Photo by glittersweet
 
Must be some sort of weird space-time continuum leak? Or maybe they’re just lost?

Click here to see larger image.

(via Nerdcore)

 
Richard Metzger has already written a bit about Richard Ayoade’s feature-length directorial debut Submarine here on DM. Like Mr. Metzger, I too am a fan of Ayoade’s sly comedic gifts as displayed in the quirky Mighty Boosh, The IT Crowd and Man To Man. So Submarine is unmissable for me.

Ayoade analyzes a scene from Submarine.
 

 
Previously on DM: First Look: ‘Submarine’ the directorial debut of Richard Ayoade.

 
Two rather odd experiments using the blue screen effect to put Ann-Margret’s candy-colored intro and reprise to Bye Bye Birdie into a nightmare context. Both are disturbing for different reasons. The Wizard Of Oz clip is almost Buñuelian in its sepia-tinged surrealism. While the sludgy-looking Manson mash-up is just plain creepy.

The Burroughs-Gysin cut-up method applied to one of America’s teen dreams results in something bordering on the horrifying and apocalyptic
 

 
The Nietzsche Family Circus pairs a randomized Family Circus cartoon with a randomized Friedrich Nietzsche quote. Follow the link to the site and hit the refresh button for a different comic and quote each time. 

Intelligent Design, indeed.

 
In 1967 I went to school to be a psychedelic poster reader. But I dropped out. I later became a jive talk translator. The pay was good but the drugs sucked. I was recently offered a job writing subtitles for mumblecore movies but you get paid by the word and no one really says anything in slacker flicks. So, I’ve decided to enter the lucrative field of teaching urban slang sign language to deaf hipsters.
 

 
The Dangerous MInds Radio Hour turns 23 and spends some quality time doing The Hoochy Coo with resident host, yours truly. Some exclusive things and sonic shout outs to my favorite music gurus who truly keep me in a state of constant amazement. There really is an endless amount of great music to discover if you want it. Nice to know !
 
George Harrison -  Red Lady Too
Dave Dee, Dozy, Beaky, Mick & Tich - Bend It !
Leverage Models - Idiot Grace (Spangling Pins Of…)
Lifetones -  A Good Side
Dick Hyman on the Moog synthesizer - Strobo
The Fatimas - The Hoochy Coo
Monitor - Drab
Miles Davis Quintet w/ Bob Dorough - Nothing Like You
The Portable Flower Factory - Across The Universe
Lindisfarne - Clear White Light
Yes - Sweet Dreams
Beach Boys - All I Wanna Do
Dion - He’s Got The Whole World In His Hands
Everly Brothers - Lucille
Pink Reason *- Sixteen Years
Vetiver - To Baby
Terry Riley w/ La Monte Young - Concert For Two Pianos and Tape Recorders
Dean Elliot - Shutter Bugged Cat
* Pink Reason are from Wisconsin, not Ohio as i mistakenly state in the show, sorry !
 

 
Download this week’s episode
 
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bonus clip: Yes on French TV, early 1970

 
Shao Tong set up Bejing’s Moral Education Center for Women to “help” China’s single women find a rich man.

For only $46 an hour singletons can find out all the skills they’ll need to bag Mr. Rich. From how to read a man’s body language to “new skills in fashion, etiquette and make-up.”

Since the school opened last year, three thousand women have graduated, with thirty couples successfully hitched. Whether these graduates married a rich man is unclear.
 

 
In the Fall of 1982, Eric Bogosian traveled to Britain, where he performed in his two solo shows Men Inside and Voices of America. His tour took him from London’s ICA, through Cardiff, Newcastle-Upon-Tyne, Middlesborough, to Glasgow and Edinburgh, during the months of October and November , traveling with just one small suitcase of clothes, a black wool overcoat, and a selection of paperbacks to keep him company. Quite a feat at a time when things were organized without the advantage of the internet, emails, texts or mobile phones. It reveals much about Bogosian’s ambition and self-belief, as it does about his talents. 

Bogosian had opened Men Inside and Voices of America that Fall, at the Martinson Hall in New York, where he was hailed as “the best performance artist I’ve yet seen,” by Valentin Tatransky in Arts Magazine. He had also been described as like “a man possessed, a medium,  a schizophrenic,” by Sally Banes in the Village Voice, and as someone who could “perform the performer, and out-perform the performance artist,” in Flash Art.

