Jack Jones sang the theme song to The Love Boat from 1977 until 1985. Love was life’s sweetest reward; all was right with the world. But before the show’s ninth, terminal season, while the crew of the Pacific Princess was making ready for her 200th seafaring voyage, a hole opened in history. Bonzo went to Bitburg, police beat new age travellers and their infant children at Stonehenge, and after adulterating the national beverage, Bill Cosby called the result “a new explosion of wonderfulness in your mouth.” Sensing that some catastrophe had rent the very fabric of reality, Dionne Warwick seized the mike from Jack Jones and bellowed his signature song into the yawning mouth of Hell. I like to imagine that when they recorded this version of “Love Boat Theme,” Warwick was standing in a doorway during an earthquake, astride a widening abyss in the studio floor, after spending a few months listening to Diamanda Galás records.
So apocalypse and mutiny hung in the air when Andy Warhol joined the lovely Love Boat Mermaids aboard the Pacific Princess in October ‘85. From the Paley Center synopsis of the episode, “Hidden Treasure / Picture from the Past / Ace’s Salary”:
An all-star cast, including Andy Warhol, Andy Griffith, and Milton Berle, helps the crew celebrate the ship’s two-hundredth voyage. In “Picture from the Past,” Warhol, as himself, offers to select a passenger as the subject of his next portrait. Marion Ross plays a former Warhol superstar who fears the artist will recognize her and reveal her secret past to her disapproving, conservative husband, played by Tom Bosley.
According to Victor Bockris’ biography, Warhol was enjoying the benefits of a new health regimen in which chiropractors, shiatsu, a dermatologist, raw garlic, crystals, and an internist all figured. The health kick complemented a new look Andy showed off on The Love Boat. Photographer Christopher Makos:
He wore black Levi 501s or Verri Uomo, a black Brooks Brothers turtleneck sweater, an L. L. Bean red down vest, a black leather car coat by Stephen Sprouse, white or black Reeboks, a big crystal around his neck and big black-framed glasses, and his hair was huge, jutting out wildly. He was like a cross between Stephen Sprouse and Tina Turner. Andy’s look always made a statement, and it was usually about not looking perfect. His last look was as chic as ever, although the overall effect had a lot to do with his general aura: it was as though he’d accomplished everything imaginable in his lifetime.
Not that Andy was always as enamored of celebrity and showbiz as he seemed. Bockris:
After The Love Boat episode was aired, he complained to a friend that people in Hollywood were “idiots.” They didn’t buy art, he said. They stank.
More after the jump…