Oh dear…  
 
Previously on Dangerous Minds:
Cable gets synopsis of ‘The Dark Crystal’ very, very wrong

(via The High Definite )

 
“Good, clean professional wrestling, the way it used to be!” plus Jesus!

This is one of the most hilarious things I’ve seen on the Internet in… I dunno, at least several hours? Just about every spectrum of goofy is covered in this decidedly unironic clip. About 60 seconds in, when the guy is describing his aches and pains—wait for it—it’s genius. If the actual dialogue here was goosed up maybe 5% by a comedy writer, it would have amazing potential as a sitcom.

But this is real. Get these Christian Wrestling Federation guys a reality show! You can’t say this wouldn’t play to an exceptionally large swath of the American public! Imagine the drama (and ratings!) when one of them comes out! Basic cable gold, these guys. If truTV don’t sign these fellows up, they’re leaving money on the table.
 

 

 

 
Via On Knees for Jesus

 
Imagine Bernie Worrell jammin’ on a Gameboy, and you’re kind of close to the unique sound of Ben Butler & Mouse Pad. Taking cues from chip-tune, jazz-funk, video games, electro (old and new), 80’s soundtracks, progressive rock and years of formal piano lessons, it references lots of music from the past but sounds like it only could have come from the present.

Ben Butler & Mouse Pad is essentially the work of one man, Joe Howe. Having previously produced an album for the Scottish indie guru Momus (Joemus) and been a part of the Glasgow-based art-spazz electro/trash duo Gay Against You, BB&MP sees Joe focusing on the music he loves the most. Heavily influenced by the Scandinavian Skwee scene, and filtered through his uber lo-fi set up of two tiny keyboards and a laptop, it’s synthy, it’s dirty and it’s ridiculously funky to boot. This guy is like a Herbie Hancock for the Scott Pilgrim generation.
 

 
So I should get the nepotism aspect out of the way - I sang the vocal on Ben Butler & Mouse Pad’s debut single “Infinite Capacity (For Love)”, which was released on LOAF in the UK and online in November of last year. But I really don’t care - I would write about Ben Butler even if he hated my guts, as he and his music are the absolute shit. Other vocalists on the upcoming debut album include the main man again, Momus and San Fransiscan rapper Hawnay Troof. You can listen to “Infinite Capacity (For Love)”, with remixes form Dam Mantle, Fulgeance and Dolby Anol, over on Niallism. In the meantime, here’s a video for ‘Supermotion’ made by Charlotte Carden and Gavin Laing:
 

 
Ben Butler & Mouse Pad are currently touring the States as support act for the equally awesome Deerhoof. If you get a chance to check out one of these shows, then do. A full list of tour dates are here.

Infinite Capacity (For Love) EP is available now to download via Amazon.co.uk.

There are more releases for sale or just listening on the BB&MP Bandcamp, including the recently released Worm EP, recorded at Worm/CEM Studios, Rotterdam, June 2010 on all analog gear. 

 
Gotta revolution if you want it. Click here and watch the future unfold in real time on your computer. The concept that we’re all in this together has never been truer or more immediate. Governments, Egypt’s and our own, are playing catch up. Information is power and it makes us all equal.

Blogs not bombs!

 
The Stones. Looking a bit rough. Actually it’s Stones Throw from Tampa,Florida.
 

 
With thanks to Matt Devine and Marc Campbell

 
Previously on The President Reagan Show, he told a Time magazine reporter that he sometimes feels trapped in the White House:  “You glance out the window and the people are walking around Pennsylvania Avenue and you say, ‘I could never say I am going to run down to the drugstore and get some magazines.’ I can’t do that anymore.”

10/12/82 White House spokesman Larry Speakes to the press: “You don’t tell us how to stage the news, and we don’t tell you how to report it.”

10/19/82 During a White House meeting with Arab leaders, President Reagan turns to the Lebanese foreign minister. “You know,” he says, “your nose looks just like Danny Thomas’s.”

