Anti-piracy public service announcement from a group of “all star” pornies, including “hedgehog” Ron Jeremy, a bunch of sluts I’ve never heard of and Sarah Palin porn-a-like, Lisa Ann (I’m no fan of Palin’s but this woman looks like Sarah Palin maybe after she’s been hit in the face with a shovel).
This PSA will have perhaps less of an effect even than anti-marijuana messages, which is to say next to none. How many horny guys dialing up LubeTube will have second thoughts about stealing their product after seeing this? I’d wager zero is the winning answer to that!
This girl, whose gamer boyfriend apparently cheated on her, HACKS HIS EMAIL and SHREDS HIS STARCRAFT 2 BETA PASSWORD. Holy FKK THAT’S COLD. And as if that wasn’t enough, she then goes to his house and BREAKS HIS WINDOW WITH A BRICK. GOOD DEAR GOD LORD. I’m not sure which one is worse!
To paraphrase Al Pacino in “Heat”: “You might break a man’s window with a brick but YOU DO NOT GET TO FK WITH HIS STARCRAFT 2 BETA CODES.”
I hope this wasn’t one of OUR Brads. I’m gonna go hide in a corner now!!!
F*king epic remake of “Telephone” by Lady Gaga and Beyoncé by a bunch of bored soldiers in a base in Afghanistan. Clearly they are as bored there as I am here. I’m glad I know that all the money I got reamed for this year out of my hard-earned pay for writing about Lady Gaga went to Lady Gaga YouTube remakes in the desert.
Cale and a number of performers—including John Cage—all took turns playing the piece that’s just 3 lines long, but needs repeating 840 times. Cage, it seems, also organized the event, having been introduced to Vexations in Paris in ‘49.
The man sitting beside Cale is off-Broadway actor, Karl Schenzer. His secret? He was the only audience member ballsy enough to stick out the entire concert. Schenzer went on, possibly, and according to the New Yorker’s Alex Ross, to become a bit player for Francis Ford Coppola.
Question: in the above photo, is it the wife or the husband sleeping in the blanket? Either way, it’s made by a science teacher from activated carbon—how could such a miracle device not save a marriage?! As The Better Marriage Blanket site stresses, “This is a real product, not a joke!”
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This beautifully made, soft, warm, medium weight, 300 thread count comforter will work for many years. It can be machine washed normally and is dry cleanable. Simply drying in an electric dryer or in the sun will re-activate the odor absorbing qualities of the carbon.
And if there’s some married couples out there still on the fence, by all means check out the testimonials. And you Dangerous Minds readers in, well, unconventional relationships, call in for your group discount!
Take a ride through the Hollywood Hills with independent film God, John Cassavetes. At the time (‘65), the famously intense actor-writer-director (Shadows, Opening Night, A Woman Under The Influence) expresses nothing more than mild contempt for L.A.
In this second clip, though, and as Gena Rowlands and Ben Gazzara look on, bemused, he really goes off on it. And don’t get him started on television!
Yo dawg we herd you like staying up all night so we put some Rhythm of the Night in your night so you can can dance to the beat of the rhythm of the night while you’re up all night
After seeing the below trailer, I’m excited to see director Tamra Davis’s documentary portrait of painter Jean-Michel Basquiat, The Radiant Child. The other day I found a photo I took of him at a New York nightclub opening in 1986 in a box in my garage. He’s just glaring at the camera, like he’s pissed off, but he looks cool doing it. The same roll had photos of Andy Warhol and Keith Haring.
A friend of the graffiti/Neo-expressionist painter, director Tamra Davis paints her own portrait of the artist, who died at age 27, and offers an indictment of celebrity culture.
Davis met Basquiat while she was attending film school and working as a gallery assistant in Los Angeles. In 1985, she filmed an interview of Basquiat, which comprises the centerpiece of this film, along with rare footage of him painting.
“I saw anger in him but I also saw this whole other side of him, very intelligent, funny, filled with life, smiles, dances and super-flirty, super-charming,” said Davis. “That was the person who, I felt, people were getting it wrong.”
