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Rush Limbaugh vs Douglas Rushkoff
09.09.2011
10:11 am
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Reichwing radio gasbag Rush Limbaugh responds to Douglas Rushkoff’s fascinating essay “Are Jobs Obsolete” in his own inimitable style... Hilarity ensues!

I love how Limbaugh starts off his rant by making sure his listeners know that he’s never heard of Douglas Rushkoff. Since Rushkoff is one of America’s most prominent intellectuals, no surprises there, Rushbo…

RUSH: I was just handed here a CNN story. The headline here: “Are Jobs Obsolete?” Who wrote this? Douglas Rushkoff. I never heard of Douglas Rushkoff. It’s a column. I’m gonna have to read this. The point of this is the whole concept of jobs may be “obsolete” in America now, which is the most amazing attempt to excuse Obama I have net seen, but that’s just at cursory glance. Yeah, get this, folks: “America is productive enough that it could probably shelter, feed, educate, and even provide health care for its entire population with just a fraction of us actually working.” This is an opinion piece called, “Are Jobs Obsolete?” that appears at CNN.com by some guy named Douglas Rushkoff, who I’ve never heard of and he’s not identified here.

Okay, now, I found out who this Douglas Rushkoff guy is. He’s a “media theorist,” a media theorist, “the author of Program or be Programmed: Ten Commands for a Digital Age, and also Life, Inc.: How Corporatism Conquered the World and How We Can Take it Back.” That’s who has written the piece at CNN.com, “Are Jobs Obsolete?” He’s a “media theorist.” What the hell is a “media theorist”? Now, he’s got a Wikipedia entry, but everybody has a Wikipedia entry, just like everybody has a radio show. It says he was born in 1961, so he’s 50. He’s “an American media theorist, writer, columnist, lecturer, graphic novelist, and documentarian best known for his association with the early cyberpunk culture and his advocacy of open source solutions to social problems.”

So he’s a “media theorist” who writes comic books. So it’s quite understandable here that CNN would give him a soapbox. Anyway, “Are Jobs Obsolete?” On the day Obama’s going to give his big speech on jobs! “The U.S. Postal Service appears to be the latest casualty in digital technology’s slow but steady replacement of working humans. Unless an external source of funding comes in, the post office will have to scale back its operations drastically, or simply shut down altogether. That’s 600,000 people who would be out of work, and another 480,000 pensioners facing an adjustment in terms. We can blame a right wing attempting to undermine labor, or a left wing trying to preserve unions in the face of government and corporate cutbacks.

“But the real culprit—at least in this case—is e-mail. People are sending 22% fewer pieces of mail than they did four years ago, opting for electronic bill payment and other net-enabled means of communication over envelopes and stamps. New technologies are wreaking havoc on employment figures—from EZpasses ousting toll collectors to Google-controlled self-driving automobiles rendering taxicab drivers obsolete. Every new computer program is basically doing some task that a person used to do. But the computer usually does it faster, more accurately, for less money, and without any health insurance costs,” and it doesn’t ask for a day off to take care of the cat.

“We like to believe that the appropriate response is to train humans for higher level work. Instead of collecting tolls, the trained worker will fix and program toll-collecting robots. But it never really works out that way, since not as many people are needed to make the robots as the robots replace. And so the president goes on television telling us that the big issue of our time is jobs, jobs, jobs—as if the reason to build high-speed rails and fix bridges is to put people back to work. But it seems to me there’s something backwards in that logic. I find myself wondering if we may be accepting a premise that deserves to be questioned. I am afraid to even ask this, but since when is unemployment really a problem? I understand…”

(laughing) “I understand we all want paychecks—or at least money. We want food, shelter, clothing, and all the things that money buys us. But do we all really want jobs? We’re living in an economy where productivity is no longer the goal, employment is. That’s because, on a very fundamental level, we have pretty much everything we need. America is productive enough that it could probably shelter, feed, educate, and even provide health care for its entire population with just a fraction of us actually working.” (sniffs) No, my nose started running. This is Douglas Rushkoff, “media theorist” at CNN.com.

