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Cracking the P.Y.T. code: New technology reveals hidden lyrics in Michael Jackson’s 1983 hit single
04.27.2017
09:32 am
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35 years after its release Thriller remains the best-selling album of the millennium. After a lifetime of repeated listening, the record’s sixth single “P.Y.T. (Pretty Young Thing)” (produced by Quincy Jones and co-written with James Ingram) has definitely emerged as my favorite track. It’s unclear why Jackson never performed the song live, but it remains a fan favorite from its immediately catchy funk/pop synthesized bassline to the fun “call-and-response” vocals between Michael and his sisters. Janet and LaToya who sing back-up on the “repeat after me and sing na na na” breakdown make it nearly impossible not to sing along every time you hear it on the radio. However, my favorite part of the song has always been the high-pitched “chipmunk vocals” that only arrive during the song’s outro. After all, who didn’t get a kick out of playing 33rpm records at 45rpm as a kid? But even when Kanye West sampled the outro, slowed it down, and looped it as the basis of his 2007 single “Good Life,” I was still left wondering after all these years, what the hell are those chipmunk vocals singing exactly?

A few years ago, Los Angeles-based music copyright specialist Drew Seventeen used a program called Audacity to pitch-shift the “P.Y.T.” vocals using “stems” (isolated pieces of a multitrack recording) that are intermittently available on the internet. Drew explained his project via e-mail:

“‘Good Life’ by Kanye West featuring T-Pain (heavily sampling that section) is actually my iPhone morning alarm song. So after hearing the voice hundreds of times in the dream-wakefulness transition, I became obsessed with knowing what the actual lyric was. I assumed the ‘tee’ and ‘see’ were chopped off in the final mix due to timing limits on early sampling technology, but the exposed stem also makes it clear that he just hits a lower note there which becomes unclear in the master recording.”

The results of Drew’s efforts can be heard here:
 

 

“I wanna love, you P.Y.T.
I wanna give, you T.L.C.”

Not only are the hidden lyrics of “P.Y.T.” revealed for the first time (clearly sung by Michael himself), but as an added bonus we can hear these lyrics are divided up by a “kiss” which gets buried in the actual studio mix of the track. 

More after the jump…

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Posted by Doug Jones
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04.27.2017
09:32 am
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Trick or treat? The best/worst ‘Thriller’ dance routine will give you nightmares forever
10.26.2015
05:00 am
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Here’s a Halloween treat for our readers. Or maybe a trick?

It all depends on your tolerance for inept dance moves and tacky ‘80s public access production values.

Stairway to Stardom was a New York City public access variety show that aired from 1979 to the early 1990s. Many of the guests had questionable talent and clips from the show were circulating even pre-Internet among VHS tape-traders looking for the next weirdest thing. The appeal of many of the show’s “stars” had more to do with the effects of schadenfreude rather than distinguishable talent. The show’s producers were gloriously non-discerning.

The advent of YouTube has brought a lot of gems from Stairway to Stardom to light. Personally I’ll always recommend Lucille Cataldo’s “Hairdresser” and Precious Taft’s dramatic monologue, but today we’re going to take a look at Lola Perazzo who does an unbelievably stiff, awkward, herky-jerky interpretive dance to Michael Jackson’s “Thriller” in a tragically ill-fitting body-suit—capped off with a classic “is it over yet?” finale.
 
Continues after the jump…

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Posted by Christopher Bickel
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10.26.2015
05:00 am
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