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Naughty Nuns: Vintage nun porn from the classic tale ‘The Nun’ & more (NSFW or church)

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Denis Diderot might sound like the name of some superstar French soccer player but it is in fact the name of a famous Enlightenment writer, philosopher, and playwright, who might do you good getting to know.

Diderot (1713-84) had the smarts. Apart from all his fancy writing, Diderot was also co-founder, editor and contributor of Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers (Encyclopaedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts), or the Encyclopedia. His intention was to make information and knowledge available to all—well, at least to all those who could read that is. Diderot and his buddies wanted to break the superstitious rule of religion over their fellow citizens. To this end, he was always asking difficult questions of religious believers, gently poking fun, and writing controversial philosophical tracts on the question of God, belief, design, and all that.

Take, for example, his book The Skeptic’s Walk which featured a deist, a pantheist, and an atheist out on convivial perambulation together where each offered up their thoughts on God, the universe, and so forth. Due to its content, the book was not published in Diderot’s lifetime. It was long believed the only copy of Diderot’s original handwritten text had been confiscated by the police not long after its completion in 1752. Thankfully, it turned out that Diderot had another copy (told you he was smart) which was eventually published in 1830.

Anyway, you’re not here to read about Enlightenment philosophy, you’re here to see naughty nuns, and we’ll get to that shortly, well, unless of course you’ve already scrolled past all of this and are getting an eyeful below. Good luck with that. That’s kinda like people who “Like” things on Facebook but never click the fucking link. But let’s get back to Diderot.

You see, Diderot was also a bit of a scallywag and a wit. He had a propensity for pranking his buddies which on one occasion led to his infamous work of literature, La Religieuse or The Nun.

The Nun all started when Diderot was miffed over the loss of one of his drinking buddies who had moved out of Paris and back to some big fancy country estate in Normandy. To draw him back to Paris, Diderot started writing his pal (Marquis de Croismare) a series of letters purportedly from a nun called Suzanne Simonin. This young lady had been forcibly sent to a nunnery by her greedy and ungrateful family—a common occurrence at the time—where she found herself preyed upon by sadistic lesbian Abbess of Ste-Eutrope.

The Marquis on receiving these missives from such an unfortunate young woman, wrote back offering his help. Diderot continued the ruse until the Marquis demanded to meet with the young lady to get her free from her imprisonment in the convent, at which point Diderot wrote a final letter from another fictional character claiming the young girl was dead. Later, when all was revealed, the Marquis found the whole prank “hilarious,” as he had acted honorably throughout. (I’m guessing that this was expressed with more of a nervous titter than an outright LOL-style guffaw.)

The correspondence started an idea in Diderot’s head to write a book based on his letters and this became La Religieuse. Published twelve years after his death in 1796, The Nun became a scandalous hit. Obviously tame by today’s standards, the book’s notoriety continued right up to the 1960s when filmmaker Jacques Rivette made a movie of The Nun which was banned by French authorities after the Catholic Church ran a letter-writing campaign to have the film stopped. Rivette’s rather dull movie went on to be nominated for a Golden Palm at the Cannes Film Festival.

I’ve never quite got the whole nuns as sex objects thing—maybe the attraction for some is the frisson of deflowering someone who is supposedly betrothed to the Son of God. Or simply a manifestation of “hot for teacher” for lapsed Catholics? Many nuns were forced into convents against their will (like the character in Diderot’s book), and many (even today ) had the sexual attentions of priests and bishops forced upon them against their will. When Aldous Huxley pointed out that the grounds of some convents were littered with the skeletons of dead babies it is as if he is landing the blame solely with the women. This kind of selective blindness never equates male desire and sex with the consequences of pregnancy or disease.

In 1947, Paul-Émile Bécat produced a series of illustrations for Diderot’s The Nun. DM’s featured Bécat’s work before, and he had a highly respected reputation as an artist and for illustrating some of the most infamous and famous books of French literarture—see more here. This small selection mainly features on the nuns Bécat drew for Diderot’s book and some other works.
 