At the time, I was a student, avoiding studies while editing the university magazine. How I’d heard about him, I can’t recall, a press release or flier most likely - my life back then seemed lived from the inside of an aquarium - knowledge, happiness, love and success were always beyond the glass. This disengagement with the external world might explain why I turned up late after his first show at the Third Eye Center, on Sauchiehall Street. Understandably, he was pissed, but I made my excuses and walked him back to his hotel on Cambridge Street, with arrangements to see and meet the following night in Edinburgh. These then are extracts from that interview.

Bogosian performed in a small stage area, surrounded by raised seating. He was imposing, for such a compact figure in black shirt, black pants. A bare stage except for one chair. Everything was suggested, created, from Bogosian’s physical presence. He walked onto stage and became a small child flying as Superman, talking to his father, mimicking adult bigotry before, shockingly, breaking into a stutter. So began the darkly comic Men Inside a carnival of souls from a troubled America - dysfunctional men, unable to interact with the world because of their bigotry and hate.

From Superman, Bogosian became a young man masturbating before declaiming his loneliness by saying “I love you” to a centerfold. Then on to a bored teenager, a stud, a bully, a sleaze-ball, a down-and-out, a Blood and Sword evangelist. It was loud, noisy and funny. Bogosian’s performance was as brilliant as his characters were low:

“Each character, each scene, flows into the next presenting different aspects of man gone wrong: his sexism, his racism, his hate.

It’s my effort on my part to try to communicate from a man’s point of view, trying to be sympathetic to men, saying this is how it happens, this is how a man ends up with these perspectives about women, about life - what can we do about it?

The thing I’m trying to lay out on women is the whole discussion of Women’s Liberation, Feminism, and the like, is all very complicated and that’s the first thing - it’s a complex issue, it’s not black and white. Women are perfectly justified in complaining about their situation, however, in different times men have also been put into situations that are not so great, the biggest one I can think about is certainly war.

War is Hell on Earth, and nobody should ever have to go through that. And of course, now, here in Great Britain people are thinking of the Falklands thing. I mean, it has to be thought about, if anything is sexist, it’s men should have to go off and die, that is sexist thing too.  All I’m saying, we’re all people, let’s try and be a little sympathetic to each other, while we try to find out what exactly is going on.

I was in a restaurant on a Sunday morning in Vancouver, on tour, and I came in and had my breakfast around 10 o’clock in the morning, and there was all these men in the place, all by themselves: smoking a cigarette, reading a paper, eating a breakfast, looking kinda glum, kinda down. And these two couple came in, both in their sixties, and each guy was very dapperly dressed with his wife. And the women were happily chatting with each other and the men were sort of ushering their wives in. And you had a very strong feeling that these women were in some way protecting these guys, they were giving them something to do with themselves, yeah know. They weren’t like every other guy in this place, and you got the feeling that these guys were kinda looking across at these two couples, how these guys’ clothes were clean, their clothes were pressed, and how, how they had something to fucking do.

And all those other guys were just crumpled up pieces of paper. And here are these two guys, who because they stuck it out with a couple of marriages, now that they were in their sixties, had something to do. And somehow I wish people would admit this: that mean and women are different, and that for whatever reasons, whether they’re cultural or whatever, they are complimentary aspects of one another.

Bogosian was concerned that some of the Scottish audience was offended by certain aspects of his performance thinking they may have confused the views of the characters with the performer’s. After all, this was dangerous stuff to bring to a city more attuned to the Royal Lyceum’s revival of Noel Coward, than an act billed as a cross between Lenny Bruce and Richard Pryor.

“I don’t expect anyone to be so critical about performance or experimental theater as I have been. I mean, it’s my life, it’s all I’ve been doing for the past 12-13 years, it’s all I’ve been doing - working in theater and complex theater. I don’t expect everyone who walks in off the street to understand about that - they’re taking it at face value, and they may not even notice the technique I’m employing.

For instance, the exotic dancer and the Led Zeppelin thing seem very alike, but their movements are very complex. You just can’t jump out and do that stuff, it’s all choreographed, and all rehearsed a lot, it’s just subtle. Someone might watch and go, ‘Hmm, not bad, that’s good movement.’ But not everyone’s going to understand that, what it’s about. They’re going to go ‘Ha-ha. look at that, he’s playing guitar,’ you know?

