follow us in feedly
‘Love Bites’: A charming documentary on Morrissey super-fans from 1995
11:21 am




When I die I want to see every gig I ever went to and every Morrissey-related experience flash before my eyes. Then I can die flat out.

—A Morrissey super-fan or an “irregular regular” on her dedication to the great and powerful Moz.

Though at times the various accents from some the fans featured in Love Bites are difficult to understand, it doesn’t prevent you from clearly seeing how utterly devoted they are to the former Smiths crooner. The documentary is based on a lovely group of people who followed Morrissey around during the early 1990s when he was out supporting his 1992 album Your Arsenal and 1994’s Vauxhall & I in the U.K. The first-hand accounts from the “irregular regulars” is pretty endearing stuff—especially when it comes to how seeing Moz live makes them feel, such as a young female fan who equated the experience to “attending the church of Morrissey.” Many of Moz’s male fans have their hair styled just like their idol and there’s even a guy who tricked out his scooter with pictures of Morrissey all over it. Now that’s love.

I’m not going to share much more about the doc as I don’t want to spoil it. This is truly a heartfelt glimpse into the lives of people who were collectively moved by Moz’s live performances and being. It is also a rather engrossing watch and I found that all 38 minutes of it kind of flew by when I watched it, mostly due to Morrissey’s quippy and quotable hardcore fans. When asked about her devotion to the singer one of them shared the following melancholy thought: 

I’m sure he loves us as much as we love him. I’m sure he thinks about us.

And with a quote that was seemingly plucked from Morrissey’s own brooding playbook, I’ll leave you to watch ‘Love Bites’ after the jump…

Posted by Cherrybomb | Leave a comment
Kitchy vintage dishware with images of Prince, David Bowie, Robert Smith, Lemmy, Moz & more!

A vintage plate with an image of Robert Smith of The Cure and a kitty by Miss Scarlett of Dirty Lola. Get it here.
Today’s “take my money please” post features beguiling, vintage dishware that has been reworked to include images of David Bowie, Robert Smith of The Cure, Lemmy Kilmister, Morrissey, Prince and a few other famous faces.

Miss Scarlet is a professional illustrator who has also honed her artistic craft in the mediums of watercolor, digital illustration, and graphic design and she has really done a fantastic job of selecting ornate vintage dishes to use as the base of her clever designer “for display only” dishware. Which makes sense as the talented artist has also spent time working as a designer for the fashion houses of John Galliano, Dior, and Christian Lacroix. There are over fifty different designer plates avaliable at Miss Scarlett’s Etsy store, Dirty Lola that come in various sizes and run anywhere between $29.99 to $75 bucks. I’ve posted a few of the most covetable ones below.



More after the jump…

Posted by Cherrybomb | Leave a comment
‘We’re going mad’: The Smiths young and miserable on a bus with a bunch of kids in 1984
10:17 am

Pop Culture

The Smiths
kids TV

The Smiths have two enduring legacies. Their music is the first, of course, particularly their run of perfect early singles, a collection of gloomy, fragile, almost hilariously depressed bummer-pop songs. The second is their singer’s gloomy, fragile, almost hilariously depressed public image. So, what’s the least likely place to find Morrissey in the summer of 1984? How about frolicking in a park with a gaggle of excitable children?

We are so far away from the time and place this video was first produced that it now seems like a warped parody of itself, like a hip late-night comedy sketch from some obscure corner of cable TV or a surreal dream you had after spinning all your Smiths albums and drinking straight gin all night.

This clip is from ITV’s breakfast television franchise TVAM in Britain, presumably from 1984. It aired during their Saturday morning kid’s line-up, SPLAT. “Charlie’s Bus” was a recurring segment on the program. It allowed kids to interview and interact with various celebrities. On this particular day, a bunch of bemused pre-teens mixed it up with The Smiths, who they have clearly never heard of. And why would they have? They weren’t exactly a kid-friendly band. I mean there’s a song on their first album about notorious kid-killers Ian Brady and Myra Hindley, for chrissakes. But here we all are, on Charlie’s Bus on a sunny afternoon.

The kids want to know how The Smiths got their name. Johnny Marr explains that he wanted to call the band the Rolling Stones, but Morrissey thought that was too much of a mouthful.

Kid: “Where are we going?”
Morrissey: “We’re going mad.”
Kid: “I thought we were going to Kew Gardens.”

