follow us in feedly
Martian chronicles: Fantastic covers for UFO comics of the 1960s & 70s

Little green men ain’t what they used to be. We don’t need Sean Spicer to confirm that aliens have already landed and have squeezed their scaly green asses into government. Hell, they don’t even have to fire their ray guns to let us know their intentions are hostile. They’ve taken over and not a shot was fired.

Once upon a time, this kind of speculative alien invasion was the prime cut of science-fiction comics like UFO Flying Saucers. First published by Gold Key in 1968, UFO Flying Saucers evolved into UFO & Outer Space before ceasing publication in 1977.

During its just over a decade run, UFO Flying Saucers did ask all the right questions like “Do alien explorers hold earthlings in their grip?” and “Is Earth their laboratory? Are we their specimens?” Some might say, in light of recent events across the world, the answers are kinda obvious now. And worryingly these flying saucers might not just be in charge of one government—looks like they’ve got a whole deck of countries to play with.

Stephen Hawking once wisely pointed out that if alien intelligence ever read the messages we pump out into space then we should be careful as these extraterrestrials may be hostile and not “see us as any more valuable than we see bacteria.” These UFO comics were way ahead of you there, Stephen.

Recently, scientists at the Australian National University, Swinburne University of Technology and the ARC Centre of Excellence for All-sky Astrophysics (CAASTRO) confirmed “mystery bursts of radio waves that astronomers have hunted for ten years really do come from outer space.”

These Fast Radio Bursts are intense pulses of radio light that last for only milliseconds and come from way, way out in the outer reaches of space. These pulses were first discovered over ten years ago and are “about a billion times more luminous than anything we have ever seen in our own Milky Way galaxy.”

At first, they were thought to be interference. Now, it seems these pulses are some kind of transmission. ARC Laureate Fellow Professor Matthew Bailes has suggested the signals may (“bizarrely”) be “alien transmissions.”

If they are. Well, we know what to expect. If not, a refresher course of the covers to Gold Key’s UFO Flying Saucers and UFO & Outer Space might supply some useful answers.
More fabulous covers from UFO Flying Saucers and UFO & Outer Space, after the jump…

Posted by Paul Gallagher | Leave a comment
Dreamy sci-fi paintings show the world after an alien invasion

While science fiction is a rich genre for both film and literature, the visual art it inspires—most frequently relegated to the covers of bad paperbacks—is very often astoundingly corny, regardless of how good the book it’s interpreting might actually be. Really good sci-fi art is really hard to come by, another reason why Simon Stålenhag is so singular; his post-invasion landscapes are dreamy, intense, and mysterious—completely devoid of the heavy-handed cheese one normally associates with paintings of robots and/or aliens taking over the earth.

Stålenhag has complied his work into two high-concept art books, Tales from the Loop and the sequel Things from the Flood, which comes out in November but is available for pre-order now. Ground Zero for Stålenhag’s dystopia is an alternative Sweden from his own ’80s and ’90s childhood, where experiments with a massive particle accelerator—“The Loop”—go terribly wrong. Despite the disaster, Stålenhag likes to focus on the quiet and the mundane countryside, now irrevocably altered by mysterious invaders. Still, there is an intimacy to his work, with special attention to the domestic lives, childhoods and romances of the people living in this chaotic new world.


Much more of Simon Stålenhag’s work after the jump…

Posted by Amber Frost | Leave a comment
Super-strange 1978 PSA film might give you an acid flashback
09:16 am

Pop Culture

safety tips

“Safety Woman” from the school safety video “Safety: In Danger out of Doors” from 1978.
This late 70s school safety video is full of so much weirdness that it’s hard not to feel like you’re suddenly having an unplanned acid trip while watching it.

In this short film from 1978 menacingly entitled Safety: In Danger out of Doors, we meet the fictional character Miss Karen Kingsley, who the narrator describes as “a youthful, gifted, attractive, successful, freelance architect” who spends her free time volunteering as a school crossing guard. The fourteen-minute PSA plays out much like a lost B-movie when the multi-talented Miss Kingsley somehow becomes “Safety Woman,” a shiny-jumpsuit-wearing superhero (who came to be thanks to some sort of sketchy divine alien “interaction”), that shows up just in time to save her accident prone school-age pals from certain death. If this video had been made in the 80s, that jumpsuit would have reeked of Enjoli perfume for sure. Check out all the possible scenarios that put children of the 70s in peril, like skateboarding or swimming—which we (or at least most of us, I suppose) somehow miraculously survived—after the jump…

Posted by Cherrybomb | Leave a comment
Cthulhu, Bigfoot and Ancient Alien Pyramid blankets
12:23 pm



I’m digging these Cthulhu, Bigfoot, “Ancient Alien Pyramid” and “Scholarly Skull” throw blankets by Middle of Beyond. It looks like (don’t hold me to it) they’re large enough to fit on a double bed. Although, if I had one of these, I’d probably use it on my couch.

The blankets are reasonably priced at $59.99 + shipping. According to the website, all the blankets are in stock and ships in 1-2 days. Not too shabby. 





Posted by Tara McGinley | Leave a comment
Aliens, bleeding walls and too many cops: The amazing public light art of Madrid’s luzinterrup

The global metropolis is seeing a golden age of street art nowadays, as seen in the evolution from spraycan through stencil/wheatpaste and on to other outdoor installations. The Luzinterruptus crew from Madrid has been doing some amazing light-work lately with some compelling underlying themes.
Their latest, Ejército de platillos volantes desechables (above), saw them land an army of disposable flying saucers in Parque del Oeste, the home of the rebuilt ancient Egyptian Temple of Debod.
Before that, the Luz’ers’ Publicidad herida de muerte (Mortally Wounded Advertising) commented on the thick layer of posters that cover the city’s walls by making them bleed fire.

Some months ago, curator Sebastian Buck in Good Magazine surfaced Luz’s Tanta Policía, para tan Poca Gente… (Lots of Cops for So Few People), in which the crew protested the increased police presence in their East Villagesque Malasana neighborhood by decorating 50 random cars with homemade replicas of the city’s official blue siren.


Posted by Ron Nachmann | Leave a comment