I can’t say if that’s something formal or theoretical in my work, it’s just something I’ve always done as an actor. It comes through from the inside. I don’t think any good actor can explain what happens when they become Someone. I become them totally and I know I’m inside them, and somehow it reads, and that’s the funny thing because at acting school they teach you how to relate what’s going on inside your head to what you look like outside. I don’t know what I look like, I’ve seen photos and stuff, but somehow what I look like is corresponding to what I’m feeling.

In a way that’s very direct and without any real training on it, I just hit the stage and it starts happening to me. But that’s just me, it’s like something I’ve got to my advantage, that I should make the best use of.”

The second half of the show was Voices of America a relentless tour of America’s airwaves, where every speaker, no matter how cheery or inane, seemed obsessed with death:

“If you had a choice to die from a nuclear holocaust (oh no!) or, a heroin overdose (oh wow!), which would you choose?” - ‘Voices of America’

This was all very much a hint of Bogosian’s Barry Champlain in Oliver Stone’s Talk Radio.

“Voices of America started out as a sort of finger exercise, so I could practice my voice, and it ended up as a piece.

At the time I was trying to get into advertising, so I made this demo tape of adverts and jingles and stuff, but the company thought it too cynical.

It’s very black. I’m interested in the way society’s fascinated with the lives of its stars and superstars, with its violence and consumption, its decadence.

Like how Keith Richard’s habits became published or how real death and real suffering are treated. How things are mass produced indifferently, and people’s suffering doesn’t come through, but is just forgotten.

Though I don’t think my philosophy or my ideas about anything are social or profound or anything, they’re just basic, mundane, liberal ideas, what we call liberal in America. It’s just like everyone else should be nice to everyone else, and how you can do it and go vote and I’m against the death penalty and for social programs. It’s just dumb stuff - I don’t mean these things are dumb - I mean I’ve got nothing to tell anybody that they shouldn’t already know. I’m just making stuff I’m interested in, it’s the piece I’m interested in - how can construct them and how can I act them out, it’s just all that stuff is in my head and it all might as well come out in the show, it might as well be there, as not be there.

And I know they’ll never put me on TV for saying these things, that’s the funny thing about it: I don’t think there’s anything radical about what I’m saying or doing, but they’ll never put me on a TV station saying this kind of stuff.

The current comedians in the States are just zany, they’re just crazy guys. Comedians with a conscience are not wanted in the mass media.

It’s just intuitive, a whole set of things are interesting to me, things that operate in my life. It’s like my face, if I get a nose job, and get my nose to be straight and my chin to be stuck out and stuff like that.

If I’m eloquent in expressing my particular set of perameters in my frame of mind they start to seem universal, or interesting or something like that, or, somebody at least might identify with them. I don’t start off with a theory and try to work it all out, it’s just that I try to express myself as best I can.”

Later, we walked out into the Georgian cobbled streets of Edinburgh’s New Town. It was late and cold, and the evening’s silence reminded us of our own past experiences of walking around empty streets at night listening for parties to crash.
 

 
 
Bonus clips of Eric Bogosian in performance, after the jump…
 

 
Divine in a 1987 episode of Tales From The Darkside.

In this bizarre tale called “Seymourlama,” Divine portrays the mysterious Ambassador Chia Fung, the Dalai Lama of a country known as Lo-Pu (a sly reference to Poodle poo?).

“Does this throne vibrate joyously upon the insertion of a quarter?”

Divine is the world’s first Dalai Lama with a Baltimore accent.

Seymour’s dad is played by the fabulous David Gale from Re-Animator.
 

 
The site Awesome People Hanging Out Together has rather fine photographs of celebrities from times gone-by just hanging out together.

Here you’ll find William Burroughs having dinner with Andy Warhol and Mick Jagger; Grace Slick and Janis Joplin playing-up for the camera; and the usual suspects backstage at concerts. There are also a couple of fun video clips, including a chat-show meeting between Alfred Hitchcock and James Brown. It’s a bit like Us or Hello! Magazine with a degree in Pop Culture, and you can see more here.
 

 

Grace Slick, Janis Joplin
 

Jack Nicholson, Lauren Bacall, Warren Beatty
 

 
The Weather Channel has contrasted images, from Google Earth with those just released by the National Oceanic Atmospheric Administration (NOAA), to show the horrific devastation in Joplin, Mo., before and after it was devastated by an EF5 tornado, which ripped through the town with winds of more than 200mph.