“America is productive enough that it could probably shelter, feed, educate, and even provide health care for its entire population with just a fraction of us actually working. According to the U.N. Food and Agriculture Organization, there is enough food produced to provide everyone in the world with 2,720 kilocalories per person per day. And that’s even after America disposes of thousands of tons of crop and dairy just to keep market prices high. Meanwhile, American banks overloaded with foreclosed properties are demolishing vacant dwellings to get the empty houses off their books. Our problem is not that we don’t have enough stuff—it’s that we don’t have enough ways for people to work and prove that they deserve this stuff.”

Wait a minute. “[W]e don’t have enough ways for people to work,” but yet he just said we don’t need people working. I shall nevertheless continue here: “Jobs, as such, are a relatively new concept.” Did you know that, folks? Jobs are a new concept, “relatively” so. “People may have always worked, but until the advent of the corporation in the early Renaissance, most people just worked for themselves. They made shoes, plucked chickens, or created value in some way for other people, who then traded or paid for those goods and services. By the late Middle Ages, most of Europe was thriving under this arrangement. The only ones losing wealth were the aristocracy, who depended on their titles to extract money from those who worked.

“And so they invented the chartered monopoly. By law, small businesses in most major industries were shut down and people had to work for officially sanctioned corporations instead. From then on, for most of us, working came to mean getting a ‘job.’ ... While this is certainly bad for workers and unions, I have to wonder just how truly bad is it for people.” See, workers in unions are not people. “Isn’t this what all this technology was for in the first place? The question we have to begin to ask ourselves is not how do we employ all the people who are rendered obsolete by technology, but how can we organize a society around something other than employment?

“Might the spirit of enterprise we currently associate with ‘career’ be shifted to something entirely more collaborative, purposeful, and even meaningful? Instead, we are attempting to use the logic of a scarce marketplace to negotiate things that are actually in abundance. What we lack is not employment, but a way of fairly distributing the bounty we have generated through our technologies, and a way of creating meaning in a world that has already produced far too much stuff. The communist answer to this question was just to distribute everything evenly. But that sapped motivation and never quite worked as advertised.

“The opposite, libertarian answer (and the way we seem to be going right now) would be to let those who can’t capitalize on the bounty simply suffer. Cut social services along with their jobs, and hope they fade into the distance.” Is that what we’re doing? That’s what we’re doing now, we’re just cutting loose people and letting them suffer out there? We’re cutting social services along with their jobs? I’ll tell you what, I think Obama is putting this crackpot theory to the test. Having a small number of people working to support the rest of the country is exactly what Obama’s doing. This crackpot’s theory is in process here of being implemented!

We’re all a bunch of guinea pigs here; we didn’t know it. Mr. Rushkoff here sounds like he’s sitting in some frat house after a night of too many hits on the bong, folks. He says here, “We start by accepting that food and shelter are basic human rights. The work we do—the value we create—is for the rest of what we want: the stuff that makes life fun, meaningful, and purposeful. This sort of work isn’t so much employment as it is creative activity. Unlike Industrial Age employment, digital production can be done from the home, independently, and even in a peer-to-peer fashion without going through big corporations.

“We can make games for each other, write books, solve problems, educate and inspire one another—all through bits instead of stuff. And we can pay one another using the same money we use to buy real stuff.” Yeah, that’s what we should do: Make games for each other, write books for each other, solve problems for each other, educate and inspire one another instead of doing stuff—and we can pay one another using the same money we use to buy real stuff, but… Well, nobody’s gonna have any money if they don’t have any. I don’t know. Again, Douglas Rushkoff. I’m sort of embarrassed this guy shares letters of my name.

You know, this Rushkoff guy needs to hear the story of the first Thanksgiving. He needs to hear how his way failed. He needs to actually… Anyway, it’s at CNN.com, and just came in over the transom. (interruption) Funemployment? Look, I’m not gonna make the claim that this guy is out there trying to help Obama (laughing), but on the day Obama’s giving his big job speech, this guy’s got a piece out there, “America’s productive enough they could probably shelter, feed, educate, even provide health care for its entire population with just a fraction of us actually working,” and we’re putting that theory to test here, folks. We are in the process of doing exactly that.

Thank you kindly, Jeff Newelt of New York City!