Davis said being around Basquiat there was “always so much happening, let’s do this, let’s go here, let’s see how far we can push this, what would happen if I did this, let’s go as fast as we can, let’s fly to Paris, let’s go out to dinner to the fanciest restaurant and order the best wine. Pushing the limit the furthest, so being around him was really fun but also crazy.”
The documentary, which will have its theatrical release later this year, is a collage of period footage, including the interview with Basquiat and new interviews with his friends/colleagues, such as Julian Schnabel, Larry Gagosian, Fab 5 Freddy, Glenn O’Brien and others.
Jean-Michel Basquiat: The Radiant Child: Director Tamra Davis Paints a Portrait of the Artist (WSJ)
Miguelín is a 6.5 meters tall baby, electronically animated. It breathes, blinks and dreams with the cities that we will leave to future generations will smiling visitors as they walk into “Sons”, the last of rooms that integrate the pavilion, which is managed by the Spanish Agency for International Exhibitions (SEEI) [...]
The baby’s “Mother” is film director Isabel Coixet who has pointed out that with this collaboration she has wanted to stay accurate to the Expo Shanghai’s Theme, “Better city, better life”. Also that Miguelín is a reminder that tells us that “all our actions have direct consequences on our children’s future and that we have to react to this”, said the filmmaker in an encounter with the Spanish Press at the Instituto Cervantes in Beijing.
Last night when I stumbled across the Bob Dylan/Bette Midler bootleg on Vimeo, I saw that the poster, dagb (that’s all I know about him and I suspect he would like to keep it that way) had also uploaded One Man’s Week, the 1975 documentary about the late great British eccentric and Bonzo Dog Doo Dah band singer, Vivian Stanshall. Erudite—and alcoholic—Vivian is interviewed and seen working on his African-influenced album Men Opening Umbrellas Ahead.
If you’re a Bonzos fan, this is a little bit of heaven, I promise you.
For a quick overview of who Stanshall was and why you should care, I suggest watching this, first:
When I read a headline like “Ancient weapons emerge from melting Arctic ice,” three things immediately pop into my mind:
1. Oh f_K, they’ve discovered an ancient spaceship under the polar icecaps which contains Aliens, Predators, Alien-Predators, Terminators, Terminator-Alien-Predators and/or the Da Vinci Code;
2. These things will probably kill all of us as they see us as little more than pawns in an epic game/hunt that has been conducted across the universe for millennia and which we have just reactivated by finding this Arctic trove which should have stayed buried;
3. Lance Henriksen will be involved.
However, all that happened is they found some old caveman spears. *Phew.* Headlines should know better than to scare me like that.
A treasure trove of ancient weapons has emerged from melting ice patches in the Canadian Arctic, revealing hunting strategies thousands of years old.
The weapons, which include a 2,400-year-old spear throwing tools, a 1000-year-old ground squirrel snare, and bows and arrows dating back 850 years, have been found high in the remote Mackenzie Mountains, a region where Mountain Boreal caribou abound in the summer months.
Dotted with ice patches resulting from accumulation of annual snow that, until recently, remained frozen all year, the mountains have been the caribous’ shelter for millennia.
Seeking relief from the heat and annoying bugs, the animals huddle on the ice patches, becoming an easy target for hunters who recognized this behavior millennia ago.
The image above, “The Scallop Divers of Enceladus,” is from an exhibition in London that asks artists to imagine the world of 2050, with some very unexpected results. I want this screen-printed on the hood of my car.
“An exhibition in London right now asks artists to imagine the world of 2050, and the answers are weirder than you could possibly imagine. Just check out this print, “The Scallop Divers Of Enceladus.”
The Life In 2050 exhibition is taking place right now as part of the Sci-Fi London Film Festival. Organized by design studio Transmission, the exhibition brings together 22 artists, showcasing their visions of the world 40 years from now.
The image to the left comes from awesome artist Tom Muller, and the print is for sale. Here are a few other images we love.”