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More sacrilegious nun action, after the jump…

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Posted by Paul Gallagher
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08.04.2017
10:42 am
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The White Russian emigre who drew fairy tales and erotica (NSFW)
07.27.2017
11:55 am
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Amidst the slaughter of the First World War, 23-year-old Feodor Stepanovich Rojankovsky (1891-1970) decided he wanted to be an illustrator of children’s books. Rojankovsky was an officer with the Imperial Russian Army, serving in Poland. When the Russian Revolution came, he moved to the Ukraine, where he started his career as an illustrator of fairy tales and children’s books. But this first taste of his future career was short lived as Rojankovsky was conscripted into the White Army—a rag tag confederation of anti-Communists—and sent to fight against the Bolsheviks in the Russian Civil War. Rojankovsky was on the losing side and ended up behind barbed wire as a prisoner of war. On his release, he escaped to France, where he began his career as an illustrator in earnest.

Rojankovsky later claimed two things inspired his career as an artist. A childhood trip to the zoo to see “the most marvelous creatures on earth: bears, tigers, monkeys and reindeer,” and the present of a set of color crayons. The animals inspired his imagination, with the crayons he could bring his imagination to life.

In France, he adopted the name “Rojan,” an abbreviation of his surname. As an artist, Rojankovsky had a great facility for producing work in various different styles. This made him very popular with publishers who hired him to illustrate hundreds of children’s books and many works of classic and erotic works of literature by the likes of Paul Verlaine and Raymond Radiguet among others.

In 1941, when France capitulated to the invading German armies during the Second World War, Rojankovsky fled to America, where he established himself as a preeminent and award-winning illustrator of kids’ books. His work was so popular that for several generations of young Americans, Rojankovsky’s paintings and drawings were their first introduction to art and illustration. Classic books like Frog Went A-Courtin’, Rapunzel, Snow White, and The Three Bears.

As he established himself as a children’s artist, Rojankovsky also managed to maintain a highly successful career as an illustrator of some pretty hardcore erotica. It was as if that moment of self awareness long, long ago on a battlefield presciently reflected his future double life as an artist of high ideals and far more baser instincts.
 
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Snow White: One of Rojan’s many children’s illustrations.
 
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From ‘The Big Elephant Played His Horn” (1949).
 
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More of Rojan’s erotic artwork, after the jump…

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Posted by Paul Gallagher
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07.27.2017
11:55 am
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Doctor Faust’s handy guide to conjuring up demons

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The story of Doctor Johann Georg Faust is better known through literature and legend than by the few existing facts which document his life. Even his birth date is an estimate ranging from 1466 to 1480, which covers two broken mirrors’ worth of supposition. Anyway, what little is known can be roughly put down thus:

Faust was a scholar and a Doctor of Philosophy. He was an itinerant alchemist, astrologer, magician, and occultist. He performed magic tricks in shows and wrote horoscopes on commission. During his life, he was variously described as a trickster, a fraud, and a con man—-mainly due to customers dissatisfied with their horoscopes. He was denounced by the Church as being “in league with the Devil,” a necromancer, a practitioner of Black Magic, and a “sodomite” who corrupted and abused his students. This latter accusation almost led to his arrest and imprisonment.

He wrote several grimoires and chapbooks, including the chapbook featured here Praxis Magia Faustiana (1527) in which he described how to conjure up demons like “Mephistopheles.” This was the very first time the name “Mephistopheles” was ever documented. According to legend, Mephistopheles was the demon to whom Faust sold his soul in return for unlimited knowledge and wealth. We don’t what exactly happened when Faust “conjured” up this demon, we do, however, have Faust’s description of him as one of the Seven Great Princes of Hell who:

...stands under the planet Jupiter, his regent is named Zadikel, an enthroned angel of holy Jehovah…his form is firstly that of a fiery bear, the other and fairer appearance is as of a little man with a black cape and a bald head.

Doesn’t sound so terribly demonic, does it?

Faust did have some fans—including one bishop who considered his astrological work very convincing and some academics who praised his medical knowledge. But generally, he was greatly feared and was banished from Ingolstadt in 1528. Faust died in an explosion during an alchemical experiment circa 1541. His body was hideously scarred. This gave rise to the legend he had died during a conjuring rite and the Devil had sent his emissary Mephistopheles to bring Faust’s soul to Hell.

Faust’s chapbooks provided the source material for Christopher Marlowe‘s play The Tragical History of the Life and Death of Doctor Faustus (circa 1588), in particular the following volume that first detailed Faust’s dealing with the tricky Mephisopheles.

