‘Everything is autobiographical’: An interview with Federico Fellini that demands to be seen, 1972

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Making a movie is a very mathematical operation, Federico Fellini explains in this interview from 1972. It is like firing a missile into space—everything has to be prepared.

This control over film-making is neatly contrasted with the often random nature of documentary-making, when moments later a telephone rings and the interview is stopped. Fittingly, the sequence is kept in, as if it had been scripted.

There is also a great interplay between Fellini and interviewer Philip Jenkinson, where the director responds to the questions about his films—Roma, Amacord, Satyricon, his techniques, and his life, but rarely giving a definitive answer. There is a drama going on here between the two, of nuance and mood, with Fellini cleverly avoiding his being tied to one thought, one explanation, one answer. That is for the critics, he says.

Ultimately, Fellini defines movie-making, or artistic creation, as a form of autobiography.

Everything is autobiographical. How is it possible to live outside of yourself? Anything we do is also a testifying of yourself. If a creator makes something that pretends to be very objective, it is the autobiography of a man who is very objective…

He ends in a similar form:

...How is it possible to do something outside of your myth, of your world, of your character, of your history, of yourself?

It brings the interview almost full-circle, but Fellini’s answers throughout only leave the viewer wanting to know more. This is a classic and rare TV interview and demands to be seen.
 

 
With thanks to NellyM
 

Written by Paul Gallagher | Discussion
Peter Sellers and Spike Milligan: Their rare and historic interview at Cinema City, 1970

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An incredible moment in TV, Film and Comedy history: Peter Sellers and Spike Milligan interviewed by Tony Bilbow. Recorded at the Roundhouse’s Cinema City, London, for BBC TV’s Film Night, which aired on November 8th, 1970.
 

 

 
With thanks to NellyM
 

Written by Paul Gallagher | Discussion