More after the jump…

Posted by Ken McIntyre | Leave a comment
George Michael and Morrissey discuss Joy Division (and breakdancing) in 1984

In May 1984, George Michael and Morrissey appeared alongside the unhip, uncool and utterly square antique DJ Tony Blackburn on BBC youth programme Eight Days A Week. The show was a weekly round-up of the latest music, film and book releases as pecked over by a trio of celebrities. It was aimed at a young happening audience with the intention of fulfilling the ye olde BBC charter obligations to “educate, inform and entertain” (perhaps not necessarily in that order).

The week George appeared on the show he was storming up the UK charts alongside Andrew Ridgeley as Wham! with their hit single “Wake Me Up Before You Go-Go,” while Morrissey with bandmates The Smiths were just about to release their song “Heaven Knows I’m Miserable Now.” And Blackburn—well, he was still unutterably anodyne, nauseating and the very establishment edifice these two young artistes were (in their own ways) rebelling against—no matter how much Blackburn sought credibility by pronouncing his deep love of soul music.

At the time of its broadcast, the fey, young aesthete Morrissey would have been seen as the “cool” one. But in truth it’s George Michael who steals the show with his honesty, sensibility and utter lack of pretension. He says it as it is and plays to no gallery as both Morrissey and Blackburn were wont to do.

The topics up for review the week this trio appeared were Everything But The Girl‘s debut album Eden, the crap movie that film producers Golan & Globus called Breakdance (aka Breakin’) and a book about Joy Division called An Ideal for Living: A History of Joy Division by Mark Johnson. While Morrissey does Morrissey whilst talking about another Mancunian band, it is George Michael who delights with his (low) opinion of pompous English rock scribe Paul Morley and surprises by revealing his love of the brooding quartet.  While the show’s host Robin Denselow (probably an apt surname) asked, “George, I wouldn’t imagine you as a Joy Division fan, maybe I’m wrong?”

George: Ah, you might be wrong! This book, just became incredibly suspect for me, the minute I saw…

Denselow: You do like them?

George: I do like them, yeah. It became very suspect when I saw that it was partially, a lot of the contributions were from a gentleman called Paul Morley.

Denselow: You don’t approve of Paul Morley?

George: You’d need a book a lot thicker than that to list that man’s ideas or hangups, whatever you’d like to call it. It became very, very pretentious, in so many areas, I actually didn’t finish it, I did not get anywhere near finishing it.  And I actually really liked Joy Division, or particular their second album Closer. I thought Closer, the second side of Closer…it’s one of my favorite albums, It’s just beautiful.

Watch George Michael & Morrissey talk pop, film and books, after the jump….

Posted by Paul Gallagher | Leave a comment
Christmas ornaments featuring Morrissey, Bowie, Adam Ant, Nick Cave, Siouxsie and more

This charming set of Christmas ornaments does a wonderful job of letting everyone in your circle know that you love St. Nick—and that the “Nick” in question is Nick Cave. Matthew Lineham designed them, and he’s done a wonderful job of working in “obscure Christmas memories and puns,” as he put it.

Many of his “obscure” references involve network Christmas programming from many decades ago. Siouxsie Sioux is transformed into Cindy Lou Who, the little girl from Whoville in Dr. Seuss’ classic How the Grinch Stole Christmas, and Morrissey plays the part of “Snow Mozzer” and “Heat Mozzer,” the memorable characters from the 1974 stop-motion animated Christmas TV special from Rankin/Bass, The Year Without a Santa Claus. Former Oingo Boingo frontman and soundtrack maestro Danny Elfman appears as “Elfman on the Shelfman,” a reference to the 2004 children’s book The Elf on the Shelf. Robert Smith is perched atop Rudolph the Red-Nosed Reindeer, and DEVO‘s familiar energy dome is cleverly done up as a Christmas tree.

Lineham calls the set “A Very New Wave Christmas” but he has sensibly gone where the name-puns and name recognition will take him rather than obey strict genre definitions. Bowie and Cave might not be your idea of “new wave” icons but they were active in the early 1980s, at least.

You can buy the rubber die cut bendable ornaments for $10 a pop (“Mozzer” pair $15), or $50 for the entire set, a significant discount. However, due to the unexpectedly high demand, Lineham wants purchasers to be aware that any ornaments ordered today will be shipped “sometime between Dec 21st & 31st,” so don’t bank on them being available for this year’s tree—however, there’s always 2017, 2018, 2019, and beyond to think of. These seem unlikely to go out of style anytime soon.


