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Proto-goth obscurities: Killed by deathrock
10.03.2016
08:45 am
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Indie label Sacred Bones has been really killing it lately with experimental releases such as the upcoming Uniform 12 inch and the godlike John Carpenter Lost Themes volumes, as well as their reissues of classic weirdo stuff like Funeral Parade, the Eraserhead soundtrack, and my personal favorite: the Killed By Deathrock compilation.

Killed By Deathrock is, as the title suggests, a compilation of classic punk obscurities in the vein of the ever-popular Killed By Death series, but with a darker, creepier, white foundation and black mascara bent. “Deathrock,” for the uninitiated, was more-or-less the original unofficial name for what eventually morphed into the thing known today as “goth.” The term “deathrock” originated in the L.A. punk scene in the late 70s, used to describe punk bands that incorporated horror elements and spooky atmospherics, such as Christian Death, 45 Grave, Kommunity FK, and Radio Werewolf. For a time, some used it as a blanket term to also describe European post-punk bands such as Bauhaus or Southern Death Cult, but “goth” eventually emerged as the genre-identifier that stuck. There was certainly a marked difference between the campier, punkier L.A. bands and and the more brooding Euro set.

Whatever you feel comfortable calling these groups with pale skin and chorusy guitars and Bowie-impersonation to the nth degree vocals, there were a whole slew of them out there in the early ‘80s, many of whom are virtually unheard of today. Thankfully the good folks at Sacred Bones are plundering the graveyards to dig up some of these remains. 

I can’t recommend Killed By Deathrock highly enough, so I was thrilled to learn that a second volume in the series is being released next month.

Checking the track list, I’m familiar with only about half of the bands, so this is going to be a treat:

1. Gatecrashers “Spectator”
2. Middle Class “A Skeleton at the Feast”
3. ADS “Waiting for the War”
4. Veda “Whiplash”
5. Skeletal Family “Promised Land”
6. Flowers for Agatha “The Freedom Curse”
7.  “Dark Spirits”
8. Crank Call Love Affair “What’s Wrong Yvette”
9. Red Zebra “I Can’t Live in a Living Room”
10. Vita Noctis “Hade”

That’s a great Middle Class track from their underrated Homeland album, which was a far post-punk cry from their first seven inch—a record many punk historians consider to be the first “hardcore” record. This track has the Middle Class sounding much more like Bauhaus-like:
 

 
More after the jump…

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Posted by Christopher Bickel
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10.03.2016
08:45 am
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Over 35 years later, the first ‘hardcore’ record gets a music video—with tap dancing
10.22.2015
08:46 am
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Released in early January 1979, the debut seven inch EP by Santa Ana, California’s Middle Class is considered by many punk historians to be the first “hardcore” record.

That is to say, it was the earliest release that displays a stylistic shift from what was known at the time as “punk rock” to a shorter-faster-louder style of playing that would come to be associated with the burgeoning hardcore scene. It is certainly ranked among Black Flag’s Nervous Breakdown EP (released late January, 1979) and Bad Brains “Pay to Cum” single (released June of 1980) as the earliest stylistic harbingers of “hardcore.”
 

 
While the Middle Class are certainly less known and regarded than their contemporaries Black Flag and Bad Brains, their importance to the late 70s California punk scene should not be dismissed. Now, more than 35 years after its release, the title track from their Out of Vogue EP may finally get some recognition.

Classic independent LA punk label, Frontier Records, have released a brand new music video for the song. Instead of cobbling together some grainy super 8 or primitive video footage of the band, the bold directorial choice was made to have a middle-aged man tap-dance to the song on a sidewalk.

The dancer in the clip is Rob Zabrecky, who will be known to many of our readers as the singer of the (fucking great) 90s band Possum Dixon.

Zabrecky also happens to be one of the best magicians I’ve ever seen live, in addition to being a vocalist and (exquisite) dancer.

Certainly this is what no one expected, but the aesthetic fits the idea: OUT OF VOGUE.

We don’t need your magazines
We don’t need you fashion show
We don’t need your TV
We don’t want to know

We don’t need we get our fill
It’s esoteric overkill
It’s a shiny new aesthetic
Get us out of vogue

Everything about this performance SCREAMS “out of vogue”:
 

Posted by Christopher Bickel
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10.22.2015
08:46 am
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