11/11/82 President Reagan explains that his proposed five-cents-a-gallon gasoline tax would not be a tax at all. “It would be,” he explains, “a user fee.”

11/25/82 Larry Speakes chooses Thanksgiving as the ideal moment to announce that the White House is considering a proposal (conceived by Ed Meese) to tax unemployment benefits. This, says Speakes, would “make unemployment less attractive.”

11/26/82 Ed Meese denies that taxing unemployment benefits has been seriously considered, though he can’t help adding, “We do know that generally when unemployment benefits end, most people find jobs very quickly.”

12/4/82 President Reagan returns home from his five-day trip to Latin America. “Well, I learned a lot,” he tells reporters. “You’d be surprised. They’re all individual countries.” An aide is soon sent out to explain that the President certainly didn’t mean to imply that he was surprised by this.

12/9/82 Discussing his feelings of confinement with a reporter for People magazine, President Reagan says, “Sometimes I look out there at Pennsylvania Avenue and see people bustling along, and it suddenly dawns on me that probably never again can I just say, ‘Hey, I’m going down to the drugstore to look at the magazines.’”

12/15/82 Literary agent Bill Adler announces that The Deaver Diet, recounting the White House aide’s 35‑pound weight loss, will be published in early 1984. Adler says the book will consist of 75% diet, 20% exercise and 5% “inspiration.”

12/16/82 Spontaneously conveying one of his regrets to a Washington Post reporter, President Reagan says, “I sometimes look out the window at Pennsylvania Avenue and wonder what it would be like to be able to just walk down the street to the corner drugstore and look at the magazines. I can’t do that anymore.”

12/18/82 Sharing a sudden thought with a radio interviewer, President Reagan says, “I sometimes look out the window at Pennsylvania Avenue and wonder what it would be like to be able to just walk down the street to the corner drugstore and look at the magazines. I can’t do that anymore.”

All entries are excerpted from the “Reagan Centennial Edition” of my 1989 book The Clothes Have No Emperor, available here as an enhanced eBook. More to come.

 
As habitual readers of Dangerous Minds know, when I do “product reviews” I try to stay away from debating the merits of the music of “classic rock” acts because, frankly who cares what I think about Neil Young or The Beatles? As for me, I really don’t care what you or anyone else has to say about their music, either. If you don’t like Young or the Fab Four, too bad, buddy, I just can’t help you. They’re awesome, and it’s been long ago settled. Done.

But what I do care about is: Does it sound/look good? Is this newest version a significant upgrade from the last “definitive collector’s edition” they put out? And most importantly, “Is it really worth shelling out the money for this sucker if I’ve already bought this goddamned album in several obsolete audio formats, including 8-track tapes?”

Admittedly, oft-times the answer is “No.” (I don’t think the newly released Tommy Blu-ray sounds all that great, for instance. The surround mix of David Bowie’s Station to Station album is just terrible). Other times the answer is a resounding “Yes!” as in the case of the newly restored Criterion Collection Blu-ray of The Monkees’ psychedelic opus, Head.
 

 
Head was written and produced by Bob Rafelson (co-creator of The Monkees) and Jack Nicholson, and directed by Rafelson. The film aimed to deconstruct the “manufactured” image that the Monkees wished to leave behind far behind them in 1968. The group wander through a number of surrealistic scenes, Hollywood sound stages and trippy pop art musical production numbers. Along the way, they encounter the likes of Nicholson, Dennis Hopper, Annette Funicello, Terri Garr, stripper Carol Doda, Frank Zappa, Toni Basil, fighter Sonny Liston, and weirdo character actor Timothy Carey. Victor Mature, an over the hill actor known for appearing in Biblical epics and sword and sandals films, played a King Kong-sized version of himself (I’m not old enough to have much context for Victor Mature, but the way I take it is that he’s playing himself in a “human punch-line” kind of way, something that will no doubt be lost on future audiences for whom he’ll just appear to be a weird old giant who appears appropos of nothing).