More after the jump…

Posted by Martin Schneider | Leave a comment
Vegan cookbooks inspired by Nick Cave and Morrissey

Human beings are great at doing two things when we’re sad: wallowing in music and overindulging in food. We all have our go-tos—ABBA and chocolate covered pretzels? Excellent choice. Early Cure and ice cream? Gets the job DONE, son. Belle and Sebastian and Doritos? Awesome and awesome and awesome.

When getting over a breakup herself, artist Automne Zinng spent a lot of time making art while listening to music. Zinng is a primitivist illustrator and surrealist photographer who attracted some attention a few years back with a series of drawings called “Goths Eating Things.” I’ll leave the guesswork as to what that series depicted up to you. She’s parlayed that series into two cookbooks, Defensive Eating with Morrissey and Comfort Eating with Nick Cave, both of which pair drawings of those singers eating with recipes, many of which pun on those artists’ lyrics.

From her introduction to Defensive Eating with Morrissey:

In 2013, I was broke, living in Los Angeles, and going through a terrible breakup. It was probably one of the darkest times in my life and I felt inconsolable. I wasn’t working. I wasn’t eating. I wasn’t drinking. I wasn’t doing much of anything except writing depressing songs and listening to even more depressing ones from my youth. I found it curious that the bands that got me through the general malaise of being a sad teenage goth served as a type of sonic comfort food for me as an even sadder adult. Was I having a mid-life crisis?

The only thing that brought me comfort during that nightmare was drawing. I started to doodle images of Nick Cave crying over pints of ice cream, Siouxsie Sioux devouring tacos, and The Sisters Of Mercy stuffing their faces with Cinnabons. The more time passed, the more surreal these drawings became. Eventually, I started sharing them with others and everyone wanted to see Morrissey putting things in his mouth. Who wouldn’t? I obliged and started doing a series of drawings of Morrissey hoarding food. Those drawings became a zine, and that zine is now a cookbook.

Unfortunately, Messers Morrissey and Cave were not involved in the making of the books. According to the publisher, Microcosm Publishing’s Joe Biel—who’s broached this territory before in publishing Tom Neely’s fictional punk rock bromance Henry & Glenn Forever—“Morrissey was nearly involved. His manager really liked the book and pushed and pushed him but he’s kind of…humorless. We even offered to give money to his favorite charity. He eventually just stopped engaging. Unbeknown to us, Nick Cave’s son had just died when we got in touch so his manager said that he could not be involved.”

The recipes were crafted by Joshua “The Touring Vegan Chef” Ploeg, and accordingly they’re all vegan, so barring allergies, everyone can enjoy them (working out variations to accommodate other special diets like gluten free, nut free, kosher, etc. would be all up to the end user). Microcosm have been kind enough to permit us to share some of the art and recipes with you. We’re planning to try the Nick Cave cookies ourselves this weekend.


More after the jump…

Posted by Ron Kretsch | Leave a comment
‘Ouija board, ouija board would you work for me?’: Morrissey-themed ouija board
01:55 pm


ouija board

Image via Little Lost Robot on Flickr
Here’s another one of those, “WHY didn’t I think of this!” ideas. Seems like an obvious thing to make, yet no one really has except for artist Mike Maas. It appears Maas made these glorious limited-edition ouija boards a few years back. Whether or not any are still available or can be purchased, remains unseen. I couldn’t find any on his website. Perhaps they’re all gone. Boo!

If you’re interested in owning one, there is a contact section on Maas’ website. You never know!


Previously on Dangerous Minds:
Awesome vintage ouija boards
Don’t Mess with My Mind! Christian magician warns children of evil Ouija boards, Dungeons & Dragons
Ouija board coffee table and rug
Sexy Ouija board platform heels

Posted by Tara McGinley | Leave a comment
Miserable in Manchester: Amusing letters and music reviews from a young Morrissey

Morrissey, the writer
A young Steven Morrissey contemplating the state of punk rock
Recently, I spent some time collecting for you my dear Dangerous Minds readers, numerous amusing pieces of personal correspondence (adorable typos and all) from a young, pre-Smiths Morrissey. Even back then, Morrissey was busy cultivating the melancholy persona that we all know and love today.
The home address of a teenage Morrissey
The home address of a teenage Morrissey
A page of a letter from Morrissey to his pen pal, Robert Mackie
Part of a letter from a young Morrissey to his pen pal, Robert Mackie, October 22nd, 1980
In addition to excerpts from many of his pen pal letters to Robert Mackie, I’ve included a few of Morrissey’s letters to various magazines and several of his reviews of bands like Depeche Mode and The Cramps that appeared in the weekly British newspaper, the Record Mirror from 1980.