Image credit: Google Earth and NOAA
 

 

 
Via the Weather Channel
 
Previously on Dangerous Minds

 
More before and after aerial photos of Joplin, after the jump…
 

 
In response to an outbreak of horse herpes virus, the Rodeo Queens of Farmington, Utah demonstrate American ingenuity and can-do spirit by substituting phony ponies for horses and gain valuable experience in riding the stick.

From KLS.com:

Because of the outbreak, contestants at the Davis County Sheriff’s Mounted Posse Junior Queen Contest had to cowgirl up Thursday night without their mares.

Instead of competing on horses, as is typically the case, contestants were asked to trot around the arena with stick horses as their show ponies.

One rodeo queen, Savanna Steed, looked at the bright side:

“It will give you experience for if you happen to have a problem like this later in life,” Steed said with a smile. “You already have the experience of riding a stick horse!”
 

 
Literally Unbelievable collects stories from The Onion as interpreted on Facebook by people, who, as source of all things interesting, Laughton Sebastian Melmoth points out, “think ‘satire’ means ‘not sat there’”.

The site is curated by Hudson Hongo, who is a contributor to McSweeney’s, The Morning News and The Bygone Bureau.

Check Literally Unbelievable here.
 

 

 

 
With thanks to Laughton Sebastian Melmoth
 

 
To coincide with his appearance at this year’s Hay Festival, in Wales, film director, writer, stand-up comic, artist and all-round-good-guy, John Waters has compiled a list of “10 things every role model needs”:

1. History. You can’t have a one-night-stand role model. No one can become a role model in 24 hours. It helps a lot if you knew them when you were young, so they sort of grow or fester with you, like Johnny Mathis was for me.

2 Be extreme: all my role models have to be. They have to be braver than I’ve ever been. Even to survive success is hard, no matter if it’s widespread success like Johnny Mathis had, or Bobby Boris Pickett, who his whole life just had to sing one song [The Monster Mash]. Today too many people are trying hard to be extreme. For the people I admire it was natural, and they turned it into art.

3 Style. You can have bad style, but you have to have some style. That’s why I wrote about Rei Kawakubo, who reinvented fashion to be damaged and to be everything you hoped it was not when you bought an outfit. And she quadrupled the price. That’s a magic trick.

4 Be alarming – I think that’s important. And it’s different from being shocking. Alarming threatens the very core of your existence, it doesn’t just shock you – but you don’t know why it makes you nervous at first. You know, St Catherine of Siena drank pus for God. That was important to me because I thought: I want to be her, I don’t want to be half-assed! If I was going to be a Catholic, it would have been before the Reformation.

5 Humour. It’s very important to be well-read, but I never understand why people are so sure their partners have to be smart. What kind of smart do they mean? I’m not interested in talking about literature in bed! I like people who can make me laugh. Humour gets you laid, humour gets you hired, humour gets you through life. You don’t get beat up if you can make the person that’s going to beat you up laugh first.

6 Be a troublemaker. All art is troublemaking, because why go through all the trouble of making it if you don’t cause a little stir?

7 Bohemianism. Bohemia saved my life. And by bohemia I mean all sexualities mixed together, and people who do what they do not to get rich – freedom from suburbia. People who want to fit in but don’t are losers. Bohemians are people who don’t fit in because they don’t want to.

8 Originality. Someone unique like Margaret Hamilton, the Wicked Witch of the West, is an easy role model to have. She could fit into any of these categories – her outfit looked like Comme des Garçons, and anybody who could scare children like that… The problem was, I wanted to be her. And as I turn 65, that has sort of come true.

9 Neuroses. I think it helps to be neurotic. Neurotic people always end up being in the arts. If your kid fits in while in high school they’re going to be a dull adult. I still see a few people I went to high school with, but the other ones, when they come up to me I say: “I’m sorry, I took LSD, I don’t remember you.” It works, because then they aren’t offended personally. It’s really just manners.

10 Be a little bit insane. That’s different from neurotic. You can stay home and be neurotic. You have to go out to be insane. You can be a little bit of both, but both need to be joyous. As long as you can find a moment of joy in even your worst behaviour, it’s something to be thankful for.

John Waters will be discussing his book Role Models on Saturday at the Hay Festival at 8.30p, details here.
 

John Waters answers questions from The Big Think
 
Via the Daily Telegraph