Posted by Richard Metzger
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09.09.2011
10:11 am
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Stevie Wonder meets Metallica: Sad But Superstitious
09.09.2011
05:05 am
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Another killer mash-up from Wax Audio.

Stevie Wonder’s “Superstition” melds beautifully with Metallica’s “Sad But True.”

This originally appeared on Wax Audio’s Mashopolos 2 released in 2008 in audio form only. The new video is smashingly good!
 

 
Via Wax Audio

Posted by Marc Campbell
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09.09.2011
05:05 am
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A Brief History of the Film Title Sequence
09.08.2011
07:06 pm
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Simple but highly effective graduation film made by Jurjen Versteeg, who explains the idea behind his project:

Designed as a possible title sequence for a fictitious documentary, this film shows a history of the title sequence in a nutshell. The sequence includes all the names of title designers who had a revolutionary impact on the history and evolution of the title sequence. The names of the title designers all refer to specific characteristics of the revolutionary titles that they designed.

This film refers to elements such as the cut and shifted characters of Saul Bass’ Psycho title, the colored circles of Maurice Binder’s design for Dr. No and the contemporary designs of Kyle Cooper and Danny Yount.

This title sequence refers to the following designers and their titles:
Georges Méliès - Un Voyage Dans La Lune, Saul Bass - Psycho, Maurice Binder - Dr. No, Stephen Frankfurt - To Kill A Mockingbird, Pablo Ferro - Dr. Strangelove, Richard Greenberg - Alien, Kyle Cooper - Seven, Danny Yount - Kiss Kiss Bang Bang / Sherlock Holmes.

 

 

Posted by Paul Gallagher
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09.08.2011
07:06 pm
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James Bond and his guns
09.08.2011
06:30 pm
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An interesting curio from the 1960s explaining the derivation of James Bond’s weapon of choice.

In the first Bond novel, Casino Royale, Ian Fleming armed 007 with a .25 calibre Beretta Jetfire, which he kept in a chamois shoulder holster, so as not ruin the line of his jacket. However, in 1956, a Glasgow-based firearms expert, Geoffrey Boothroyd, wrote to Fleming suggesting a Beretta wasn’t necessarily the best gun for a spy:

“I have, by now, got rather fond of Mr. James Bond. I like most of the things about him, with the exception of his rather deplorable taste in firearms. In particular, I dislike a man who comes into contact with all sorts of formidable people using a .25 Beretta. This sort of gun is really a lady’s gun, and not a really nice lady at that. If Mr. Bond has to use a light gun he would be better off with a .22 rim fire; the lead bullet would cause more shocking effect than the jacketed type of the .25.

“May I suggest that Mr. Bond be armed with a revolver?”

Fleming opted for the Walther PPK, and graciously thanked Boothroyd for his advice by creating the fictional character Major Boothroyd, a service armourer, who first appeared in Dr. No and subsequent Bond novels. Later, Major Boothroyd was identified simply as ‘Q’ in the Bond films, and was played first by Peter Burton, then from the second film onwards, by Desmond Llewelyn, until his death in 1999, when John Cleese took over the role.

In the following clip from 1964, Sean Connery introduces Boothroyd, where he explains the differences between a Beretta, a Walter PPK and a .44 Magnum - better known as Dirty Harry’s favored tool of the trade. A longer version can be viewed here.
 

 
Via Letters of Note
 

Posted by Paul Gallagher
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09.08.2011
06:30 pm
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The Walker Brothers on Spanish TV 1975
09.08.2011
05:48 pm
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The Walker Brothers performing Jeff Barry’s tune ‘Walking In The Sun” (from their No Regets album) on Spanish television. 1975.

The group, particularly drummer Gary Walker (Gary Leeds), seem not to be taking the whole affair too seriously…and they haven’t even seen the special effects yet.
 

Posted by Marc Campbell
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09.08.2011
05:48 pm
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Anti-torrenting efforts about to begin in earnest in US
09.08.2011
05:41 pm
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TorrentFreak reports that millions of online file-sharers will soon be getting their activities monitored by a third-party “detective” agency/entity who will be provided with raw information by the major ISPs. Alleged copyright violators will be notified that “they” (Hollywood, the music industry) are on to them and given a series of six warnings before more serious measures are taken. Why has the mainstream media been so mum on this story?