I’m especially fond of the then teenaged Morrissey’s review of a live gig in April of 1980 by The Cramps at Manchester Polytechnic (which you can read below) that he wrote for Record Mirror in which he muses “Is it true that guitarist Ivy Rorschach sets fires to orphanages when she’s bored?” If only. What follows makes for some fantastic reading, enjoy!
A review of a live Cramps gig at Manchester Polytechnic that appeared in Record Mirror on April 4th, 1980
A review of a live show of The Cramps at Manchester Polytechnic that appeared in the Record Mirror, April 4th, 1980 written by a 21-year-old Morrissey
More Morrissey, after the jump…

Posted by Cherrybomb | Leave a comment
You know you want these knitted Morrissey dolls
11:50 am



Kate Park makes these fantastic knitted Morrissey dolls. Sad thing is, since Kate’s work has blown up on the Internet, she simply can’t fill all the orders she’s been getting. That’s a good problem to have for a small business that makes knitted Morrissey dolls, right?

If you’d like to contact Kate about her tiny open-shirt Mozzer, here’s how:

Enquiries are still arriving and I’m thinking that at this rate, I might do a mailing list next year, so if you’d like to be on that (should it happen) and get emailed when a new doll goes on sale, please email to leave your details.

Please, please, please let me get what I want!

Yesterday on his website Morrissey listed his reasons for declining to deliver Channel 4’s rival programming for Her Majesty’s annual televised Christmas Day message on BBC. The singer, well known for despising the monarchy, said that he was sympathetic of the Queen’s right to address the country, adding that she’s irrelevant anyways, so why bother?

“My view that the monarchy should be quietly dismantled for the good of England is reasonably well-known, but I don’t think Christmas Day is quite the time to be trading slaps. The Queen should be allowed the impassioned trance of her annual address to the British people, if only to once again prove that, in her frozen posture, she has nothing to offer and nothing to say, and she has no place in modern Britain except as a figure of repression; no independent thought required. The Queen very well might be the most powerful woman in England, but she lacks the power to make herself loved, and the phony inflation of her family attacks all rational intellect.

All over the world highly civilized peoples exist without the automatic condescension of a ‘royal’ family. England can do the same, and will find more respect for doing so.”



via Boing Boing

Posted by Tara McGinley | Leave a comment
Morrissey talks to nobody on MTV, 1985
09:27 am



I can hardly think of a better format for a Morrissey interview than this: in 1985, MTV’s monthly weirdomusic program IRS Records Presents the Cutting Edge put him in a room alone with a camera and a pile of envelopes each containing a one-word topic, like “fashion,” “money,” “music,” and so forth. The Smiths’ vocalist simply opened the envelopes and expounded the topics given therein (and it’s a goddamn shame none of those envelopes contained the names of any bands he disliked). The results are, unsurprisingly, classic Morrissey. Would it surprise you to learn that he thinks every art form he can name is a dying art, and that the greatest art form is the one he happens to be known for? Of course it wouldn’t.

Allowing that this was probably sourced from someone’s VHS dub of the broadcast, it looks like even by 1985 standards that that was kind of a shit video camera in there with him—the whole thing has the hazy and noisy feel of old surveillance footage. The entire video was broken up into several segments and spread out through the broadcast, but what’s here just contains the edited-out Morrissey segments. Bafflingly, the beginning is labeled “Part 2,” and there’s a lot of needless overlap between the two parts. I’ve set it up to play here in the proper order without the loads of overlap. The alternative was to post a ghastly looking and sounding screen-shot video.

The rest after the jump…

Posted by Ron Kretsch | Leave a comment
Nothing lost in translation: The ‘acute malevolence’ of Morrissey
01:47 pm



Morrissey hugs a cat
In an interview earlier this month with El País, the largest newspaper in circulation in Spain, Morrissey unleashed his thoughts on bullfighting, his musical peers, his tenth studio record World Peace is None of Your Business, and compared the British royal family to the brood of Syrian President, Bashar Hafez al-Assad. In other words, Morrissey is still behaving just like Morrissey.