Head was initially released with a mysterious advertising campaign that never mentioned the Monkees and instead featured the head of a balding man (John Brockman, future literary super agent). The Monkees’ teenbopper fan base must have been mighty confused. These were still the Monkees they loved, but what was with all the lysergic Marshall McLuhan stuff, the Viet Nam footage and the hookahs? Head is an audio-visual mindfuck. Head was a total flop.
 

 
Head’s reputation grew during a couple of national CBS late night TV airings in the 1970s. A VHS was released in the mid-80s during the revival of interest in the group brought on by MTV screening The Monkees for a new generation. Today Head is properly considered a odd milestone in Hollywood history—it’s one of the highest budgeted rock films of the era and one of the first counter culture films to be produced by the studio system. What a stylish time capsule of the era it is!  In his liner notes, Chuck Stephens called Head, “the Ulysses of a hip New Hollywood about to be born.” What he said!

I’d have to say that of all of the various music related Blu-rays discs that have passed through my BD player since I got it last year, Head is the very best of all. It’s THE thing I’d reach for to geekily demonstrate my sound system for a guest. Seldom are things done this right, but when you consider that it’s Criterion behind this issue of Head, of course it makes more sense. I have no doubt that seeing this new Criterion version on a large HD screen with a good surround system is a superior experience even to seeing it in a movie theatre when it was first released. How could it have been better then? 42-years after Head’s initial release, we have the technology!

So, is it a significant upgrade from the Rhino DVD of Head, still on the market? Hell, yes. There’s simply no comparison, either in the video quality—Rhino’s DVD sucks on that count, they used a scratchy fullscreen print, whereas Criterion’s disc is letterboxed and immaculate, transferred from a 35mm negative—or in the audio department, either, as Head has been gloriously remixed in 5.1 surround. Holy shit did they do an amazing job with the audio.
 

 
Head’s opening moment, where Micky Dolenz runs through the dedication ceremony and jumps off the bridge, has, of course, as its soundtrack, one of the greatest numbers the Monkees ever did, “Porpoise Song.” The pristine quality of that scene’s solarized underwater footage combined with the HD DTS surround mix is nothing short of astonishing. Visually, it’s like looking at a stained-glass window. The audio is deeply immersive—like you’re standing in the midst of a strange waterlogged orchestra—and the video so vibrant that I must’ve played that one scene ten times in a row before moving on to “Circle Sky.” Again I wasn’t disappointed, the group’s presence is immediate and electrifying—Head’s performance of “Circle Sky” is the first time a “live” rock performance was used in a Hollywood film. I’ll say it again, they usually never get it this right. As far as slick audio/visual products go, Criterion’s Head deserves a special award.

At the moment, Head is only available as part of the Criterion Collection box set America Lost and Found: The BBS Story. Although the rest of the films in the set—Easy Rider, Five Easy Pieces, The Last Picture Show, The King of Marvin Gardens, Drive, He Said and the first ever release of Henry Jaglom’s A Safe Place (with Nicholson, Tuesday Weld, Orson Welles and Dangerous Minds pal Phil Proctor of the Firesign Theatre)—are all worthy, frankly I’d sooner have just had Head. Although it’s not on their current release schedule, I’m sure Criterion will release Head solo on Blu-ray soon enough. Surely the word of mouth, in the meantime, will continue to spread.
 

 
[A personal anecdote here: In 1994, I met Micky Dolenz and his (super cute) daughter Ami, at the Whisky Bar in New York. He was really cool and a gas to talk to, but after about 20 minutes I sheepishly revealed to him that although I could not have possibly had any forewarning that I was going to meet him, earlier that day I’d actually bought a CD of the Head soundtrack that I had in my coat pocket. The conversation got slightly awkward for a minute until I changed the subject and he politely allowed me to do so. I got the feeling that he had about as much desire to talk about something he’d done 30 years ago as most people would.]

