I was recently on vacation in Vancouver, BC and was lucky enough to take in a massive pop culture retrospective called “MashUp: The Birth of Modern Culture” at the gorgeous Vancouver Art Gallery. The show, which took approximately four years to curate, featured a huge array of works from pop culture heroes like filmmaker Jean-Luc Godard, Jean-Michel Basquiat, Keith Haring, and many, many others.
One of the many delights the show had to offer fans of pop culture was an almost six-minute video by American video and installation artist Dara Birnbaum, a woman at the forefront of the feminist art movement in the mid-1970s. The video, “Technology/Transformation: Wonder Woman,” was made in 1978 and 1979 and features Lynda Carter as her television super-hero alter ego Wonder Woman; explosions, imagery, and audio tracks taken from from her show, which ran from 1975 to 1979; and Carter’s trademark “Wonder Woman” spin—all scored to the show’s own cheese-tastic soundtrack as well as a few added disco fillips. According to Birnbaum, her use of repetition in the video is meant to expose the illusion of “fixed female identities in media” and attempts to show the emergence of a “new woman” through use of technology.
Since I first saw Birnbaum’s Wonder Woman video, I have not be able to get it out of my mind—it’s a strangely compelling and hypnotic piece of work. The video wraps up with an on-screen transcription of The Wonderland Disco Band’s homage to Wonder Woman, “Wonder Woman Disco” which is nearly as fantastic as the video itself. If you’re planning on visiting Vancouver, BC, I highly recommend that you check out “MashUp,” which runs through June 12.
“Technology/Transformation: Wonder Woman” by Dara Birnbaum:
More after the jump…