to Heaven” in reverse—and then reversed the whole video. “Turn me on dead, man!”

The longer it goes on, the funnier it gets.

 
via Laughing Squid

Posted by Tara McGinley | Leave a comment
The Residents covered Led Zeppelin in 1971!
06.30.2014
01:49 pm

Topics:
Music

Tags:
Led Zeppelin
The Residents


 
Although I suppose it’s better than being haunted by something by Cher, Kylie or Justin Bieber, I have to admit that I’m getting really sick of hearing Led Zeppelin’s “Whole Lotta Love” wherever I turn. In restaurants. At supermarkets. The gas station. At Trader Joe’s. The airport. At red lights being pumped out of someone else’s car… You can’t escape. I know those new Led Zeppelin remasters are out, but it’s not like this song was exactly scarce before that!

Yikes, I need some mental floss… wait, I know…

Long before they covered The Beatles, Cannibal & the Headhunters, James Brown, Elvis, George Gershwin or Hank Williams, in 1971, the Residents rudely took on Led Zeppelin’s “Whole Lotta Love” (rechristened “Holelottadick” and letting the intention of Robert Plant’s lyrics really hang out there) on their unreleased (but widely bootlegged) Baby Sex album.

Baby Sex was once broadcast in its entirety on Oregon radio station KBOO-FM during their “Residents Radio Festival” in 1977. The album’s second side is an astonishing studio collage piece titled “Hallowed Be Thy Wean” which includes a live recording of The Residents at San Francisco’s Boarding House in October 1971 with Snakefinger, the first time that “The Residents” moniker was employed by the group.

Baby Sex also features a ripping cover of Frank Zappa’s “King Kong,” that could almost be the Mothers of Invention themselves playing. The Residents’ direct musical and sonic debt to Zappa (and Pink Floyd’s “Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict,” for that matter, “sampled” at length in “Hallowed…”) becomes much more obvious after you’ve given Baby Sex a listen. (Original Mother Don Preston would later collaborate with The Residents on their epic Eskimo album).

Elsewhere on the album, the cryptic ones “steal this riff” from Tim Buckley’s “Down By The Borderline” (from Buckley’s Starsailor album, which was probably not so coincidentally released by Zappa’s Straight Records) and manage to sound like a geeky version of Santana!
 

 

The Residents live at The Boarding House in San Francisco, October, 1971

Posted by Richard Metzger | Leave a comment
Led Zeppelin: Their very first time on TV, 1969
05.01.2014
05:48 am

Topics:
Music
Television

Tags:
Led Zeppelin

Lzsca69
 
There’s only so much hyperbole one can use when describing music (“rip-snorting,” “mind-blowing,” “tearing-up the house”) before the reader becomes inured and thinks, “Yeah, well, okay…” and moves on to something with more nouns and verbs and fewer adjectives (or just plays the music). However, this early Led Zeppelin concert recorded for Danish TV just six months after their first gig (where they were billed as “The Yardbirds”) deserves every hyperbolic phrase going, as it gives a powerful intimation of why Zeppelin were set to become the greatest live band of the 1970s.

Recorded at the Gladsaxe Teen Club, Denmark, for TV Byen/Danmarks Radio on March 17, 1969, Led Zeppelin perform “Communication Breakdown,” “Dazed and Confused,” “Babe I’m Gonna Leave You,” and “How Many More Times.” Impressive and tight, it is a cracking showcase.
 

 

Posted by Paul Gallagher | Leave a comment
The worst, most bass slappinest Christian cover version of ‘Stairway to Heaven’ EVER
03.24.2014
08:07 am

Topics:
Belief
Kooks

Tags:
Led Zeppelin
Christianity


 
A “Stairway to Heaven” double-header over at Christian Nightmares this morning. First up is Bold for Jesus, a former rocker who is now a “radical” Christian YouTuber. I think his definition of radical can be gleaned from his “Christian yelling” videos, such as this one, where he shouts stuff at cars for 16 minutes in front of a Toyota dealership.

Here’s his own description of what ye of little faith are about to receive:

I have not played the real Stairway To Heaven song since 1981. You can hear me talk at the end about slamming a pie on top of a teacher’s head. I had fun. I lived a radical rock n’ roll life for 10 years, and now I live radical for Jesus Christ.

Yes, this is the worst, most bass slappinest for Jesus cover of “Stairway to Heaven” that has ever existed. It goes on forever, but it gets funnier and funnier as forever plods goofily along. Then he tells a story about an absolutely hilarious (well hilarious to him) high school pie throwing incident.
 

 

Posted by Richard Metzger | Leave a comment
Worst Led Zeppelin cover of all time? Disco duo Blonde on Blonde cover ‘Whole Lotta Love,’ 1979
01.24.2014
09:49 am

Topics:
Amusing
Music

Tags:
Led Zeppelin
Disco
Blonde On Blonde

Blonde on Blonde
 
Comprised of two “Page 3 Girls”—women who’ve achieved the prestigious honor of appearing topless in the British tabloid, The Sun, Blonde on Blonde was the sort of act that made more sense in an environment with a lot of cocaine. I suggest you brace yourself for the actual song—the ladies are a bit more photogenic than they are musical, though the vacant stage presence kind of distracts from their disco hotness.

And if you’re under the impression that I might be slighting two very serious female singers with an unshakable artistic bond, rest assured that I am not. The line-up changed pretty frequently, only consistently maintaining Nina Carter, so apparently the other blondes in Blonde on Blonde were considered interchangeable.
 

Posted by Amber Frost | Leave a comment
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