In June the MPAA and RIAA announced a ‘ground-breaking’ deal with all the major Internet providers in the United States. In an attempt to deter online piracy, a third-party company will monitor BitTorrent and other public file-sharing networks and collect the IP-addresses of alleged infringers.

The ISPs will then notify these offenders and tell them that their behavior is unacceptable. After six warnings the ISP may then take a variety of repressive measures, which include slowing down the offender’s connection.

This new system is a formalized version of the existing takedown system that’s already in use by copyright holders. It was announced under the name ‘Copyright Alerts‘ and will be managed by the Center for Copyright Information, but little is known about how the data on alleged infringers is collected and stored.

Previously we tried to get more background info, but to no avail. However, via a detour we got in touch with a spokesman for the Center for Copyright Information (CCI) who kindly provided us with some additional information.

We wanted to know what will happen with the IP-addresses that are collected, for how long will they be stored, and will there be a central organization that’s responsible for this process like there is in France. The CCI spokesperson informed us that the data will be exclusively kept by the ISPs.

“ISPs will hold this information, as they do today. Please also note that no personal information about subscribers will be shared with rights holders without the required legal process being completed,” he told us.

There’s no agreement on how long the data will be stored, but a minimum of 12 months is required.

“ISPs will determine this individually based on their own policy. However, please note that the Memorandum of Understanding allows for a 12 month reset period. That means that, if an ISP does not receive any ISP notices from rights holders concerning a subscriber’s account for a 12 month period, all prior ISP notices and copyright alerts from the subscriber’s account may be expunged.”

Previously TorrentFreak reported that DtecNet had been chosen to administer file-sharer activities, although CCI has denied this.

Read more at TorrentFreak

Posted by Richard Metzger
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09.08.2011
05:41 pm
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Pudzilla
09.08.2011
03:20 pm
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Man with a giant penis in the shape of Japan does battle with a room full of junk Godzilla-style.
 

 
Via Copyranter

Posted by Marc Campbell
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09.08.2011
03:20 pm
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Obama: Best Republican President Since Lincoln?
09.08.2011
02:23 pm
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Obama as Lincoln portrait by Ron English

Political commentator and humorist, Tina Dupuy has written one of the best summaries of the Obama presidency so far. This woman deserves her own TV show on Current or MSNBC, she really does…

There was a 90 percent top marginal tax rate under President Dwight Eisenhower. Ronald Reagan raised taxes nearly every year he was in office and still managed to quadruple the national debt. Teddy Roosevelt was an anti-business trust-buster who snatched Yosemite away from private profits. Gerald Ford ended a long pointless war in Vietnam even though pontificators like Pat Buchanan claim we could have won…eventually. George W. Bush bailed out the banks and the auto industry. I won’t even utter the names Herbert Hoover or Richard Nixon (Republicans sure won’t).

Historians agree the best Republican President was also the first: Abraham Lincoln. Who’s second runner up? Which President has represented Republican values best? Easy. President Barack Obama.

First off – his signature legislative accomplishment was to implement a Republican/Heritage Foundation idea from 1989. Assuring Affordable Health Care for All Americans reads, “[N]either the federal government nor any state requires all households to protect themselves from the potentially catastrophic costs of a serious accident or illness. Under the Heritage plan, there would be such a requirement…A mandate on households certainly would force those with adequate means to obtain insurance protection.”

The Heritage Foundation has since recanted and even filed friend-of-the-court briefs against the mandate. This is only after an alleged Democrat was for it. There’s been a pattern of this partisanship before policy since Obama was sworn in.

But if you ignore the misplaced (and often misspelled) vehemence against the first African-American president as a communist/socialist/Marxist/bad “ist” du jour and instead just look at the policy – we have a stellar Republican in the Oval Office.