Since I ran the interview through Google’s translator so I could read it in English, it ended up a bit rough. However this only made the interview all the more amusing. It starts off with journalist Diego A. Manrique (whose own translated Wikipedia bio says he’s been “specializing in criticizing music since 1975”) noting that after sending off a “questionnaire” to Moz, the answers that were returned to him were unequivocally “Morrisseynianas,” and could without a doubt be attributed to him as they were filled with “acute malevolence” and Morrissey’s “recognizable narcissism.” It also states that Morrissey always comes to interviews with “loaded guns.” Here’s a few highlights from Google’s translated version of the interview:

Morrissey on bullfighting:

Bullfighters are vermin: they should kill each other.

There’s a track on World Peace titled “The Bullfighter Dies.” Remember, Moz is giving this interview to the largest newspaper in Spain where bullfighting continues to be an important part of Spanish culture. But just like Sweet Brown and her bronchitis, Morrissey just ain’t got time for that.

On the autobiographies of his peers (again, the text is translated by Google and I haven’t adjusted it):

I’m surprised that so many colleagues who actually think they have something to say! When you read his books, it does not. My Autobiography exists, is self-explanatory. So I will not talk about the book on television, radio or newspapers.

Translation aside, this is pretty much classic Moz refusing to answer a question while using many words to communicate said refusal.

On parting ways with his former label, Harvest Records:

I was not me, kicked me! They tried to keep my record but found that they had no rights. A very stupid mess, caused by an officer named Steve Barnett, who has less brains than an artificial flower. The fact that someone like that carry a label is a sign of how bad things are in the musical world.

You may remember that at a gig in Lisbon on October 7th, Moz’s band all wore “Fuck Harvest” t-shirts in protest of Morrissey’s claims that the label had “dropped” him and “botched” the release of World Peace. Despite this, the record ended up in the number two spot on the UK charts back in July following its release proving the fact that nobody kicks Morrissey, Morrissey kicks YOU!

On the upcoming apocalypse and the never-ending ecological destruction of the world:

Industrial agriculture and factory farming are destroying the planet. Every time I see the yellow M of McDonald’s think about death. Governments tolerate whatever brings money; benefit from the inclination of the human race by suicide. It amuses me that there are countries where the suicide attempt is punished while governments spend billions on nuclear weapons, which facilitate collective suicide. Just to be used once to disappear all here.

And there you have it. Morrissey translated by Google from Spanish to English is just as morose and as acutely malevolent as he ever was. God save the Queen.

Posted by Cherrybomb | Leave a comment
Morrissey has been undergoing cancer treatment: ‘If I die, then I die’
11:13 am

Current Events


Morrissey has told El Mundo newspaper via the Morrissey-Solo message board that he has received treatment for cancer. In response to the questions, “Your fans are worried about your state of health, in recent months you have been hospitalized and have had to cancel several concerts. How are you feeling?” the 55-year-old singer wrote:

They have scraped cancerous tissues from me four times already, but who cares. If I die, then I die. And if not, then I don’t. Right now I feel good. I am aware that in recent photos I look unwell, but that is what illness does. I’m not going to worry about that, I’ll rest when I’m dead.

Over the past year, Morrissey has been troubled with health issues and has been repeatedly hospitalized. Early last year, he was diagnosed with a bleeding ulcer, then in March of the same year he had double pneumonia. This was followed by respiratory failure in June and food poisoning in July 2013.

In the interview Morrissey also discussed why he supported an independent Scotland (“because I like people to rise up against regimes”) and his dislike for David and Victoria Beckham:

I can not stand David and Victoria Beckham. The tragic importance that the British media give this couple is what has made us a nation of zombies. They are nothing, but their egos are abnormally overdeveloped. Victoria never does anything, but she’s always busy, absorbed in her self-worship, like “McDonna” [author’s note: for Madonna, probably]. And her husband, well, he does not know how to speak English and his business is disgusting. He has a line of perfumes that have been previously tested on animals, as if animals are accustomed to wear cologne. Remember: if you buy his aftershave lotion you are supporting animal torture.

Read the whole interview here.
Via El Mundo

Posted by Paul Gallagher | Leave a comment
Every Day is like Monday: ‘Morrissey Gets a Job’
08:39 am

Pop Culture


Waaaaaaay back in 1999, Oakland, CA based artist and author Brian Brooks, who played a role in the creation of Emily The Strange, made a series of photocopied Rock ’n’ Roll coloring books, including the utterly classic Morrissey Gets a Job, an amusing speculative look at a possible post-Smiths life that could-have-been. Actually, the singer’s famously dreary disposition could make for a decent fit with the corporate office milieu. Think about it, Moz, there’s room to move in middle-management.