Below, one of the best musical numbers in Head, Mike Nesmith’s powerful “Circle Sky.” Who says The Monkees weren’t a good live band? Also. keep in mind as you watch this, that as cool as this clip is, it’s still a pale comparison to the crisp, vibrant new Criterion Blu-ray release with six channels of audio coming at you:
 

 
Below, an excellent theatrical trailer for Head:
 

 
Available now on Ebay for under $50.00. And it comes with instructions! Ah, but the makeup kit is optional.

Mens Ziggy Stardust - David Bowie fancy dress costume - one size fits most (chest up to 44”)

The stunning outfit, which comes in its resealable hanging package, includes the following:

   * Shirt
   * Trousers
   * Boot tops
   * Belt with lightning decoration

Face painting kit also available as optional in this listing (+£5). The kit contains:

   * 5 Face paints
   * 5 Water-activated glitter sticks
   * 1 Brush
   * Instructions

Thanks to Cherry Bombed

 
This new tune from singer-songwriter Molly Lewis is a delight:

On YouTube, one of the highest compliments you can pay someone is telling them that you want to have their babies. This song isn’t necessarily about that.
I adore Stephen Fry, and think that our gene pool would be better with his traits running around in it.

He should at least mull it over!
 

 
Thank you Taylor Jessen!

 
Here’s some great, candid footage of Grace Jones on the set of the 1986 film Vamp. First there’s an interview in some amazing Egyptian headgear, and then a strangely intimate video of her rehearsing for the role as the two thousand year old vampire Katrina with the film’s director Robert Wenk. I’ve been a huge fan of Ms Jones for a long time, but have to admit I have never seen this film, even though the whole thing is up on YouTube. I will someday, even if it is just for her amazing outfits, and the Keith Haring body art.  Although I get the feeling that you could dress her in random items pulled from a garbage truck and she would still look breathtaking, it’s funny how different Grace comes off in her interviews to her public image - articulate, funny, warm, even slightly goofy. I’d definitely hang with her.
 

 
After the jump, Grace rehearses for a scene in Vamp, plus the scene itself.

Previously on DM:
Keith Haring & Grace Jones: Flesh graffiti and the Queen of the Vampires.

 
Director Nendie Pinto-Duschinsky is currently finishing a documentary on mime and dance legend Lindsay Kemp, which is due for release this summer. Called Lindsay Kemp’s Last Dance, the film has had exclusive access to Kemp’s personal archive and offers unique and highly personal insight into the life and art of the reclusive genius.

Lindsay Kemp, who claims he began life in his mother’s lipstick and shoes, was born in South Shields, England in 1938, and has been a major figure in dance, mime and theatre for over forty years, during which time he starred, choreographed and produced some of the greatest dance productions ever seen. He famously taught David Bowie mime, and collaborated with Kate Bush. As actor he has appeared in Derek Jarman’s Sebastiane and Jubilee; and in Ken Russell’s The Devils and Savage Messiah, he also gave a memorable performance performance in the original version of The Wicker Man. Now Pinto-Duschinsky has filmed Kemp on a tour in Italy, Japan and the UK.

The world’s most famous mime, believing himself to be Queen Elizabeth I travels to Japan to face his own mortality.

What happens when genius is most active in advanced years?

Does an artist’s greatest work hover achingly close to the restraints of their own body?

A unique and captivating feature-length documentary, Lindsay Kemp’s Last Dance is the powerful story of the world’s greatest theatre performer facing his own mortality at 70. The film grew from a childhood meeting between the director of the film and Lindsay Kemp. This turn of fate brought about a friendship that was to take the director on a three year journey to Japan, Italy and the UK to film Lindsay Kemp’s Last Dance.

In contrast to this work and its core meanings, the director has been given access to Lindsay’s personal archive which contains very rare footage spanning his lifetime from his relationship with David Bowie to his work with Kate Bush. His seminal work Flowers, of which no other copy exists, is contained in this archive.