Obama renewed the Bush Tax Cuts. Republicans love those tax cuts even more than they love being against something once Obama has signed it. In fact the President hasn’t raised taxes at all – just like Republicans say they won’t (see: “Read my lips – no new taxes.”). The only tax he’s raised is on smokers. Obama increased the tax on cigarettes even though he’s an admitted (reformed) smoker. But even that is ideal in a Republican hypocrite kind of way (see: too many anti-gay Republicans in gay sex scandals to list).

And on top of the Bush Tax Cuts – Obama cut even more taxes for 95 percent of Americans.

Plus, he’s cut the size of government! Yes. Regardless of all those email forwards your kooky great-aunt sends you from her decades-old AOL account – the public work force has been reduced under an Obama presidency – therefore “shrinking the size of government.” The reason we had no net jobs in August is because the public sector (i.e., the government) lost jobs due to cuts. The private sector gained the exact amount resulting in a push.

President Obama has managed to quell all anti-war protests and even start a new conflict. That is surely to be the envy of any Republican president who’s ever served.

Guantanamo Bay? Still open. Osama bin Laden? Shot in the head.

Talk about getting 98 percent of what they wanted. If the GOP didn’t have to change their goal post so Obama could never score in their view – Republicans could be dumping Gatorade on Rush Limbaugh by now.

Read the rest of “Obama is the Best Republican President Since Lincoln” (Tina Dupuy.com)

Posted by Richard Metzger
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09.08.2011
02:23 pm
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Don’t get lippy with GOP Rep Paul Ryan or he’ll have you taken to the gulag


 
Attention (formerly) middle-class jobless people in Wisconsin, don’t you go gettin’ sassy with Republican corporate stooge enemy of the people Representative Paul Ryan because… he’ll have your ass arrested... Via Politics USA:

Paul Ryan held his PPV town hall event at Klemmer’s Banquet Hall in Milwaukee. When some protesters who had paid their $15 stood up and asked him questions about jobs and the Bush tax cuts, Ryan not only had them kicked out. He also had three of them arrested.

The protesters got involved when Rep. Ryan tried to claim that our job crisis is directly related to our debt crisis. One person stood up and asked, “Our debt is out of control because of the tax cuts you’re giving…Our unemployment in 2003 was 6.2% before the tax cuts went through. Now our unemployment rate is 9.1%. What are you doing to create jobs, Congressman?”

This lady was shown the door. She was soon followed by another gentleman. Another woman stood up while Ryan was speaking and said, “You won’t talk to us. How can we give our opinions when you refuse to talk to us?” I think you can probably guess what happened to her. When someone stood up in the back and asked, “Where are the jobs, Ryan?” He mentioned corporations, and was escorted out.

How very Republican of him, eh? What a vicious, arrogant fuck Paul Ryan is. Don’t forget these voters also paid $15 for the privilege.

As I have written here in the past about Paul Ryan: “For the record, I’m not a big fan of violence, but it does have its place, historically, in the class war that’s raged since human society began. Admittedly, the image of, say, Rep. Paul Ryan, being forced to fellate a Colt .45 in front of news cameras and having to beg for his life by a once-proud middle-class father reduced to moving his family into a car is something I’d really enjoy seeing. (I think whoever did that would go down in history as a folk hero and at least THEY FEED YOU IN JAIL)”

Ryan might have thought he was being “clever” with this exercise, but there is little doubt that this video will hurt him politically every single time someone watches it. It already has.

How is this asshole a “public servant”? This man is a vicious Republican Ayn Rand-loving shit. He should NOT be in a position of power after displaying such cold-blooded, repulsive, arrogance like this to his constituents. Like they’re “the little people.” You can only imagine what he’d really like to do to them. Yuck. What an ugly human being. Please FB share this and Tweet far and wide.

Previously on Dangerous Minds:
The GOP’s ‘useless eaters’ solution: No more food for you, poor people!
 

Posted by Richard Metzger
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09.08.2011
01:28 pm
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‘Dr. Jesus Chemical Shop’
09.08.2011
01:27 pm
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It sounds so intriguing!

Click here to see larger image.

(via Arbroath)

Posted by Tara McGinley
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09.08.2011
01:27 pm
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George C. Scott watches Star Wars on Blu-ray
09.08.2011
12:16 pm
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George C. Scott emotionally weighs-in on the Star Wars: The Complete Saga (Episodes I-VI) Blu-ray box set.