The text opens with a long list of the names of angels and demons before invoking the “Spirit by the power and virtue of the letters which I have inscribed - do I command thee to give me a sign of thy arrival.”

Then more names:

Larabay + Belion + Sonor + Soraman + Bliar + Sonor + Arotan + Niza + Raphael + Alazaman + Eman + Nazaman + Tedoyl + Teabicabal + Ruos, Acluaar + Iambala + Cochim

Zebaman + Sehemath + Egibut + Philomel + Gazaman + Delet + Azatan + Uriel + Facal + Alazamant + Nisia + By the most sacred and holy mercy of God + Zeyhomann + Acluaas + Niza + Tachal + Neciel + Amatemach + Her somini +

By this I compel thee to appear unto me before this circle and to do what I command thee…

Before finishing:

Now do I conjure and command thee O Evil Spirit by the powers of Heaven and by the words of life…Mephistophilis and by the power off the words +Tetragram + Agla + Adonay + Amin

~Snip!~

Now I conjure thee to come from thy abode even from the farthest parts by these great and mighty names - Tetragrammaton - Adonai - Agla - and to appear before me receiving and executing my demands truly and without falsehood I command thee O Spirit Rumoar -, even by t[h]y great sovereign Lucifer.

A full transcript can be read here.
 
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More of Faust’s conjuring tricks, after the jump…

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Posted by Paul Gallagher
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07.14.2017
10:39 am
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Confessions of a Dirty Book Writer: The sexy, saucy paperback books of ‘Timothy Lea’ & ‘Rosie Dixon’
07.14.2017
10:31 am
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George Orwell is said to have kicked off the arena of pop culture analysis when he published his essay “The Art of Donald McGill” in 1941. Donald McGill was a graphic artist who excelled at a certain type of vulgar postcard with a saucy punchline that could be purchased at seaside resorts in England in the first decades of the twentieth century. Orwell, who had been a middle-class scholarship case at upper-crusty Eton, was fascinated by the peculiar and repressed relationship to sex that the postcards tended to reveal among the English masses who adored the cards.

Kate Fox, author of the 2004 book Watching the English, noted that in her hundreds of interviews of British citizens for the book, there was only one subject that made them truly uneasy, across the board. “Trying to interview people about sex” was difficult, she said. “The English simply cannot talk about it without making a joke of it. It seems to be a knee-jerk reaction.”

All of which brings us to the impressive novelistic oeuvre of Christopher Wood, a name that will likely not ring any bells. Wood as a British advertising executive who became a one-person publishing sensation in the 1970s when he pitched the idea of writing erotic comic novels to Sphere, a publisher of paperbacks. The first one was called Confessions of a Window Cleaner, and it set the template for many more, such as Confessions of a Milkman, Confessions of an Ice Cream Man, and Confessions of a Long-Distance Lorry Driver. He used the pen name “Timothy Lea.”

In 1973 Wood/Lea told Penthouse that each book took him about five weeks to complete. Using the Lea pseudonym, Wood wrote 19 books in the Confessions series. He also invented a female alter ago named “Rosie Dixon,” whose best-known book was Confessions of a Night Nurse.
 

 
1974 saw the start of the movie versions of some of the Confessions books, starring Robin Askwith. Confessions of a Window Cleaner was the first one, and it was followed by Confessions of a Pop Performer, Confessions of a Driving Instructor, and Confessions of a Summer Camp Councillor. In 1978 Rosie Dixon: Night Nurse came out, starring Debbie Ash in the title role. To say these movies were popular is putting it mildly: according to the Independent, Confessions of a Window Cleaner had the most profitable box office of any movie in the U.K. for 1974.

The prolific Wood also published novelizations of James Bond movies (many of which, obviously, started out as Ian Fleming novels). He co-wrote the script for The Spy Who Loved Me and wrote the screenplay for Moonraker.

The Confessions books have become collector’s items, and many are available as ebooks or used on Amazon.
 

 

 
Many more excellent book covers after the jump…...
 

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Posted by Martin Schneider
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07.14.2017
10:31 am
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For the lush who has everything: Hollowed-out A.A. ‘Big Book’ reveals a hidden hooch flask
07.14.2017
07:52 am
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What better place to store your hooch than in an Alcoholics Anonymous “Big Book?”