Deeply comical, provocative and emotional, Lindsay’s world onstage and offstage are one seamless act. With his cast of international performers, some of whom are ex-lovers, the score of Carlos Miranda is enhanced by a script in six different languages. Woven into the film are interviews with artists with whom Lindsay has worked. Lindsay comes across as a perfectionist and a seismic personality.

 
Previously on DM

Amazing Home Movie Footage of The Ballet Russes in Australia

 
With thanks to Steven Severin
 

 
If Mirrors Could Speak , a social engineering film from 1976 in which kids are transformed into malevolent clowns to depict various bad personality traits, has appeared on the web in the past. But the high quality of this upload makes it worth another look or a first look if you’ve never seen it before.

Cruel self-assessment is given a new twist as vulnerable grade-schoolers are forced to look into the deep blackness of their own souls only to reach the inevitable conclusion that they are unloved and they will spin out their meaningless years on this drifting rock before dying alone and afraid.”

Also known as Juggalos: The Early Years.
 

 
Seriously, Robert Broadus? Seriously???  Ay yi yi!

 
(via Cynical-C)

 
The next chapter, in which President Reagan introduces “Chairman Moe” of Liberia.

7/2/82 Caught off guard at his 12th press conference by Sarah McClendon’s question about “sex harassment of women” working in government, President Reagan waggles his head and says, “Now, Sarah, just a minute here with the discussion or we’ll be getting an R rating.” Many reporters – Sarah not among them – find this inane quip amusing enough to actually laugh at.

8/2/82 Seeking to convey the Administration’s displeasure with Israel over its attacks on Beirut, the White House points out the difference between a February 1981 photo in which President Reagan is sitting next to Israeli Foreign Minister Yitzhak Shamir and laughing, and today’s photo, in which Reagan frowns at him from across a table.

8/11/82 President Reagan tells Time’s Hugh Sidey that he sometimes feels trapped in the White House. “You glance out the window and the people are walking around Pennsylvania Avenue and you say, ‘I could never say I am going to run down to the drugstore and get some magazines,’” he says. “I can’t do that any more.”

8/17/82 Introducing Liberian head of state Samuel Doe, President Reagan says, “Ladies and gentlemen, Chairman Moe of Liberia is our visitor here today, and we’re very proud to have him.”

9/6/82 The Washington Post reports that of President Reagan’s first 72 nominees to the judiciary, 68 are white males.

9/14/82 Defending his support of anti‑abortion legislation, President Reagan says, “I think the fact that children have been prematurely born even down to the three‑month stage and have lived to, the record shows, to grow up and be normal human beings, that ought to be enough for all of us.” Later, aide Peter Roussel acknowledges that the record shows nothing of the kind: the youngest surviving fetus was four‑and‑a‑half months old. (A three‑month‑old fetus is, at most, three‑and‑a‑half inches long.) Was Reagan aware of this? “He knew,” says Roussel, “but he said three instead of four and a half.”

9/30/82 Two days after President Reagan commits the Marines to an indefinite stay in Lebanon, David L. Reagan (no relation) becomes the first Marine to be killed in the conflict.

10/4/82 President Reagan suggests – and not, by any means, for the first time – that since he sees big help wanted sections in the Sunday papers, unemployment must be caused by a lot of lazy people who’d just rather not work.

10/4/82 Addressing an Ohio veteran’s group, President Reagan discusses plans to strengthen three military divisions in Western Europe, “two of which are in Geneva, and one, I believe, still in Switzerland.”

10/8/82 The unemployment rate hits 10.1%, the highest in 42 years. This does not overly concern President Reagan, who soon puts it in perspective. “Just remember,” he says, “for every person who is out of work, there are nine of us with jobs.”

All entries are excerpted from the “Reagan Centennial Edition” of my 1989 book The Clothes Have No Emperor, available here as an enhanced eBook. More to come.

 
“Look out! Here comes the Spider-Man…” BTW, sorry in advance.

Oh, and there’s an acapella version here.
 

 
(via Certified Bullshit Technician)