Even if you’ve never seen these, they might look somewhat familiar if you spent any time at all on the internet during the ‘oughts—the panels are detourned from Ready-to-Use Office and Business Illustrations, the same book of Tom Tierney clip-art that David Rees would famously pillage a couple of years later for Get Your War On.





More Moz in the workplace after the jump…

Posted by Ron Kretsch | Leave a comment
Experience ‘Clown Fucker,’ the perfect Morrissey parody
08:52 am


Dana Gould

Clown Fucker
On the most recent episode of his podcast, veteran standup and former Simpsons writer Dana Gould explored what is and isn’t mentionable in comedy—the title of the episode is “You Can’t Say That!” In the service of making a different point, Gould happened to play a clip (about 10 minutes in) from his 1998 album Funhouse, a clip that has the most spot-on, deadly accurate impression of Morrissey I’ve ever heard.

Through sheer imaginative brio, Gould, who hails from Massachusetts, manages to nail the exaggeratedly maudlin quality of Moz’s lyrics, his affectation of turning the last word of every other line into a four-syllable affair, his achy-breaky way of singing every word in a different register…. all, of course, by showcasing content that would be very unlikely to make it into a Morrissey song: the saga of a one-night stand with a circus clown. Brutality can do wonders in comedy, which explains the song’s title (and chorus): “Clown Fucker.”

Here are the lyrics, but you have to hear Gould’s version to get anything like the full effect:

He awoke in the morning and to no surprise
The man of last night had fled
Stains of white greasepaint on her body that ran
From her toes to the top of her head

The alarm stung her ear, she rolled over to spy
Much to her chagrin and her dread
A crumpled red nose and two oversized shoes
Strewn by the side of the bed

“Clown fucker! Clown fucker!” That’s what they said
“Clown fucker! Clown fucker!” That’s what they said
“No, never fuck a clown, dear,” that’s what mommy said
“Never, never fuck a clown, dear,” that’s what mommy said

She went to the bar and she started to drink
She drank and she drank and got drunk
She walked up to him and said, “How could you leave?”
But all he could do was honk

She knew it was over, it sunk in just then
It was time to say “it’s the end”
He walked out the door and stepped into a car
With forty-eight of his friends….



Posted by Martin Schneider | Leave a comment
Morrissey’s first solo concert was minor bedlam
08:41 am



Born May 22, 1959, Mr. Steven Patrick Morrissey turns 55 today. You may have heard of his old band, The Smiths.

To commemorate, we offer this footage of his first solo gig, in 1988 at Wolverhampton Civic Hall, which also kinda doubled as The Smiths’ farewell. The rhythm section here is a pre-lawsuit Mike Joyce and Andy Rourke, and the guitarist is Craig Gannon, who served the Smiths as bassist during Rourke’s brief 1986 ouster from the band, and became their touring rhythm guitarist thereafter. As The Smiths split up before the release of their final album, Strangeways, Here We Come, this was the only live performance of some of that material ever undertaken by this many Smiths at once.

Per the wonderful online Smiths/Morrissey archive Passions Just Like Mine:

Admission was free to anyone wearing a Smiths or Morrissey shirt. Only half the fans who traveled to Wolverhampton made it inside the venue. Outside the queuing and organisation almost turned to chaos. The atmosphere inside was obviously very charged. There was a great deal of cheering and chanting Morrissey’s name to the English football tune. Throughout the short set many fans made it on stage, much more than for a typical Smiths concert.

Morrissey came on stage to a thunder of applause, after a long period of cheering and chanting. In the first song, “Stop Me If You Think You’ve Heard This One Before”, he sang “And so I drank one, or was it four?” instead of “... it became four”. He actually sang that line as it had been originally written and not as it appeared on “Strangeways Here We Come”. Before “Interesting Drug” which had yet to be released and was unknown to the fans, Morrissey started “This song is called…” but never managed to finish his introduction. In that song just like in the previous one, “Disappointed”, Morrissey missed many lines because of the mayhem with the fans on stage.

It’s true—Morrissey gets manhandled worse than Dead Kennedys-era Jello Biafra here. Having touched the garment of their messiah, I’m sure most of those kids turned out OK.

Posted by Ron Kretsch | Leave a comment
Page 1 of 4  1 2 3 >  Last ›