Punnily-named Etsy seller SleepyHollowedBooks deals exclusively in hand-made hollowed-out books, or “book safes.”

Another one of their listings first caught my eye, a hollowed-out Holy Bible that houses a paperback of LaVey’s The Satanic Bible.
 

Guaranteed to get you into Hell (if you believe in that sort of thing).
 
But it’s the A.A. book with the hidden flask that really won me over, conceptually. Pure genius.

This booze-safe is made from a copy of Alcoholics Anonymous, Fourth Edition from 2001. The cover is blue faux leather with gold print.

This is a one-of-a-kind item and may go fast. The price is $39, which is actually kind of a steal for a hand-made item that includes a flask.

According to the seller, the first two pages are not glued down, so at first glance, it appears to be a normal book. The book is glued with three layers of Mod Podge, reinforced inside with brad nails, and glued to the back with wood glue.
 

 

 
You can find more hollowed-out book treasures at the seller’s Etsy shop. The seller also offers a hollowed-out book on first-year parenting with a hidden flask.

Posted by Christopher Bickel
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07.14.2017
07:52 am
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Bad Bunny: True children’s stories of violent, drug-fueled family life presented as a kids’ book
07.07.2017
10:48 am
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Childhood is sometimes described by those privileged enough to know as the best years of our lives. This may be the case for the few but not always so for the many.

An American educational charity called Youth Ambassadors, which helps underprivileged kids reach their full potential, has come up with a rather simple idea to highlight the often grim reality of how some young people spend their childhoods. It’s a fake children’s book called Welcome to My Neighborhood.

It’s presented just like any other kids picture book with friendly, cuddly bunnies, cats, and mice telling the story of their lives. The big difference is this ain’t no Beatrix Potter or Wind in the Willows. This is a collection of disturbing true stories of domestic violence, drugs, crime, murder, and prison as recounted by disadvantaged children from some of America’s most deprived places. Not even the seemingly family-friendly illustrations can disguise the brutality of the children’s lives as drug-addict Daddy Rat beats his kids, the Bunny Brothers whack people, and Mister Fox is a gung-ho, trigger-happy cop.

Whether Welcome to My Neighborhood will actually make any real difference to the plight of these youngsters other than being something the chattering class will smile knowledgeably about over their quinoa salads and tofu chai latte, I ain’t so sure. But it’s certainly 10/10 for originality and effort. Download a PDF of this book here or, if you’re interested in doing some good, find out how to help Youth Ambassadors here.
 
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More sad tales, after the jump…

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Posted by Paul Gallagher
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07.07.2017
10:48 am
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Ralph Steadman’s grotesquely brilliant illustrations for Orwell’s ‘Animal Farm’
06.19.2017
12:04 pm
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George Orwell had difficulty in getting Animal Farm published in the 1940s. His satirical fable about a farm being taken over by a cowardly, power-mad pig was seen as an undisguised and rather offensive attack on Soviet Russia and its leader Joseph Stalin. As Orwell later explained in his introduction to the book, it was not considered the done thing in 1940s Britain to criticize their war ally Russia and especially its leader Stalin in any way. (Sidebar: Orwell’s introduction was not included in the book on its first publication and is still missing from most editions today.)

Due to the war, any criticism of Uncle Joe was not tolerated—even if there was ample evidence that things might not be as jolly as the Russians liked to pretend. The media (including the BBC) and its allies in left-wing intelligentsia swallowed wholeheartedly every piece of propaganda issued by the U.S.S.R. which was then spewed out as fact.  But Orwell was never one to be swayed by the heady eau de cologne of fashionable politics. Orwell actually believed in a practical socialism—not one that resulted in the oppression of the majority by a tiny minority as was the case with Stalin, whose dictatorship had murdered up to 60 million.

Eventually, after a series of surprising knockbacks from British and American publishers (including one from T. S. Eliot at Faber & Faber), Orwell’s tale was successfully published by Secker & Warburg in August 1945 and has never been out of print since. However, its release was not well received. Certain critics tried to damn the book with faint praise or dismiss it as “clumsy” and “dull.” Now, clumsy and dull are not the kind of words I would ever associate with Orwell’s fastidious writing or with this allegorical masterpiece.