 
Previously on Dangerous Minds:
Darth Vader’s ‘United States of Noooooooooooooo!’

(via Cynical-C)

Posted by Tara McGinley
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09.08.2011
12:16 pm
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The Beaver Trilogy: Young Sean Penn & Crispin Glover in drag in weirdo 80s cult film(s)
09.08.2011
10:41 am
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Maverick Salt Lake City-based indie filmmaker Trent Harris (who made the quirky cult favorite Reuben & Ed with Crispin Glover and Howard Hesseman) was working as a cameraman at a local TV station in 1979 when he met Richard LaVon Griffiths, AKA “Groovin’ Gary” (Griffiths’ CB radio handle). Harris was in the parking lot testing out a new video camera that the station had just bought and “Groovin’ Gary” was taking pictures of the station’s news helicopter. Their meeting, caught on videotape, would prove to be a fateful encounter for both men.

As he is initially revealed in the film, “Groovin’ Gary” seems to be a Jeff Spicoli-esque, late 70s stoner-type. He’s even got blond “feathered” hair. Gary is a bit of a ham-bone and describes himself as Beaver, Utah’s answer to Rich Little. He (somewhat inexplicably) seems to see his impromptu time on camera as an unexpected showbiz “break.” After doing some terrible impressions of John Wayne and other celebrities, he takes Harris over to his car and shows him his AM/FM stereo 8-track tape player—of which he’s very proud—and the engravings of Farrah Fawcett and Olivia Newton-John he’s had put on the windows. It’s banal, yet weirdly compelling.

“Groovin’ Gary” then invites Harris (via letter) to a talent show he’s producing at a high school in Beaver. A pageant that Gary himself will perform in. In drag. As his alter-ego “Olivia Newton-Dong.” He suggests in a letter that Harris might want to get to the local mortuary (?) at 8A.M. to shoot his hair and make-uo session.

During the make-up application (done by the mortician), he discusses his profound love of Olivia Newton-John. Even in full drag, he somehow does not come across as gay, more like someone who thought that they were about to do something just totally hilarious.

We see the talent show itself, with some truly soggy “talents” on display. Then “Olivia” is onstage and it’s weird, ending with a strange-looking masked man picking up Gary and carrying him offstage. To say that it’s a riveting performance is an understatement. Keep in mind as you watch this, that he orchestrated the entire talent show just so he could do this!

Afterwards “Groovin’ Gary’ happily recaps the event with Harris in his car. Harris drives off. Then the film cuts back to Gary, out of drag, doing a shitty Barry Manilow impression from earlier in the talent show. That’s how it ends.

The video below is out of sync, but it didn’t bother me that much.
 

 
Two years later, in 1981, Trent Harris directed a “dramatic” remake of the first video with a young Sean Penn playing the goofy kid from Beaver, Utah. There is an ending now, in the scripted version—based on what really happened or not, I have no idea—of “Groovin Gary” coming to the suicidal realization that perhaps his drag performance getting on TV would not be the best thing for his life in a small Mormon town and he tries to talk the Harris character out of showing it. The second film was made, apparently, for $100, and often recreated the scenes from the original video (Harris does not play himself here).

It’s not like this is the greatest thing you’ll ever see, but it is fascinating to see a pre-fame Sean Penn performing in drag (the short was made the same year Penn appeared in Taps). It seems clear that Penn picked up some tricks for his actor’s repertoire here that went right into his infamous character from Fast Times at Ridgemont High the following year. In many ways, this short was just a dry run for “Jeff Spicoli” and the next film in The Beaver Trilogy starring Crispin Glover.
 

 
After the jump, the final installment of The Beaver Trilogy starring Crispin Glover…

READ ON
Posted by Richard Metzger
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09.08.2011
10:41 am
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Multiple David Bowies advertise water, from 2003
09.07.2011
05:55 pm
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“Chaque jour une vie nouvelle” or “A New Life Everyday” claimed David Bowie’s advert for Vittel Water back in 2003. The ad was tied-in to the release of Bowie’s Reality album, and had the rock god sharing a house with his stage alter egos - including Ziggy Stardust, Aladdin Sane, the Thin White Duke, the Scary Monsters Clown and the Diamond Dog.
 