Orwell first had the idea for Animal Farm after seeing a small boy whipping a horse:

“...I saw a little boy, perhaps ten years old, driving a huge carthorse along a narrow path, whipping it whenever it tried to turn. It struck me that if only such animals became aware of their strength we should have no power over them, and that men exploit animals in much the same way as the rich exploit the proletariat.”

Orwell wrote Animal Farm between 1943 and 1944, during the height of the Second World War. He also added in some of his own personal experience of having witnessed firsthand the Communist purges during the Spanish Civil War which revealed to him “how easily totalitarian propaganda can control the opinion of enlightened people in democratic countries.” Orwell intended his novella as a warning and a condemnation of Stalin’s vicious dictatorship and his corruption of socialist ideals.

Political cartoonist David Low was the man who first illustrated Orwell’s political parable. While Low’s work was satirical and well-matched to Orwell’s prose, his illustrations pale when compared to the scabrous beauty of Ralph Steadman’s grotesque scratchings. Steadman provided illustrations for the 50th anniversary edition of Animal Farm in 1995.

I’d be hard put to think of any other artist who so effectively depicts the grim satire at the heart of Orwell’s tale. Steadman’s drawings seem to be on the verge of exploding with fury at the raw injustice of life or, in this case, the political allegory of the endless brutal horror of Animal Farm.
 
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See more of Ralph Steadman’s gonzo illustrations, after the jump…
 

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Posted by Paul Gallagher
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06.19.2017
12:04 pm
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‘I’m Always Thinking of You’: The Bruce Conner occult greeting card
06.16.2017
08:34 am
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‘I’m Always Thinking of You,’ greeting card by Bruce Conner, c. 1957 (via Dust-to-Digital)
 
Dust-to-Digital, the excellent reissue label behind last year’s Music of Morocco: Recorded by Paul Bowles, 1959, has reprinted this greeting card drawn by Bruce Conner some 60 years ago. It costs $5.

Like Harry Smith, Conner was employed by a bohemian greeting card company called Inkweed Studios (later The Haunted Inkbottle) during the ‘50s. Lionel and Joanne Ziprin—he a poet and Kabbalist, she a dancer, illustrator, and model—were its founders. The notes from Glenn Horowitz Bookseller’s 2011 exhibition of material from the Inkweed archives are full of fascinating details about the Ziprins, the artists they worked with, and the businesses they ran. While they do not seem to have made much of a dent in Hallmark’s monopoly, they gave Bruce Conner and other artists the greatest gift of all: cash.

Inkweed offered itself as a launching pad for a handful of equally ambitious and talented artists, several of whom found their first paying commercial jobs with the company. These include polymath artists Harry Smith and Jordan Belson, painter and filmmaker Bruce Conner, and illustrators Barbara Remington and William Mohr. Smith’s instantly recognizable geometric designs were used for a series of hand screened Christmas cards, which echoed the artist’s famed series of drawings and collotypes inspired by Kabbalistic themes. Their most prodigious collaborator, however, was Conner, who met the Ziprins on a visit to New York in 1951. While studying art at Wichita University and the University of Nebraska, Conner regularly sent The Ziprins card concepts, alongside completed linoleum cuts and meticulous printing instructions. Conner’s work for the Ziprins—inspired by the two-dimensional, alien forms of painter Paul Klee and the absurdum ad infinitum ethos of Dada and Beat—infused Inkweed with a heavy dose of subversive wit and black humor. Conner’s vision inspired the Ziprins to take greater risk in their own designs, expanding the parameters of what the company could and would soon become.

After the jump. Conner’s video for “Mea Culpa” from Brian Eno and David Byrne’s ‘My Life in the Bush of Ghosts’...

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Posted by Oliver Hall
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06.16.2017
08:34 am
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War Games: A 15th-century guide to violent combat
06.15.2017
09:58 am
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So, you want to learn how to fight like one of the world’s great duelists? Or maybe like a warrior from Game of Thrones? How about Jaime Lannister? Or, Brienne of Tarth? Or, maybe Bron or Ser Arthur Dayne, or even like the “Hound” Sandor Clegane? Well, you could do no better than seek some useful advice from one of the world’s oldest fencing manuals Flower of Battle (Fior di Battaglia, Flos Duellatorum) published in 1409 and written by the legendary Italian fencing master Fiore Furlano de Cividale d’Austria, delli Liberi da Premariacco or Fiore dei Liberi for short.