 

Posted by Paul Gallagher
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09.07.2011
05:55 pm
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Underground film pioneer George Kuchar dead at 69
09.07.2011
05:03 pm
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Sad to hear that pioneering underground filmmaker George Kuchar has died at the age of 69 in San Francisco. Kuchar’s high camp films, sometimes made with his twin brother, Mike, included Corruption Of The Damned, Hold Me While I’m Naked and nearly 200 other shapeless, formless weirdo films. Kuchar taught at the San Francisco Art Institute since 1971. The Kuchar Brothers were the subject of Jennifer M. Kroot’s delightful documentary, It Came From Kuchar (which you can watch on Netflix VOD).

Bradford Nordeen, curator of the Dirty Looks queer film series, wrote about George Kuchar for indieWIRE:

George Kuchar was a man of many careers. He began making 8mm films at the age of twelve, collaborations with his twin brother, Mike, on a camera gifted from their parents. These early works are sensational remakes of the movies that played in their local Bronx theaters. Even in their adolescence, the twins showed an alarming understanding of cinematic conventions, with special respect paid to woman’s pictures (George’s fave) and swords and sandals epics (Mike’s). Fusing toilet humor with wrenching pathos, these early films were profoundly camp and made a huge impact on a young John Waters. “The Kuchar borthers,” Waters would later explain in the introduction to George and Mike’s illustrated memoirs, “Reflections in a Cinematic Cesspool,” “gave me the self confidence to believe in my own tawdry vision.” Throughout his early career, George worked by day in commercial arts, an industry he described as “that Midtown Manhattan world of angst and ulcers.”

By the mid-sixties, however, the Kuchars were discovered by the burgeoning Underground Film movement and heralded by Jonas Mekas in his Village Voice column and in the magazine Film Culture. In the latter publication, George’s writings appeared alongside prominent figures like Andrew Sarris, Jack Smith and Gregory Markopoulos. After accepting an invitation to teach a summer course at San Francisco Art Institute in the early 1970s, George met Curt McDowell, a student-then-lover, who campaigned to secure a permanent faculty position for George, where he would teach for the remainder of his life. The duo collaborated on many films, including George’s “The Devil’s Cleavage” and McDowell’s experimental/horror/porno, “Thundercrack!,” where George also stars - opposite his character’s love interest, a gorilla.

George changed with the times, influencing a whole new generation when he embraced consumer grade video. He humorously described himself as “a traitor to his medium [film],” but George galvanized the video form with his signature gusto, yielding dozens of video diaries (most renowned were “The Weather Diaries,” in which George documented seasonal – as well as emotional – storms in Oklahoma). Also a skilled visual artist, George worked alongside leading graphic artists like Art Spiegelman and Bill Griffith, exhibiting internationally. Recent venues included [ 2 nd floor projects ] in San Francisco, Mulherin + Pollard in New York and ADA Gallery in Virginia.

George inspired four decades of SFAI graduates, who played cast and crew to a yearly creature feature course, making movies like “The Fury of Frau Frankenstein” and “Jewel of Jeopardy.” George was cherished, by his SFAI students and international audiences alike, for his wild humor, exuberant spirit and intuitive production ethic; if something didn’t work in a “picture” (as George referred to all his works), he merely changed the story to suit the circumstance. This approach led to his magnum opus, “Hold Me While I’m Naked,” 1966 an early solo venture which became a film about isolation and filmmaking when regular actress Donna Kerness abandoned the project. The result was named one of the 100 best films of the 20th Century by the Village Voice. Truly one of the most visionary artists of his time, George’s impact on six decades of film, visual art and popular culture is immeasurable.

Previously on Dangerous Minds:
Nothing is rare: George Kuchar’s 1966 underground masterpiece, ‘Hold Me While I’m Naked’
 

Posted by Richard Metzger
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09.07.2011
05:03 pm
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Hilarious Westboro Baptist Church counter-protest sign
09.07.2011
04:55 pm
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(via reddit)

Posted by Tara McGinley
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09.07.2011
04:55 pm
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