Del Liberi was an itinerant knight of the late 14th and early 15th-centuries, a man of action, an occasional diplomat, and a highly respected fencing master. He traveled across Italy, France and Germany training young condottieri in the art of swordsmanship and dueling. He was very particular in his choice of pupils and only taught those he considered to be worthy of his knowledge. On at least five separate occasions he fought duels of honor against those he refused to teach. Unsurprisingly, he always won. Though I’m sure his opponents would have picked up a few tricks from their humiliation.

It is not known when exactly del Liberi was born, though an estimate suggests he was born in Italy circa 1350. This is solely based on his introduction to the Flower of Battle where stated he had been training as a swordsman for “forty years or more.” As most swordsmen started learning their craft around the age of ten, this would make del Liberi in his fifties when he first started work on his combat manual Flower of Battle in the early 1400s.

Flower of Battle is a beautifully illustrated guide book split into several different sections explaining the intricacies of combat. These include top tips on wrestling, defenses against an enemy using a dagger, fighting with daggers (and not getting stabbed), fighting with a one-handed sword (and not getting killed), fighting with a two-handed sword (and not getting a hernia), as well as fighting in armor (without falling over), how to use a poleax (and win!), fighting with a longsword (and verily smite your enemies), and jousting and combat with a lance and spear (without falling off your horse). The teacher is identified with a gold crown on his head. The first set of illustrations in each section shows how to attack, the second how to defend.

The manual is believed to have been written for the wealthy nobleman Niccolò III d’Este who wanted his sons schooled in the art of combat—something that was essential for maintaining power in the tumultuous 15th-century. Only four editions of del Liberi’s Flower of Battle are known to exist. This one (in the public domain) is kept at the Getty where a full English translation of the book can also be found. Now that Canada has made dueling legal once again, it may be time to learn how to duel like the Italian master Fiore dei Liberi or at least like Jon Snow or Arya Stark.
 
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Hone up on your combat skills, after the jump…
 

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Posted by Paul Gallagher
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06.15.2017
09:58 am
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Tijuana Bibles: Cheap, nasty, porno comic books featuring Mickey, Donald, Popeye, & more (Very NSFW)
06.06.2017
10:24 am
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Tijuana Bibles were eight-page, hand-sized comic books featuring well-known cartoon characters, sporting heroes, and Hollywood film stars in a sequence of hardcore sexual shenanigans. They first appeared sometime in the 1920s as illustrated dirty jokes featuring squeaky clean comic strip characters like Tillie the Toiler and Jiggs and Maggie from “Bringing Up Baby.” The more straightlaced the character, the more outrageous the smut.

Their instant success led to far more explicit hardcore tales featuring famous movie stars like Mae West, Robert Mitchum, Dorothy Lamour, Greta Garbo, even Laurel & Hardy, alongside such well-loved cartoon figures as Mickey Mouse, Donald Duck, Popeye and Betty Boop porking the fuck out of everything that moved. They were cheap titillation intended to arouse and (in their own way) educate the virginal. They were subversive and offensively humorous.

The name “Tijuana Bible” came from the mistaken belief these comics were produced south of the border and smuggled into the USA. They were actually produced and printed in the States by local artists and independent businesses who hid behind fake publishing titles like “London Press” and “Tobasco Publishing Co.” They were sold under-the-counter in tobacco shops, bars, barbers and bowling alleys at 25 cents a pop. Their greatest popularity was during the Depression of the 1930s, eventually petering out with the arrival of real porn mags in the 1950s. Tijuana Bibles are now considered by many comic book historians to be among the very first underground comix. More importantly, these cheaply produced comic books helped unfetter sex and sexuality from the weight of societal and religious strictures of guilt and taboo by making sex seem fun, natural, and something to be greatly enjoyed.

A man called Quinn has scanned a whole selection of these “politically incorrect literary gems” which can be viewed here.
 
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More examples of Tijuana Bibles, after the jump..

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Posted by Paul Gallagher
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06.06.2017
10:24 am
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